Use code DAD23 for 20% off + Free shipping on $45+ Shop Now!
Formats and Prices
- Trade Paperback $16.99 $22.99 CAD
- ebook $9.99 $11.99 CAD
- Audiobook Download (Unabridged)
- Trade Paperback (Large Print) $21.99 $27.99 CAD
- Audiobook CD (Unabridged) $19.98 $22.98 CAD
This item is a preorder. Your payment method will be charged immediately, and the product is expected to ship on or around September 14, 2010. This date is subject to change due to shipping delays beyond our control.
Also available from:
He was going to lose the house and everything in it.
The rare pleasure of a bath, the copper pots hanging above the kitchen island, his family-again he would lose his family. He stood inside the house and took stock. Everything in it had been taken for granted. How had that happened again? He had promised himself not to take anything for granted and now he couldn’t recall the moment that promise had given way to the everyday.
Tim Farnsworth is a handsome, healthy man, aging with the grace of a matinee idol. His wife Jane still loves him, and for all its quiet trials, their marriage is still stronger than most. Despite long hours at the office, he remains passionate about his work, and his partnership at a prestigious Manhattan law firm means that the work he does is important. And, even as his daughter Becka retreats behind her guitar, her dreadlocks and her puppy fat, he offers her every one of a father’s honest lies about her being the most beautiful girl in the world.
He loves his wife, his family, his work, his home. He loves his kitchen. And then one day he stands up and walks out. And keeps walking.
The Unnamed is a heartbreaking story of a life taken for granted — and what happens when that life is abruptly and irrevocably taken away.
Table of Contents
A Preview of To Rise Again at a Decent Hour
In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author's intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at email@example.com. Thank you for your support of the author's rights.
THE FEET, MECHANICAL
It was the cruelest winter. The winds were rabid off the rivers. Ice came down like poisoned darts. Four blizzards in January alone, and the snowbanks froze into gray barricades as grim and impenetrable as anything in war. Tombstones were buried across the cemetery fields and cars parked curbside were swallowed undigested. The long-term debate about changing weather was put aside for immediate concern for the elderly and the shut-ins, while the children went weeks without school. Deliveries came to a halt and the warehouses clogged up on days the planes were approved to land. There were lines at the grocery store, short tempers, a grudging toward the burden of adjustment. Some clever public services addressed the civic concerns—heat shelters, volunteer home checks. The cold was mother of invention, a vengeful mother whose lessons were delivered at the end of a lash.
The ride home was slow going because of the snow and the traffic. He usually worked by eyelet light but this evening he brought no work home and sat in one quadrant of the car without file opened or pen in hand. They were waiting for him. They didn't know they were waiting for him. The driver had on 1010 WINS, traffic and transit on the ones. Somewhere, out to sea or in the South, it might not be snowing. Here it slanted into the windshield like white ash from a starburst. The frostbite had returned to his fingers and toes. He unbuckled the seat belt and leaned over, stretching his long torso across the backseat, and what the driver thought he didn't care. The sound of the radio faded as one ear was sealed up by the distressed leather and he put a hand on the floor mat and ran his tingling fingertips over the fiber-trapped pebbles. He hadn't called to tell them. He had lost his phone. They were waiting for him, but they didn't know it.
The driver woke him when they reached the house.
He was going to lose the house and everything in it. The rare pleasure of a bath, the copper pots hanging above the kitchen island, his family—again he would lose his family. He stood just inside the door and took stock. Everything in it had been taken for granted. How had that happened again? He had promised himself not to take anything for granted and now he couldn't recall the moment that promise had given way to the everyday. It was not likely one single moment. He set his keys on the table below the mirror and uncharacteristically took his shoes off on the long Persian runner, which he and Jane had bought in Turkey. They had spent a week in Turkey and a week in Egypt. They always had a trip in the works. Their next trip was a Kenyan safari but it would have to be postponed now. He walked through the house in his socks. Inside the kitchen he ran his hand along the dimly lit countertop. He loved his kitchen, the antique cupboard doors, the Moroccan tile backsplash. He walked through the dining room, where they hosted dinner parties for his firm. The long table sat twelve. He reached the stairs and put his hand on the oak newel and took one step after another. Family photographs made the ascent with him. The sound of the grandfather clock ticking away in the living room gave way to the television laughter issuing softly from the bedroom down the hall.
