By Marietta O’Byrne
Photographs by Doreen Wynja
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- Hardcover $34.95 $46.95 CAD
- ebook $16.99 $21.99 CAD
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Marietta and Ernie O’Byrne’s garden—situated on one and a half acres in Eugene, Oregon—is filled with an incredible array of plants from around the world. By consciously leveraging the garden’s many microclimates, they have created a stunning patchwork of exuberant plants that is widely considered one of America’s most outstanding private gardens. In A Tapestry Garden, the O’Byrnes share their deep knowledge of plants and essential garden advice. Readers will discover the humble roots of the garden, explore the numerous habitats and the plants that make them shine, and find inspiration in photography that captures the garden’s astonishing beauty. There is something here for every type of gardener: a shade garden, perennial borders, a chaparral garden, a kitchen garden, and more. Profiles of the O’Byrne’s favorite plants—including hellebores, trilliums, arisaemas, and alpine plants—include comprehensive growing information and tips on pruning and care. A Tapestry Garden captures the spirit of a very special place.
As a young girl in northern Germany, I played farm with little ceramic pigs and sheep and took loving care of cacti and cyclamens on the windowsill. What a thrill it was, watching little seedlings develop from the brown seed capsules of last year’s pansies on the balcony. My favorite outings were to the botanical garden, Planten und Bloomen, and the Hagenbeck Zoo in Hamburg.
My family had fled from Pomerania (now Poland) in 1944 when I was two years old to the heath country south of Hamburg with relatives and other refugees toward the close of WWII, and we all lived together on a large estate. My earliest rural memories from that time are of hunting mushrooms, collecting beechnuts, and picking wild blueberries. I clearly recall the excitement and pleasure of gathering food, still a lifelong passion. Five years later we moved to the large city of Hamburg.
As long as I can remember, I yearned for the spaciousness of the countryside. City life, with its man-made environment of stone, asphalt, and cement, oppressed me. Realizing this, my parents offered me a chance at a rural life. Friends of theirs owned Corvey Castle, which had an enormous ancient park and a farm. Their two children were the same age as I. Gladly, I went.
The park, as usual in those days, also contained a large kitchen garden to feed family and staff. We three children were each allocated a little plot to grow anything of our liking. As my two friends were not budding gardeners, I quickly appropriated their plots also. The head gardener provided me with my very first plant starts. So, at age eleven in 1953, I proudly wrote to my parents about the sowed spinach just breaking ground, my six tomato plants, and strawberries that would be put in the next day.
I was allowed to sell my harvest to the head cook, Herr Wanke. (I don’t think the strawberries ever made it to the kitchen.) So, I turned proud commercial vegetable gardener at a very early age. Of course, I also grew my first annual sweet peas and marigolds, zinnias and kochias (which were the rage at the time), but those were for the pleasure of beauty only.
At age fourteen, I moved with my parents to Düsseldorf, Germany. In the 1950s America was still regarded in Europe as the land of riches, liberty, and grandeur. For a teenager suffering the constraints of strict European upbringing and schools, America beckoned as the land of freedom. A picture of the Golden Gate Bridge in all its red splendor hung over my work desk and I wished myself there whenever Latin homework burdened me.
A friend of my father, who was visiting from California, invited me to stay for a year and attend high school in Modesto, then a small agricultural town in the Central Valley. I flew off at age sixteen, with nary a look back, to a wondrous new land.
Not wanting to leave the States after the first year, I entered Monterey Peninsula College, and then transferred to San Francisco State College, where I completed my biology degree. Horticulture, as such, was not offered in western colleges at that time, botany and biology being the closest to it in the natural sciences.
Every weekday for three years, I drove across the Golden Gate Bridge between college in San Francisco and my home in Sausalito, where I lived on a houseboat, a refurbished WWII landing craft, moored next to the sinking wreck of Jack London’s original boat, The Sea Wolf.
My gardening experiences were reduced to window boxes and pots on the pier. I turned to birdwatching instead, until I could get my hands into the soil again. My surroundings grew more rural with time, and I left a trail of little gardens behind wherever I lived, from Germany to California to England, where I was married, to Ireland and Greece and finally, to Oregon. I moved often until I arrived in Eugene, and wanted nevermore to leave. I grew roots and they have become deep and strong. It has now been years and the garden is full of old friends—trees, shrubs, bulbs, flowers—and we have memories to share.
Ernie’s early childhood was similar in many ways. He also had a very memorable play farm with toy farm animals, tractors, and outbuildings. His family lived in Greeley, Colorado, which at that time was a small community of about 20,000 with streets lined with towering American elms and, though home to Colorado State College, had a very rural farm town feel. It was also home to the largest feedlots in the world at that time. Perhaps as a foreshadowing of a future in animal husbandry, he remembers going with the family touring the feedlots with visitors and having them complain about the smell, but not minding the smell at all. Although most of the extended family stayed in Greeley, his family moved to Palo Alto and eventually to San Diego.
