"A terrifically entertaining work of popular history: swiftly paced, richly evocative, engrossing from the first page. . . . This vivid retelling of the 1906 murder of Stanford White couldn't be timelier. . . . The murder of Stanford White has been the subject of many other books [but] Baatz's gripping, deeply researched retelling is certain to stand as the definitive version."—Harold Schechter, Wall Street Journal
"Readers will appreciate Baatz's exciting, novel-like approach, and those interested in early twentieth-century law especially will enjoy the courtroom scenes."—Booklist
"Simon Baatz has written a wickedly enjoyable book that enthralled me from start to finish. This multifaceted tale, rendered with an expert's touch, encompasses the aspirations and vices of an entire era."—Laurence Bergreen, author of Capone
"Simon Baatz, the absolute master of the true crime genre, has written another page-turner. This book has everything, bad behavior in high places, a spectacularly public murder, courtroom drama, a daring escape, even a mother-in-law from hell. It reads like fiction, but it's all real. A wonderful book."—John Steele Gordon, author of An Empire of Wealth
"Simon Baatz takes readers on the strange and sensational legal odyssey of Harry Thaw, the Pittsburgh millionaire who murdered famed architect Stanford White in 1906. . . Baatz offers a detailed and assiduously researched account of the shocking crime and its aftermath, with a focus on the legal wrangling that dominated two trials."—Paula Uruburu, author of American Eve
"In his absorbing, well-written, and meticulously researched account of the murder of Stanford White, Simon Baatz delves deeper than ever before into the event's judicial, popular, and psychiatric dimensions and ramifications."—Mike Wallace, author of the Pulitzer Prize winning Gotham
"The Girl on the Velvet Swing is a must-read, a book that is ceaselessly engaging, one surprise following another, even to the author's final assessment of Stanford White and his relationship to Evelyn Nesbit."—Leland Roth, author of American Architecture and the critical study "McKim, Mead & White"