Blood of Elves


By Andrzej Sapkowski

Read by Peter Kenny

Translated by Danusia Stok

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The story of Geralt of Rivia continues as war rages on in this epic fantasy—now, the story of The Witcher continues in the saga that inspired the second season of the Netfix series.

For over a century, humans, dwarves, gnomes, and elves have lived together in relative peace. But times have changed, the uneasy peace is over, and now the races are fighting once again. The only good elf, it seems, is a dead elf.

Geralt of Rivia, the cunning hunter known as the Witcher, has been waiting for the birth of a prophesied child. This child has the power to change the world for good—or for evil.

As the threat of war hangs over the land and the child is hunted for her extraordinary powers, it will become Geralt’s responsibility to protect them all. And the Witcher never accepts defeat.

Witcher story collections
The Last Wish
Sword of Destiny

Witcher novels
Blood of Elves
The Time of Contempt
Baptism of Fire
The Tower of Swallows
Lady of the Lake
Season of Storms

Hussite Trilogy
The Tower of Fools
Warriors of God

Translated from original Polish by Danusia Stok


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The town was in flames.

The narrow streets leading to the moat and the first terrace belched smoke and embers, flames devouring the densely clustered thatched houses and licking at the castle walls. From the west, from the harbour gate, the screams and clamour of vicious battle and the dull blows of a battering ram smashing against the walls grew ever louder.

Their attackers had surrounded them unexpectedly, shattering the barricades which had been held by no more than a few soldiers, a handful of townsmen carrying halberds and some crossbowmen from the guild. Their horses, decked out in flowing black caparisons, flew over the barricades like spectres, their riders' bright, glistening blades sowing death amongst the fleeing defenders.

Ciri felt the knight who carried her before him on his saddle abruptly spur his horse. She heard his cry. "Hold on," he shouted. "Hold on!"

Other knights wearing the colours of Cintra overtook them, sparring, even in full flight, with the Nilfgaardians. Ciri caught a glimpse of the skirmish from the corner of her eye – the crazed swirl of blue-gold and black cloaks amidst the clash of steel, the clatter of blades against shields, the neighing of horses—

Shouts. No, not shouts. Screams.

"Hold on!"

Fear. With every jolt, every jerk, every leap of the horse pain shot through her hands as she clutched at the reins. Her legs contracted painfully, unable to find support, her eyes watered from the smoke. The arm around her suffocated her, choking her, the force compressing her ribs. All around her screaming such as she had never before heard grew louder. What must one do to a man to make him scream so?

Fear. Overpowering, paralysing, choking fear.

Again the clash of iron, the grunts and snorts of the horses. The houses whirled around her and suddenly she could see windows belching fire where a moment before there'd been nothing but a muddy little street strewn with corpses and cluttered with the abandoned possessions of the fleeing population. All at once the knight at her back was wracked by a strange wheezing cough. Blood spurted over the hands grasping the reins. More screams. Arrows whistled past.

A fall, a shock, painful bruising against armour. Hooves pounded past her, a horse's belly and a frayed girth flashing by above her head, then another horse's belly and a flowing black caparison. Grunts of exertion, like a lumberjack's when chopping wood. But this isn't wood; it's iron against iron. A shout, muffled and dull, and something huge and black collapsed into the mud next to her with a splash, spurting blood. An armoured foot quivered, thrashed, goring the earth with an enormous spur.

A jerk. Some force plucked her up, pulled her onto another saddle. Hold on! Again the bone-shaking speed, the mad gallop. Arms and legs desperately searching for support. The horse rears. Hold on!… There is no support. There is no… There is no… There is blood. The horse falls. It's impossible to jump aside, no way to break free, to escape the tight embrace of these chainmail-clad arms. There is no way to avoid the blood pouring onto her head and over her shoulders.

A jolt, the squelch of mud, a violent collision with the ground, horrifically still after the furious ride. The horse's harrowing wheezes and squeals as it tries to regain its feet. The pounding of horseshoes, fetlocks and hooves flashing past. Black caparisons and cloaks. Shouting.

The street is on fire, a roaring red wall of flame. Silhouetted before it, a rider towers over the flaming roofs, enormous. His black-caparisoned horse prances, tosses its head, neighs.

The rider stares down at her. Ciri sees his eyes gleaming through the slit in his huge helmet, framed by a bird of prey's wings. She sees the fire reflected in the broad blade of the sword held in his lowered hand.