Jane was still beautiful. She was wearing a pair of reading glasses that had a Pop Art zaniness of character, teardrop frames polka-dotted with drops of primary color. Spaghetti straps revealed her slender arms and the nightgown held her firm breasts in place just below a freckled slate and an articulated clavicle. She was doing the crossword. Whenever she got stuck, she glanced up at the late show on the flat screen mounted to the wall and drummed the pen between upper and lower teeth, as if to waken her brain. She looked at him as he entered, surprised to see him home so early. "Hello, banana," she said. He took off his suit coat as if it were a T-shirt, thrusting the back over his head and turning his sleeves inside out. Then he found himself grabbing the hem, a hand on each half of the parted tail, and ripping the thing in two. Hard to break the seam at first, but once the first thread snapped, it went. Jane opened her mouth but nothing came out. He dropped the tattered coat and climbed onto the bed and hunkered down on his hands and knees like a man waiting for an explosion. "What is it?" she said. "Tim, what is it?" His head was lost inside his sheltering arms. "Tim?" She moved over to him and put her arms around him, hugging him from above as if they were about to engage in a wrestling match. "Tim?"
He told her that he had been forced out of the building and into the street. At 43rd and Broadway he hailed a cab, which he hoped would take him back to the office. After getting the cab to pull over, he reached out and opened the back door. But then he walked on. The driver, a Sikh in a pink turban, honked the horn, staring at him through the rearview mirror. Why would someone hail a cab and open the door only to keep walking? Near Union Square he had tried to call an ambulance, a recourse they had envisioned during his last recurrence. He was on the line with a dispatcher trying to explain the situation when he slipped on a patch of ice coming off a curb and lost his grip. "My phone!" he cried out as he regained his balance. "Somebody! My phone!" He walked on with a tweaked back. "Please get my phone!" Everyone ignored him. His BlackBerry had landed in the middle of the street where it lay defenseless against oncoming cars. He kept moving forward. He told her of all the city scaffolding he walked under, the manic traffic he managed to avoid, the parade of oblivious people he passed. He told her that he had turned tired in the old way by the time he reached a bench, somewhere near the East River, where his body gave out. How he had crumpled up his suit coat for a pillow and taken off his tie, sweating despite the cold. How he woke up in horror an hour later.
"It's back," he said.
First thing, she had to dress him. She knew he didn't want to dress. He wanted to shower, crawl into bed, fall asleep—whatever action preserved the routine. Brush his teeth, reach for the light. He was still on top of the bed, frozen in the soldier's huddled field position, his rear up and his arms encircling his head as if to shield it from flying shrapnel. His hair—he still had a full head of dark hair, one of his most distinguished features, he was a handsome, healthy man, ridiculously horse-healthy and aging with the grace of a matinee idol—was disheveled. "Tim," she said, looking over his arm into his one visible and glazed-over eye, "you have to get dressed."
He didn't move. She got off the bed, walked into the bathroom and threw a black waffle-weave robe over her silk nightgown. She was startled by the complacency of the lotions, soaps, creams and deodorants arrayed on their bathroom sink, suddenly insulted by the rosy promises of common beauty products. She took an inventory in her head of all the things she needed and began collecting them from the places in the house where they could be found: his base layer of thermal long underwear and form-fitting insulator pants from the dresser; a sweatshirt and fleece from the walk-in; his heavy down coat; his hat, gloves and scarf. She placed his ski mask in one of the coat pockets along with several disposable heat packs she hoped hadn't reached some unmarked expiration date. She reminded herself to buy more. She almost broke into tears by the washer-dryer. She brought up the GPS and the alpine pack from the basement. She filled the pack quickly: a rain poncho, eyedrops, dry-skin lotion, an inflatable pillow, a first-aid kit. And then from the cupboard, trail mix and energy bars and a Nalgene bottle of electrolyte water. She included matches for no specific reason. Then she zipped the pack and walked upstairs.
She went to the bed and began to move him physically as if he were a child. She turned him over and undid his belt and removed his pants and boxers and unbuttoned his shirt, all with little help from him. He was soon lying on the bed naked. She applied a coat of Vaseline to his face and neck and then to his genitals because Vaseline helped with both the chafing and the cold. Then she began to dress him in what she had collected, finishing with the wicking socks and his waterproof boots. She placed the alpine pack in the doorway where it could be grabbed easily on his way out and then she crawled onto the bed beside him.
"No Bagdasarian this time," he said. "No doctors of any kind."
"Okay," she said.
"I mean it," he said. "I got off that gerbil wheel and I'm not getting back on."
She reached out for the remote and turned off the late show.
"Have I taken you for granted again, Jane?"
