By Ryan Graudin
Read by Christa Lewis
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The action-packed, thrilling sequel to Ryan Graudin’s Wolf by Wolf.
There would be blood.
Blood for blood.
Blood to pay.
An entire world of it.
For the resistance in 1950s Germany, the war may be over, but the fight has just begun.
Death camp survivor Yael, who has the power to skinshift, is on the run: The world has just seen her shoot and kill Hitler. But the truth of what happened is far more complicated, and its consequences are deadly. Yael and her unlikely comrades dive into enemy territory to try to turn the tide against the New Order, and there is no alternative but to see their mission through to the end, whatever the cost.
But in the midst of the chaos, Yael’s past and future collide when she comes face-to-face with a ghost from her past, and a spark with a fellow rider begins to grow into something more. Dark secrets reveal dark truths, and one question hangs over them all–how far can you go for the ones you love?
This gripping, thought-provoking conclusion to Wolf by Wolf will grab readers by the throat with its cinematic writing, fast-paced action, and relentless twists.
“Wild and gorgeous, vivid and consuming. I loved it! I can’t wait for the sequel.”–Laini Taylor, New York Times bestselling author of the Daughter of Smoke & Bone trilogy, on Wolf by Wolf
Table of Contents
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SON OF MAN, CAN THESE BONES LIVE?
THREE PORTRAITS OF CHRISTMAS EVE 1945
The family room was cramped. Too small for a mother and her three children and the crooked branch the older son had sawed down for a Christmas tree. Everywhere Felix Wolfe turned there were pine needles, tinsel, and the faces of his family. Each child stared eagerly at the trio of modest parcels under the spindly branch, waiting for their mother's blessing.
"Make sure you don't tear the paper," she instructed them. "We need to save it to use again."
Martin, as the oldest, went first. His gift was the smallest and held a secondhand pocket watch. Felix opened his own parcel with delicate fingers, carefully unfolding corners and smoothing out creases to find a toy car. It wasn't new—there was a dent in the far right door and some scratches on its bright red paint—but Felix didn't mind. New toys, his schoolteacher had said, were selfish and took away materials the Führer needed to win the war. Metal was needed for Mausers and bullets, not child's play.
Adele tore at the edges of her parcel. Inside lay a doll, with yellow yarn hair and eyes made from the blue buttons of one of their mother's old silk blouses. The doll's dress was made from scraps of its cobalt fabric, sewn with cramped stitches and care.
Felix knew, as soon as his twin stopped and stared at the gift, that she was unhappy. He always knew these things.
"I made other dresses," their mother said. "You can change her clothes every day. And I'll teach you how to braid her hair."
Adele's own plaited pigtails whipped her cheeks as she shook her head and shoved the box away. "I don't want a doll! Why can't I have a car like Felix?"
Their mother's mouth pinched. Her eyes went all shiny, the way they sometimes did when she read their father's letters from the front. The sight twisted Felix's stomach.
"Here." He pushed his own present toward his sister. "You can play with my car."
Adele's eyes lit bright as she grabbed the toy. She started making motor sounds and pushing it across the floor. Martin was busy winding his watch. Felix wasn't really sure what he should do without his car. At least his mother was smiling again, wiping her eyes as she watched her children playing.
"There's one more gift," she said.
All three Wolfe children froze. Felix looked under the tree, but there were no packages left. Perhaps they were getting oranges. Or maybe their mother had saved enough rations to bake gingerbread!
Their mother made her way through the room, dancing through bent paper and children's limbs and forgotten toys. She reached the door to her bedroom and placed her hand on the latch. Her smile was wider than Felix had seen it in a long time.
The door opened. Standing at the edge of the bedroom, arms outstretched, was their father, still wearing his army uniform. His field cap slouched over sun-pale hair as he knelt down to greet his children.
Adele was the first child to barrel into his arms, with the delighted shout of Papa! Martin—since he now owned a pocket watch and was practically a grown man himself—tried to contain his excitement to a firm handshake. Felix hung back, taking in the sight of his whole family together: Mama grinning by the doorway, Papa pulling both Adele and a not-really-reluctant Martin into a bear hug. Felix's heart warmed while he watched them, brighter than the cinders in the wood-burning stove.