The rider looks at her. Ciri is unable to move. The dead man's motionless arms wrapped around her waist hold her down. She is locked in place by something heavy and wet with blood, something which is lying across her thigh, pinning her to the ground.

And she is frozen in fear: a terrible fear which turns her entrails inside out, which deafens Ciri to the screams of the wounded horse, the roar of the blaze, the cries of dying people and the pounding drums. The only thing which exists, which counts, which still has any meaning, is fear. Fear embodied in the figure of a black knight wearing a helmet decorated with feathers frozen against the wall of raging, red flames.

The rider spurs his horse, the wings on his helmet fluttering as the bird of prey takes to flight, launching itself to attack its helpless victim, paralysed with fear. The bird – or maybe the knight – screeches terrifyingly, cruelly, triumphantly. A black horse, black armour, a black flowing cloak, and behind this – flames. A sea of flames.


The bird shrieks. The wings beat, feathers slap against her face. Fear!

Help! Why doesn't anyone help me? Alone, weak, helpless – I can't move, can't force a sound from my constricted throat. Why does no one come to help me?

I'm terrified!

Eyes blaze through the slit in the huge winged helmet. The black cloak veils everything—


She woke, numb and drenched in sweat, with her scream – the scream which had woken her – still hanging in the air, still vibrating somewhere within her, beneath her breast-bone and burning against her parched throat. Her hands ached, clenched around the blanket; her back ached…

"Ciri. Calm down."

The night was dark and windy, the crowns of the surrounding pine trees rustling steadily and melodiously, their limbs and trunks creaking in the wind. There was no malevolent fire, no screams, only this gentle lullaby. Beside her the campfire flickered with light and warmth, its reflected flames glowing from harness buckles, gleaming red in the leather-wrapped and iron-banded hilt of a sword leaning against a saddle on the ground. There was no other fire and no other iron. The hand against her cheek smelled of leather and ashes. Not of blood.


"It was just a dream. A bad dream."

Ciri shuddered violently, curling her arms and legs up tight.

A dream. Just a dream.

The campfire had already died down; the birch logs were red and luminous, occasionally crackling, giving off tiny spurts of blue flame which illuminated the white hair and sharp profile of the man wrapping a blanket and sheepskin around her.

"Geralt, I—"

"I'm right here. Sleep, Ciri. You have to rest. We've still a long way ahead of us."

I can hear music, she thought suddenly. Amidst the rustling of the trees… there's music. Lute music. And voices. The Princess of Cintra… A child of destiny… A child of Elder Blood, the blood of elves. Geralt of Rivia, the White Wolf, and his destiny. No, no, that's a legend. A poet's invention. The princess is dead. She was killed in the town streets while trying to escape

Hold on!Hold


"What, Ciri?"

"What did he do to me? What happened? What did he… do to me?"


"The knight… The black knight with feathers on his helmet… I can't remember anything. He shouted… and looked at me. I can't remember what happened. Only that I was frightened… I was so frightened…"

The man leaned over her, the flame of the campfire sparkling in his eyes. They were strange eyes. Very strange. Ciri had been frightened of them, she hadn't liked meeting his gaze. But that had been a long time ago. A very long time ago.

"I can't remember anything," she whispered, searching for his hand, as tough and coarse as raw wood. "The black knight—"

"It was a dream. Sleep peacefully. It won't come back."

Ciri had heard such reassurances in the past. They had been repeated to her endlessly; many, many times she had been offered comforting words when her screams had woken her during the night. But this time it was different. Now she believed it. Because it was Geralt of Rivia, the White Wolf, the Witcher, who said it. The man who was her destiny. The one for whom she was destined. Geralt the Witcher, who had found her surrounded by war, death and despair, who had taken her with him and promised they would never part.

She fell asleep holding tight to his hand.

The bard finished the song. Tilting his head a little he repeated the ballad's refrain on his lute, delicately, softly, a single tone higher than the apprentice accompanying him.

No one said a word. Nothing but the subsiding music and the whispering leaves and squeaking boughs of the enormous oak could be heard. Then, all of a sudden, a goat tethered to one of the carts which circled the ancient tree bleated lengthily. At that moment, as if given a signal, one of the men seated in the large semi-circular audience stood up. Throwing his cobalt blue cloak with gold braid trim back over his shoulder, he gave a stiff, dignified bow.

