The Geography of You and Me


By Jennifer E. Smith

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Lucy lives on the twenty-fourth floor. Owen lives in the basement. It’s fitting, then, that they meet in the middle — stuck between two floors of a New York City apartment building, on an elevator rendered useless by a citywide blackout. After they’re rescued, Lucy and Owen spend the night wandering the darkened streets and marveling at the rare appearance of stars above Manhattan. But once the power is back, so is reality. Lucy soon moves abroad with her parents, while Owen heads out west with his father.

The brief time they spend together leaves a mark. And as their lives take them to Edinburgh and to San Francisco, to Prague and to Portland, Lucy and Owen stay in touch through postcards, occasional e-mails, and phone calls. But can they — despite the odds — find a way to reunite?

Smartly observed and wonderfully romantic, Jennifer E. Smith’s new novel shows that the center of the world isn’t necessarily a place. Sometimes, it can be a person.


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Table of Contents

A Sneak Peek of Hello, Goodbye, and Everything in Between

Copyright Page

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On the first day of September, the world went dark.

But from where she stood in the blackness, her back pressed against the brassy wall of an elevator, Lucy Patterson had no way of knowing the scope of it yet.

She couldn't have imagined, then, that it stretched beyond the building where she'd lived all her life, spilling out onto the streets, where the traffic lights had gone blank and the hum of the air conditioners had fallen quiet, leaving an eerie, pulsing silence. Already, there were people streaming out onto the long avenues that stretched the length of Manhattan, pushing their way toward home like salmon moving up a river. All over the island, car horns filled the air and windows were thrown open, and in thousands upon thousands of freezers, the ice cream began to melt.

The whole city had been snuffed out like a candle, but from the unlit cube of the elevator, Lucy couldn't possibly have known this.

Her first thought wasn't to worry about the violent jolt that had brought them up short between the tenth and eleventh floors, making the whole compartment rattle like a ride at an amusement park. And it wasn't a concern for their escape, because if there was anything that could be depended on in this world—far more, even, than her parents—it was the building's small army of doormen, who had never failed to greet her after school, or remind her to bring an umbrella when it was rainy, who were always happy to run upstairs and kill a spider or help unclog the shower drain.

Instead, what she felt was a kind of sinking regret over her rush to make this particular elevator, having dashed through the marble-floored lobby and caught the doors just before they could seal shut. If only she'd waited for the next one, she would've still been standing downstairs right now, speculating with George—who worked the afternoon shift—about the source of the power outage, rather than being stuck in this small square of space with someone she didn't even know.

The boy hadn't looked up when she'd slipped through the doors just a few minutes earlier, but instead kept his eyes trained on the burgundy carpet as they shut again with a bright ding. She'd stepped to the back of the elevator without acknowledging him, either, and in the silence that followed she could hear the low thump of music from his headphones as the back of his white-blond head bobbed, just slightly, his rhythm not quite there. She'd noticed him around before, but this was the first time it struck her how much he looked like a scarecrow, tall and lanky and loose-limbed, a study of lines and angles all jumbled together in the shape of a teenage boy.

He'd moved in just last month, and she'd watched that day from the coffee shop next door as he and his father carried a small collection of furniture back and forth across the gum-stained sidewalk. She'd known they were hiring a new superintendent, but she hadn't known he'd be bringing his son, too, much less a son who looked to be about her age. When she'd tried getting more information out of the doormen, all they could tell her was that they were somehow related to the building's owner.

She'd seen him a few more times after that—at the mailboxes or crossing the lobby or waiting for the bus—but even if she'd been the kind of girl inclined to walk up and introduce herself, there still was something vaguely unapproachable about him. Maybe it was the earbuds he always seemed to be wearing, or the fact that she'd never seen him talking to anyone before; maybe it was the way he slipped in and out of the building so quickly, like he was desperate not to be caught, or the faraway look in his eyes when she spotted him across the subway platform. Whatever the reason, it seemed to Lucy that the idea of ever meeting him—the idea of even saying something as harmless as hello—was unlikely for reasons she couldn't quite articulate.