He wanted to capture this moment, hold this feeling inside him forever.
"Felix! My little man!" His father smiled. Even with two children in his embrace, his arms were long enough to reach out for his son. "Did you look after this lot? Keep them out of trouble?"
Felix nodded as he joined the hug.
Their father explained that he was home for good. The war was winding down on the Eastern Front, and the army no longer needed him. He didn't have to say good-bye to them anymore.
No more good-byes. The warmth inside Felix stoked and flared. After years of letters from the front—and Felix always fearing that the next would spell out his father's death—the Wolfe family was together again.
Luka's father had been home for many months, compliments of the artillery shell that ripped his left arm off. The Kradschützen, elite motorcycle troops who'd been a key part of attacking the Russian front, had no use for limbless drivers, so Kurt Löwe and his remaining arm were shipped back to Germany with a Silver Wound Badge and a second-class Iron Cross. Scars and medals: the marks of a war hero. Luka was awed by both.
There were no hugs or smiles involved in the greeting, just a stern nod on his father's part. Luka's mother told him later it was because his father was tired. (After all, he'd been at war for six years.) He just needed time to rest.
Luka's father rested. He sat in a chair for hours and days at a time, staring blankly at the portrait of the Führer that hung over the mantel. When he spoke, it was never to ask Luka how his classes were going or to praise his wife's cooking, but about the war. He told them about the endless, snowy kilometers he drove on his motorcycle. The firefights he and his fellow soldiers endured. How many Soviets he shot and killed. All for the sake of mein Führer.
Kurt Löwe rested for months, but the smiles and hugs Luka's mother had promised never appeared. Not even for Christmas Eve.
The Löwe family sat around the small table, eating roasted carp in silence. It wasn't the contented, holy-night type of silence that filled the holiday's church services, but a strained one—full of chewing and scraping forks. It made Luka squirm in his chair.
"Stop fidgeting," his father growled from the other side of the table.
Luka's mother shot her son a meaningful look. He stopped moving. He felt as if he were sitting on eggshells. As if something was about to break…
His father was dividing the carp into neat little pieces with his fork. "When I went on night patrols on the front, we had to be quiet as ghosts. We moved without a sound. Had to, or else we would've been shot."
His mother cleared her throat. "Kurt, I'm not sure this is very good table talk—"
"Good table talk?" Luka's father set his fist on the table. He was still holding his fork, tines up, tattered fish meat hanging from the metal. "Losing my verdammt arm for the Fatherland earns me the right to talk about whatever I want at the table."
His wife didn't reply. Instead she set down her own fork and looked at Luka. "Would you like to open your gift now?"
Luka straightened in his chair, nodding. He'd been waiting for this moment for weeks. A bicycle (shiny and red) was the only thing Luka wanted. Sometimes Franz Gross let him play with his. Both boys took turns pretending to be Kradschützen motorcycle troops, revving imaginary engines as they stormed lines of invisible communists.
"Your gift is by the Advent calendar," his mother said. "Go and fetch it!"
There was no tree this year, but Luka's mother had set up the family's Advent calendar on the mantelpiece. Most of its twenty-four paper doors hung open, revealing a hand-painted Nativity: Mary and Joseph and the Christ Child all gathered in a barn, surrounded by curious animals and poking hay. Blue-eyed angels hovered over the Holy Family. Above them hung a single brilliant star. And above the star…
The Führer's immortalized face loomed, its painted eyes following Luka as he ran to the package by the hearth. The box was much too small for a bicycle and wrapped in old newsprint. Dated headlines told of the advance of the Wehrmacht through Russia, the Reich's impending, undeniable victory. Inked across the package was a picture of the Führer giving a speech about the future of the New Order. Luka ripped through it all to find a set of new shoes and a toy pistol. He stared at them, disappointment bitter in his throat.
