Humans, Bow Down


By James Patterson

By Emily Raymond

Read by Tara Sands

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In a world run by machines, humans are an endangered species.

The Great War is over. The robots have won. The humans who survived have two choices: they can submit and serve the vicious rulers they created, or be banished to the Reserve, a desolate, unforgiving landscape where it’s a crime just to be human. And the robots aren’t content–following the orders of their soulless leader, they’re planning to conquer humanity’s last refuge and ensure that all humans bow down.

The only thing more powerful than an enemy who feels nothing is a warrior with nothing left to lose. Six, a feisty, determined woman whose parents were killed with the first shots of the war, and whose siblings lie rotting in prison, is a rebel with a cause: the overthrow of robot rule. Her partner in crime is Dubs, the one person who respects authority even less than she does. On the run for their lives after an attempted massacre, Six and Dubs are determined to save humanity before the robots finish what the Great War started and wipe humans off the face of the earth. Pushed to the brink of survival, Dubs and Six discover a powerful secret that can help set humanity free, but they’ll have to trust the unlikeliest of allies–or they’ll be forced to bow down, once and for all.

Humans, Bow Down
is an epic, dystopian, genre-bending thrill ride from the mind of James Patterson, the world’s #1 bestselling author.


A complete list of books by James Patterson is at the back of this book. For previews of upcoming books and information about the author, visit, or find him on Facebook or at your app store.



BE WARNED. YOU. Yes, I'm talking to you. Reading a treasonous book or digital tract like this one is punishable by hanging. That's if you're one of the few left who even knows how to read.

Can you read, friend? I know, I know, it's a stupid question. Or maybe a test? Maybe a trap?

Listen very carefully. It's fair to say that there's not much hope anymore—not for you, and definitely not for a poor wretch from the Reserve like me.

The joke on the food lines at the Res is that they're measuring us all for body bags. But that's being way too cheery. It'll be mass graves at best.

I'm just saying… look around, and what do you see?

Trash piled high as a Colorado snowdrift in January, smelling like mid-July in Bangkok, or Los Angeles, or Paris. A jagged junk heap of broken pallets and busted-up furniture: baby cribs and cradles, smashed door frames, windows and mirrors. A greasy, toothless hag—the former Mrs. Cullen—who captures stray cats (one of them mine) and boils them in soup.

Welcome to the Reserve, where the wind whistling up the mountain feels cold even in the summer. Where the sky's the only clean thing there is.

There's nothing to do up here. There aren't any jobs, and there's no good soil to farm. It's like living in a giant, open-air, high-altitude prison.

Babies die in childbirth every day—some in the gutters, or in abandoned cars, or on filthy mattresses in dark and tiny rooms. The kids who do survive grow up hungry, bitter, and desperate. Most people croak before they're fifty, and if they don't, they wish they did.

There's a rumor blowing in the foul winds that the government's going to come out here and raze this mountain ghetto to the ground, exterminating every man, woman, and child.

I believe it. That's the truth, not just a filthy rumor. Actually, I know it's true. I know things that you don't. Be patient. I'm going to tell you everything, all the sordid details.

But try walking around with the weight of that knowledge on your shoulders: Pretty soon, we'll all be dead. Exterminated. Annihilated. Massacred.

And there's not a thing we can do about it but wait.

Maybe that's why I stole a motorcycle that night. Because what difference did it make?

Besides, I needed transportation. I was going to see my family, such as they are. Misfits. Jailbirds.

So power on, power up. Release the clutch slowly and gas it at the same time, easy, easy, not too much—now enjoy the ride!

I jerk forward, dizzy on gasoline fumes and hopped up on adrenaline, feeling the power of the bike rattling between my legs. I squeeze the clutch again, shift into second… and stall out.

My best friend in this hellhole's on a Yamaha up the road, a good fifty yards ahead. Even from here, I can hear him groan and laugh at me.

"Girl, you're on fire. You almost made it to second gear this time," Double Eight (I call him Dubs) yells over his shoulder.

