The Astronaut Wives Club

A True Story


By Lily Koppel

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Read the bestselling book that inspired the ABC television series.

As America’s Mercury Seven astronauts were launched on death-defying missions, television cameras focused on the brave smiles of their young wives. Overnight, these women were transformed from military spouses into American royalty. They had tea with Jackie Kennedy, appeared on the cover of Life magazine, and quickly grew into fashion icons.

Annie Glenn, with her picture-perfect marriage, was the envy of the other wives; JFK made it clear that platinum-blonde Rene Carpenter was his favorite; and licensed pilot Trudy Cooper arrived with a secret that needed to stay hidden from NASA. Together with the other wives they formed the Astronaut Wives Club, providing one another with support and friendship, coffee and cocktails.

As their celebrity rose-and as divorce and tragedy began to touch their lives-the wives continued to rally together, forming bonds that would withstand the test of time, and they have stayed friends for over half a century. THE ASTRONAUT WIVES CLUB tells the story of the women who stood beside some of the biggest heroes in American history.


For the wives, who have the “right stuff”

Author’s Note

To be an astronaut wife meant tea with Jackie Kennedy, high-society galas, and instant celebrity. It meant smiling perfectly after a makeover by Life magazine, balancing an extravagantly lacquered rocket-style hairdo, and teetering in high heels at the crux of the space age.

The astronaut wives were ordinary housewives, most all of them military wives living in drab housing on Navy and Air Force bases. When their husbands, the best test pilots in the country, were chosen to man America’s audacious adventure to beat the Russians in the space race, they suddenly found themselves very much in the public eye.

As her husband trained for every possible aspect of spaceflight, each woman had to prepare for the day when she would have to face the television cameras, when the world would be scrutinizing her hair, her complexion, her outfit, her figure, her poise, her parenting skills, her diction, her charm, and most of all, her patriotism. She had to appear calm and composed while her husband was strapped atop what was essentially the world’s largest stick of dynamite, seconds away from being blasted off into space.

To help cope with the astronomical pressures of publicity, the wives couldn’t turn to their husbands, who were too busy training, or to NASA, which was too busy figuring out how to get their husbands to the Moon. So the wives turned to each other.

Louise Shepard, wife of the first American to go into space, had learned the hard way that she needed to prevent overeager photographers from pressing a lens to her window and sneaking a shot of her living room. Drawing curtains against the press was only the first of many tips, tactics, and secrets that would be passed among the astronaut wives, for enduring what was known to the public as the launch report, but which one of the wives renamed the Death Watch.

Years later, by the time NASA put a man on the Moon, this excruciating pageant, with the wives’ photogenic children, helpful neighbors, and publicity-seeking preachers, had evolved into a gathering somewhere between a celebration and a wake. In a singular Houston neighborhood known as Togethersville, this diverse group of women—over coffee and cigarettes, champagne and cocktails, tea and Tupperware, society balls and splashdown parties—shared laughter and tears, triumph and tragedy, as their husbands streaked through space.

The Astrowives learned that they needed to comfort each other during the agonizing minutes, hours, and days they had to wait at home for their husbands’ safe return to Earth. They brought potluck spreads—Jell-O molds, casseroles, frosted cupcakes stuck with little American flags, lasagna, deviled eggs, pigs in blankets, strawberry angel cake, marshmallow brownies, and homemade “Moon Cake,” a coconut cream pie topped with meringue swirled to look like the lunar surface. There was always champagne on hand, ready to be popped upon a successful splashdown. The wives dressed in their fashionable best: Doris Day–like finery for the Mercury missions, ’60s mod for Gemini, and ’70s suburban psychedelic for Apollo. Life magazine had been awarded exclusive coverage of the astronauts, and always sent its top photographers to cover them.

In the home of the lucky woman whose husband was “going up,” each wife was assigned her duty. One manned the coffeepot while another dumped out heaping ashtrays, chain-smoking being the occupational hazard of the Astrowives. Solidarity was essential; who but another Astrowife could understand what the wife of the moment was enduring? Of course the harrowing worry and stress was the wife’s alone. If she did ever care to share it, newsmen were stationed right outside, eager for a quote.

