The Black Echo

A Novel


By Michael Connelly

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An LAPD homicide detective must choose between justice and vengeance as he teams up with the FBI in this "thrilling" novel filled with mystery and adventure (New York Times Book Review).

For maverick LAPD homicide detective Harry Bosch, the body in the drainpipe at Mulholland Dam is more than another anonymous statistic. This one is personal . . . because the murdered man was a fellow Vietnam "tunnel rat" who had fought side by side with him in a hellish underground war. Now Bosch is about to relive the horror of Nam. From a dangerous maze of blind alleys to a daring criminal heist beneath the city, his survival instincts will once again be tested to their limit. Pitted against enemies inside his own department and forced to make the agonizing choice between justice and vengeance, Bosch goes on the hunt for a killer whose true face will shock him.


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Table of Contents

A Preview of The Black Ice

A Preview of The Crossing

About the Author

Books by Michael Connelly


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Part I

Sunday, May 20

The boy couldn't see in the dark, but he didn't need to. Experience and long practice told him it was good. Nice and even. Smooth strokes, moving his whole arm while gently rolling his wrist. Keep the marble moving. No runs. Beautiful.

He heard the hiss of the escaping air and could sense the roll of the marble. They were sensations that were comforting to him. The smell reminded him of the sock in his pocket and he thought about getting high. Maybe after, he decided. He didn't want to stop now, not until he had finished the tag with one uninterrupted stroke.

But then he stopped—when the sound of an engine was heard above the hiss of the spray can. He looked around but saw no light save for the moon's silvery white reflection on the reservoir and the dim bulb above the door of the pump house, which was midway across the dam.

But the sound didn't lie. There was an engine approaching. Sounded like a truck to the boy. And now he thought he could hear the crunching of tires on the gravel access road that skirted the reservoir. Coming closer. Almost three in the morning and someone was coming. Why? The boy stood up and threw the aerosol can over the fence toward the water. He heard it chink down in the brush, short of the mark. He pulled the sock from his pocket and decided just one quick blow to give himself balls. He buried his nose in the sock and drew in heavily on the paint fumes. He rocked back on his heels, and his eyelids fluttered involuntarily. He threw the sock over the fence.

The boy stood his motorbike up and wheeled it across the road, back toward the tall grass and the bottlebrush and pine trees at the base of the hill. It was good cover, he thought, and he'd be able to see what was coming. The sound of the engine was louder now. He was sure it was just a few seconds away, but he didn't see the glow of headlights, This confused him. But it was too late to run.

He put the motorbike down in the tall brown grass and stilled the free-spinning front wheel with his hand. Then he huddled down on the earth and waited for whatever and whoever was coming.

Harry Bosch could hear the helicopter up there, somewhere, above the darkness, circling up in the light. Why didn't it land? Why didn't it bring help? Harry was moving through a smoky, dark tunnel and his batteries were dying. The beam of the flashlight grew weaker every yard he covered. He needed help. He needed to move faster. He needed to reach the end of the tunnel before the light was gone and he was alone in the black. He heard the chopper make one more pass. Why didn't it land? Where was the help he needed? When the drone of the blades fluttered away again, he felt the terror build and he moved faster, crawling on scraped and bloody knees, one hand holding the dim light up, the other pawing the ground to keep his balance. He did not look back, for he knew the enemy was behind him in the black mist. Unseen, but there. And closing in.

When the phone rang in the kitchen, Bosch immediately woke. He counted the rings, wondering if he had missed the first one or two, wondering if he had left the answering machine on.

He hadn't. The call was not picked up and the ringing didn't stop until after the required eight rounds. He absentmindedly wondered where that tradition had come from. Why not six rings? Why not ten? He rubbed his eyes and looked around. He was slumped in the living room chair again, the soft recliner that was the centerpiece of his meager furnishings. He thought of it as his watch chair. This was a misnomer, however, because he slept in the chair often, even when he wasn't on call.

Morning light cut through the crack in the curtains and slashed its mark across the bleached pine floor. He watched particles of dust floating lazily in the light near the sliding glass door. The lamp on the table next to him was on, and the TV against the wall, its sound very low, was broadcasting a Sunday-morning Jesus show. On the table next to the chair were the companions of insomnia: playing cards, magazines and paperback mystery novels—these only lightly thumbed and then discarded. There was a crumpled pack of cigarettes on the table and three empty beer bottles—assorted brands that had once been members of six-packs of their own tribe. Bosch was fully dressed, right down to a rumpled tie held to his white shirt by a silver 187 tie tack.