I flip him off, then bend down to adjust my headlight, which is sagging toward the ground. Our motorcycles are boneyard specials: mismatched rusted parts held together by bolts and luck. We're supposed to be learning how to fix them in the Reserve Trade School.

Usually we just skip dumb-dumb school. But today… well, today we decided to steal the classroom materials.

But I've never driven anything more powerful than a bicycle before, because it's against the law.

I kick piles of trash out of the way, trying to clear a smoother path for take-off. Dubs circles back and glides to a stop next to me.

"You gotta relaaaax," he says. "Otherwise we're going to have to put the training wheels back on." Dubs grins like the lovable fool he is and revs the motor. "Ready or not, here goes nothing!" he yells.

Clutch, throttle, gas…

"The road to prison waits for no man," he crows, "or woman." He peels away first, leaving a fat black streak on the pavement, a puff of dark smoke in the air. "Yeeeeehaw!"

There's Dubs for you. He could be the poster boy for everything the ruling Hu-Bots say is wrong with the human race. He looks like a born thug: dirty, scarred, missing about six teeth. His jokes are crude. And he's about as wild and crazy as they come.

It wasn't my idea to steal the bikes, is what I'm saying.

"Loosen up, Six," I say to myself. We all just go by the first few numbers of our IDs, since they're a bitch to remember. Once upon a time, I had a real name. No one calls me by it anymore.

Power on, power up. Clutch, shift, gas, clutch, shift…

You're going to see your family today. Yahoo!

I hear the choking cough of the engine and I tense, but then I ease up and give that baby a little more gas. The bike bucks beneath me and roars to life, and suddenly I'm riding.

Second gear, then a smooth upshift to third. Fourth.

The wind whistles in my ears and brings actual tears to my eyes. The slums of the Reserve start to recede in my rearview.

The bike's a Yamaha R6, a dinosaur compared with what they've got in the City—what used to be Denver, Colorado. But pushing 90, 120, 130, miles an hour down a winding mountain road, it feels like flying. And if it means I end up in prison or as smear on the highway, at least I'll have had this moment.

I'll know what it felt like to be alive.

At least, for one bright and shining morning, I'll be able to say I was free.


AT THE EDGE of the mountain, just before the highway dips down and splinters into the smaller streets of the City, I skid to a stop next to Dubs.

Below us, the buildings shine and the lights glitter tantalizingly. I take a deep breath. Here—unlike on the Reserve—the air's warm and clean.

"We're gonna be early," Dubs says.

I nod—I know. We've got places to go and my family to see, but I don't want to think about that yet. Instead I think, What if we could live here, instead of high up on the mountain, in a stew of human filth? What would life be like in this city?

The Hu-Bots would never let that happen, of course. They think we're hopeless savages. And, with our sunburned skin and our holey, dirty clothes—well, we look the part. I drag my fingers through my hair, but that can only take a girl so far.

"Whaddya say?" Dubs asks. "Wanna go stink the place up?"

I rev the engine. "Yeah," I say. "Let's get us some trouble."

We roll into the City—not Denver now, never Denver anymore, because lowly humans named it that—and ditch the bikes on a back street before a robot cop can bust us for illegal operation and theft of a motor vehicle.

And to think: we humans created this world. We designed and built it all—including the robots that nearly destroyed us and want to finish the job soon.

On foot, we head toward the city center. Dubs gnaws on a bug bar, offers me a bite. "Some delicious, nutritious insect protein for you?" he asks.

"No, thanks." Our rations include a half dozen bars a week, but I don't eat food made from cricket flour unless I'm truly desperate.

Everything's so perfect in the City that it's creepy. You might call it inhuman.

As Dubs and I approach downtown, we start to hear it: the white noise, the hum of a city whose residents run on electric current. The Bot buzz: it makes the hairs on the back of my neck stand at attention.

Today the low drone seems more ominous than usual. Like maybe, if I listen hard enough, I'll be able to make out whispered words, something like Diehumansdie.