"What do you say, Luka?" His father had followed him into the sitting room, watching the whole affair in silence.
"I know you wanted a bicycle"—his mother's voice was soft in the doorway—"but the ones at Herr Kahler's shop were too expensive. Maybe next year, when the war is over."
No bicycle. After weeks, months, years of waiting, still no bicycle. A crying feeling crept up Luka's throat.
"What do you need a bicycle for?" his father asked. His hand strayed up to the second-class Iron Cross that hung from the button on his tunic. "You walk to school."
"I—I want to play Kradschützen with Franz." As soon as the words left Luka's mouth, he wanted to swallow them back. But they were out, along with his tears, swimming through the sitting room.
"Play?" His father's face went hard. Something in his eyes reminded Luka of the painting above the fire. Blue and lifeless. "You want to play Kradschützen?"
"I want to be like you."
In a single blitzkrieg movement, Luka's father dropped his Iron Cross and grabbed the boy by his collar. Nina shrank against the doorway as her husband dragged their child past, into the kitchen, out of the house.
It was a snowy evening. Luka's father plowed through the spinning flakes, into the street. His knuckles stayed tight around Luka's collar as he stopped in the middle of a growing snowdrift. "You want to be like me? I spent more nights than you could count in weather far colder than this. Curled up in a verdammt foxhole while the commies tried to put a bullet through my skull. You think I spent that time sniveling?"
Luka shook his head. There were more tears now, blurring against his eyelashes.
"Don't show emotion." Kurt Löwe gave his son a rough shake. "Don't you ever show emotion. Tears are weakness. And I won't have any son of mine being weak. You're going to stand here until you stop crying."
Luka tried, but the squeeze in his throat only grew worse. The tears that had already fallen were starting to hurt his cheeks: burning cold.
His mother shivered barefoot in the doorway, on the verge of tears herself. "Kurt! He'll freeze!"
"You've let our son grow soft and ungrateful, Nina. Filling his head with art and fanciful Scheisse! If I could endure an entire winter in this snow, the least he can do is stand ten minutes in a drift."
"You had a uniform to keep you warm! Luka doesn't even have a coat."
Kurt Löwe took another look at his son: hunched over, teeth chattering, shin-deep in the snowdrift. He stepped back into the house and returned moments later with his prewar brown leather riding jacket and his dog tag. Both items were shoved into Luka's arms. "Put them on."
The jacket was far too big; its sleeves dragged far past Luka's fingers, into the piling snow. The dog tag hung all the way down to his belly button.
"A German youth must be strong. Tough as leather, hard as steel." His father pointed at the jacket and the dog tag in turn. "Stand your ground. Don't bother knocking on that door until the tears are off your face."
Kurt Löwe's arm cut like a scythe through the falling snow as he marched back to the house, hooking around his wife's waist to usher her inside. When the door shut, Luka tried to wipe his cheeks with the oversized sleeve. His father was right. The leather was hard, too tough to blot the tears.
So Luka stood staring at the glowing kitchen window—minute after frigid minute, while his legs grew numb and his heart grew hard—waiting for his sadness to dry on its own.
A fresh pan of gingerbread sat on the ledge of the farmhouse window. The glass was cracked a few centimeters, just enough to let the cold in. The confection's heat clouded into steam, carrying scents of clove and ginger and molasses all the way across the snow-covered yard, into the barn.
Yael tried her hardest to ignore the smell. She'd already settled down for the evening, taking shelter in the scratchy piles of hay. The barn was warm enough, and the handful of oats she'd scooped out of the horses' feed bin kept the gnaw of her hunger away.
But the gingerbread…
Never in her seven years of life could Yael remember eating anything as good as that dessert smelled. Food in the ghetto had been scarce. Food in the camp had been scarce and rotten. (Bits of gruel, spoiled vegetables, moldy bread.) Ever since Yael escaped those barbed-wire fences by using her skinshifting abilities to look like the camp kommandant's daughter, her diet was substantially better. During summer the woods burst with blackberry thickets and mushroom caps. Orchards were so fruitful by autumn that the farmers' wives never seemed to note how the trees on the borders of their property lacked apples. Now that the weather was harsher, Yael took shelter in barn lofts, sustaining herself with horse feed, hoping the owners wouldn't notice that their horses seemed to eat twice as much without getting fat.