"Thank you, Master Dandilion," he said, his voice resonant without being loud. "Allow me, Radcliffe of Oxenfurt, Master of the Arcana, to express what I am sure is the opinion of everyone here present and utter words of gratitude and appreciation for your fine art and skill."

The wizard ran his gaze over those assembled – an audience of well over a hundred people – seated on the ground, on carts, or standing in a tight semi-circle facing the foot of the oak. They nodded and whispered amongst themselves. Several people began to applaud while others greeted the singer with upraised hands. Women, touched by the music, sniffed and wiped their eyes on whatever came to hand, which differed according to their standing, profession and wealth: peasant women used their forearms or the backs of their hands, merchants' wives dabbed their eyes with linen handkerchiefs while elves and noblewomen used kerchiefs of the finest tight-woven cotton, and Baron Vilibert's three daughters, who had, along with the rest of his retinue, halted their falcon hunt to attend the famous troubadour's performance, blew their noses loudly and sonorously into elegant mould-green cashmere scarves.

"It would not be an exaggeration to say," continued the wizard, "that you have moved us deeply, Master Dandilion. You have prompted us to reflection and thought; you have stirred our hearts. Allow me to express our gratitude, and our respect."

The troubadour stood and took a bow, sweeping the heron feather pinned to his fashionable hat across his knees. His apprentice broke off his playing, grinned and bowed too, until Dandilion glared at him sternly and snapped something under his breath. The boy lowered his head and returned to softly strumming his lute strings.

The assembly stirred to life. The merchants travelling in the caravan whispered amongst themselves and then rolled a sizable cask of beer out to the foot of the oak tree. Wizard Radcliffe lost himself in quiet conversation with Baron Vilibert. Having blown their noses, the baron's daughters gazed at Dandilion in adoration – which went entirely unnoticed by the bard, engrossed as he was in smiling, winking and flashing his teeth at a haughty, silent group of roving elves, and at one of them in particular: a dark-haired, large-eyed beauty sporting a tiny ermine cap. Dandilion had rivals for her attention – the elf, with her huge eyes and beautiful toque hat, had caught his audience's interest as well, and a number of knights, students and goliards were paying court to her with their eyes. The elf clearly enjoyed the attention, picking at the lace cuffs of her chemise and fluttering her eyelashes, but the group of elves with her surrounded her on all sides, not bothering to hide their antipathy towards her admirers.

The glade beneath Bleobheris, the great oak, was a place of frequent rallies, a well-known travellers' resting place and meeting ground for wanderers, and was famous for its tolerance and openness. The druids protecting the ancient tree called it the Seat of Friendship and willingly welcomed all comers. But even during an event as exceptional as the world-famous troubadour's just-concluded performance the travellers kept to themselves, remaining in clearly delineated groups. Elves stayed with elves. Dwarfish craftsmen gathered with their kin, who were often hired to protect the merchant caravans and were armed to the teeth. Their groups tolerated at best the gnome miners and halfling farmers who camped beside them. All non-humans were uniformly distant towards humans. The humans repaid in kind, but were not seen to mix amongst themselves either. Nobility looked down on the merchants and travelling salesmen with open scorn, while soldiers and mercenaries distanced themselves from shepherds and their reeking sheepskins. The few wizards and their disciples kept themselves entirely apart from the others, and bestowed their arrogance on everyone in equal parts. A tight-knit, dark and silent group of peasants lurked in the background. Resembling a forest with their rakes, pitchforks and flails poking above their heads, they were ignored by all and sundry.

The exception, as ever, was the children. Freed from the constraints of silence which had been enforced during the bard's performance, the children dashed into the woods with wild cries, and enthusiastically immersed themselves in a game whose rules were incomprehensible to all those who had bidden farewell to the happy years of childhood. Children of elves, dwarves, halflings, gnomes, half-elves, quarter-elves and toddlers of mysterious provenance neither knew nor recognised racial or social divisions. At least, not yet.

"Indeed!" shouted one of the knights present in the glade, who was as thin as a beanpole and wearing a red and black tunic emblazoned with three lions passant. "The wizard speaks the truth! The ballads were beautiful. Upon my word, honourable Dandilion, if you ever pass near Baldhorn, my lord's castle, stop by without a moment's hesitation. You will be welcomed like a prince– what am I saying? Welcomed like King Vizimir himself! I swear on my sword, I have heard many a minstrel, but none even came close to being your equal, master. Accept the respect and tributes those of us born to knighthood, and those of us appointed to the position, pay to your skills!"

