Read by Perdita Weeks

By Madeline Miller

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This #1 New York Times bestseller is a "bold and subversive retelling of the goddess's story" that brilliantly reimagines the life of Circe, formidable sorceress of The Odyssey (Alexandra Alter, TheNew York Times).

In the house of Helios, god of the sun and mightiest of the Titans, a daughter is born. But Circe is a strange child — not powerful, like her father, nor viciously alluring like her mother. Turning to the world of mortals for companionship, she discovers that she does possess power — the power of witchcraft, which can transform rivals into monsters and menace the gods themselves.

Threatened, Zeus banishes her to a deserted island, where she hones her occult craft, tames wild beasts and crosses paths with many of the most famous figures in all of mythology, including the Minotaur, Daedalus and his doomed son Icarus, the murderous Medea, and, of course, wily Odysseus.

But there is danger, too, for a woman who stands alone, and Circe unwittingly draws the wrath of both men and gods, ultimately finding herself pitted against one of the most terrifying and vengeful of the Olympians. To protect what she loves most, Circe must summon all her strength and choose, once and for all, whether she belongs with the gods she is born from, or the mortals she has come to love.

With unforgettably vivid characters, mesmerizing language, and page-turning suspense, Circe is a triumph of storytelling, an intoxicating epic of family rivalry, palace intrigue, love and loss, as well as a celebration of indomitable female strength in a man's world.

#1 New York Times Bestseller — named one of the Best Books of the Year by NPR, the Washington Post, People, Time, Amazon, Entertainment Weekly, Bustle, Newsweek, the A.V. Club, Christian Science Monitor, Refinery 29, Buzzfeed, Paste, Audible, Kirkus, Publishers Weekly, Thrillist, NYPL, Self, Real Simple, Goodreads, Boston Globe, Electric Literature, BookPage, the Guardian, Book Riot, Seattle Times, and Business Insider.


Chapter One

WHEN I WAS BORN, the name for what I was did not exist. They called me nymph, assuming I would be like my mother and aunts and thousand cousins. Least of the lesser goddesses, our powers were so modest they could scarcely ensure our eternities. We spoke to fish and nurtured flowers, coaxed drops from the clouds or salt from the waves. That word, nymph, paced out the length and breadth of our futures. In our language, it means not just goddess, but bride.

My mother was one of them, a naiad, guardian of fountains and streams. She caught my father’s eye when he came to visit the halls of her own father, Oceanos. Helios and Oceanos were often at each other’s tables in those days. They were cousins, and equal in age, though they did not look it. My father glowed bright as just-forged bronze, while Oceanos had been born with rheumy eyes and a white beard to his lap. Yet they were both Titans, and preferred each other’s company to those new-squeaking gods upon Olympus who had not seen the making of the world.

Oceanos’ palace was a great wonder, set deep in the earth’s rock. Its high-arched halls were gilded, the stone floors smoothed by centuries of divine feet. Through every room ran the faint sound of Oceanos’ river, source of the world’s fresh waters, so dark you could not tell where it ended and the rock-bed began. On its banks grew grass and soft gray flowers, and also the unnumbered children of Oceanos, naiads and nymphs and river-gods. Otter-sleek, laughing, their faces bright against the dusky air, they passed golden goblets among themselves and wrestled, playing games of love. In their midst, outshining all that lily beauty, sat my mother.

Her hair was a warm brown, each strand so lustrous it seemed lit from within. She would have felt my father’s gaze, hot as gusts from a bonfire. I see her arrange her dress so it drapes just so over her shoulders. I see her dab her fingers, glinting, in the water. I have seen her do a thousand such tricks a thousand times. My father always fell for them. He believed the world’s natural order was to please him.

“Who is that?” my father said to Oceanos.

Oceanos had many golden-eyed grandchildren from my father already, and was glad to think of more. “My daughter Perse. She is yours if you want her.”

The next day, my father found her by her fountain-pool in the upper world. It was a beautiful place, crowded with fat-headed narcissus, woven over with oak branches. There was no muck, no slimy frogs, only clean, round stones giving way to grass. Even my father, who cared nothing for the subtleties of nymph arts, admired it.

