Evicted meets Nickel and Dimed in Stephanie Land’s memoir about working as a maid, a beautiful and gritty exploration of poverty in America. Includes a foreword by Barbara Ehrenreich.
“My daughter learned to walk in a homeless shelter.”
While the gap between upper middle-class Americans and the working poor widens, grueling low-wage domestic and service work–primarily done by women–fuels the economic success of the wealthy. Stephanie Land worked for years as a maid, pulling long hours while struggling as a single mom to keep a roof over her daughter’s head. In Maid, she reveals the dark truth of what it takes to survive and thrive in today’s inequitable society.
While she worked hard to scratch her way out of poverty as a single parent, scrubbing the toilets of the wealthy, navigating domestic labor jobs, higher education, assisted housing, and a tangled web of government assistance, Stephanie wrote. She wrote the true stories that weren’t being told. The stories of overworked and underpaid Americans.
Written in honest, heart-rending prose and with great insight, Maid explores the underbelly of upper-middle class America and the reality of what it’s like to be in service to them. “I’d become a nameless ghost,” Stephanie writes. With this book, she gives voice to the “servant” worker, those who fight daily to scramble and scrape by for their own lives and the lives of their children.
The American master’s first novel since Winter’s Bone (2006) tells of a deadly dance hall fire and its impact over several generations.
Alma DeGeer Dunahew, the mother of three young boys, works as the maid for a prominent citizen and his family in West Table, Missouri. Her husband is mostly absent, and, in 1929, her scandalous, beloved younger sister is one of the 42 killed in an explosion at the local dance hall. Who is to blame? Mobsters from St. Louis? The embittered local gypsies? The preacher who railed against the loose morals of the waltzing couples? Or could it have been a colossal accident?
Alma thinks she knows the answer-and that its roots lie in a dangerous love affair. Her dogged pursuit of justice makes her an outcast and causes a long-standing rift with her own son. By telling her story to her grandson, she finally gains some solace-and peace for her sister. He is advised to “Tell it. Go on and tell it”-tell the story of his family’s struggles, suspicions, secrets, and triumphs.
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