Timber Press – Books -Narrative Nonfiction

From the award-winning author of Creep comes a powerful book by a writer at the peak of her powers—at once a love letter to California and a literary tour de force that tells the story of resilience and reclamation through a relationship with plants, memory, myth, and indigenous knowledge.

Myriam Gurba has lived in California her entire life, with its plants and soils, forests and ecology, immersing herself in the language of the landscape as refracted through the languages and memories of her ancestors. In Poppy State, California plants serve as structural anchors in a wildly inventive work of narrative nonfiction that is part botanical criticism, part personal storytelling, and part study of place. The reader is invited to commune with California with Gurba as their guide, ushered through a compendium of anecdotes, reminiscences, utterances, lists, incantations, newspaper articles, and other ephemera.

Through the stories of these plants she comes to a new understanding of what occurs in the cultivation of a soul. Gurba learns if she can care for her body as she does her plants, her soul can thrive—like the California poppy on her kitchen windowsill. And through walks in the Angeles National Forest, she visits oaks, crows, elderberries, and sycamores, while foraging for acorns, flowers, and berries to adorn her altar at home. Poppy State is a riveting tour de force.

“The mother of intersectional Latinx identity.” —Cosmopolitan

“Scorchingly good.”—Cheryl Strayed

“The most fearless writer in America.” —Luis Alberto Urrea, Pulitzer Prize finalist 

“A truly distinctive, authentic, and dynamic literary voice. . . Myriam Gurba is one of our great American intellectuals.” —Los Angeles Times
 

For fans of accessible and fun popular science comes an exploration of evolution’s quirkiest puzzles and most enduring mysteries. 

Why do cats live longer than dogs? Why do bees have yellow stripes? Why can we smell a skunk from a mile away? Such questions can be seen as puzzles about creatures’ evolved traits. Besides triggering our curiosity, they focus our attention on beguiling designs that have been millions of years in the making. Indeed, looking at the living world through a Darwinian lens reveals its colossal depth in a way that’s all too easy to miss in the age of endless distractions. You need only summon up your inner inquisitive 7-year-old to notice such puzzles, and to find yourself looking deeper while considering possible solutions.  

In this lively book, science writer David Stipp ponders Darwinian puzzles about nine familiar creatures and things—bumblebees, dogs, sparrows, caffeine, earthworms, and sleep, among others—to show how rewarding it can be to look at nature in a deeper way. By revealing hidden depths of the ordinary, Why Rats Laugh and Jellyfish Sleep shows not only that fascinating intricacies lie just beneath the natural world’s familiar surfaces, but that noticing them lets us make connections we didn’t realize existed. 

This is backyard biophilia at its most entertaining and enlightening. 

An inspiring memoir that explores nature’s crucial role in our emotional and mental health, and a “poignant meditation on surviving the darkest recesses of human nature” (The Marginalian).

Bats can hear shapes, plants can eat light, and bees can dance maps. When his life took him to a painfully dark place, the poet behind The CryptoNaturalist, Jarod K. Anderson, found comfort and redemption in these facts and the shift in perspective that comes from paying a new kind of attention to nature. 
 
Something in the Woods Loves You tells the story of the darkest stretch of a young person’s life, and how deliberate and meditative encounters with plants and animals helped him see the light at every turn. Ranging from optimistic contemplations of mortality to appreciations of a single mushroom, Anderson has written a lyrical love letter to the natural world and given us the tools to see it all anew.
 

With humor, humility, and awe, one woman attempts to restore 200 acres of farmland long gone-to-seed in the Blue Ridge Mountains, facing her own limitations while getting to know a breathtaking corner of the natural world.

When Paula Whyman first climbs a peak in the foothills of the Blue Ridge Mountains in search of a home in the country, she has no idea how quickly her tidy backyard ecology project will become a massive endeavor. Just as quickly, she discovers how little she knows about hands-on conservation work. In Bad Naturalist, readers meander with her through orchards and meadows, forests and frog ponds, as she is beset by an influx of invasive species, rattlesnake encounters, conflicting advice from experts, and delayed plans—but none of it dampens her irrepressible passion for protecting this place. With delightful, lyrically deft storytelling, she shares her attempts to coax this beautiful piece of land back into shape. It turns out that amid the seeming chaos of nature, the mountaintop is teeming with life and hope.

An “instant classic”, this genre-bending blend of naturalism, memoir, and social manifesto is a fascinating study for rewilding the city, the self, and society (Jeff VanderMeer, New York Times bestselling author).

During the real estate crash of the late 2000s, Christopher Brown purchased an empty lot in an industrial section of Austin, Texas. The property—abandoned and full of litter and debris—was an unlikely site for a home. Brown had become fascinated with these empty lots around Austin, so-called “ruined” spaces once used for agriculture and industry awaiting their redevelopment. He discovered them to be teeming with natural activity, and embarked on a twenty-year project to live in and document such spaces. There, in our most damaged landscapes, he witnessed the remarkable resilience of wild nature, and how we can heal ourselves by healing the Earth. Beautifully written and philosophically hard-hitting, A Natural History of Empty Lots offers a new lens on human disruption and nature, offering a sense of hope among the edgelands. 

“Brown lives far from any conventional battlefield, but he is surrounded by the wreckage of a different war, and he, too, finds hope in cultivating the ruins of nature…A Natural History of Empty Lots is less a departure from the nature writing tradition than a welcome addition to its edgelands.” —New York Review of Books

“The nature writing we need now.” —Michelle Nijhuis, author of Beloved Beasts

“Incredible” —Kelly Link, Pulitzer Prize finalist