Flawlessly sensing the opportune moment, the troubadour winked at his apprentice. The boy set his lute aside and picked up a little casket which served as a collection box for the audience's more measurable expressions of appreciation. He hesitated, ran his eyes over the crowd, then replaced the little casket and grabbed a large bucket standing nearby. Master Dandilion bestowed an approving smile on the young man for his prudence.

"Master!" shouted a sizeable woman sitting on a cart, the sides of which were painted with a sign for "Vera Loewenhaupt and Sons," and which was full of wickerwork. Her sons, nowhere to be seen, were no doubt busy wasting away their mother's hard-earned fortune. "Master Dandilion, what is this? Are you going to leave us in suspense? That can't be the end of your ballad? Sing to us of what happened next!"

"Songs and ballads" – the musician bowed – "never end, dear lady, because poetry is eternal and immortal, it knows no beginning, it knows no end—"

"But what happened next?" The tradeswoman didn't give up, generously rattling coins into the bucket Dandilion's apprentice held out to her. "At least tell us about it, even if you have no wish to sing of it. Your songs mention no names, but we know the witcher you sing of is no other than the famous Geralt of Rivia, and the enchantress for whom he burns with love is the equally famous Yennefer. And the Child Surprise, destined for the witcher and sworn to him from birth, is Cirilla, the unfortunate Princess of Cintra, the town destroyed by the Invaders. Am I right?"

Dandilion smiled, remaining enigmatic and aloof. "I sing of universal matters, my dear, generous lady," he stated. "Of emotions which anyone can experience. Not about specific people."

"Oh, come on!" yelled a voice from the crowd. "Everyone knows those songs are about Geralt the Witcher!"

"Yes, yes!" squealed Baron Vilibert's daughters in chorus, drying their sodden scarves. "Sing on, Master Dandilion! What happened next? Did the witcher and Yennefer the Enchantress find each other in the end? And did they love each other? Were they happy? We want to know!"

"Enough!" roared the dwarf leader with a growl in his throat, shaking his mighty waist-length, red beard. "It's crap – all these princesses, sorceresses, destiny, love and women's fanciful tales. If you'll pardon the expression, great poet, it's all lies, just a poetic invention to make the story prettier and more touching. But of the deeds of war – the massacre and plunder of Cintra, the battles of Marnadal and Sodden – you did sing that mightily, Dandilion! There's no regrets in parting with silver for such a song, a joy to a warrior's heart! And I, Sheldon Skaggs, declare there's not an ounce of lies in what you say – and I can tell the lies from the truth because I was there at Sodden. I stood against the Nilfgaard invaders with an axe in my hand…"

"I, Donimir of Troy," shouted the thin knight with three lions passant blazoned across his tunic, "was at both battles of Sodden! But I did not see you there, sir dwarf!"

"No doubt because you were looking after the supply train!" Sheldon Skaggs retorted. "While I was in the front line where things got hot!"

"Mind your tongue, beardy!" said Donimir of Troy flushing, hitching up his sword belt. "And who you're speaking to!"

"Have a care yourself!" The dwarf whacked his palm against the axe wedged in his belt, turned to his companions and grinned. "Did you see him there? Frigging knight! See his coat of arms? Ha! Three lions on a shield? Two shitting and the third snarling!"

"Peace, peace!" A grey-haired druid in a white cloak averted trouble with a sharp, authoritative voice. "This is not fitting, gentlemen! Not here, under Bleobheris' crown, an oak older than all the disputes and quarrels of the world! And not in Poet Dandilion's presence, from whose ballads we ought to learn of love, not contention."

"Quite so!" a short, fat priest with a face glistening with sweat seconded the druid. "You look but have no eyes, you listen but have deaf ears. Because divine love is not in you, you are like empty barrels—"

"Speaking of barrels," squeaked a long-nosed gnome from his cart, painted with a sign for "Iron hardware, manufacture and sale", "roll another out, guildsmen! Poet Dandilion's throat is surely dry – and ours too, from all these emotions!"