She'd lurked in this particular barn for a week. It was an unusually generous length of time, but the family who lived in the house had been too distracted by holiday festivities to pay much attention to clues of her presence. Yael had watched the whole process from the safety of the loft. The decorating of the Christmas tree, the singing of carols, the baking…
She'd watched the mother stir the gingerbread together into a deep brown dough. One of her blond daughters (the same one who trudged across the yard every morning through blank-slate snow; whose breath frosted the air as she sang "Silent Night" to herself and milked the cow; who had no idea that Yael was listening in the loft above) popped the pan into the oven. The other daughter peeled potatoes. Their two brothers played Stern-Halma at the kitchen table—a game full of laughter and elbows.
The family was off in the dining room now, eating dinner and waiting for the gingerbread to cool. The oats in Yael's stomach did not feel like enough as she watched them. She wanted to be in that house. Chuckling, full, and not alone.
That, of course, was impossible.
She was not one of them. She could never be one of them.
But she could snag a piece of that gingerbread.
The milking cow gave Yael a lazy, low greeting as she crept down the loft's ladder. She made certain before she stepped out of the barn that her sweater sleeve was rolled down to hide the tattooed numbers on her arm. Her hair, tangled though it was, was as golden as the straw. Her eyes were bold and blue. No one would recognize her for what she truly was.
Snow was falling thick enough to cover her footprints for a short trip to the kitchen window and back. After a few minutes there would be no sign she was even there. Just a cracked window and an empty pan.
Yael slipped across the yard, ignoring the sting of the snow through her thin shoes. The smell of gingerbread was stronger now, the family's laughter louder. She could hear one of the boys telling a joke—something about talking cows riding bicycles. The youngest sister giggled so hard she snorted.
Yael hunched under the window, reaching for the pan with hungry fingers.
"And then the first cow turned to the second cow and said—"
Yael, who was always so quiet, so careful, had not taken into account that a steaming pan meant the metal was still hot. She clamped her mouth shut, but it was too late. The youngest sister stopped laughing. Five different chairs scraped across the farmhouse floor as the family leapt to their feet.
"What was that?"
"Eric," the mother said to one of the boys, "go get the rifle."
Yael was off, sprinting across the field, leaving a whirl of footprints behind her. The farmhouse door opened to a yell. Yael did not stop. She did not look back. And it was a good thing, too, because—
Silent night. Holy night.
All is buckshot. All is bright.
She was not one of them. She could never be one of them.
Yael could not go back to the barn (trigger-happy, cow-joking Eric would only follow the footprints, find her there), so she did what she always did.
She kept running.
APRIL 2, 1956
Luka Löwe's evening had started out on a promising note. The most powerful men in the world were throwing him a party at the Imperial Palace in Tokyo. Champagne toasts prickled the air, Luka's name braided with praise from the lips of the Third Reich's highest officials. The Führer himself had offered Luka a job and called him a "fine specimen of the Aryan ideal."
The compliment was not undeserved. He'd conquered the Axis Tour—a cross-continental motorcycle race from Germania to Tokyo—not once but twice. A 20,780-kilometer journey of sandstorms, sabotage, and secrets. Two first-class Iron Crosses draped around Luka's neck, signifying that he was a double victor. The best of the best twice over.
So why was he standing outside his own party, staring through the towering windows, feeling like Scheisse on a shingle?
It had to do with a pang in his chest, near that cardiac muscle most people called a heart. It had to do with the fräulein in the scarlet-branch-patterned kimono, the one who'd been dancing in his arms moments before. The one who'd stared straight into his eyes and said, "I do not love you. And I never will."
