International Women’s Day: Strong Stories from Strong Voices
In honor of International Women’s Day, we’re sharing some of our favorite new books of, by, and about women—and for all readers!
—The New York Times Book Review
“The Firsts stands out as one of the most important and best reported books written during the extraordinary political chapter in which we are living.”
—Nicolle Wallace, author and anchor, Deadline: White House on MSNBC
NOW WITH UPDATED EPILOGUE
In the November 2018 midterms, the greatest number of women in history were elected to Congress. It was a group diverse in background, age, experience, and ideology. From Alexandria Ocasio-Cortez and “the Squad” to a group with national security backgrounds calling themselves “the Badasses,” from the first two Native American women
to the first two Muslim women, all were swept into office on a wave of grassroots support.
Here, New York Times reporter Jennifer Steinhauer chronicles these women’s first year in Congress, following their shift from trailblazing campaigns to the daily work of governance. In committee rooms, offices, visits back home with their constituents, and conversations in the halls of the Capitol, she probes the question: Will Washington, with its hidebound traditions and overpriced housing and petty power struggles, change the changemakers? Or will this Congress, which looks a little more like today’s America, truly be the start of something new?
Vivid and smart, The Firsts delivers fresh details, inside access, historical perspective, and expert analysis as these women—inspiring, controversial, talented, and rebellious—do something surprising: make Congress essential again.
“Every page is gripping, and the amount of new research is nothing short of mind-boggling. A brilliant book for the ages!” —Douglas Brinkley, author of American Moonshot
A Stonewall Honor Book in Nonfiction
Longlisted for the Carnegie Medal for Excellence in Nonfiction
Paper Bullets is the first book to tell the history of an audacious anti-Nazi campaign undertaken by an unlikely pair: two French women, Lucy Schwob and Suzanne Malherbe, who drew on their skills as Parisian avant-garde artists to write and distribute “paper bullets”—wicked insults against Hitler, calls to rebel, and subversive fictional dialogues designed to demoralize Nazi troops occupying their adopted home on the British Channel Island of Jersey. Devising their own PSYOPS campaign, they slipped their notes into soldier’s pockets or tucked them inside newsstand magazines.
Hunted by the secret field police, Lucy and Suzanne were finally betrayed in 1944, when the Germans imprisoned them and tried them in a court martial, sentencing them to death for their actions. Ultimately they survived, but even in jail, they continued to fight the Nazis by reaching out to other prisoners and spreading a message of hope.
Better remembered today by their artist names, Claude Cahun and Marcel Moore, the couple’s actions were even more courageous because of who they were: lesbian partners known for cross-dressing and creating the kind of gender-bending work that the Nazis would come to call “degenerate art.” In addition, Lucy was half Jewish, and they had communist affiliations in Paris, where they attended political rallies with Surrealists and socialized with artists like Gertrude Stein.
Paper Bullets is a compelling World War II story that has not been told before about the galvanizing power of art, and of resistance.
In this smart, funny Reese’s Book Club pick and New York Times Notable Book, a young seamstress in Ghana agrees to an arranged marriage, only to realize that some compromises are too extreme to accept.
Get author Peace Adzo Medie’s brand new novel, Nightbloom, too!
His Only Wife named a must-read novel: The New York Times Book Review * BuzzFeed * Time * Marie Claire * Parade * Travel + Leisure * Ms. * Bustle * The Millions * Book Riot * PopSugar * HelloGiggles * Kirkus Reviews* Good Morning America
Afi Tekple is a young seamstress in Ghana. Smart and pretty, she has also been convinced by her mother to marry a man she doesn’t know: a wealthy businessman named Elikem. His family has chosen Afi in the hopes that she will distract him from a current relationship they disapprove of. When Afi is moved from her small hometown to live in Accra, Ghana’s gleaming capital full of wealth and sophistication, she is not prepared for the way her life will change. But she has agreed to this marriage in order to give her mother the financial security she desperately needs, and so Afi must see it through. Or must she?
A witty, moving, and smart debut novel, His Only Wife takes place in a world of men who want their wives to be beautiful, to be good cooks and mothers, to grant their husbands forbearance. And in Afi, we meet a delightful, brave, and relatable heroine who just may break all the rules.
“[A] mesmerizing debut novel.”
—The New York Times Book Review
“A story that kept me tied to the page, told in masterful, seamless prose.”
—BuzzFeed
“I love this book so much I turned the pages so fast . . . It’s all about the search for independence and being true to yourself and who you really are.”
—Reese Witherspoon
What does a teenage girl dream about in Nigeria or New York? How does she spend her days in Mongolia, the Midwest, and the Middle East?