When the elevator had wrenched to a stop, their eyes met, and in spite of the situation, she'd found herself wondering—ridiculously—whether he recognized her, too. But then the lights above them had snapped off, and they were both left blinking into the darkness, the floor still quivering beneath them. There were a few metallic sounds from above—two loud clanks followed by a sharp bang—and then something seemed to settle, and except for the faint beat of his music, it was silent.

As her eyes adjusted, Lucy could see him frown and then pull out his earbuds. He glanced in her direction before turning to face the panel of buttons, jabbing at a few with his thumb. When they refused to light up, he finally hit the red emergency one, and they both cocked their heads, waiting for the speaker to crackle to life.

Nothing happened, so he punched it again, then once more. Finally, he lifted his shoulders in a shrug. "It must be the whole building," he said without turning around.

Lucy lowered her eyes, trying to avoid the little red arrow above the door, which was poised somewhere between the numbers 10 and 11. She was doing her best not to picture the empty elevator shaft below, or the thick cables stretched above them.

"I'm sure they're already working on it," she said, though she wasn't at all sure. She'd been in the elevator when it got stuck before, but never when the lights had gone out, too, and now her legs felt unsteady beneath her, her stomach wound tight. Already, the air seemed too warm and the space too small.

She cleared her throat. "George is just downstairs, so…"

The boy turned to face her, and though it was still too dark for details, she could see him more clearly with each minute that passed. She was reminded of a science experiment her class did in fifth grade, where the teacher dropped a mint into each of the students' cupped palms, then switched off the lights and told them to bite down hard, and a series of tiny sparks lit up the room. This was how he seemed to her now: his teeth flashing when he spoke, the whites of his eyes bright against the blackness.

"Yeah, but if it's the whole building, this could take a while," he said, slumping against the wall. "And my dad's not around this afternoon."

"My parents are away, too," Lucy told him, and she could just barely make out the expression on his face, an odd look in her direction.

"I meant 'cause he's the super," he said. "But he's just in Brooklyn, so I'm sure he'll be back soon."

"Do you think…?" she began, then paused, not sure how to phrase the question. "Do you think we're okay till then?"

"I think we'll be fine," he said, his voice reassuring; then, with a hint of amusement, he added: "Unless, of course, you're afraid of the dark."

"I'm okay," she said, sliding down the wall until she was sitting on the floor, her elbows resting on her knees. She attempted a smile, which emerged a little wobbly. "I've heard monsters prefer closets to elevators."

"Then I think we're in the clear," he said, sitting down, too, his back against the opposite corner. He pulled his phone from his pocket, and in the dim light, his hair glowed green as he bent his head over it. "No signal."

"It's usually pretty iffy in here anyway," Lucy said, reaching for her own phone before realizing she'd left it upstairs. She'd only run down to grab the mail, a quick round-trip to the lobby and back, and now it felt like a particularly bad moment to find herself completely empty-handed.

"So," the boy said, tipping his head back against the wall. "Come here often?"

She laughed. "I've logged some time in this particular elevator, yes."

"I think you're about to log a lot more," he said with a rueful smile. "I'm Owen, by the way. I feel like we should probably introduce ourselves so I don't end up calling you Elevator Girl whenever I tell this story."

"I could live with Elevator Girl," she said. "But Lucy works, too. I'm in 24D."

He hesitated a moment, then gave a little shrug. "I'm in the basement."

"Right," she said, remembering too late, and she was glad for the darkness, which hid the flush in her cheeks. The building was like a small country in and of itself, and this was the currency; when you met someone new, you didn't just give your name but your apartment number as well, only she'd forgotten that the super always lived in the small two-bedroom flat in the basement, a floor Lucy had never visited.

"In case you're wondering why I'm on my way up," he said after a moment, "I've figured out that the view's a whole lot better on the roof."

"I thought nobody was allowed up there."

He slipped his phone back into his pocket and pulled out a single key, which he held flat in his palm. "That's true," he said with a broad grin. "Technically speaking."

"So you have friends in high places, huh?"

"Low places," he said, returning the key to his pocket. "The basement, remember?"

This time she laughed. "What's up there, anyway?"

"The sky."

"You've got keys to the sky?" she said, and he knitted his fingers together, lifting his arms above his head in a stretch.