Adele Wolfe. A fräulein like no other. There weren't many of the female persuasion who'd use her twin brother's identity to sneak her way into an all-male race. There were fewer fräuleins still who'd slid their way into Luka's heart so effectively. Not once, but twice.
He'd been such a verdammt fool. He should have learned his lesson after Osaka. After she'd chewed up his heart, bloodied his head, and won his race. To Luka's (very small) credit, he hadn't meant to fall in love with Adele again. He'd plunged into the 1956 Axis Tour bent on a single thing—revenge.
His plan was this: Watch Adele Wolfe like a hawk. Pretend he still loved her. Gain her trust, her alliance, her heart, and cement it with a kiss (which happened to be laced with a soporific that would knock her out for hours and give him a solid lead, another victory).
The plan played out well at first. He watched her through the curtain of rain at Germania's Olympiastadion. He watched her sitting in front of the fire at the Prague checkpoint. He watched her eating spaghetti at the Rome checkpoint. He watched all these things and came to a single conclusion.
Adele Wolfe had changed.
On the outside Adele was exactly the same: hair as light as snowdrifts, eyes a lonely, winter-sky blue. But there seemed to be a new depth to the fräulein. She cared about things she hadn't before. Asking about Hiraku's wreck. Going all bleeding heart over Katsuo's accidental death. She'd even saved his own gottverdammt life.
It was all very, very confusing.
The more Luka watched, the more he realized there was a problem with his plan.… He couldn't pretend he still loved Adele Wolfe, because he did. (The truth did not make a very good lie. Did it?)
He wasn't even sure when it'd happened. On the road outside Germania, when he'd flirted with burning rubber and death, and she'd stared unflinchingly ahead? In the middle of the desert, when she'd called his cigarettes "Scheisse" but smoked them anyway? In the guerrillas' camp, when she'd saved him from becoming Soviet target practice? On the train, when the kiss Luka had meant only as bait became all too real?
As sappy as it sounded, Luka decided it was the kiss that clenched it. When their lips met, he knew for certain that he was in love with this fräulein again. He loved her. Scheisse, he loved her. It was a painful, razor feeling. An emotion that rose up in him like a phoenix—made of ashes and burning, so much stronger than it had ever been before.
He'd even considered, for a moment, letting the race be a fair one: just him and Adele and the gnash of their Zündapps. But Luka's pride was just an ounce too inflated, a degree too wounded, to leave a second victory to chance. Yes, Adele had stolen his heart, but she'd stolen his victory, too. Only when they were even—a heart for a heart, a victory for a victory—could they be together. So Luka placed a soporific on his lips and kissed her a second time. He meant every moment of it. (Turns out, truths make the best lies.)
Luka Löwe won the race, but Adele had still managed to beat him.
Adele Wolfe. Who did not love Luka. Who never would.
So now he was here, standing outside his own verdammt party. The leather of his jacket was battered. Gone soft. The steel of his father's dog tag felt tinny and light, almost unnoticeable against everything else going on inside his chest.
Luka could still see Adele through the ballroom window. It was a special form of torture, watching her dance with the Führer. A strange, hungry look shimmered in Adele's eyes as she let the most powerful man in the world waltz her closer to the glass. A pure, concentrated feeling. Like love…
Luka wasn't sure he could tell the difference between these emotions anymore.
He tore his eyes away from the window, digging through his jacket pockets for a spare smoke and an almost-empty matchbook. Luka jammed the cigarette between his lips, plucked out the final match. The first strike came to nothing. So did the second. His third attempt sent the matchstick flying into the gravel of the Imperial Palace's garden path.
He was just leaning down when he heard pieces of Adele's voice through the glass. "I am [something]. I am [something, something, something]. I am [something] death."
Death? What was she going on about? Probably confessing to the Führer that she loved him to death. Like every other lemming soul in this—
Luka looked up and saw the Führer falling. His chest looked as if it had been turned inside out. Standing over the body—left hand outstretched, still holding the gun—was Adele.
She gathered up the hem of her kimono and turned, aiming her Walther P38 at the window. The pistol's muzzle flared; glass exploded in a hundred different angles. Luka flattened himself against the ground.