All around the world, girls are going to school, working, dreaming up big futures—they are soccer players and surfers, ballerinas and chess champions. Yet we know so little about their daily lives. We often hear about challenges and catastrophes in the news, and about exceptional girls who make headlines. But even though the health, education, and success of girls so often determines the future of a community, we don’t know more about what life is like for the ordinary girls, the ones living outside the headlines.
From the Americas to Europe to Africa to Asia to the South Pacific, the thirty teens from twenty-seven countries in Girlhood share their own stories of growing up through diary entries and photographs, and the girls’ stories are put in context with reporting and research that helps us understand the circumstances and communities they live in. This full-color, exuberantly designed volume is a portrait of ordinary girlhood around the world, and of the world, as seen through girls’ eyes.
With the epic sweep of Min Jin Lee’s Pachinko or Yaa Gyasi’s Homegoing and the lyrical beauty of Vaddey Ratner’s In the Shadow of the Banyan, The Mountains Sing tells an enveloping, multigenerational tale of the Trần family, set against the backdrop of the Việt Nam War. Trần Diệu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Nội, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Hồ Chí Minh Trail to fight in a conflict that tore apart not just her beloved country, but also her family.
Vivid, gripping, and steeped in the language and traditions of Việt Nam, The Mountains Sing brings to life the human costs of this conflict from the point of view of the Vietnamese people themselves, while showing us the true power of kindness and hope.
The Mountains Sing is celebrated Vietnamese poet Nguyễn Phan Quế Mai’s first novel in English.
New York Times Editors’ Choice Selection
Winner of the 2020 Lannan Literary Awards Fellowship
“[An] absorbing, stirring novel . . . that, in more than one sense, remedies history.” —The New York Times Book Review
—New York Times Book Review
“Subramanian writes with empathy and exuberance, offering a much-needed glimpse into a world that too many of us don’t even know exists. This is a book to give your little sister, your mother, your best friend, yourself, so together you can celebrate the strength of women and girls, the tenacity it takes to survive in a world that would rather have you disappear.”
In the tight-knit community known as Heaven, a ramshackle slum hidden between luxury high-rises in Bangalore, India, five girls on the cusp of womanhood forge an unbreakable bond. Muslim, Christian, and Hindu; queer and straight; they are full of life, and they love and accept one another unconditionally. Whatever they have, they share. Marginalized women, they are determined to transcend their surroundings.
Elegant, poetic, and vibrant, A People’s History of Heaven takes a clear-eyed look at adversity and geography–and dazzles in its depiction of these women’s fierceness and determination not just to survive, but to triumph.
—Michelle Obama
In Mighty Justice, trailblazing African American civil rights attorney Dovey Johnson Roundtree recounts her inspiring life story that speaks movingly and urgently to our racially troubled times. From the streets of Charlotte, North Carolina, to the segregated courtrooms of the nation’s capital; from the male stronghold of the army where she broke gender and color barriers to the pulpits of churches where women had waited for years for the right to minister—in all these places, Roundtree sought justice. At a time when African American attorneys had to leave the courthouses to use the bathroom, Roundtree took on Washington’s white legal establishment and prevailed, winning a 1955 landmark bus desegregation case that would help to dismantle the practice of “separate but equal” and shatter Jim Crow laws. Later, she led the vanguard of women ordained to the ministry in the AME Church in 1961, merging her law practice with her ministry to fight for families and children being destroyed by urban violence.
Dovey Roundtree passed away in 2018 at the age of 104. Though her achievements were significant and influential, she remains largely unknown to the American public. Mighty Justice corrects the historical record.
“There is more life packed on each page of Ordinary Girls than some lives hold in a lifetime.” —Julia Alvarez
In this searing memoir, Jaquira Díaz writes fiercely and eloquently of her challenging girlhood and triumphant coming of age.
While growing up in housing projects in Puerto Rico and Miami Beach, Díaz found herself caught between extremes. As her family split apart and her mother battled schizophrenia, she was supported by the love of her friends. As she longed for a family and home, her life was upended by violence. As she celebrated her Puerto Rican culture, she couldn’t find support for her burgeoning sexual identity. From her own struggles with depression and sexual assault to Puerto Rico’s history of colonialism, every page of Ordinary Girls vibrates with music and lyricism. Díaz writes with raw and refreshing honesty, triumphantly mapping a way out of despair toward love and hope to become her version of the girl she always wanted to be.
Reminiscent of Tara Westover’s Educated, Kiese Laymon’s Heavy, Mary Karr’s The Liars’ Club, and Terese Marie Mailhot’s Heart Berries, Jaquira Díaz’s memoir provides a vivid portrait of a life lived in (and beyond) the borders of Puerto Rico and its complicated history—and reads as electrically as a novel.