He reached his hand down to his belt and then around back to the area below his kidney. He waited. When the electronic pager sounded he cut the annoying chirp off in a second. He pulled the device off his belt and looked at the number. He wasn't surprised. He pushed himself out of the chair, stretched, and popped the joints of his neck and back. He walked to the kitchen, where the phone was on the counter. He wrote "Sunday, 8:53 A.M." in a notebook he took from his jacket pocket before dialing. After two rings a voice said, "Los Angeles Police Department, Hollywood Division. This is Officer Pelch, how can I help you?"

Bosch said, "Somebody could die in the time it took to get all that out. Let me talk to the watch sergeant."

Bosch found a fresh pack of cigarettes in a kitchen cabinet and got his first smoke of the day going. He rinsed dust out of a glass and filled it with tap water, then took two aspirins out of a plastic bottle that was also in the cabinet. He was swallowing the second when a sergeant named Crowley finally picked up.

"What, did I catch you in church? I rang your house. No answer."

"Crowley, what have you got for me?"

"Well, I know we had you out last night on that TV thing. But you're still catching. You and your partner. All weekend. So, that means you got the DB up at Lake Hollywood. In a pipe up there. It's on the access road to the Mulholland Dam. You know it?"

"I know the place. What else?"

"Patrol's out. ME, SID notified. My people don't know what they got, except a DB. Stiff's about thirty feet into this pipe there. They don't want to go all the way in, mess up a possible crime scene, you know? I had 'em page your partner but he hasn't called in. No answer at his phone either. I thought maybe the two of you was together or something. Then I thought, nah, he ain't your style. And you ain't his."

"I'll get ahold of him. If they didn't go all the way in, how they know it's a DB and not just some guy sleeping it off?"

"Oh, they went in a bit, you know, and reached in with a stick or something and poked around at the guy pretty good. Stiff as a wedding night prick."

"They didn't want to mess up a crime scene but then they go poking around the body with a stick. That's wonderful. These guys get in after they raised the college requirement, or what?"

"Hey, Bosch, we get a call, we've got to check it out. Okay? You want for us to transfer all our body calls directly to the homicide table to check out? You guys'd go nuts inside a week."

Bosch crushed the cigarette butt in the stainless steel sink, and looked out the kitchen window. Looking down the hill he could see one of the tourist trains moving between the huge beige sound studios in Universal City. A side of one of the block-long buildings was painted sky blue with wisps of white clouds; for filming exteriors when the natural L.A. exterior turned brown as wheat.

Bosch said, "How'd we get the call?"

"Anonymous to nine one one. A little after oh four hundred. Dispatcher said it came from a pay phone on the boulevard. Somebody out screwin' around, found the thing in the pipe. Wouldn't give a name. Said there was a stiff in the pipe, that's all. They'll have the tape down at the com center."

Bosch felt himself getting angry. He pulled the bottle of aspirin out of the cabinet and put it in his pocket. While thinking about the 0400 call, he opened the refrigerator and bent in. He saw nothing that interested him. He looked at his watch.

"Crowley, if the report came in at four A.M. why are you just getting to me now, nearly five hours later?"

"Look, Bosch, all we had was an anonymous call. That's it. Dispatcher said it was a kid, no less. I wasn't going to send one of my guys up that pipe in the middle of the night on information like that. Coulda been a prank. Coulda been an ambush. Coulda been anything, fer crissake. I waited till it got light out and things slowed down around here. Sent some of my guys over there at the end of shift. Speaking of end of shifts, I'm outta here. I've been waiting to hear from them and then from you. Anything else?"

Bosch felt like asking if it ever occurred to him that it would be dark in the pipe whether they went poking around at 0400 or 0800, but let it go. What was the use?

"Anything else?" Crowley said again.

Bosch couldn't think of anything, but Crowley filled the empty space.

"It's probly just some hype who croaked himself, Harry. No righteous one eighty-seven case. Happens all the time. Hell, you remember we pulled one out of that same pipe last year.… Er, well, that was before you came out to Hollywood.… So, see, what I'm saying is some guy, he goes into this same pipe—these transients, they sleep up there all the time—and he's a slammer but he shoots himself with a hot load and that's it. Checks out. 'Cept we didn't find him so fast that time, and with the sun and all beating on the pipe a couple days, he gets cooked in there. Roasted like a tom turkey. But it didn't smell as good."