My mother knew he was coming. Frail she was, but crafty, with a mind like a spike-toothed eel. She saw where the path to power lay for such as her, and it was not in bastards and riverbank tumbles. When he stood before her, arrayed in his glory, she laughed at him. Lie with you? Why should I?

My father, of course, might have taken what he wanted. But Helios flattered himself that all women went eager to his bed, slave girls and divinities alike. His altars smoked with the proof, offerings from big-bellied mothers and happy by-blows.

“It is marriage,” she said to him, “or nothing. And if it is marriage, be sure: you may have what girls you like in the field, but you will bring none home, for only I will hold sway in your halls.”

Conditions, constrainment. These were novelties to my father, and gods love nothing more than novelty. “A bargain,” he said, and gave her a necklace to seal it, one of his own making, strung with beads of rarest amber. Later, when I was born, he gave her a second strand, and another for each of my three siblings. I do not know which she treasured more: the luminous beads themselves or the envy of her sisters when she wore them. I think she would have gone right on collecting them into eternity until they hung from her neck like a yoke on an ox if the high gods had not stopped her. By then they had learned what the four of us were. You may have other children, they told her, only not with him. But other husbands did not give amber beads. It was the only time I ever saw her weep.


At my birth, an aunt—I will spare you her name because my tale is full of aunts—washed and wrapped me. Another tended to my mother, painting the red back on her lips, brushing her hair with ivory combs. A third went to the door to admit my father.

“A girl,” my mother said to him, wrinkling her nose.

But my father did not mind his daughters, who were sweet-tempered and golden as the first press of olives. Men and gods paid dearly for the chance to breed from their blood, and my father’s treasury was said to rival that of the king of the gods himself. He placed his hand on my head in blessing.

“She will make a fair match,” he said.

“How fair?” my mother wanted to know. This might be consolation, if I could be traded for something better.

My father considered, fingering the wisps of my hair, examining my eyes and the cut of my cheeks.

“A prince, I think.”

“A prince?” my mother said. “You do not mean a mortal?”

The revulsion was plain on her face. Once when I was young I asked what mortals looked like. My father said, “You may say they are shaped like us, but only as the worm is shaped like the whale.”

My mother had been simpler: like savage bags of rotten flesh.

“Surely she will marry a son of Zeus,” my mother insisted. She had already begun imagining herself at feasts upon Olympus, sitting at Queen Hera’s right hand.

“No. Her hair is streaked like a lynx. And her chin. There is a sharpness to it that is less than pleasing.”

My mother did not argue further. Like everyone, she knew the stories of Helios’ temper when he was crossed. However gold he shines, do not forget his fire.

She stood. Her belly was gone, her waist reknitted, her cheeks fresh and virgin-rosy. All our kind recover quickly, but she was faster still, one of the daughters of Oceanos, who shoot their babes like roe.

“Come,” she said. “Let us make a better one.”


I grew quickly. My infancy was the work of hours, my toddlerhood a few moments beyond that. An aunt stayed on hoping to curry favor with my mother and named me Hawk, Circe, for my yellow eyes, and the strange, thin sound of my crying. But when she realized that my mother no more noticed her service than the ground at her feet, she vanished.

“Mother,” I said, “Aunt is gone.”

My mother didn’t answer. My father had already departed for his chariot in the sky, and she was winding her hair with flowers, preparing to leave through the secret ways of water, to join her sisters on their grassy riverbanks. I might have followed, but then I would have had to sit all day at my aunts’ feet while they gossiped of things I did not care for and could not understand. So I stayed.

My father’s halls were dark and silent. His palace was a neighbor to Oceanos’, buried in the earth’s rock, and its walls were made of polished obsidian. Why not? They could have been anything in the world, blood-red marble from Egypt or balsam from Araby, my father had only to wish it so. But he liked the way the obsidian reflected his light, the way its slick surfaces caught fire as he passed. Of course, he did not consider how black it would be when he was gone. My father has never been able to imagine the world without himself in it.

I could do what I liked at those times: light a torch and run to see the dark flames follow me. Lie on the smooth earth floor and wear small holes in its surface with my fingers. There were no grubs or worms, though I didn’t know to miss them. Nothing lived in those halls, except for us.