I shake my head. I've got to stop thinking these morbid, depressing-as-hell thoughts.

Dubs breaks a branch off a tree and begins whacking the heads off rose bushes dotting a church lawn. Through a stained-glass window, I can see rows of Hu-Bots, their heads bowed, reciting the prayers of my ancestors.

Now that's something I'll never understand. My people used to pray to the gods they believed made them: Our Father, who art in Heaven, etc. But we made the Bots.

First we built regular Bots, with limited, programmable powers of reason. They could cook, clean, babysit, I guess. Simple, functionary stuff.

But that wasn't enough for us. We wanted robots that could think for themselves. That were smarter, stronger, faster than we were. So we created the Hu-Bots.

And that was our fatal mistake.

Dubs bats a bright-pink rose so hard, it crashes against the window of the church. He lifts his arms up to the sky. "We built you! I am your god!" he bellows.

"Dubs!" I hiss. "Don't."

Thankfully, the "parishioners" are too devout to avert their eyes from the pulpit. That's another thing I don't think I'll ever understand: the Hu-Bots loathe humans, and yet they imitate pretty much everything about our culture.

"I just don't like this place," I say. But what I mean is: We don't belong here, and I hate that. Everywhere I look, I see the remnants of human creativity, of our ingenuity, of our past.

If only I could do something—anything—to make it different.

We round the corner and enter a busy avenue lined with expensive boutiques and five-star restaurants. Very glitzy.

Even if Dubs and I had a plateful of money, we couldn't go into these places. They're Bot only.

I grit my teeth as we pass a crowded bistro and the smell of seared meat rolls out the open door. I don't care about being able to buy fancy clothes, but I'd kill to eat a steak sometime. I know I've had one before, but I can't remember what it tastes like.

Tall, willowy Hu-Bots and shorter, stockier Bots stream by us on the sidewalk as we stand there, drooling. The Hu-Bots are all elegantly dressed, and their faces are too perfect looking—like high-end mannequins given the breath of life. With their large, clear eyes, high cheekbones, and flawlessly smooth bioskin, they look distantly related to each other.

Which, in a way, they are. I mean, synthetic polymer skeletons do all come from the same factory, right?

I peer through the steak house window. A Hu-Bot—a blue-eyed, silver-haired female sporting the metallic choker worn by all Hu-Bots—delicately chews her meat.

"I mean, she—it—doesn't even need that protein," Dubs moans.

He's right. Sometime in the past few years, Hu-Bots engineered themselves to eat, simply for pleasure. (And yeah, that means they crap, too. I don't understand the biomechanical details, and I don't want to.) They make themselves out to be superior because their emotions aren't messy and "savage," like ours, but it's apparently totally civilized for them to cram their gullets with lobster, pizza, and milk shakes just because they taste good.

Meanwhile we humans, who do not run on batteries or electric current or nanotechnology, survive on bug bars and mildewed bread and the gristly bones of wild turkeys.

"Maybe we should just go over to HCF," I say, "where we belong."

In the shadow of the gilt and glitter of the promenade is the HCF, or Human Charging Facility. It's the only part of the City where we humans can actually enter a restaurant. Even the Reformed humans—the ones who live in the City and serve our robot masters—have to do their business in this biological ghetto.

It's cramped and grungy over there, with big, ugly signs for H-RR (restrooms), H-L (lodging), and H-E (eats).

I keep staring at that juicy T-bone. "We're going to go there with what money?" I pat my empty pockets.

"Humans!" I jump at the sudden electronic call of a Bot-cop. It's hard not to be jittery when you're basically breaking a law just by breathing.


"HUMANS!" IT SAYS again. It sounds like hoo-mons. "Papers."

The Bot-cop is rolling toward us, holding out a gloved, robotic hand. What an ass. A hard-ass, right?

Papers are the key to the kingdom, a pass to get around the City. My papers list the nine-digit number I was assigned—easier than names for the Bots to track—and identify me as a Reserver, and no, I don't have them on me. Why carry around something that identifies me as the lowest of the low?