Crowley laughed at his own joke. Bosch didn't. The watch sergeant continued.

"When we pulled this guy out, the spike was still in his arm. Same thing here. Just a bullshit job, a no-count case. You go out there, you'll be back home by noon, take a nap, maybe go catch the Dodgers. And then next weekend? Somebody else's turn in the barrel. You're off watch. And that's a three-day pass. You got Memorial Day weekend coming next week. So do me a favor. Just go out and see what they've got."

Bosch thought a moment and was about to hang up, then said, "Crowley, what did you mean you didn't find that other one so fast? What makes you think we found this one fast?"

"My guys out there, they say they can't smell a thing off this stiff other than a little piss. It must be fresh."

"Tell your guys I'll be there in fifteen minutes. Tell them not to fuck anymore with anything at my scene."


Bosch knew Crowley was going to defend his men again but hung up before he had to hear it. He lit another cigarette as he went to the front door to get the Times off the step. He spread the twelve pounds of Sunday paper out on the kitchen counter, wondering how many trees died. He found the real estate supplement and paged through it until he saw a large display ad for Valley Pride Properties. He ran his finger down a list of Open Houses until he found one address and description marked CALL JERRY. He dialed the number.

"Valley Pride Properties, can I help you?"

"Jerry Edgar, please."

A few seconds passed and Bosch heard a couple of transfer clicks before his partner got on the line.

"This is Jerry, may I help you?"

"Jed, we just got another call. Up at the Mulholland Dam. And you aren't wearing your pager."

"Shit," Edgar said, and there was silence. Bosch could almost hear him thinking, I've got three showings today. There was more silence and Bosch pictured his partner on the other end of the line in a $900 suit and a bankrupt frown. "What's the call?"

Bosch told him what little he knew.

"If you want me to take this one solo, I will," Bosch said, "If anything comes up with Ninety-eight, I'll be able to cover it. I'll tell him you're taking the TV thing and I'm doing the stiff in the pipe."

"Yeah, I know you would, but it's okay, I'm on my way. I'm just going to have to find someone to cover for my ass first."

They agreed to meet at the body, and Bosch hung up. He turned the answering machine on, took two packs of cigarettes from the cabinet and put them in his sport coat pocket. He reached into another cabinet and took out the nylon holster that held his gun, a Smith & Wesson 9mm—satin finished, stainless steel and loaded with eight rounds of XTPs. Bosch thought about the ad he had seen once in a police magazine. Extreme Terminal Performance. A bullet that expanded on impact to 1.5 times its width, reaching terminal depth in the body and leaving maximum wound channels. Whoever had written it had been right. Bosch had killed a man a year earlier with one shot from twenty feet. Went in under the right armpit, exited below the left nipple, shattering heart and lungs on its way. XTP. Maximum wound channels. He clipped the holster to his belt on the right side so he could reach across his body and take it with his left hand.

He went into the bathroom and brushed his teeth without toothpaste: he was out and had forgotten to go by the store. He dragged a wet comb through his hair and stared at his red-rimmed, forty-year-old eyes for a long moment. Then he studied the gray hairs that were steadily crowding out the brown in his curly hair. Even the mustache was going gray. He had begun seeing flecks of gray in the sink when he shaved. He touched a hand to his chin but decided not to shave. He left his house then without changing even his tie. He knew his client wouldn't mind.

Bosch found a space where there were no pigeon droppings and leaned his elbows on the railing that ran along the top of the Mulholland Dam. A cigarette dangled from his lips, and he looked through the cleft of the hills to the city below. The sky was gunpowder gray and the smog was a form-fitted shroud over Hollywood. A few of the far-off towers in downtown poked up through the poison, but the rest of the city was under the blanket. It looked like a ghost town.

There was a slight chemical odor on the warm breeze and after a while he pegged it. Malathion. He'd heard on the radio that the fruit fly helicopters had been up the night before spraying North Hollywood down through the Cahuenga Pass. He thought of his dream and remembered the chopper that did not land.

To his back was the blue-green expanse of the Hollywood reservoir, 60 million gallons of the city's drinking water trapped by the venerable old dam in a canyon between two of the Hollywood Hills. A six-foot band of dried clay ran the length of the shoreline, a reminder that L.A. was in its fourth year of drought. Farther up the reservoir bank was a ten-foot-high chain-link fence that girded the entire shoreline. Bosch had studied this barrier when he first arrived and wondered if the protection was for the people on one side of the fence or the water on the other.