The ever-growing group of astronaut wives relied on each other more and more to negotiate their own roles at the forefront of history. As next-door neighbors in the space burbs, they kept each other grounded while their husbands headed to the Moon.

“We formed our own traditions as we went along,” said Marge Slayton, who was essential in organizing the wives’ get-togethers, “and they were good traditions.”

The astronaut wives instituted official monthly coffees and teas; everyone knew their unspoken promise: “If you need us, come.”

The story of the astronauts is well known, but this is the first time the wives’ story has been told. We have heard and seen so much about the technological aspects of the space race, but not enough about the extraordinary day-to-day lives the wives experienced behind the scenes.

This book tells the story of the women behind the spacemen, from Project Mercury of the Kennedy Camelot years (1959 to 1963, which launched the first American into space and eventually into orbit around the Earth), to the Gemini missions (1962 to 1966, notable for two-man space travel and the first U.S. space walk), through the Apollo program (1961 to 1972), which finally landed a man on the Moon.

Ultimately, the wives’ story is about female friendships and American identity. While their husbands were launched into space, they were being launched as modern American women. If not for the wives, the strong women in the background who provided essential support to their husbands, man might never have walked on the Moon.


Introducing the Wives

They had endured years of waking up alone, making their kids breakfast, taking them to school and picking them up, fixing dinner and kissing them good night, promising that Daddy was thinking of them all the time. There had been lonely nights when they fell asleep wondering how they were going to get by on their husbands’ measly pay for another month. During tours of duty in World War II or Korea or both, their husbands had nearly become mirages. Navy deployments had taken their men away on six- to nine-month cruises to the far corners of the Earth. They’d each wait for half a year imagining their man, trying not to forget what he looked like, only to have him come home hungry and tired. They’d miss him even before he left.

Things were no easier in peacetime when he was back home on base serving as a test pilot. There were times when squadrons would lose as many as two men in a week. The wives couldn’t do a thing about it but pray for their prowess over the 5 a.m. skillet, hoping they’d cooked their husbands a good breakfast of steak and eggs before they left to go fly, so they’d be alert up in the air. They went to friends’ funerals, sang the Navy hymn, and wore white gloves and clutched a handkerchief to catch the tears. They’d become conditioned to living with the daily fear that their men might not be back for dinner, or ever.

For Marge Slayton, whose wide, pale Irish face and expressive eyes made you want to hug her, it was the sound of a helicopter that sent her into a tailspin of fear and nausea. Hearing the blades of a chopper whirring overhead almost always meant that the men were searching for a plane that had gone down. Long after she stopped living on remote air bases, such as Edwards in the Mojave Desert, the sound of a helicopter still struck fear in her heart.

If a husband was out testing a new experimental plane and didn’t come home by five o’clock, almost all of the wives experienced the same waking nightmare, imagining the dark figure of the base chaplain ringing the doorbell, telling her she was now a widow. They had rehearsed that awful scene in their minds, over and over. Such was the life of a test pilot wife. They could not possibly have imagined all that would be in store for them as astronauts’ wives.


The United States was well behind in the space race. Soon after launching Sputnik in 1957, the Russians launched Sputnik II with its passenger Laika (“Barker,” also known as Little Curly), the Soviet space dog. She was a female stray found on the streets of Moscow (and those godless Soviets let her die in orbit). The United States had responded by trying to send up its own satellite on a Vanguard rocket from Cape Canaveral, Florida, but it disastrously exploded on the launch pad, leading the press to call it “Kaputnik.” In the following months and years the United States tried to send up bigger rockets, such as the Atlas, but nearly every one of them had exploded before reaching outer space. Now the United States was determined not only to catch up but to pull ahead. It was a national priority in those fervent days of the Cold War.

America’s space age was officially announced on April 9, 1959. In Washington, D.C., at the buttercup-yellow Dolley Madison House, across Lafayette Square from the White House, the seven men who’d been chosen to be the nation’s first astronauts were officially presented to the world. They sat onstage at a blue felt–draped banquet table under NASA’s round red-and-blue logo of a planet and stars, nicknamed the Meatball. Onstage with them was a model of the tiny Mercury capsule on top of an Atlas rocket, which would fall off once the capsule had passed through the Earth’s atmosphere and entered outer space. At promptly 10 a.m., the press conference began. T. Keith Glennan took the podium. A natural-born showman who had previously worked at Paramount and Samuel Goldwyn, he was now the administrator of the National Aeronautics and Space Administration.