A powerful silence settled over them. He lay on his back as overdressed as a child ready for the winter snow. She watched him from her pillow. His eyes were not as wide and his breathing had calmed.
"Let's not do this," she said.
"Start in with the guilt and the regrets."
He turned to her. "Have I taken you for granted?"
"Everyone takes everyone for granted," she said. "It's a clause in the contract."
"How do you take me for granted?"
"How? In so many ways, Tim."
"I can't even begin," she said. "Okay, for one. The best vacation we ever took and for the life of me I can't remember the name of the island."
He began to smile. "Scrub Island," he said.
"I depend on you for that."
"That's different than taking me for granted."
"Scrub Island," she said. "It was such a clean place, the name makes perfect sense. But I can never remember."
"Wouldn't you like to go back?" he asked.
"I thought Africa was next."
They both knew there was no next, not now, not any time soon, and the silence returned.
"We should buy a place on Scrub Island," he said. "There was such delicious food there. And do you remember the little girl walking the streets in a wedding dress?"
"She'd be grown by now."
"And the ostriches. That man herding them with a bullwhip. Don't you want to go back?"
"Yes," she said. "When you're well again, we'll go back."
"I'm hot," he said.
She got off the bed and opened both windows. The winter's crisp, shocking reality blew in. She turned back toward the bed. Then she remembered the handcuffs.
She walked over to his nightstand and removed them from the drawer. "What about these?" she asked, standing over him at bedside.
He pulled his stare from the unfocused void into which he had lost himself. He looked at the cuffs mournfully, as if they belonged to someone whose death had come on suddenly, and now he was taking stock, with great reluctance, of what to keep and what to throw away. He pursed his lips and shook his head and resumed looking at the ceiling. She put the cuffs back in the drawer.
Her sleep was fitful, responsive to every turn he took, the slightest shift. She woke up when she heard Becka come home, and later when Tim began to whistle—he never snored, but when he lay on his back his heavy breathing turned to a tuneless whistle. Their room was insanely cold, she could see her breath in the moonlight between episodes of some surreal dream, but Tim had not even bothered to get under the covers. He lay on the bed dressed for the subzero weather in coat and gloves. She woke every hour that never-ending night, sometimes more than once, and every time she reached out for him to make sure he was there.
It has been a good, long run, she thought.
When the dimmest fraction of darkness gave way to daylight, she opened her eyes and found him gone. She was furious with herself. Yet what could she have done but let him go?
She dressed quickly and left the house, walked down the long drive to the gate, and stood at the entrance looking in both directions. Their neighborhood had been developed to preserve the natural landscape, so that certain houses were set back on hills, some had small ponds out front, and all were safely buffered by trees. Late at night within the limited view of the headlights you could almost believe you were in the country. At the crack of dawn, with everything caught in the interminable cold snap, she found the street empty and quiet. Too early for the brave morning walkers, even for those neighbors who worked in the financial sectors. The black trees all around her stood with their sharp naked branches like burnt-out dendrites. She scanned for footprints in the snow, then returned up the drive.
She got inside the car and rounded the cul-de-sac. Braking at the gate's edge to look both ways, she was gripped by a familiar fear. She did not know which way to turn. He had forgotten to turn on the GPS. She pounded the steering wheel with her open palms.
Anger with God was a tired and useless emotion, anger with God was so terrestrial and neutering. She thought she had arrived at a peaceful negotiation but in fact it was only a dormancy and when her anger at God met her at the end of the drive she was exhausted. She was caught unprepared again, and nothing could have prevented that, no promise made or lesson learned. Enjoy the BBQ, she thought, for no apparent reason. Enjoy the BBQ before God turns it to shit with His rain. She turned left and glided soundlessly down the street, fully aware of the comfort of a slowly heating car and how he would have been deprived of even that for how long now.
Minor mountain banks of greasy snow sat in front of the residential gates, in their valleys a paste of dead leaves or a patch of frozen earth. Cracked snow thin as flint covered the yards. More snow capped the red-brick gateposts. The NBA star's house was gaudy even at dawn, lit up with faux gas lamps like some Frank Lloyd Wright spacecraft. She swung around and down the swooping curve leading to the frontage road and drove in both directions before heading back the way she came. She found him miles away in the opposite direction.