Bosch was wearing a blue jumpsuit over his rumpled suit. His sweat had stained through the underarms and back of both layers of clothing. His hair was damp and his mustache drooped. He had been inside the pipe. He could feel the slight, warm tickle of a Santa Ana wind drying the sweat on the back of his neck. They had come early this year.

Harry was not a big man. He stood a few inches short of six feet and was built lean. The newspapers, when they described him, called him wiry. Beneath the jumpsuit his muscles were like nylon cords, strength concealed by economy of size. The gray that flecked his hair was more partial to the left side. His eyes were brown-black and seldom betrayed emotion or intention.

The pipe was located above ground and ran for fifty yards alongside the reservoir's access road. It was rusted inside and out, and was empty and unused except by those who sought its interior as a shelter or its exterior as a canvas for spray paint. Bosch had had no clue to its purpose until the reservoir caretaker had volunteered the information. The pipe was a mud break. Heavy rain, the caretaker said, could loosen earth and send mud sliding off the hillsides and into the reservoir. The three-foot-wide pipe, left over from some unknown district project or boondoggle, had been placed in a predicted slide area as the reservoir's first and only defense. The pipe was held in place by half-inch-thick iron rebar that looped over it and was embedded in concrete below.

Bosch had put on the jumpsuit before going into the pipe. The letters LAPD were printed in white across the back. After taking it out of the trunk of his car and stepping into it, he realized it was probably cleaner than the suit he was trying to protect. But he wore it anyway, because he had always worn it. He was a methodical, traditional, superstitious detective.

As he had crawled with flashlight in hand into the damp-smelling, claustrophobic cylinder, he felt his throat tighten and his heartbeat quicken. A familiar emptiness in his gut gripped him. Fear. But he snapped on the light and the darkness receded along with the uneasy feelings, and he set about his work.

Now he stood on the dam and smoked and thought about things. Crowley, the watch sergeant, had been right, the man in the pipe was certainly dead. But he had also been wrong. This would not be an easy one. Harry would not be home in time for an afternoon nap or to listen to the Dodgers on KABC. Things were wrong here. Harry wasn't ten feet inside the pipe before he knew that.

There were no tracks in the pipe. Or rather, there were no tracks that were of use. The bottom of the pipe was dusty with dried orange mud and cluttered with paper bags, empty wine bottles, cotton balls, used syringes, newspaper bedding—the debris of the homeless and addicted. Bosch had studied it all in the beam of the flashlight as he slowly made his way toward the body. And he had found no clear trail left by the dead man, who lay headfirst into the pipe. This was not right. If the dead man had crawled in of his own accord, there would be some indication of this. If he had been dragged in, there would be some sign of that, too. But there was nothing, and this deficiency was only the first of the things that troubled Bosch.

When he reached the body, he found the dead man's shirt—a black, open-collar crew shirt—pulled up over his head with his arms tangled inside. Bosch had seen enough dead people to know that literally nothing was impossible during the last breaths. He had worked a suicide in which a man who had shot himself in the head had then changed pants before dying, apparently because he did not want his body to be discovered soaked in human waste. But the shirt and the arms on the dead man in the pipe did not seem acceptable to Harry. It looked to Bosch as if the body had been dragged into the pipe by someone who had pulled the dead man by the collar.

Bosch had not disturbed the body or pulled the shirt away from the face. He noted that it was a white male. He detected no immediate indication of the fatal injury. After finishing his survey of the body, Bosch carefully moved over the corpse, his face coming within a half foot of it, and then continued through the pipe's remaining forty yards. He found no tracks and nothing else of evidentiary value. In twenty minutes he was back in the sunlight. He then sent a crime scene tech named Donovan in to chart the location of debris in the pipe and video the body in place. Donovan's face had betrayed his surprise at having to go into the pipe on a case he'd already written off as an OD. He had tickets to the Dodgers, Bosch figured.

After leaving the pipe to Donovan, Bosch had lit a cigarette and walked to the dam's railing to look down on the fouled city and brood.

At the railing he could hear the sound of traffic filtering up from the Hollywood Freeway. It almost sounded gentle from such a distance. Like a calm ocean. Down through the cleft of the canyon he saw blue swimming pools and Spanish tile roofs.