“Ladies and gentlemen,” he announced, “today we are introducing to you and to the world these seven men who have been selected to begin training for orbital spaceflight. These men, the nation’s Mercury astronauts, are here after a long and perhaps unprecedented series of evaluations which told our medical consultants and scientists of their superb adaptability to their upcoming flight. It is my pleasure to introduce to you—and I consider it a very real honor, gentlemen—Malcolm S. Carpenter, Leroy G. Cooper, John H. Glenn Jr., Virgil I. Grissom, Walter M. Schirra Jr., Alan B. Shepard Jr., and Donald K. Slayton…the nation’s Mercury astronauts!”

The ballroom burst into applause. The Mercury Seven astronauts were instantly beloved, embodying the country’s optimism and excitement. Space capsules and rocket launchers and men in silver suits in outer space; it was a brave new world. The stuff of science-fiction novels was now coming true. These seven young flyboy test pilots, with their strong jaws and military buzz-cuts, were the best America had to offer. Glennan explained how the seven were chosen out of 110 test pilots considered for the job. Most of all they were healthy small-town Americans. None was older than forty.

Glennan touched on how fierce the competition had been. The Mercury Seven had been exhaustively tested and checked out down to their innermost orifices at the famed Lovelace Clinic in Albuquerque, selected for its secluded location. There were all kinds of “wild theories” about zero gravity, as one NASA doctor later put it. “Some people said the astronauts’ hearts would explode, or that their blood pressure would fall to nothing. Some said they would never be able to urinate, and others said they’d never be able to stop urinating.” Physicians did a complete medical, psychological, and social evaluation of the astronauts. NASA looked into the backgrounds of not only the men but also their wives.

Since all of America’s new astronauts were drawn from the test pilot world, they were military men who would retain their rank while on loan to the new civilian space agency. They would work together now, so rank would no longer be important. They wouldn’t wear uniforms besides their silver space suits. And they wouldn’t only be pilots. Each would be in charge of a particular ingredient of spaceflight, such as the capsule, communications, recovery, or navigation.

When it was question time, the reporters shot up their hands and leaped out of their seats. It turned out they were mostly interested in what the astronauts’ wives had to say about their men being blasted into space. It was insanity, wasn’t it? Or was it the American dream? Didn’t their wives want to bring the country down to earth, say there had been some mistake? No, you cannot send my husband to the Moon. What kind of woman would actually let her husband be blasted into space on a rocket? The newly christened astronauts were in the process of formulating answers when John Glenn piped up.

“I don’t think any of us could really go on with something like this if we didn’t have pretty good backing at home, really,” he said, speaking of his Annie. “My wife’s attitude toward this has been the same as it has been all along through my flying. If it is what I want to do, she is behind it, and the kids are, too, a hundred percent.”

When the press conference ended, reporters dashed from the room to instruct their editors to dispatch their minions to track down the Astrowives. John Glenn, who would remain very protective of his wife throughout the space race, always did his best to shield her from the press. The other wives, however, were open game. There were seven of them scattered across the country: Air Force and Navy wives, and Annie the lone Marine wife. They had spent the best years of their lives raising kids and supporting their husbands’ careers and moving their families from one end of the country to the other, from one dismal base to the next. Now their husbands were astronauts, and they, too, were instant celebrities.

NASA didn’t provide the wives with any instructions. No NASA public relations spokesmen contacted them with tips on how to deal with the press that day. The wives would have to handle the reporters the way they’d handled all the ups and downs of service life—with slightly knitted eyebrows, perfectly applied lipstick, and well-practiced aplomb.