Ernie’s early interest in the natural world, especially animals of all kinds, was fostered by his father, who kept snakes and lizards as a child himself, and also by his long-suffering mother, who had learned to be tolerant, since she and Ernie’s father were high school sweethearts and he often carried around bags of snakes. Growing up in San Diego during the ’50s and ’60s, with property fronting a wild and mainly untouched California chaparral, was a stimulating and heavenly environment for a budding naturalist. At that time there was no compunction about bringing home whatever creatures might be captured and keeping them in terrariums for observation. Many snakes (including rattlesnakes), lizards, scorpions, centipedes, tarantulas, frogs, toads, praying mantises, stick insects, and more were fellow occupants of the bedroom, occasionally escaping, to the chagrin of the family. Most days after school were spent in the canyon exploring, and although many of its denizens were poisonous and Ernie usually went barefoot, his mother just said, “Well, be careful,” and he was. The San Diego backcountry was also home to many fascinating plants, such as some showy locoweeds (Astragalus spp.), eriogonums (buckwheat), and many interesting flowering shrubs.
In 1965, he was off to the University of California at Santa Barbara to study biology with views toward becoming a doctor, but after being inspired by a beloved philosophy professor, changed majors and graduated in philosophy and biology.
So, after graduation and deciding not to continue with graduate school, he took some civil service tests and started working for a beautiful public park in Montecito, quickly falling in love with the work and the plants. Some noteworthy memories are of a wisteria covering an arbor walkway over 50 feet long and smothered in bloom every spring, as well as a mature monkey puzzle tree (Araucaria araucana) about 100 feet tall, both of which intensified an increasing interest in the plant world. During school at UCSB, many of his vacation days were spent hiking and exploring the Santa Barbara country, visiting the Santa Barbara Botanic Garden, and interest in plants was kindled during those years. At Manning Park, part of his work involved raising on-site many of the perennial and annual display plants. This afforded a good introduction to propagation methods, later useful for nursery efforts in Eugene.
In 1973, when visiting some friends living in Noti to the west of Eugene, they suggested that he look at some property on their road that was for sale. Although he wasn’t planning on moving to Oregon, he fell in love with both Oregon and the property, and decided to take the plunge and move north to the 24-acre farm, where he raised goats, calves, hogs, and chickens, and grew a big vegetable garden.
“The plants and the devotion to them define this garden. The tapestry in the title is a reference to the interwoven nature of the countless flora. But the tapestry is also, clearly, a place threaded by time and by the lives of its creators.” —The Washington Post
“This is a love story about a couple and their relationship with an acre-and-a-half of land. . . with exceptional plant descriptions that read like character references for old friends. . . . beautiful photographs and prose await.” —Library Journal
“Home-garden enthusiasts looking for ideas will enjoy reading about the motivations and philosophies behind the gradual creation of these spaces and will appreciate the lessons learned and the plant-care advice.” —Booklist
“The book is illustrated with full-page landscape photos as well as detail shots, and the photography pairs well with the authors’ ruminative prose, which describes the garden and the thinking that governed its evolution. . . . every green thumb can find inspiration in this stunning and imaginatively cultivated garden.” —Publishers Weekly starred review
“This is the fascinating story of a tireless and simpatico couple, a pair of gardeners who have spent more than 40 years assembling a mind-boggling collection of plants and installing them in unexpected, sometimes truly revolutionary, combinations. . . . Throughout the book we are offered useful tidbits and advice. . . [and] informative sections on specific plants such as Arisaemas; trilliums; bulbs, corms, tubers, and rhizomes; and hellebores. . . . remarkably cheery and philosophical.” —Gardenista
“Full of unexpected plant combinations in various microclimates to bookmark for your own garden.” —Better Homes and Gardens
“Beautiful photography. . . . full of plants from around the world.” —Garden Design
“This book is the story of two people following a life-long dream: to live in the natural world and earn a living from it, to create landscapes of impossible beauty. . . . there is something in this book for everyone, and it's one of the most inspiring garden stories you'll ever read.” —Garden Design Online
“A beautiful partnership that created a spectacular garden.” —The American Gardener
“Obviously a labor of love, this garden and its heart-warming story provide humor, inspiration, and guidance to gardeners at all levels.” —Choice
“Masterpiece of a garden. . . . Whether you are an armchair gardener or gardener with grubby hands. . . . When you read this book, you will rejoice.” —Country Gardens
“Many designers will find their planting combinations inspiring.” —Carolyn Mullet, garden designer
“Funny, heart-warming, inspiring, learned. The O’Byrnes write with charm about the adventure they have had developing their extraordinary garden. A treasure of a book.” —Page Dickey, author of Outstanding American Gardens and Embroidered Ground
“A Tapestry Garden is a visual feast of luscious combinations, extraordinary plants, and the dedication of two passionate gardeners.” —Richie Steffen, curator of Elisabeth C. Miller Botanical Garden
“Marietta and Ernie O’Byrne set the standard of good plantsmanship, skillful placement, and impeccable maintenance. If there were royalty in American horticulture, this couple would share the throne.” —Daniel J. Hinkley, author, plant collecto
- On Sale
- Apr 26, 2018
- Page Count
- 264 pages
- Timber Press