When my father returned at night, the ground rippled like the flank of a horse, and the holes I had made smoothed themselves over. A moment later my mother returned, smelling of flowers. She ran to greet him, and he let her hang from his neck, accepted wine, went to his great silver chair. I followed at his heels. Welcome home, Father, welcome home.

While he drank his wine, he played draughts. No one was allowed to play with him. He placed the stone counters, spun the board, and placed them again. My mother drenched her voice in honey. “Will you not come to bed, my love?” She turned before him slowly, showing the lushness of her figure as if she were roasting on a spit. Most often he would leave his game then, but sometimes he did not, and those were my favorite times, for my mother would go, slamming the myrrh-wood door behind her.

At my father’s feet, the whole world was made of gold. The light came from everywhere at once, his yellow skin, his lambent eyes, the bronze flashing of his hair. His flesh was hot as a brazier, and I pressed as close as he would let me, like a lizard to noonday rocks. My aunt had said that some of the lesser gods could scarcely bear to look at him, but I was his daughter and blood, and I stared at his face so long that when I looked away it was pressed upon my vision still, glowing from the floors, the shining walls and inlaid tables, even my own skin.

“What would happen,” I said, “if a mortal saw you in your fullest glory?”

“He would be burned to ash in a second.”

“What if a mortal saw me?”

My father smiled. I listened to the draught pieces moving, the familiar rasp of marble against wood. “The mortal would count himself fortunate.”

“I would not burn him?”

“Of course not,” he said.

“But my eyes are like yours.”

“No,” he said. “Look.” His gaze fell upon a log at the fireplace’s side. It glowed, then flamed, then fell as ash to the ground. “And that is the least of my powers. Can you do as much?”

All night I stared at those logs. I could not.


My sister was born, and my brother soon after that. I cannot say how long it was exactly. Divine days fall like water from a cataract, and I had not learned yet the mortal trick of counting them. You’d think my father would have taught us better, for he, after all, knows every sunrise. But even he used to call my brother and sister twins. Certainly, from the moment of my brother’s birth, they were entwined like minks. My father blessed them both with one hand. “You,” he said to my luminous sister Pasiphaë. “You will marry an eternal son of Zeus.” He used his prophecy voice, the one that spoke of future certainties. My mother glowed to hear it, thinking of the robes she would wear to Zeus’ feasts.

“And you,” he said to my brother, in his regular voice, resonant, clear as a summer’s morning. “Every son reflects upon his mother.” My mother was pleased with this, and took it as permission to name him. She called him Perses, for herself.

The two of them were clever and quickly saw how things stood. They loved to sneer at me behind their ermine paws. Her eyes are yellow as piss. Her voice is screechy as an owl. She is called Hawk, but she should be called Goat for her ugliness.

Those were their earliest attempts at barbs, still dull, but day by day they sharpened. I learned to avoid them, and they soon found better sport among the infant naiads and river-lords in Oceanos’ halls. When my mother went to her sisters, they followed and established dominion over all our pliant cousins, hypnotized like minnows before the pike’s mouth. They had a hundred tormenting games that they devised. Come, Melia, they coaxed. It is the Olympian fashion to cut off your hair to the nape of your neck. How will you ever catch a husband if you don’t let us do it? When Melia saw herself shorn like a hedgehog and cried, they would laugh till the caverns echoed.

I left them to it. I preferred my father’s quiet halls and spent every second I could at my father’s feet. One day, perhaps as a reward, he offered to take me with him to visit his sacred herd of cows. This was a great honor, for it meant I might ride in his golden chariot and see the animals that were the envy of all the gods, fifty pure-white heifers that delighted his eye on his daily path over the earth. I leaned over the chariot’s jeweled side, watching in wonder at the earth passing beneath: the rich green of forests, the jagged mountains, and the wide out-flung blue of the ocean. I looked for mortals, but we were too high up to see them.

The herd lived on the grassy island of Thrinakia with two of my half-sisters as caretakers. When we arrived these sisters ran at once to my father and hung from his neck, exclaiming. Of all my father’s beautiful children, they were among the most beautiful, with skin and hair like molten gold. Lampetia and Phaethousa, their names were. Radiant and Shining.

“And who is this you have brought with you?”

“She must be one of Perse’s children, look at her eyes.”