The reporters hunted down the wives, showing up at their doorsteps and even chasing them at the grocery store. Out in Enon, Ohio, Betty, new astronaut Gus Grissom’s wife, was having a hellish time dealing with the journalists, who were practically crawling through the curtains into her house. Gus had vastly underestimated the new situation the night before, when he’d called from Washington to warn her, “It’s a good bet you’ll be pounced on by the press.” She’d been sick, running a temperature of 102. Her curly brown hair was a mess. So was the house.

Betty Grissom had never thought of Gus as a potential hero. They’d met back in Mitchell, Indiana, where Gus, too short to make the basketball team, had to be satisfied with being the leader of the Boy Scout honor guard. Betty played the snare drum in the pep band. “The first time I saw you I decided you were the girl I was going to marry,” he’d tell her.

Betty had put Gus through engineering school at Purdue, slaving away on the 5 to 11 p.m. shift at Indiana Bell in a room full of exhausted working girls plugging in telephone connections. Her graveyard shift gave her husband some quiet to study. She had to work hard in those days because they lived off her pay. Betty didn’t have any education beyond high school, but she often joked about her hard-earned “P.H.T.” degree—Putting Hubby Through.

She had sweated out Gus’s tour of duty in Korea, where he flew an F-86 Sabre on one hundred combat missions. Gus was promoted, but Betty was devastated when he actually volunteered to stay in Korea to fly another twenty-five missions.

After the war, Gus was stationed at Wright-Patterson Air Force Base in Ohio. He was now a test pilot, and they were finally living under one roof, with their two little boys. Even though Gus was home, he was often off flying. Betty knew flying was Gus’s life, and she supported him without question.

“If I die, have a party,” Gus once told her after one of their test pilot friends crashed and burned.

“Okay,” she promised. “We’ll have a party.”

“If something happens to me, I don’t want people sitting over here, crying.”

In January 1959 Gus had received the top-secret telegram. Gus wasn’t much for words, but Betty usually knew before he did what was on his mind. In fact, they both figured that she was a little psychic. That night, as the Moon hung over Enon, Ohio, and the two boys were finally in bed, he read the telegram aloud. A couple of sentences long, with the usual confusing military acronyms, it “invited” Captain Virgil I. Grissom to come to Washington, wear civilian clothes, and not utter a word of this to anyone. Neither of them had any idea what it meant, so Betty blurted out the craziest thing that popped into her head. “What are they going to do, Gus, shoot you up in the nose cone of an Atlas rocket?”

She had heard Gus talk about the Atlas rocket, which was being tested in secret at Cape Canaveral in Florida. It wasn’t much of a secret, seeing as reporters had watched it blow up from the nearby town of Cocoa Beach. The rocket was unstable, and kept on exploding at liftoff after liftoff. Did men in the government really reckon someone was supposed to ride that thing?

Gus laughed. Soon Betty began to feel like a spy girl in a James Bond thriller. Federal investigators were canvassing Enon, making inquiries into the character of the Grissoms: How patriotic was his wife? How many times a week did she make home-cooked meals? Did she drink too much? Did communists regularly appear on their doorstep?

Finally, Gus asked Betty’s permission to accept the dangerous mission. She looked at him and said, “Is it something you really want to do?”

“Yes, it is.”

“Then do you even need to ask me?”

On the day of the astronauts’ press conference, Betty had gone to the doctor and gotten a shot of penicillin. She stopped at the grocery store on the way home to pick up a few things for her and her boys, eight-year-old Scotty and five-year-old Mark, who were still at school. A reporter-photographer team from Life had interviewed her neighbor and tracked Betty’s trail to the store. They came right up to her as she was wheeling her shopping cart through the vegetable aisle. Being a polite midwesterner, Betty invited the duo to her home, though they would have followed her through her door whether she wanted them to or not.

As soon as she let the Life fellows in, other reporters and photographers started arriving. They didn’t even knock, just marched right in her front door and made themselves at home. Asked all sorts of personal questions, Betty didn’t view these invasions as a welcome opportunity to become famous.

Sitting off to the side in her living room, as if the men wanted to photograph her dingy furniture and not her, Betty slung one saddle-shoed foot over the other, hoisted up her bobby socks, and watched suspiciously. Her big round owl glasses almost hid how cute she was. A perpetual worrier, she noted every time one of the men used the toilet (which she scrubbed herself) or plugged heavy equipment into a socket without permission. She didn’t like the reporters: she hadn’t prepared for this at all.