He was lying in a small wood separating two houses, sleeping on an incline behind some linden trees that prevented him from rolling down to the street. She pulled into the opposite lane and threw the car in park, leaving the door hanging open as she climbed up the culvert into the woods. She was relieved to see he had taken the pack, which he had placed under his head for a pillow. The black ski mask gave his prone figure an air of menace. Someone walking past with a dog might have rushed home to call the police. She knelt down beside him, feeling the cold through her jeans. "Tim?" she said, peeling back the mask. "Tim." He opened his eyes with the innocence of a child and looked around him.
"I fell asleep," he said.
"I tried to make it back. I was too tired."
"You did good, you took the pack. Can you stand up?"
"The sleep is even better than last time," he said.
He enjoyed against his will those narcoleptic episodes that set him down wherever the walks concluded, the pinched-eye, clenched-fist sleep of a newborn. He had watched Becka as a baby with her smooth pink brow and he couldn't recall ever sleeping with such enviable unburdened purity. Horses ran through his brain the minute his head hit the pillow. He drifted into bad sleep drafting motions. He carried on pointless exchanges with opposing counsel. But this sleep, these black-dot swoons—coming after such punishing miles, after the caloric drain and metabolic change—were invigorating. And he came out of them with perfect clarity. Everything was bright. Even in the landscape of that dead season, even among the black snow, the world was crisp and lucid. He could make out every nub-ended tree branch, he heard the crawl of a crow across a black wire, he smelled the carbon in the decomposing earth. It offered him a brief respite before he was forced to wonder again just where on earth he was.
He limped out from the trees. She brushed his backside of ice and crumbled leaves. He looked down the road. "Here comes Barb Miller," he said.
The car was angled into the street on the wrong side of the road, as if it had swerved to avoid an accident. They stood still as deer and watched their neighbor approach. Barb slowed the SUV and powered down the window.
"Everything okay?" she asked. Her words formed white plumes of smoke in the cold air. Butch Miller sat beside her.
"Oh, everything's fine," said Jane. "Everything's fine. Just something with the car."
Butch leaned over and waved. "Hello," he said through the window.
"Hello, Butch," said Tim.
"Do you need us to call someone?"
"No, no. Triple A is on its way, thank you."
"Thanks, Barb," said Tim.
"Do you want a ride back to the house? You can't stay out here, can you?"
"They promised to be here any minute," said Jane.
Barb smiled and said okay. They waved good-bye and she started the car rolling again. Butch turned his head and they could see him continue to stare through the tinted windows. They watched the SUV dip and disappear out of sight. Then they exchanged a look that conveyed their shared exhaustion. Triple A? Could they really be at it again? The futility of communicating their predicament to the Millers had turned their kind gesture of help into something onerous and unwanted. To approach the world with evasion and thanklessness—that was no way to live. Jane walked around to the driver's side and she and Tim got in and closed their doors at the same time.
They drove home. Soon after Jane killed the engine, the car began to crackle in the silent garage. "I have to go in," he said.
She was surprised. He had shown such resolve the night before: no gerbil wheel. She wondered whom he intended to see. Bagdasarian? Copter at Mayo? Did he mean Switzerland again?
Then she realized her mistake. He meant in to work.
"I don't think that's a good idea," she said.
"Janey, I'm all rested up. I have to go in."
The night before, she had pushed aside how they would deal with the long-term things like his work, in order to make him safe for that one night. Now she had to deal with the reality of the light of day, and she should not have been surprised that he would want to go in.
"You should take the day off," she said.
"No, that would just be…"
"We need to—"
"—to deal with this, Tim. Capitulation? It's called reality."
"But the case," he said.
"Oh, fuck the case!" she said. "It's back, Tim! You said it yourself last night. It's back."
The car was losing heat. He sat unmoving in his fleecy chrysalis of Patagonia and down, staring straight through the windshield at the spare gas tank and paint cans and the coils of extension cords and rubber hoses on the garage shelves. A row of old Vermont license plates had been nailed into the wall. Jane turned away from him in the still car and they sat in silence. Within the minute their breath became visible. She waited for him to say something, preparing the counterargument. After waking he always felt this false rejuvenation, but that strength was fleeting and within hours he could be walking again. And then what would he do, out in the cold with his frostbite and dressed in nothing but suit and tie, walking around Manhattan and ending up God knows where? She was about to remind him of this when he started pounding the glove box with his gloved fist. He rained blow after blow down on the glove box and she let out an involuntary cry and jerked back against the cold window. He stopped hitting the glove box and began to kick it until the latch snapped and the door fell. He continued to kick as if to drive his foot clear through to the engine block. One of the door's lower hinges snapped, and thereafter the glove box had the cockeyed lean of a tired sun visor. It would never be fixed.