"It's how I impress all the girls I meet in the elevator."

"Well, it's working," she said, amused. Watching him over the past weeks, studying him from afar, she'd imagined he must be shy and unapproachable. But sitting here now, the two of them grinning at each other through the dark, she realized she might have been wrong. He was funny and a little bit odd, which at the moment didn't seem like the worst kind of person to be stuck with.

"Although," she added, "I'd be a lot more impressed if you could get us out of here."

"I would, too," he said, shifting his gaze to scan the ceiling. "You'd think the least they could do would be to pipe in some music."

"If they're planning to pipe in anything, hopefully it's some cool air."

"Yeah, this whole city's like a furnace," he said. "It doesn't feel like September."

"I know. Hard to believe school starts tomorrow."

"Yeah, for me, too," he said. "Assuming we ever get out of here."

"Where do you go?"

"Probably not the same place as you."

"Well, I hope not," she said with a grin. "Mine's all-girls."

"Then definitely not the same one," he said. "But I'd already figured that out anyway."

"What do you mean?"

"Well," he said, waving a hand around. "You live here."

Lucy raised her eyebrows. "In the elevator?"

"In this building," he said, making a face.

"So do you."

"I think it would be more accurate to say I live under this building," he joked. "But I'm betting you go to some fancy private school where everyone wears uniforms and worries about the difference between an A and an A-minus."

She swallowed hard, unsure what to say to this, since it was true.

Taking her silence as an admission, he tilted his head as if to say I told you so, then gave a little shrug. "I'm going to the one up on One Hundred and Twelfth that looks like a bunker, where everyone goes through metal detectors and worries about the difference between a C and a C-minus."

"I'm sure it won't be that bad," she said, and his jaw went tight. Even through the darkness, something about his expression made him seem much older than he'd looked just moments before, bitter and cynical.

"The school or the city?"

"Doesn't sound like you're too thrilled about either."

He glanced down at his hands, which were resting in a knot on top of his knees. "It's just… this wasn't really the plan," he said. "But my dad got offered this job, and now here we are."

"It's not so bad," she told him. "Really. You'll find things to like about it."

He shook his head. "It's too crowded. You can't ever breathe here."

"I think you're confusing the city with this elevator."

The corner of his mouth twitched, but then he frowned again. "There are no open spaces."

"There's a whole park just a block away."

"You can't see the stars."

"There's always the planetarium," Lucy said, and in spite of himself, he laughed.

"Are you always so relentlessly optimistic, or just when it comes to New York?"

"I've lived here my whole life," she said with a shrug. "It's my home."

"Not mine."

"Doesn't mean you have to play the sullen-new-guy card."

"It's not a card," he said. "I am the sullen new guy."

"Just give it a chance, Bartleby."

"Owen," he said, looking indignant, and she laughed.

"I know," she told him. "But you're sounding just like Bartleby from the story." She waited to see if he knew it, then pushed on. "Herman Melville? Author of Moby-Dick?"

"I know that," he said. "Who's Bartleby?"

"A scrivener," she explained. "Sort of a clerk. But throughout the whole story, anytime someone asks him to do something, all he says is 'I would prefer not to.'"

He considered this a moment. "Yup," he said finally. "That pretty much sums up my feelings about New York."

Lucy nodded. "You would prefer not to," she said. "But that's just because it's new. Once you get to know it more, I have a feeling you'll like it here."

"Is this the part where you insist on taking me on a tour of the city, and we laugh and point at all the famous sights, and then I buy an I♥NY T-shirt and live happily ever after?"

"The T-shirt is optional," she told him.

For a long moment, they eyed each other across the cramped space, and then, finally, he shook his head. "Sorry," he said. "I know I'm being a jerk."

Lucy shrugged. "It's okay. We can just chalk it up to claustrophobia. Or lack of oxygen."

He smiled, but there was something strained about it. "It's just been a really tough summer. And I guess I'm not used to the idea of being here yet."

His eyes caught hers through the darkness, and the elevator felt suddenly smaller than it had just minutes before. Lucy thought of all the other times she'd been crammed in here over the years: with women in fur coats and men in expensive suits; with little white dogs on pink leashes and doormen wheeling heavy boxes on luggage carts. She'd once spilled an entire container of orange juice on the carpet right where Owen was sitting, which had made the whole place stink for days, and another time, when she was little, she'd drawn her name in green marker on the wall, much to her mother's dismay.