“Of course!” Lampetia—I thought it was Lampetia—stroked my hair. “Darling, your eyes are nothing to worry about. Nothing at all. Your mother is very beautiful, but she has never been strong.”

“My eyes are like yours,” I said.

“How sweet! No, darling, ours are bright as fire, and our hair like sun on the water.”

“You’re clever to keep yours in a braid,” Phaethousa said. “The brown streaking does not look so bad then. It is a shame you cannot hide your voice the same way.”

“She could never speak again. That would work, would it not, sister?”

“So it would.” They smiled. “Shall we go to see the cows?”

I had never seen a cow before, of any kind, but it did not matter: the animals were so obviously beautiful that I needed no comparison. Their coats were pure as lily petals and their eyes gentle and long-lashed. Their horns had been gilded—that was my sisters’ doing—and when they bent to crop the grass, their necks dipped like dancers. In the sunset light, their backs gleamed glossy-soft.

“Oh!” I said. “May I touch one?”

“No,” my father said.

“Shall we tell you their names? That is White-face, and that is Bright-eyes, and that Darling. There is Lovely Girl and Pretty and Golden-horn and Gleaming. There is Darling and there is—”

“You named Darling already,” I said. “You said that one was Darling.” I pointed to the first cow, peacefully chewing.

My sisters looked at each other, then at my father, a single golden glance. But he was gazing at his cows in abstracted glory.

“You must be mistaken,” they said. “This one we just said is Darling. And this one is Star-bright and this one Flashing and—”

My father said, “What is this? A scab upon Pretty?”

Immediately my sisters were falling over themselves. “What scab? Oh, it cannot be! Oh, wicked Pretty, to have hurt yourself. Oh, wicked thing, that hurt you!”

I leaned close to see. It was a very small scab, smaller than my smallest fingernail, but my father was frowning. “You will fix it by tomorrow.”

My sisters bobbed their heads, of course, of course. We are so sorry.

We stepped again into the chariot and my father took up the silver-tipped reins. My sisters pressed a last few kisses to his hands, then the horses leapt, swinging us through the sky. The first constellations were already peeping through the dimming light.

I remembered how my father had once told me that on earth there were men called astronomers whose task it was to keep track of his rising and setting. They were held in highest esteem among mortals, kept in palaces as counselors of kings, but sometimes my father lingered over one thing or another and threw their calculations into despair. Then those astronomers were hauled before the kings they served and killed as frauds. My father had smiled when he told me. It was what they deserved, he said. Helios the Sun was bound to no will but his own, and none might say what he would do.

“Father,” I said that day, “are we late enough to kill astronomers?”

“We are,” he answered, shaking the jingling reins. The horses surged forward, and the world blurred beneath us, the shadows of night smoking from the sea’s edge. I did not look. There was a twisting feeling in my chest, like cloth being wrung dry. I was thinking of those astronomers. I imagined them, low as worms, sagging and bent. Please, they cried, on bony knees, it wasn’t our fault, the sun itself was late.

The sun is never late, the kings answered from their thrones. It is blasphemy to say so, you must die! And so the axes fell and chopped those pleading men in two.

“Father,” I said, “I feel strange.”

“You are hungry,” he said. “It is past time for the feast. Your sisters should be ashamed of themselves for delaying us.”

I ate well at dinner, yet the feeling lingered. I must have had an odd look on my face, for Perses and Pasiphaë began to snicker from their couch. “Did you swallow a frog?”

“No,” I said.

This only made them laugh harder, rubbing their draped limbs on each other like snakes polishing their scales. My sister said, “And how were our father’s golden heifers?”


Perses laughed. “She doesn’t know! Have you ever heard of anyone so stupid?”

“Never,” my sister said.

I shouldn’t have asked, but I was still drifting in my thoughts, seeing those severed bodies sprawled on marble floors. “What don’t I know?”

My sister’s perfect mink face. “That he fucks them, of course. That’s how he makes new ones. He turns into a bull and sires their calves, then cooks the ones that get old. That’s why everyone thinks they are immortal.”

“He does not.”

They howled, pointing at my reddened cheeks. The sound drew my mother. She loved my siblings’ japes.

“We’re telling Circe about the cows,” my brother told her. “She didn’t know.”