Dubs finally wrenches his eyes away from the steak and turns to me. "Got yours?" he whispers.

"What do you think?" I mutter. "You?"

He grins. "Oh jeez, I used mine as toilet paper."

And that's all that needs to be said. Time to get scarce.

We run toward the market, which is always crawling with the Reformers—essentially human slaves—doing the weekly shopping for their robot overlords. Maybe we'll be able to blend in, but I doubt it.

At the corner, Dubs and I split and run in opposite directions. It takes the Bot-cop a second to pick a target. When it looks like he's going for Dubs, I slow a little.

"Yo, Sparky," I taunt the Bot—because Dubs might be a year older, but I'm a whole lot faster.

The Bot-cop hesitates again. Then it switches course and motors after me. I dive into the crowd of Reformed humans, shoving my way past the dead-eyed workers of the City. I hunch my shoulders and turn my gait into a meek little shuffle, and suddenly the Bot can't pick me out of the crowd.

The human slaves shoot me uneasy looks; they know I'm not one of them, and they don't want to touch me. Honestly, I can't totally blame them.

When I'm pretty sure I've lost the Bot-cops, I straighten up, weave through the stalls, and let out a loud, reckless whistle. Dubs doesn't whistle back, but he's got to be around here somewhere.

Then, in the distance, I hear the trumpeting blare of horns. I can't hold back a shiver.

I clamp my mouth shut as the caravan rounds the corner. Ten black stretch limos inch forward slowly, ominously, their paint gleaming and their chrome blindingly bright. A rumor ripples through the crowd like a cold breeze: it's MosesKhan, commander of the police and army. That pig.

When the limos stop in the center of the market square, my blood turns to ice. Just like on that first day of the Great War, I wait for the pop of gunfire. I wait for it to be my turn to die.

Instead, a loudspeaker from the lead limo announces, "HUMANS, BOW DOWN!"


A HUSH FALLS over the crowd. There's always a pause when a Hu-Bot gives that order, a heavy, dangerous, messed-up silence. Following the order means humiliation. It's beyond wrong—it's an abomination. I want to cry out to all my fellow humans: Grab a brick from the street and pick it up. Don't bow down—FIGHT!

But I'm no leader. I'm a Rezzie loser, and a girl at that. No one's going to listen to me, right?


I hear the rustle of clothing as people start to bend. My teeth are clenched, my fists balled at my sides, but if I stand much longer, there's going to be a scene.

Not that Hu-Bots engage in such viciousness—they're evolved! That's what they program the Bot-cops for, and the market is now crawling with those dutiful, murderous little workers.

I finally drop down, one leg at a time, and join my species on the cobblestones. The white brick digs into my skin through the thin fabric of my pants. But I'm glad it hurts. It should hurt to grovel.

The Bot brigade surges forward to crack down on "dissenters"—in this case, a frail, white-haired woman who can't seem to bend her knees. You don't see many old-timers these days, maybe because their hearts aren't strong enough to be repeatedly broken. She's thin and trembling. Something about her makes me think of my own mother.

Maybe it's the faded red purse she's clutching to her chest. My mom had a purse like that. I think so.

The loudspeaker voice chants, "BOW DOWN, BOW DOWN, BOW DOWN," in an increasingly urgent loop. The woman is struggling desperately, trying to bend her old bones down to the bricks.

I stare at the ground when I hear the first crack of their billy clubs. I hear her cry out. Bile rises in my throat.

The Bots aren't advanced enough to understand pain—or mercy. They're just rotely following orders. That's what makes it maddening.

But what about the Hu-Bots in those shiny cars? The so-called intelligent machines, supposedly more ethical, moral, and sane? That's who's giving the cold-blooded orders.

Each time I hear the old woman moan, the white bricks blur in my vision. Don't let this happen, Six! I tell myself I can tackle a Bot. Or throw myself between the old woman and the clubs. But fear holds me back, holds me down.

I am… so fucking ashamed of myself.