"—Verily, like empty barrels, I tell ye!" The priest, determined not to be put off, drowned out the ironware gnome. "You have understood nothing of Master Dandilion's ballad, you have learned nothing! You did not see that these ballads speak of man's fate, that we are no more than toys in the hands of the gods, our lands no more than their playground. The ballads about destiny portrayed the destinies of us all, and the legend of Geralt the Witcher and Princess Cirilla – although it is set against the true background of that war – is, after all, a mere metaphor, the creation of a poet's imagination designed to help us—"

"You're talking rubbish, holy man!" hollered Vera Loewenhaupt from the heights of her cart. "What legend? What imaginative creation? You may not know him, but I know Geralt of Rivia. I saw him with my own eyes in Wyzima, when he broke the spell on King Foltest's daughter. And I met him again later on the Merchants' Trail, where, at Gildia's request, he slew a ferocious griffin which was preying on the caravans and thus saved the lives of many good people. No. This is no legend or fairy-tale. It is the truth, the sincere truth, which Master Dandilion sang for us."

"I second that," said a slender female warrior with her black hair smoothly brushed back and plaited into a thick braid. "I, Rayla of Lyria, also know Geralt the White Wolf, the famous slayer of monsters. And I've met the enchantress, Lady Yennefer, on several occasions – I used to visit Aedirn and her home town of Vengerberg. I don't know anything about their being in love, though."

"But it has to be true," the attractive elf in the ermine toque suddenly said in a melodious voice. "Such a beautiful ballad of love could not but be true."

"It could not!" Baron Vilibert's daughters supported the elf and, as if on command, wiped their eyes on their scarves. "Not by any measure!"

"Honourable wizard!" Vera Loewenhaupt turned to Radcliffe. "Were they in love or not? Surely you know what truly happened to them, Yennefer and the witcher. Disclose the secret!"

"If the song says they were in love," replied the wizard, "then that's what happened, and their love will endure down the ages. Such is the power of poetry."

"It is said," interrupted Baron Vilibert all of a sudden, "that Yennefer of Vengerberg was killed on Sodden Hill. Several enchantresses were killed there—"

"That's not true," said Donimir of Troy. "Her name is not on the monument. I am from those parts and have often climbed Sodden Hill and read the names engraved on the monument. Three enchantresses died there: Triss Merigold, Lytta Neyd, known as Coral… hmm… and the name of the third has slipped my mind…"

The knight glanced at Wizard Radcliffe, who smiled wordlessly.

"And this witcher," Sheldon Skaggs suddenly called out, "this Geralt who loved Yennefer, has also bitten the dust, apparently. I heard he was killed somewhere in Transriver. He slew and slew monsters until he met his match. That's how it goes: he who fights with the sword dies by the sword. Everyone comes across someone who will better them eventually, and is made to taste cold hard iron."

"I don't believe it." The slender warrior contorted her pale lips, spat vehemently on the ground and crossed her chainmail-clad arms with a crunch. "I don't believe there is anyone to best Geralt of Rivia. I have seen this witcher handle a sword. His speed is simply inhuman—"

"Well said," threw in Wizard Radcliffe. "Inhuman. Witchers are mutated, so their reactions—"

"I don't understand you, magician." The warrior twisted her lips even more nastily. "Your words are too learned. I know one thing: no swordsman I have ever seen can match Geralt of Rivia, the White Wolf. And so I will not accept that he was defeated in battle as the dwarf claims."

"Every swordsman's an arse when the enemy's not sparse," remarked Sheldon Skaggs sententiously. "As the elves say."

"Elves," stated a tall, fair-haired representative of the Elder Race coldly, from his place beside the elf with the beautiful toque, "are not in the habit of using such vulgar language."

"No! No!" squealed Baron Vilibert's daughters from behind their green scarves. "Geralt the Witcher can't have been killed! The witcher found Ciri, the child destined for him, and then the Enchantress Yennefer, and all three lived happily ever after! Isn't that true, Master Dandilion?"

"'Twas a ballad, my noble young ladies," said the beer-parched gnome, manufacturer of ironwares, with a yawn. "Why look for truth in a ballad? Truth is one thing, poetry another. Let's take this – what was her name? – Ciri? The famous Child Surprise. Master Dandilion trumped that up for sure. I've been to Cintra many a time and the king and queen lived in a childless home, with no daughter, no son—"

"Liar!" shouted a red-haired man in a sealskin jacket, a checked kerchief bound around his forehead. "Queen Calanthe, the Lioness of Cintra, had a daughter called Pavetta. She died, together with her husband, in a tempest which struck out at sea, and the depths swallowed them both."