My mother’s laughter, silver as a fountain down its rocks. “Stupid Circe.”


Such were my years then. I would like to say that all the while I waited to break out, but the truth is, I’m afraid I might have floated on, believing those dull miseries were all there was, until the end of days.

Chapter Two

WORD CAME THAT ONE of my uncles was going to be punished. I had never seen him, but I had heard his name over and over in my family’s doomy whispers. Prometheus. Long ago, when mankind was still shivering and shrinking in their caves, he had defied the will of Zeus and brought them the gift of fire. From its flames had sprung all the arts and profits of civilization that jealous Zeus had hoped to keep from their hands. For such rebellion Prometheus had been sent to live in the underworld’s deepest pit until a proper torment could be devised. And now Zeus announced the time was come.

My other uncles ran to my father’s palace, beards flapping, fears spilling from their mouths. They were a motley group: river-men with muscles like the trunks of trees, brine-soaked mer-gods with crabs hanging from their beards, stringy old-timers with seal meat in their teeth. Most of them were not uncles at all, but some sort of grand-cousin. They were Titans like my father and grandfather, like Prometheus, the remnants of the war among the gods. Those who were not broken or in chains, who had made their peace with Zeus’ thunderbolts.

There had only been Titans once, at the dawning of the world. Then my great-uncle Kronos had heard a prophecy that his child would one day overthrow him. When his wife, Rhea, birthed her first babe, he tore it damp from her arms and swallowed it whole. Four more children were born, and he ate them all the same, until at last, in desperation, Rhea swaddled a stone and gave it to him to swallow instead. Kronos was deceived, and the rescued baby, Zeus, was taken to Mount Dicte to be raised in secret. When he was grown he rose up indeed, plucking the thunderbolt from the sky and forcing poisonous herbs down his father’s throat. His brothers and sisters, living in their father’s stomach, were vomited forth. They sprang to their brother’s side, naming themselves Olympians after the great peak where they set their thrones.

The old gods divided themselves. Many threw their strength to Kronos, but my father and grandfather joined Zeus. Some said it was because Helios had always hated Kronos’ vaunting pride; others whispered that his prophetic gift gave him foreknowledge of the outcome of the war. The battles rent the skies: the air itself burned, and gods clawed the flesh from each other’s bones. The land was drenched in boiling gouts of blood so potent that rare flowers sprang up where they fell. At last Zeus’ strength prevailed. He clapped those who had defied him into chains, and the remaining Titans he stripped of their powers, bestowing them on his brothers and sisters and the children he had bred. My uncle Nereus, once the mighty ruler of the sea, was now lackey to its new god, Poseidon. My uncle Proteus lost his palace, and his wives were taken for bed-slaves. Only my father and grandfather suffered no diminishment, no loss of place.

The Titans sneered. Were they supposed to be grateful? Helios and Oceanos had turned the tide of war, everyone knew it. Zeus should have loaded them with new powers, new appointments, but he was afraid, for their strength already matched his own. They looked to my father, waiting for his protest, the flaring of his great fire. But Helios only returned to his halls beneath the earth, far from Zeus’ sky-bright gaze.

Centuries had passed. The earth’s wounds had healed and the peace had held. But the grudges of gods are as deathless as their flesh, and on feast nights my uncles gathered close at my father’s side. I loved the way they lowered their eyes when they spoke to him, the way they went silent and attentive when he shifted in his seat. The wine-bowls emptied and the torches waned. It has been long enough, my uncles whispered. We are strong again. Think what your fire might do if you set it free. You are the greatest of the old blood, greater even than Oceanos. Greater than Zeus himself, if only you wish it.

My father smiled. “Brothers,” he said, “what talk is this? Is there not smoke and savor for all? This Zeus does well enough.”

Zeus, if he had heard, would have been satisfied. But he could not see what I saw, plain on my father’s face. Those unspoken, hanging words.

This Zeus does well enough, for now.

My uncles rubbed their hands and smiled back. They went away, bent over their hopes, thinking what they could not wait to do when Titans ruled again.

It was my first lesson. Beneath the smooth, familiar face of things is another that waits to tear the world in two.