It's him! The door to the first limo opens, and the Hu-Bot commander emerges. MosesKhan is close to seven feet tall, with eyes cold and black as outer space.

Those arrogant, merciless eyes sweep the crowd, and everyone bows so low, their tonsils practically rub the pavement.

"Humans." He spits out a comment. "In the posture that befits their base nature." Then, with one last withering look at the prostrate crowd, MosesKhan climbs back into his limousine.

When I finally rise, I find I've bitten almost all the way through my lip. The last of the limos is pulling away. The elderly woman lies motionless on the cobblestones. Her legs are twisted beneath her. Purple bruises have appeared on her arms and face. She's weeping.

I hold my hand out to her, and when she reaches for it, her grip is firm and leathery.

"What are you doing?" It's Dubs, appearing out of nowhere.

"Something," I say.

He shakes his head. "Something idiotic."

"My purth…," the woman lisps through swollen lips. She spits a mouthful of blood—and a busted incisor. "Has my paperth."

"We'll find it," I assure her, sweeping the ground with my eyes.

"Thank you, dear," she whispers. "You're brave."

I cringe, knowing how much of a coward I am.

"Yo, Sixie," Dubs says. "Time to split." He points, and I see that the Bot-cop who hassled us earlier is back—along with two of his buddies.

I hesitate over the poor old woman, but Dubs grabs the collar of my shirt in one of his meaty fists. "Come on, I'm not letting you get us killed. Not today. Maybe next time." He shoots a glance at the old woman. "Sorry, lady."


WE'RE RUNNING AT top speed down the narrow back alleys behind trendsetting restaurants and dress shops. Not just to get away from the Bots, but because we've got to make it across the City in less than ten minutes.

Now comes the real reason I stole the bike. The real reason we're here. It's the last Tuesday of the month: viewing day at the city prison.

By the time we get to the quadrant, it's 3:56. Late. The street in front of the Plexiglas gate is already teeming with desperate humans.

"No way we'll make it all the way up there," I say. "Damn it."

Dubs squints at me like, Is that a challenge?

The next thing I know, he's got his elbows out, head down, and we're plowing through the crowd. He's like a steamroller on legs—and me, I just hold on, rushing along for the ride.

We make it up to the front with half a minute to spare. The crowd is rowdy, anxious, pushing into us. Most of them are Reformed, but I spot a few Rezzies. They're the ones with the crazed eyes and the missing teeth.

A surge in the crowd smashes me against the Plexiglas. It's slick with other people's sweat.

"Back off," Dubs shouts at the crowd. "Don't touch me, dude!" He balls his fists like he's going to start swinging. He might just do that.

But right then the gong sounds, and we, along with the rest of the humans, turn to face the front.

At four o'clock on the dot, the prisoners come into the square. Clockwork, sick clockwork.

Everyone is trying to get the best view possible, trying to find their family members. Skinny arms wave frantically. Desperate voices cry out prisoners' numbers.

Suddenly, I glimpse my sister, and it's like a punch to the guts. Martha's cheeks are hollow. She seems to have shrunk inches just from last month. She's in the second row, maybe ten feet to my right. When our eyes lock, hers crinkle at the corners, a look of joy that hurts so bad, I almost have to turn away.

I don't see my brother yet—It's harder when the other person isn't looking for you.

"There." Dubs nudges me. Apart from his cracked-up dad, his whole family died in the war. He's just here for moral support.

There. But is that really him? Every time I come here, my brother looks older. His hair's going gray; his lips and skin match it. He's how old—twenty-seven? Twenty-eight, at most?


These are the visiting rights: the "privilege" to stare at our loved ones for thirty minutes while their so-called crimes are read aloud. We listen to the lies and witness how they've suffered. It's a silent trial, and they are convicted again and again.


The prisoners stand still in their red jumpsuits. Red, to remind us of the blood that flowed in the streets during the three days of the Great War.

Three days—that was all it took to almost completely wipe out our species.