She'd read the last pages of her favorite books here, cried the whole way up and laughed the whole way down, made small talk to a thousand different neighbors on a thousand different days. She'd fought with her two older brothers, kicking and clawing, until the door dinged open and they all walked out into the lobby like perfect angels. She'd ridden down to greet her dad when he arrived home from every single business trip, and had even once fallen asleep in the corner as she waited for her parents to come home from a charity auction.

And how many times had they all been stuffed in here together? Dad, with his newspaper folded under his arm, always standing near the door, ready to bolt; Mom, wearing a thin smile, seesawing between amusement and impatience with the rest of them; the twins, grinning as they elbowed each other; and Lucy, the youngest, tucked in a corner, always trailing behind the rest of the family like an ellipsis at the end of a sentence.

And now here she was, in a box that seemed too tiny to hold so many memories, with the walls pressing in all around her and nobody to come to her rescue. Her parents were in Paris, across the ocean, as usual, on the kind of trip that only ever included the two of them. And her brothers—the only friends she'd ever really had—were now thousands of miles away at college.

When they'd left a few weeks ago—Charlie heading off to Berkeley, and Ben to Stanford—Lucy couldn't help feeling suddenly orphaned. It wasn't unusual for her parents to be away; they'd always made a habit of flying off to snow-covered European cities or exotic tropical islands on their own. But being left behind was never that bad when there were three of them, and it was always her brothers—a twin pair of clowns, protectors, and friends—who had kept everything from unraveling.

Until now. She was used to being parentless, but being brotherless—and, thus, effectively friendless—was entirely new, and losing both of them at once seemed unfair. The whole family was now hopelessly scattered, and from where she sat—all alone in New York—Lucy felt it deeply just then, as if for the very first time: the bigness of the world, the sheer scope of it.

Across the elevator, Owen rested his head against the wall. "It is what it is…" he murmured, letting the words trail off at the end.

"I hate that expression," Lucy said, a bit more forcefully than intended. "Nothing is what it is. Things are always changing. They can always get better."

He looked over, and she could see that he was smiling, even as he shook his head. "You're totally nuts," he said. "We're stuck in an elevator that's hot and stuffy and probably running out of air. We're hanging by a cord that's got to be smaller than my wrist. Your parents are who-knows-where, and my dad's in Coney Island. And if nobody's come to get us by now, there's a good chance they've forgotten about us entirely. So seriously, how are you still so positive?"

Lucy slid out from the wall, folding her legs beneath her and leaning forward. "How come your dad's in Coney Island?" she asked, ignoring his question.

"That's not the point."

"For the roller coasters?"

He shook his head.

"The hot dogs?" she asked. "The ocean?"

"Aren't you at all worried that nobody's coming to get us?"

"It won't help anything," she said. "Worrying."

"Exactly," he said. "It is what it is."

"Nope," she said. "Nothing is what it is."

"Fine," he said. "It's not what it isn't."

Lucy gave him a long look. "I have no idea what you're saying."

"Or maybe you'd just prefer not to," he said, sitting forward, and they both laughed. The darkness between them felt suddenly thin, flimsy as tissue paper and even less substantial. His eyes shone through the blackness as the silence stretched between them, and when he finally broke it, his voice was choked.

"He's in Coney Island because that's where he first met my mother," Owen said. "He bought flowers to leave on the boardwalk. He wanted to do it alone."

Lucy opened her mouth to say something—to ask a question, perhaps, or to tell him she was sorry, a word too small to mean anything at a moment like this—but the silence felt suddenly fragile, and she could think of nothing worthy enough to break it.

His head was bowed so that it was hard to make out the expression on his face, and she felt useless, sitting there without any idea of what to do. But then a faint knock sent her heart up into her throat, and his eyes found hers in the dark.