Now my uncles were crowding into my father’s hall, eyes rolling in fear. Prometheus’ sudden punishment was a sign, they said, that Zeus and his kind were moving against us at last. The Olympians would never be truly happy until they destroyed us utterly. We should stand with Prometheus, or no, we should speak against him, to ward off Zeus’ thunderstroke from our own heads.

I was in my customary place at my father’s feet. I lay silent so they would not notice and send me away, but I felt my chest roiling with that overwhelming possibility: the war revived. Our halls blasted wide with thunderbolts. Athena, Zeus’ warrior daughter, hunting us down with her gray spear, her brother in slaughter, Ares, by her side. We would be chained and cast into fiery pits from which there was no escape.

My father spoke calm and golden at their center: “Come, brothers, if Prometheus is to be punished, it is only because he has earned it. Let us not chase after conspiracy.”

But my uncles fretted on. The punishment is to be public. It is an insult, a lesson they teach us. Look what happens to Titans who do not obey.

My father’s light had taken on a keen, white edge. “This is the chastisement of a renegade and no more. Prometheus was led astray by his foolish love for mortals. There is no lesson here for a Titan. Do you understand?”

My uncles nodded. On their faces, disappointment braided with relief. No blood, for now.


The punishment of a god was a rare and terrible thing, and talk ran wild through our halls. Prometheus could not be killed, but there were many hellish torments that could take death’s place. Would it be knives or swords, or limbs torn off? Red-hot spikes or a wheel of fire? The naiads swooned into each other’s laps. The river-lords postured, faces dark with excitement. You cannot know how frightened gods are of pain. There is nothing more foreign to them, and so nothing they ache more deeply to see.


  • Winner of the 2019 Indie Choice Award

Shortlisted for the 2019 Women's Prize for Fiction

Named one of the 'Best Books of 2018' by NPR, The Washington Post, Buzzfeed, People, Time, Amazon,Entertainment Weekly, Bustle, Newsweek, the A.V. Club, Christian Science Monitor, Southern Living,and Refinery 29.

  • "Circe,' [is] a bold and subversive retelling of the goddess's story that manages to be both epic and intimate in its scope, recasting the most infamous female figure from the Odyssey as a hero in her own right."—Alexandra Alter, New York Times
  • "One of the most amazing qualities of this novel [is]: We know how everything here turns out - we've known it for thousands of years - and yet in Miller's lush reimagining, the story feels harrowing and unexpected. The feminist light she shines on these events never distorts their original shape; it only illuminates details we hadn't noticed before."—Ron Charles, Washington Post
  • "[Miller] gives voice to Circe as a multifaceted and evolving character...'Circe' is very pleasurable to read, combining lively versions of familiar tales and snippets of other, related standards with a highly psychologized, redemptive and ultimately exculpatory account of the protagonist herself."—Claire Messud, New York Times Book Review
  • "The story of Circe's entanglement with Odysseus lasts far beyond the narrative of "The Odyssey," making for compelling material to revisit. But ultimately it's as a character that Circe stands apart....Through her elegant, psychologically acute prose, Miller gives us a rich female character who inhabits the spaces in between."
    Colleen Abel, Minneapolis Star Tribune
  • "Miller's lush, gold-lit novel - told from the perspective of the witch whose name in Greek has echoes of a hawk and a weaver's shuttle - paints another picture: of a fierce goddess who, yes, turns men into pigs, but only because they deserve it."—
  • "so vivid, so layered, you could get lost in it... Whether or not you think you like Greek Mythology, this is just great storytelling. It feels cinematic."— NPR's Here & Now
  • "Spellbinding..Miller has created a daring feminist take on a classic narrative; although the setting is a mystical world of gods, monsters, and nymphs, the protagonist at its heart is like any of us."—O Magazine
  • "Miller's spell builds slowly, but by the last page you'll be in awe. In prose of dreamlike simplicity, she reimagines the myth of Circe."—People
  • "Miller, with her academic bona fides and born instinct for storytelling, seamlessly grafts modern concepts of selfhood and independence to her mystical reveries of smoke and silver, nectar and bones."—Entertainment Weekly
  • "This telling, in the sorceress's own words, is not the version we think we know."—New York Times 'T Magazine'
  • "Miller gives voice to a previously muted perspective in the classics, forging a great romance from the scraps left to us by the ancients....Circe is, instead, a romp, an airy delight, a novel to be gobbled greedily in a single sitting."Aida Edemariam, Guardian
  • "In Madeline Miller's "Circe" - the gorgeous and gimlet-eyed follow-up to her Orange Prize-winning first novel, "The Song of Achilles" - the goddess is young and romantic enough at the start to feel a tiny bit let down that she's not shackled to a rock like her uncle, Prometheus, getting her liver pecked out each day."