Betty didn’t mind putting up with a lot for Gus. But she expected some common decency.


On the other side of the country, on a windswept shore near her home in Virginia Beach, Louise Shepard had taken her three lovely girls to the beach to escape the reporters who would surely be ringing her bell at home. Louise walked slowly up the shoreline as her blonde-haired girls built sandcastles and waded in the surf.

“Mrs. Shepard?” The press had tracked her down. “We’re from Life magazine, Mrs. Shepard. We’d like to take some pictures.”

Louise had always played a supporting role to her husband, Alan. She was a Christian Scientist and did not like this invasion of her quiet life, but assumed her new role was beginning, and she handled the press gracefully. She smiled tentatively at the two men from Life and told them it would be okay if they took a few pictures. She smoothed out the girls’ windblown hair and posed for the photographer.

After Louise let them instruct her to look left and look right, look up toward the sky, where her husband’s bird might one day go, she was ready to get out of there. She looked at them kindly, smiled a smile that meant, That’s enough, then put two slender fingers in her mouth and whistled. “Laura, time to go.”

The men were flummoxed. Louise rounded up her girls. They thought the attention was fun, but they followed their mom to the car. Louise calmly steered toward home, expecting that by now, any press that had come calling would be gone.

She was wrong. When she turned onto her quiet street, lined with wooden houses with pleasant gardens hemmed in by picket fences, she could hardly believe her eyes. There must have been a dozen news trucks in her yard.

“How does it feel being the wife of an astronaut?” The men started flinging questions right away. “How long have you been married? What do your kids think?”

Louise stared into the exploding flashbulbs.

“Do you really want him to go?” asked another newsman. “Aren’t you worried he’ll be killed?”

That was the question that really disturbed her. Louise had been living with the fear of Alan’s death ever since he started test-flying high-performance jets. The death rate for men like Alan was staggering. If Alan didn’t call or come home by five o’clock sharp, Louise would start looking at the sky for the ominous black clouds near an air base that rose from a plane crashing to the ground.

Finally, she enveloped her children in her arms and ushered them through the crowd, away from all the attention. Down the street, the neighbors were watching the drama unfold in the Shepards’ yard, and a mother told her son to be a dear and go see what all the hoopla was about. He ran back home and announced, “Mom! Mom! You gotta hear this! Mr. Shepard’s going to the Moon!”


Rene Carpenter’s husband, Scott, had called from Washington, D.C., the night before to tell her that the press was likely going to be coming this morning. Rene dressed in a classic sheath and planned to outfit her two toddler-age girls in matching red dresses piped in gold and black rickrack.

As the sun rose over the Carpenters’ house on Timmy Lane in Garden Grove, California, the reporters started arriving. Soon one of them was knocking on the front door.

“Mrs. Carpenter?” the reporter asked.


“We know you can’t talk to us till seven a.m. But do you mind if we set up a few things in the yard?”

“Yes, please do.”

The thirty-year-old mother of four had a welcoming smile, green eyes, platinum hair, and deep dimples. She was a winning combination of beauty and bookishness. In high school, she had wanted to be an actress and a writer. At the University of Colorado, the intellectual Tri Delta sorority girl had been writing a paper on Paradise Lost when she’d met Scott during her shift at the Boulder Bookstore. He showed up one afternoon after spotting her for the first time at the Boulder Theater, where she also worked, as a movie usherette. After they discovered they both loved to ski and discuss literature and philosophy, they decided to build a life together and got married. She helped support them, continuing to work at the bookstore as Scott made his way toward his degree. Before graduating, he joined the Navy.

Soon the reporters were again at the door, asking if they might come in to take some photos. She knew how to be a gracious hostess, having been a Navy wife for a decade now. As Rene invited them in, the reporters took note of how she pronounced her name; it rhymed with keen. She let the reporters tour her home, filled with cherished family items like the teardrop-shaped monkeypod coffee table. Rene had picked up the raw wood for it when they were stationed in Hawaii. She had fashioned it into a base for the coffee table herself. One of the few perks of being married to an aviator was that the Navy would move your furniture for free, as you uprooted yourself from one base to the next.