When it was over, he withdrew his foot and out spilled a handful of napkins. His heel had compacted the owner's manual and ripped the maintenance records and insurance papers. He returned his feet to the mat and things were calm again, but he would not look at her.
"I have to go in," he said finally.
Her gaze had a fire's intensity.
"Okay," she said. "You should go in."
"I'm trying to tell you that I feel good."
"I will pack your backpack," she said, "with your winter gear, in case you need it, and you can take the pack in with you."
"I have to go in," he repeated.
Then he turned to her. "Do you?"
"Yes," she said.
Becka was up for school, showered and sitting at the kitchen table eating a bowl of cereal. At seventeen, she wore a silver loop in her left nostril and never properly washed her hair. She was surprised when the door to the garage opened. She had figured her parents were upstairs. They came into the kitchen brooding and silent. Her father was overburdened with winter clothes and her mother looked pale and terrified.
"What's going on?" she asked.
Nobody said anything. She just knew.
She stood up and hugged her dad, a rare hug. She approached him sideways, resting her head on his shoulder. He took hold of her forearm and squeezed.
"It's not a hundred percent yet," he said.
"It's a hundred percent," said her mom.
Becka had been nine the first time. She remembered driving with her mother into the city. She was scared by her mother's silent, impatient driving. She wondered why she had been picked up at the school bus stop, and where they were going, and what had happened. Her mother turned and smoothed her hair in the stop-and-go traffic over the bridge but said nothing. Becka expected him to be waiting on a street corner with his briefcase and a rumpled newspaper under his arm, dressed in his beige overcoat. Instead they came upon a small triangle of park with a lone tree in a grate and a pair of trash bins, a phone booth and four or five wooden benches. Her mother pulled up to the curb and threw the hazards on. She told Becka to stay put. Taxis raced past as she stepped out. Becka watched as her mother approached a bench and bent down. She touched the man laid out there and he sat up. Becka recognized him only when he stood and began walking toward the car.
They began picking him up more frequently, never in the same place, three times a week, sometimes four. Becka accompanied them to the doctor when she was not in school and sat in the waiting room with her mother. She went with her mother into the room where her father sat on the metal table with the tissue paper and she listened to the doctor and to the questions her mom and dad asked, but she couldn't understand what they were saying. They were saying everything it wasn't. There was confusion and frustration and much talking over one another. She stood behind a glass window holding her mom's hand as her dad moved inside the scary tunnel of an MRI machine. On the ride home they were silent and her father was distant.
Sometimes she came home from school and the car was gone and nobody was in the house. She watched TV until it got dark and ate after-school snacks instead of dinner. Her dad woke her on the sofa and carried her to her room and tucked her into bed. She asked him if he was sick and he said yes. She asked him if he was going to be all right and he said yes.
He started staying home from work, which he'd never done before. One afternoon after school she heard them in the bedroom. The door was ajar. She put her head in and saw her mother standing over him. He was dressed differently, not in a suit and tie but in sweatpants and T-shirt, and he was handcuffed to the headboard. His arms were stretched tight as if they were hanging from iron rings in the wall. He might have been doing calisthenics like at school, the one called bicycle-in-the-air, except his legs moved lower and kind of jerky. The fitted sheet had popped off and all the bedding was bunched up around him. His face was hurting and his T-shirt was stained with sweat. She fled from the doorway.
Soon after her mother came downstairs surprised, almost panicked, to find her there, as if she were a stranger. She told her to be quiet because her father was sleeping.
"Is Daddy addicted to drugs?"
Jane had moved to the sink to fill a pot with water. "What?"
"Because at school they told us about drugs. They showed us a video."
"Daddy is sick," said Jane, and turned the water off.
"Because of drugs?"
"No, sweetie, of course not because of drugs."
"Then how come?"
Jane placed the water on the stove without answering. She went into the pantry for the rice and when she returned she took the meat out of the fridge and bent down for a cutting board. Becka waited for an answer, but her mother continued to squat in front of the cupboard, one hand on the open door, motionless and refusing to look at her. No one looked at her very much lately. Her mother was usually tired. She often told her to clean her room or asked her to go out and play. The house had never been so quiet, a hush timed by strikes from the grandfather clock and broken only when her father was kicking.
"How come he's in handcuffs?" she asked.
Now finally her mother stood with the cutting board and looked at her. "Did you see Daddy in handcuffs?"
Becka nodded from the kitchen table.