A woman in a white tank top and lime-green jogging shorts ran by him on the dam. A compact radio was clipped to her waistband, and a thin yellow wire carried sound to the earphones clamped to her head. She seemed to be in her own world, unaware of the grouping of police ahead of her until she reached the yellow crime scene tape stretched across the end of the dam. It told her to stop in two languages. She jogged in place for a few moments, her long blond hair clinging to sweat on her shoulders, and watched the police, who were mostly watching her. Then she turned and headed back past Bosch. His eyes followed her, and he noticed that when she went by the pump house she deviated her course to avoid something. He walked over and found glass on the pavement. He looked up and saw the broken bulb in the socket above the pump house door. He made a mental note to ask the caretaker if the bulb had been checked lately.

When Bosch returned to his spot at the railing a blur of movement from below drew his attention. He looked down and saw a coyote sniffing among the pine needles and trash that covered the earth below the trees in front of the dam. The animal was small and its coat was scruffy and completely missing some patches of hair. There were only a few of them left in the city's protected areas, left to scavenge among the debris of the human scavengers.

"They're pulling it out now," a voice said from behind.

Bosch turned and saw one of the uniforms that had been assigned to the crime scene. He nodded and followed him off the dam, under the yellow tape, and back to the pipe.

A cacophony of grunts and heavy gasps echoed from the mouth of the graffiti-scarred pipe. A shirtless man, with his heavily muscled back scratched and dirty, emerged backward, towing a sheet of heavy black plastic on top of which lay the body. The dead man was still face up with his head and arms mostly obscured in the wrapping of the black shirt. Bosch looked around for Donovan and saw him stowing a video recorder in the back of the blue crime scene van. Harry walked over.

"Now I'm going to need you to go back in. All the debris in there, newspapers, cans, bags, I saw some hypos, cotton, bottles, I need it all bagged."

"You got it," Donovan said. He waited a beat and added, "I'm not saying anything, but, Harry, I mean, you really think this is the real thing? Is it worth busting our balls on?"

"I guess we won't know until after the cut."

He started to walk away but stopped.

"Look, Donnie, I know it's Sunday and, uh, thanks for going back in."

"No problem. It's straight OT for me."

The shirtless man and a coroner's technician were sitting on their haunches, huddled over the body. They both wore white rubber gloves. The technician was Larry Sakai, a guy Bosch had known for years but had never liked. He had a plastic fishing-tackle box open on the ground next to him. He took a scalpel from the box and made a one-inch-long cut into the side of the body, Just above the left hip. No blood came from the slice. From the box he then removed a thermometer and attached it to the end of a curved probe. He stuck it into the incision, expertly though roughly turning it and driving it up into the liver.

The shirtless man grimaced, and Bosch noticed he had a blue tear tattooed at the outside corner of his right eye. It somehow seemed appropriate to Bosch. It was the most sympathy the dead man would get here.

"Time of death is going to be a pisser," Sakai said. He did not look up from his work. "That pipe, you know, with the heat rising, it's going to skew the temperature loss in the liver. Osito took a reading in there and it was eighty-one. Ten minutes later it was eighty-three. We don't have a fixed temp in the body or the pipe."

"So?" Bosch said.

"So I am not giving you anything here. I gotta take it back and do some calculating."

"You mean give it to somebody else who knows how to figure it?" Bosch asked.

"You'll get it when you come in for the autopsy, don't worry, man."

"Speaking of which, who's doing the cutting today?"

Sakai didn't answer. He was busy with the dead man's legs. He grabbed each shoe and manipulated the ankles. He moved his hands up the legs and reached beneath the thighs, lifting each leg and watching as it bent at the knee. He then pressed his hands down on the abdomen as if feeling for contraband. Lastly, he reached inside the shirt and tried to turn the dead man's head. It didn't move. Bosch knew rigor mortis worked its way from the head through the body and then into the extremities.

"This guy's neck is locked but good," Sakai said. "Stomach's getting there. But the extremities still have good movement."


On Sale
Jan 1, 2002
Page Count
384 pages

Michael Connelly

About the Author

Michael Connelly is the author of thirty-eight previous novels, including #1 New York Times bestsellers Desert Star, The Dark Hours, and The Law of Innocence. His books, which include the Harry Bosch series, the Lincoln Lawyer series, and the Renée Ballard series, have sold more than eighty million copies worldwide. Connelly is a former newspaper reporter who has won numerous awards for his journalism and his novels. He is the executive producer of three television series: Bosch, Bosch: Legacy, and The Lincoln Lawyer. He spends his time in California and Florida.

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