Rene offered the newsmen coffee to go with the donuts some of the more enterprising of them had brought. They rearranged the furniture to make way for the lights and cameras now unblinkingly trained on her family.

Sitting on her orange couch with her gang of four, Rene posed for more photos. Nine-year-old Scotty Jr. had donned his dad’s flight helmet, dark visor down, breathing into its ventilator tube hanging from the snout. He made quite a subject for the photographers.

Rene was as excited about this bold new endeavor as the newsmen. “We all want to go with him!” she told them. “Even the two dogs!”

Finally the reporters packed up and left. “It’s as if I’d been acting on a dark stage all my life,” Rene said later. “And suddenly someone turns on the spotlight.”


Marge Slayton welcomed the press boys with her silent-film-star smile. She and Deke were stationed at Edwards Air Force Base in the Mojave, where Joshua trees rose like gnarled arthritic hands out of the lakebed runway. She had been gung ho ever since the space race began on an October night in 1957 when Russia launched Sputnik over the United States on the same evening Leave It to Beaver made its television debut. Sputnik means “fellow traveler” in Russian.

As the 1950s had progressed, the threat of nuclear war became more and more real. In schools, children practiced “duck and cover” drills, crouching under their desks and covering their heads with their arms. Fallout shelters abounded in towns and cities. Some families constructed their own bomb shelters in basements or backyards, stocking them with survival kits complete with bottled water, evaporated milk, and enough canned goods to last through the nuclear winter. As the Americans and Russians continued to build up their arsenals, the country lived in fear of thermonuclear war. It was a devil’s bargain to keep the peace known as MAD, or mutually assured destruction.

On the night of October 4, 1957, terror in their hearts, men, women, and children ran outside to search the nighttime sky for the Russian interloper, masterminded by the shadowy Soviet chief designer. The unmanned aluminum satellite orbiting the Earth looked like a spiky silver bug. What might the Soviets do next? America had nightmares of future Sputnik