The sound came again, and Owen stood this time, moving over to the door and pressing his ear against it. He knocked back, and they both listened. Even from where she was still sitting numbly in the middle of the floor, Lucy could hear the muffled voices outside, followed by the scrape of something metal. After a moment, she rose to her feet, too, and without a word, without even looking at each other, they stood there like that, shoulder to shoulder, like a couple of astronauts at the end of a long journey, waiting for the doors to open so they could step out into a dazzling new world.


The day had started in darkness, too. Owen had woken before the sun was up, just as he had for the last forty-two mornings, jolted out of sleep with the feel of something heavy on his chest, a weight that pressed down on him like a fist. He blinked at the unfamiliar ceiling, the faint cracks that formed a sort of map, and the fly that roved between them, like an X marking some unknowable spot.

In the next room, he could hear the clink of a coffee mug, and he knew his father was awake, too. The last six weeks had turned them into bleary-eyed insomniacs, their days as shapeless as their nights, so that one simply bled into the other. It seemed fitting that they were living underground now; what better place for a couple of ghosts?

His new room was less than half the size of his old one back in their sprawling, sun-drenched house in rural Pennsylvania, where he'd been woken each morning by the sparrows just outside his window. Now he listened to a couple of pigeons squabbling against the narrow panel of glass near the ceiling, where the protective metal bars made what little light there was fall across his bed in slats.

When he emerged into the hallway that separated his room from his father's and led back to the small kitchen and sitting area, Owen caught a whiff of smoke, and the intensity of it, the vividness of the memory, almost took his knees out from under him. He followed the scent to the living room, where he found his father sitting on the couch, hunched over a mug that was serving as a makeshift ashtray.

"I didn't think you'd be up," he said, stabbing out the cigarette with a guilty expression. He ran a hand through his hair, which was just a shade or two darker than Owen's, then sat back and rubbed his eyes.

"I didn't really sleep," Owen admitted, collapsing into the rocking chair across from him. He closed his eyes and took a long, slow breath. He couldn't help himself; they'd been his mother's cigarettes, and the scent clenched at something inside him. There'd been eight left when she died, the crumpled pack recovered from the accident site and returned to them along with her wallet and keys and a few other odds and ends, and though his father didn't usually smoke, there were now only two. Owen could chart the bad days in this way, by the tang of smoke in the mornings, the best and worst reminder of her—one of the only ones left.

"You always hated these," Owen said, picking up the nearly empty box and spinning it in his hands. His father smiled faintly.

"Terrible habit—it drove me crazy," he agreed, then shook his head. "I always said it would kill her."

Owen lowered his eyes but couldn't help picturing the police report, the theory that she'd been distracted while trying to light a cigarette. They'd found the car upside down in a ditch. The box was ten yards away.

"I thought I'd head out to Brooklyn today," Dad said, a forced casualness to his voice, though Owen knew what that really meant, knew exactly where he was going and why. "You'll be okay on your own?"

Owen thought about asking whether he might like some company, but he already knew the answer. He'd seen the flowers resting on the kitchen counter last night, still wrapped in cellophane and already wilting. It was their anniversary; the day didn't belong to Owen. He ran a hand over the pack of cigarettes and nodded.

"We'll have dinner when I get back," Dad said, then picked up the ash-filled mug and padded out into the kitchen. "Anything you want."

"Great," Owen called, and then before he could think better of it, he slid one of the last two cigarettes from the pack, twirled it once between his fingers, and tucked it into his pocket without quite knowing why.

In the doorway to his bedroom, he paused. They'd been here nearly a month now, but the room was still lined with boxes, most of them half-open, the cardboard flaps spread out like wings. This sort of thing would have driven his mother crazy, and he couldn't help smiling as he imagined what her reaction would be, a mix of exasperation and bemusement. She'd always kept things so tidy at home, the counters sparkling and the floors dust-free, and Owen was suddenly glad she couldn't see this place, with its dim lighting and peeling paint, the mold that caked the spaces between bathroom tiles and the dingy appliances in the kitchen.

Whenever Owen used to complain about cleaning his room or having to do the dishes the moment they were finished with dinner, Mom would cuff him playfully on the head. "Our home is a reflection of who we are," she'd say in a singsong voice.

"Right," Owen would shoot back. "And I'm a mess."

"You are not," she'd say, laughing. "You're perfect."

"Perfectly messy," Dad would say.