    Laura Collins-Hughes, Boston Globe
  • Ambitious in scope, Circe is above all the chronicle of an outsider woman who uses her power and wits to protect herself and the people she loves, ultimately looking within to define herself. Readers will savor the message of standing against a hostile world and forging a new way."—Shelf Awareness
  • "A retelling of ancient Greek lore gives exhilarating voice to a witch... [Circe is] a sly, petulant, and finally commanding voice that narrates the entirety of Miller's dazzling second novel....Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child....Expect Miller's readership to mushroom like one of Circe's spells. Miller makes Homer pertinent to women facing 21st-century monsters."—Kirkus, Starred Review
  • "An epic spanning thousands of years that's also a keep-you-up-all-night page turner." —Ann Patchett, author of Commonwealth
  • "With lyric beauty of language and melancholy evocative of Keats' "Ode on a Grecian Urn", CIRCE asks all the big questions of existence while framing them in the life story of the famous goddess who had the magic of transformations. A veritable Who's Who of the gods of Olympus and the heroes of ancient Greece, Circe knows them all and we see them through her perceptive eyes. This is as close as you will ever come to entering the world of mythology as a participant. Stunning, touching, and unique."—Margaret George, author of The Confessions of Young Nero
  • "Circe bears its own transformative magic, a power enabled by Miller's keen eye for beauty, adventure, and reinvention. Through the charms of a misfit heroine, the world of gods becomes stunningly alive, and the world of our own humanity--its questions, loves, and bonds--is illuminated. This book is an immense gift to anyone who reads to find their own bravery and quest."— Affinity Konar, author of Mischling
  • "Madeline Miller, master storyteller, conjures Circe glowing and alive - and makes the Gods, nymphs and heroes of ancient Greece walk forth in all their armored splendor. Richly detailed and written with such breathtaking command of story, you will be held enchanted. A breathtaking novel."—Helen Simonson, author of The Summer Before the War and Major Pettigrew's Last Stand
  • "Circe is the utterly captivating, exquisitely written, story of an ordinary, and extraordinary, woman's life"— Eimear McBride, author of A Girl is a Half-Formed Thing
  • "Written with power and grace, this enchanting, startling, gripping story casts a spell as strong and magical as any created by the sorceress Circe."—Mary Doria Russell, author of Epitaph
  • "Madeline Miller's re-imagining of the witch Circe from The Odyssey makes for an intriguing, feminist adventure novel that is perfectly suited for the #TimesUp moment. Circe is also a smart read that has much to say about the long-term consequences of war and a culture that values violence and conquest over compassion and learning...Miller mines intriguing details from the original tale to imagine a rich backstory for Circe that allows readers to re-visit the world of Olympians and Titans in Greek mythology. From the court of the Titans, the reader meets Circe's parents, the god Helios and nymph Perse, and is introduced to a world of supernatural power players that is every bit as back-biting, gossip-filled and vicious as any episode of House of Cards."

    May-Lee Chai, Dallas News
  • "'Circe' is a sentence-by-sentence miracle";—Michigan Daily
  • On Sale
    Apr 10, 2018
    Hachette Audio

    Author Madeline Miller

    Madeline Miller

    About the Author

    Madeline Miller is the #1 New York Times bestselling author of two novels: The Song of Achilles, which won the Orange Women’s Prize for Fiction 2012, and Circe, which was short-listed for the Women’s Prize for Fiction 2019. Her books have been translated into over thirty two languages. Miller holds an MA in Classics from Brown University, studied in the Dramaturgy department at Yale School of Drama, where she focused on the adaptation of classical texts to modern forms, and taught Latin, Greek, and Shakespeare to high school students for over a decade.

    Learn more about this author