  • "The men catapulted into space in the 20th century were interesting, sort of. The women they left back on earth were fascinating. . . . A lively account of how the wives coped with fame, fear, [and] loneliness."—People (A "Great Summer Read" selection)
  • "This is one of those light, tasty summer reads you'll guzzle down like a milk shake."—Entertainment Weekly (grade: B+)
  • "[A] perfect beach read."—Entertainment Weekly's "Must List"
  • "Breezy and entertaining. . . [Koppel] deserves credit for recognizing the richness of the subject matter. More than 50 years after its inception, many of us now take the space program for granted, but Koppel reminds readers just how bold and innovative it felt in the Sputnik era, and how mysterious the wilderness of space remains. . . Koppel is chronicling a cultural moment more than any particular person, and in this she excels. The details are superb, from the ham loaves the women cooked to the Virginia Slims they chain-smoked, the fur hot pants and the Pucci dresses they wore, the luaus and shrimp-boil parties they threw, and the Mercury-capsule-shaped community swimming pool they shared."—Curtis Sittenfeld, Washington Post
  • "A remarkable story of perseverance and friendship in a time when women had few rights."—The Daily Beast (A "Hot Read" selection)
  • "A fair and accomplished reporter. . . . Lily Koppel offers a grounded, irresistible and sociable social history. . . . Koppel's book deftly delivers The Wife Stuff. . . . Koppel does an excellent job of capturing a group portrait with enough highlights, low points, sunny spots and shadows for individual features to emerge. . . . The Astronaut Wives Club is wholly and consistently in Koppel's voice: smart, evocative, informed and warm-an electric fireside chat with the women who put men on the moon."—Chicago Tribune
  • "[A] true (juicy) story. Gotta love non-fiction that feels like a beach read: Lily Koppel's The Astronaut Wives Club chronicles the wives of 1960s astronauts. . . . Put down that mystery and pick up some history!"—Redbook
  • "[A] fascinating, behind-the-scenes look at the lives of the women married to the astronauts...Impressive."—The Dallas Morning News
  • "Intriguing, pleasantly gossipy and often-touching. . . . in its light and engaging way, The Astronaut Wives Club is a reflection on the gap between image and reality, and a glimpse of an unstable time when "good wives" were reckoning the cost of that role."—Columbus Dispatch
  • "[An] entertaining and quirky throwback...This is truly a great snapshot of the times."—Publishers Weekly (starred review)
  • "Engaging. . . . [Koppel] hits the mark, crafting an exceptional story that seriously examines the imperfection and humanity of America's heroic astronauts, their wives, and their families. This work will hold vast appeal for armchair historians, and those interested in feminism, women's history, and 20th-century history."—Library Journal (starred review)
  • "Insightful social history with a light touch."—Kirkus
  • "Mad Men fans and history buffs alike won't want to miss a new book about . . . the lives of the astronauts' wives. . . . . We meet the Mercury Seven women in the first chapter of The Astronaut Wives Club, and author Lily Koppel does a nice job of staying close to their stories. By the time you see the women's faces in the pictures, you'll feel like you're a member of the gang. . . . It's hard to believe no one has already written their story, and this reader is glad Koppel finally did."—BookPage (A "Nonfiction Top Pick")
  • "Koppel has launched her talents into another orbit by writing a book about America's space program that is not only smart, but also fun and sexy . . . . The Astronaut Wives Club is a clever and engaging book celebrating a group of women who, today, are often overlooked -- if not forgotten. It is reasonable to claim that these women held the space program together in its early years. Koppel pays tribute to their emotional stamina in a sympathetic yet unburdened manner. The Astronaut Wives Club will most definitely be embraced in the celebrity-thirsty world that we still live in today; its universal appeal is guaranteed to span generations and demographics of readers. Pack this book along on your summer vacation and you are assured to have a good read, as well as a conversation starter, wherever your spacecraft takes you."—Bookslut
  • "With an eye for colorful detail, Koppel tells the stories of the women behind the astronauts. . . . The book often reads like a novel, energized by each moon mission."—Barnard Magazine
  • "There's humor and heartache... we're transported back in time. This book is a Baby-Boomer's dream and is perfect for anyone who's imagined moving among the stars...[it] will send you over the moon."—
  • "The only thing more delicious than the idea for this book is its execution. Come, all you Mad Men lovers, you girl-bonding-opus fans, you amateur historians who've looked under rugs for unlikely heroines...The Astronaut Wives Club rockets us back to the innocence of a unified mid-century America's space race triumphalism and to an unselfconscious sisterhood-is-powerful in the bud-nice things to recall, and maybe take a tiny bit of heed from, in these more sophisticated but much more complicated times."—Sheila Weller, author of Girls Like Us
  • "If you thought the only heroes in the history of NASA were its astronauts; if you thought the all-American family regularly seen in the pages of Life magazine was the full story of those astronauts' private lives; and if you've ever dreamed of supersonic romance, dinners at the Kennedy White House, through-the-roof beehives, a group of friends and neighbors going through this crazy time with you, and a celebrity hero husband who is the most admired man in the nation (yet, could die at any minute) ... then you're ready to sign up for Lily Koppel's thrilling, magical, nostalgic, and eye-opening Atlas rocket of a read, The Astronaut Wives Club."—Craig Nelson, bestselling author of Rocket Men and The Age of Radiance
  • "The Astronaut Wives Club is a fun-loving romp about the devoted women behind NASA's herculean Moon Shot effort. Lily Koppel writes with humor, cunning, and integrity. I found her recounting of the Mercury, Gemini, and Apollo programs riveting. Highly recommend!"—Douglas Brinkley, Professor of History at Rice University and author of Cronkite
  • "The Astronaut Wives Club is spectacular, both in its intimacy and its reach. Lily Koppel pulls out delicious behind the scenes details of the stresses, formalities, pleasures and travails of being the women behind the men on the moon."—Karen Abbott, bestselling author of American Rose and Sin in the Second City

On Sale
Jun 3, 2014
Page Count
320 pages

Lily Koppel

About the Author

Lily Koppel is the bestselling author of The Red Leather Diary. She has written for The New York Times, the New York Times Magazine, Huffington Post, and Glamour.

Learn more about this author