My brother's eyes move over the crowd. "Hey!" I shout, useless as it is. He knows I'm here—I've come every month for six years—but his eyes skip right over my face.

The half hour goes so fast—and I can't let it end like this. Not today. Today, after all this time, he's going to see me.

"HEY!" I yell, louder this time.

"Hey!" Dubs echoes beside me. He cups his hands. "Fifteen!"

It's 4:27. The Bot guards are shifting, getting ready to pull the plug on this miserable sideshow.

"Goddammit, Ricky, look at me!" I slam my fist against the glass.

My sister puts her hand up. To stop me, or to gesture to my brother, or to wave hello. I don't know. It doesn't matter. She moves, and the Bots charge her.

"Nooo!" I shriek, even as the first Bot-cop slugs her across the face. Martha crumples to one side, but her fall is stopped by another cop's fist.

My screams ring out over the crowd as my sister slumps to the ground. I'm pounding on the glass.

One of the Bot-cops starts dragging her away, toward a windowless white building. Where are they taking her? What's going to happen? I'm still slamming my body against the viewing window, and so is Dubs. I'm bellowing with rage.

That's when my brother finally looks at me.

My face is crumpled with emotion, but his is stony. Ricky's eyes are hard and filled with hate. I don't understand it, and it just about cracks my heart open. My brother—Fifteen—Ricky—shakes his head once, slowly, before the doors close him back inside. I can read his lips. Fuck you, traitor.

Just like that, my family is gone again. I feel like crying—but I don't cry. Not ever.


"SIXIE, C'MON GIRL, we've got to get out of here!"

For once, Dubs is talking sense. He knows I could pound on this unforgiving Plexiglas until sundown. Or worse: I could get up and jump the next Bot-cop we see, just as a matter of principle, just because I want a beating.

"Come on, you gotta run," he says, holding out his hand, hauling me up, "run like you just stole an old lady's pocketbook!"

I wipe my nose and face. There's an ache in my stomach that's more than hunger. It's fear and desperation. My brother looked like he wanted to kill me, and my sister—being pummeled and hauled away. There's nothing I can do to stop any of this.

"Hey, let's go get some food," Dubs says. He can always shift gears like that.

"We don't have any money, remember?"

He shrugs. "Hold that thought, pretty lady. That might not be the case anymore."

I shoot him a look, but his eyes skitter away. Whatever he's up to, he's not sharing it.

We take the back streets away from the prison. Even here, everything gleams. There's no litter, no graffiti—no sign of life. Just sterile buildings, mirrored windows, and that low, Bot drone.

I run my hand along the glass face of an apartment complex and smile grimly at the greasy streak I leave behind. My human stain.

"Or we could catch a flick," Dubs says, too casually.

I give him a sidelong look. The only flicks shown anymore are the Killer Films. I don't know if I can handle one of those right now. The last time I saw a Killer, I bit my tongue to a pulp, damn near ground my molars to nubs.

I say, "Depends."

"On whether or not you're a little baby?" he fires back.

I have to laugh—but I slug him one in the arm, too. He doesn't even notice.

I know Dubs needs me to rein him in sometimes, and this might be one of those moments. The problem is, I'm on the edge myself now.

And if there's one thing on the edge—it's Killer Films. I mean, the Hu-Bot Freedom Brigade created them specifically to torture humans. Now they can't keep us away. We live for high risk.


On Sale
Feb 20, 2017
Hachette Audio

James Patterson

About the Author

James Patterson is the world’s bestselling author, best known for his many enduring fictional characters and series, including Alex Cross, the Women’s Murder Club, Michael Bennett, Maximum Ride, Middle School, I Funny, and Jacky Ha-Ha. Patterson’s writing career is characterized by a single mission: to prove to everyone, from children to adults, that there is no such thing as a person who “doesn’t like to read,” only people who haven’t found the right book. He’s given over a million books to schoolkids and over forty million dollars to support education, and endowed over five thousand college scholarships for teachers. He writes full-time and lives in Florida with his family.

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