"Daddy doesn't want to leave the house," said Jane, setting the cutting board down and the meat on top of it. "We're just trying to keep Daddy inside the house."
Becka didn't want him inside the house. She heard him at night making noises like he was straining to lift something heavy. She heard the rattle of the handcuffs. His curses filled the house and his mumbling carried through the walls. Sometimes she heard nothing at all. Once she tiptoed to the door and put her head in the room and found him bound to the bed, staring into space. He saw her in the doorway and called to her but she ran away. "Becka, come back!" he cried. "Come talk to me." She raced down the stairs. "Becka!" he cried out. "Please!" But she kept going.
- "Arresting, ground-shifting, beautiful and tragic. This is the book a new generation of writers will answer to. No one in America writes like this."—Gary Shteyngart, author of ABSURDISTAN and THE RUSSIAN DEBUTANTE'S HANDBOOK
- "Heartfelt and delivered in solemn deadpan. It may even be, in its own modest way, a great American novel. "—Los Angeles Times
- "Fabulous....with the sort of exuberance and energy that marked Jay McInerney's Bright Lights, Big City."—Chicago Tribune
- "Audacious, risky and powerfully bleak, with the author's unflinching artistry its saving grace."— Kirkus Reviews
- "Ferris imbues his story with a sense of foreboding, both for the physical world, in the grip of record-breaking temperatures, and for the vulnerable nuclear family and its slow unraveling. With its devastating metaphoric take on the yearning for connection and the struggles of commitment, Ferris brilliantly channels the suburban angst of Yates and Cheever for the new millennium."—Booklist, starred review
- "Rich and profound."— Time
- "Unfold[s] in a hushed, shadowed dimension located somewhere between myth and a David Mamet play."— Salon
- "An unnerving portrait of a man stripped of civilization's defenses. Ferris's prose is brash, extravagant, and, near the end, chillingly beautiful."— The New Yorker
- "Astonishing and compelling."— Very Short List
- "Ferris puts his notable wit and observational ability aside in favor of a far more psychological (and ultimately physical) examination of the self. . . . an accomplished and daring work by a writer just now realizing what he is capable of creating."— The Los Angeles Times
- "[Ferris is] a brilliant and funny observer."— The New York Times
- "Ferris shows a talent for the grotesque in his riveting descriptions of Tim's decline. He also includes his specialty - scenes of juicy office intrigue. But what's most engrossing in his portrait of a couple locked in an extreme version of a familiar conflict - the desire to stay together versus an inexplicable yearning to walk away."— O Magazine
- "You can't break away from the grip of these opening chapters . . . Ferris usually writes in a steady, cool voice whether delivering the quotidian details of office work or existential observations about God that would otherwise sound grandiose. The effect is a terrifying portrayal of intermittent mental illness, the way the fear of relapse becomes a kind of specter, mocking each recovery and shredding any hope of a cure."— The Washington Post
- "Strange and beguiling . . . With this brave and masterful novel, Ferris has proven himself a writer of the first order. The Unnamed poses a question that could not be more relevant to the America of 2010: Will the compulsions of our bodies defeat the contents of our souls?"— The Boston Globe
- "Riveting."— The Wall Street Journal
- "Where Then We Came to the End mined the minutiae of cubicle life for humor and pathos, this one goes straight for the heart(and the jugular), telling the story of a married father struggling with an inexplicable disease, and thelengths to which he'll go to maintain control of his life."— GQ
- "At once riveting, horrifying and deeply sad, The Unnamed, like Tim's feet, moves with a propulsion all its own. This is fiction with the force of an avalanche, snowballing unstoppable until it finally comes to rest-when we come to the end, so to speak."— The San Francisco Chronicle
- "There is beauty in Ferris' writing, even when charged with despair."—The Chicago Sun-Times
- "Mr. Ferris is wise enough not to teach a lesson. Rather, he has teased ordinary circumstances into something extraordinary, which is exactly what we want our fiction writers to do."— The Economist
- "The Unnamed is ambitious, intelligent, and even more complex than Ferris's debut novel, Then We Came to the End."— Christian Science Monitor
- "Bracingly original . . . Surprisingly, almost tenderly, and despite his unrelenting refusal to churn out a predictable happy ending, [Ferris] turns The Unnamed into a most unorthodox love story about commitment and sacrifice."—The Miami Herald
- "Ferris' distinctive writing style is serious but whimsical, philosophical with a touch of the absurd."—St. Petersburg Times
- On Sale
- Sep 14, 2010
- Page Count
- 320 pages
- Back Bay Books