So Long, Chief

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By Mickey Spillane

By Max Allan Collins

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From legendary noir novelist Mickey Spillane and Max Allan Collins, a short story in which world-famous private eye Mike Hammer repays a debt to a dying police chief, proving loyalty can be as deadly as deception.

A legendary and retired police chief lies in a New York hospital bed, visited by two strangers: the first is ex-cop-turned-PI Mike Hammer, whose life was saved more than once by the old man. To the detective, the chief gives a mysterious key. The second visitor murders the chief, mere days before he would have died from natural causes. Someone is trying to tie up loose ends, and Mike Hammer is the only one with the evidence and calculation to ferret him or her out.

“So Long, Chief” by Mickey Spillane and Max Allan Collins is one of 20 short stories within Mulholland Books’s Strand Originals series, featuring thrilling stories by the biggest names in mystery from the Strand Magazine archives. View the full series list at mulhollandbooks.com and listen to them all!

Excerpt

So Long, Chief

Max Allan Collins and Mickey Spillane

The old man was dying, but there was nobody to see him off. In a few more days he'd get the royal farewell, a eulogy by the police chaplain, a cavalcade of motorcycle troops, and a final salute from the fresh young faces to whom he was nothing but a fading legend. He was the last of the old breed who had outlived his friends and his usefulness and he was all alone on his final assignment.

The nurse said, "Not too long, please."

She was a cute brunette in her twenties, well worth flirting with, but I wasn't in the mood.

I asked, "Pretty bad?"

Her answer was only slightly evasive: "He's almost ninety, tires easily. Are you family?"

"No," I said. "He doesn't have any family."

She gave me a little smile and nodded. "I see. Just don't excite him."

I could have told her that there wasn't much that could ever excite him after the life he'd lived.

But I just said my thanks and went into the sterile little hospital room with the green walls and the automated bed that seemed to hold him like a waiter balancing a tray. Hard to believe that once he would have dominated a room of any size like the Colossus of Rhodes. Now he was just a textured form under the sheet.

But the unmistakable quality was there, a strange force as alive as ever, hovering like a protective screen around his withered face.

I walked to the bed, looked down at him, and said, "Hello, Chief."

He didn't open his eyes. He simply let the tone of my voice go through a mental computer check and when it didn't register, he said, "You one of the new ones?"

"Not really."

When he turned his head he let his eyes slide open and the old tiger was still in there. For a good five seconds he was riffling through the cerebral filing cabinet before he was satisfied that I was clean…at least up to a point.

"I don't know you," he stated in a curiously noncommittal voice.

"No reason why you should. It's been a long time, Chief. Forty-some years."

The voice still had strength, shrouded though it was in a growly rasp. "You'd have been a little kid then."

"Uh-huh. About eleven. A wise-ass young punk in a lousy neighborhood who was prepping himself for all that beautiful mob action he saw around him…the rolls of dough, the fancy cars, a string of lovely broads, just the way Gino Madoni had it."

The tiger stirred behind the eyes. It crouched, the lips curling back over huge shiny white fangs.

"I shot Madoni myself," the Chief said.

"Yeah you did. You were a fresh-faced boyo who just made detective, wading into something way the hell over his head."

"And you were…?"

"I was the little kid you rapped the living shit out of, the twerp who carried policy slips around in his school bag."

He was remembering now, and letting the pieces fall into a knowable pattern. The tiger's tail twitched. "The little kid never forgot, did he?"

I grinned at him. "Nope. It was a lesson that stuck with him."

Maybe it was my grin that did it, but the tiger suddenly hesitated, poised to pounce but curious.

I said, "That punk kid never forgot a lot of things. Like how Gino tore that girl up in that cellar and then broke old man Kravitch's arm for him. Or how Gino was always talking about how some day he was gonna kill himself a cop, only when one finally came in after him, for shooting a guard in a holdup, Gino went all to pieces. Grabbed that kid and held him in front of him, thinking the cop wouldn't shoot with the kid as a shield, but forgetting the cop was a damn good shot who could take him out, kid or no kid. That cop, that young detective, put a slug in Gino's head and that kid got splashed with the kind of memory you don't forget."

"Is that what you came here to say?"

Genre:

On Sale
Dec 6, 2016
Page Count
48 pages
Publisher
Mulholland Books
ISBN-13
9780316361200

Mickey Spillane

About the Author

Mickey Spillane (1918-2006) was an American crime writer. Many of his novels featured the detective Mike Hammer. Born in Brooklyn, New York, Spillane sold his first story to a pulp magazine by the time he graduated from high school. He served as a fighter pilot in the army air corps in World War II, and published his first novel, I, the Jury, in 1947. With over two hundred twenty-five million copies of his books sold internationally, Spillane ranks as one of the world’s most popular mystery writers.
Max Allan Collins is an award-winning writer of mysteries, comics, thrillers, screenplays, and historical fiction. His graphic novel Road to Perdition was the basis for the 2002 Academy Award-winning film by the same name. He collaborated with Mickey Spillane on several projects and is completing a number of the Mike Hammer novels that Spillane left unfinished. Collins lives in Iowa with his wife, author Barbara Collins.

Learn more about this author

Max Allan Collins

About the Author

Mickey Spillane (1918-2006) was an American crime writer. Many of his novels featured the detective Mike Hammer. Born in Brooklyn, New York, Spillane sold his first story to a pulp magazine by the time he graduated from high school. He served as a fighter pilot in the army air corps in World War II, and published his first novel, I, the Jury, in 1947. With over two hundred twenty-five million copies of his books sold internationally, Spillane ranks as one of the world’s most popular mystery writers.

Max Allan Collins is an award-winning writer of mysteries, comics, thrillers, screenplays, and historical fiction. His graphic novel Road to Perdition was the basis for the 2002 Academy Award-winning film by the same name. He collaborated with Mickey Spillane on several projects and is completing a number of the Mike Hammer novels that Spillane left unfinished. Collins lives in Iowa with his wife, author Barbara Collins.

Learn more about this author