"So you see for yourselves I'm not making this up!" The ironware gnome called everyone to be his witnesses. "The Princess of Cintra was called Pavetta, not Ciri."

"Cirilla, known as Ciri, was the daughter of this drowned Pavetta," explained the red-haired man. "Calanthe's granddaughter. She was not the princess herself, but the daughter of the Princess of Cintra. She was the Child Surprise destined for the witcher, the man to whom – even before she was born – the queen had sworn to hand her granddaughter over, just as Master Dandilion has sung. But the witcher could neither find her nor collect her. And here our poet has missed the truth."


  • "This is a series you can sink your teeth into."—BuzzFeed News

  • "The universe of Sapkowski's The Witcher is one of the most detailed and best-explored in modern fantasy, offering endless opportunities for fresh ideas ... Complex character relationships enrich this already complex world; this is the sort of series fantasy fans will cherish."—B&N

  • "Delightful, intense, irreverent, and have to read The Witcher books because they are rife with all of the elements that make you love fiction, and especially fantasy, in the first place....In a word, The Witcher delivers."—Hypable

  • "This is a series you can sink your teeth into."—BuzzFeed News

  • "One of the best and most interesting fantasy series I've ever read. Though it functions well as adventure fiction, it has added depth and value as satire and commentary on fantasy literature ... Sapkowski is a genuine stylist."—Nerds of a Feather

  • "Like a complicated magic spell, a Sapkowski novel is a hodgepodge of fantasy, intellectual discourse, and dry humor. Recommended."—Time

  • "Like Mieville and Gaiman, [Sapkowski] takes the old and makes it new ... fresh take on genre fantasy."—Foundation on The Last Wish

  • "A breath of fresh air in a well-worn genre. Don't miss it!"—p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Calibri; -webkit-text-stroke: #000000}span.s1 {font-kerning: none}Fantasy Book Review

  • "Sapkowski has a phenomenal gift for narrative, inventing sensational events, creating a suggestive mood, and building up the suspense along with a dazzling, slightly cynical sense of humor."—Jacek Sieradzki, Polityka on The Last Wish

  • "Sapkowski's The Last Wish is a great collection of short stories centered around a witcher, Geralt - a rare sorcerous breed who hunts down the monstrous but is feared by the innocent. With a wondrous mix of Eastern European folklore and myth, beautiful princesses, mischievous demons and where all is not as it seems, The Last Wish is a great read - perfect for dipping into or just reading cover to cover, as I did."—Waterstones

  • "It is [his] world-weariness combined with his battle-honed powers that make Geralt such an interesting character. Here's hoping The Last Wish is merely the opening chapter in his English language adventures."—Edge

  • "I really, really enjoyed this book ... None of the characters in Sapkowski's world are black or white; they are all shades of grey, including Geralt and the monsters."—The Deckled Edge

  • "Sapkowski is very good at creating interesting, imaginative characters with unusual levels of depth to them ... The Last Wish is an enjoyable book full of stories both melancholy and comic."—The Wertzone

  • "This beautifully written character-based story from Polish author Andrzej Sapkowski ... a refreshing champion."—The Specusphere

  • "New battle mechanics, a fantastic storyline, and a gritty setting make The Witcher one of the most engrossing, mature RPGs to arrive on the PC in years."— on The Witcher video game

  • "The Witcher delivers one of the most intense and rewarding role-playing experiences this year."—GT Reviews on The Witcher video game

  • "The Lady of the Lake is, without any doubt, the best and most profound fantasy novel I have ever read. It is hard to put down, yet also a challenging and deeply rewarding book. And it is genuinely moving. I have never read a fantasy series like this, and suspect I never will again."—Nerds of a Feather on The Lady of the Lake

On Sale
Jun 2, 2015
Hachette Audio

Andrzej Sapkowski

About the Author

Andrzej Sapkowski was born in 1948 in Poland. He studied economy and business, but the success of his fantasy cycle about the Witcher Geralt of Rivia turned him into a bestselling writer. His work has received Poland’s Janusz A. Zajdel prize five times, as well as Great Britain’s David Gemmell Award for Fantasy, in 2009. In 2016, he received the World Fantasy Award—Life Achievement. The Witcher has been adapted to a successful video-game franchise, and is now a series on Netflix.

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