She used to make them take off their shoes in the laundry room, only ever smoked on the back porch, and kept the pillows on the couches from getting too squashed. Dad said it had always been this way, from the moment they bought the house, the two of them thrilled to finally own something so permanent after so much time on the road.

They'd spent the previous two years traveling around in a rickety van with all their worldly belongings stashed in the back. They'd crisscrossed the country, camping out under the stars or sleeping curled in the backseat, whittling away their meager savings as they made their way across every state but Hawaii and Alaska. They'd seen Mount Rushmore and Grand Teton, driven up the California coast and gone fishing in the Florida Keys. They'd been to New Orleans and Bar Harbor and Mackinac Island, Charleston and Austin and Napa, traveling until they ran out of land, and money, too. It was only then that they returned to Pennsylvania, where they'd both grown up—and where it was time to grow up for a second time—and settled down for good.

But in spite of all the stories he'd heard of their years on the road, Owen had never been much of anywhere. His parents seemed to have gotten it out of their system by the time he came along, and they were content to be in one place. They had a house with a porch and a yard with an apple tree; there was a swingset around the side and a neighboring field of grazing horses. They had a round kitchen table just big enough for three, a door the perfect size for a wreath at Christmastime, and enough nooks and crannies for long and drawn-out games of hide-and-seek. There was nowhere else they ever wanted to be.

Until now.

Alone in his bedroom, Owen heard the front door fall shut, then waited a few minutes before grabbing his phone and wallet and heading out, too, jogging up the stairs from the basement to the lobby, which he passed through quickly, his head bent. It wasn't that he had anything against the residents of the building, but he didn't belong here, and neither did his father. Owen was just waiting for him to realize that, too.


  • Praise for TheGeography of You and Me:

    A VOYA Perfect Tens 2014 Selection
    A YALSA 2015 Quick Picks for Reluctant Young Adult Readers Selection
    A YALSA 2015 Teens Top Ten Nominee

    * "The meet-cute master behind The Statistical Probability of Love at First Sight and This Is What Happy Looks Like delivers her best book yet, a straightforward, old-fashioned swoon-fest that, in another time, would be a film starring Audrey Hepburn."—Booklist, starred review

  • * "Fans of Smith's previous works, namely The Statistical Probability of Love at First Sight,and other love stories like John Green's The Fault in Our Stars and David Levithan's Every Day will like this novel, which is a similar combination of head and heart...A welcome addition to any library."—VOYA, starred review

  • "A heart-shaking exploration of a fragile long-distance relationship...Deftly romantic and anchored in an age when the Internet has made long distance a much more familiar concept for teenagers, this is a fantastic story."—Vanity Fair

  • "Truth about love always gets our attention, and this book will catch readers'."—Kirkus Reviews

  • "Smith has written a sweet, moody story that can also be deeply heartbreaking...There are plenty of romantic sigh-worthy moments, too, but it's Owen and Lucy's individual journeys that really hit home."—Publishers Weekly

  • "Smith captures the romantic sparks that fly in unusual situations and the way love can build even when circumstances keep people apart. If you like your romances with a bit of European adventure, some New York glamour, and a lot of honest heart, this one's for you."—E. Lockhart, author of The Boyfriend List and The Disreputable History of Frankie Landau-Banks

  • "The greatest space between two people is measured in emotions, not miles. The Geography of You and Me is a true, tender long-distance love story guaranteed to strike a resonant chord in hopeful romantics everywhere."—Megan McCafferty, bestselling author of the Jessica Darling series and Bumped

  • "Jennifer E. Smith represents the absolute best in YA writing, and readers will carry this poignant love story in their hearts long after the last sentence is read."—Susane Colasanti, bestselling author of When It Happens

  • "The Geography of You and Me is a magic, magic book. It will take you to a place where we all want to live, where true love overcomes any distance."—Huntley Fitzpatrick, author of My Life Next Door and What I Thought Was True

  • "If it was just a travel story or just a love story, The Geography of You and Me would still be perfect, but it's both and more. I loved this book!"—Lauren Morrill, author of Meant to Be and Being Sloane Jacobs

On Sale
Mar 3, 2015
Page Count
368 pages