Adele flew past. A flash of teal-and-crimson fabric, pale hair, glinting pistol. Leaving gunshots, screams, broken glass, a shattered body in her wake.
Adele Wolfe had just shot the Führer.
It was all happening again. Just like the rally at the Grosser Platz, in front of the old Reichstag. Screams and blood and Adolf Hitler on his back… But this time, Luka realized, it was his fault. The only reason Adele Wolfe had been at the Victor's Ball in the first place was because Luka had been dummkopf enough to invite her. When the SS started putting the pieces of the evening together, his name would be at the top of their interrogation list. They would accuse him of collaborating, treason… charges not even Luka's Double Cross could shield him from.
Although there'd be no tears shed for the Führer on Luka's part, drowning in his own blood after days of torture was a fate he preferred to avoid. Only one person could clear Luka's name, and she was currently sprinting away from him. Running as if the very hounds of hell were at her heels.
They weren't, just yet. A glance back into the ballroom showed Luka that the SS and Imperial Guards were still floundering in broken glass and bloody floor tiles. All of them were another few seconds from reaching the window.
The hunt was all his.
Luka lunged to his feet. His medals clashed as he burst across gravel, rounding the clump of cypress trees in time to see the fräulein drop her kimono at the base of a lamppost and double back. Milky limbs, undergarments, and electric movement. She took four determined strides down the path before leaping over a hedge.
The kimono lay rumpled under the lamplight. Luka left it for the SS. Let them get distracted, waste valuable seconds fussing over a false trail. He needed to catch Adele before they did.
The lampless part of the garden was a wasteland of shadow figures: bell-curve boulders, frenzied foliage, a silken nymph of a girl. When Luka spotted her, he slowed, crouching until the hedges were eye level. Adele's pistol still had six bullets left by his count. No need to go blazing in and get himself shot.
The fräulein was bent over a stretch of bushes, tugging a knapsack out of the leaves. She was breathing hard, pulling dark clothes from the bag and twisting them on. Luka held his own breath, edged closer. As his eyesight sharpened, he began to notice things he hadn't before.
There was a bandage on the lower half of her left arm. Its gauze must have caught on the window's jagged edge, for it had begun unraveling at the elbow, falling away faster and faster in Adele's haste to get dressed. The flesh beneath was wreathed in black. At first, Luka thought it was dried blood, but the longer he stared at the darkness, the more he realized it had form. Its lines ebbed and flowed in distinct shapes. Tails, paws, fangs…
They were wolves. Tattooed on her arm. Ink Adele most definitely did not have last year. These disappeared as Adele shouldered on a jacket and bent over to lace up her boots.
The SS should be finding the kimono now, fanning men and guns into all parts of the garden. Luka had to make his move soon. He was certainly close enough. It would take him only a second to leap out and blitzkrieg Adele.
Luka was just tensing his muscles, getting ready to launch, when the unbelievable happened.
Adele Wolfe became… not-Adele.
* "Graudin's writing is beautiful, her story exciting and consuming all at once, and this sequel to Wolf by Wolf (2015) is not to be missed."—Booklist, starred review
* "Gripping and intricately plotted...this haunting, historical what-if fantasy balances the atrocities of this alternate world with touches of innocent romance."—VOYA, starred review
"Graudin has crafted a fast-paced historical fantasy that movingly transports readers into a world of hard choices, great injustice, and daring acts of love."—School Library Journal
Praise for Wolf by Wolf:"Wild and gorgeous, vivid and consuming. I loved it! I can't wait for the sequel."—Laini Taylor, New York Times bestselling author of the Daughter of Smoke & Bone trilogy
"A haunting portrayal of one girl's courage in the face of a vicious world. I was racing along with Yael until the book's heart-pounding conclusion. A triumph."—Megan Shepherd, author of The Madman's Daughter
"Ryan Graudin opens one of the darkest chapters in history and spins a what if into an incredible tale of survival, identity, and purpose. This is the kind of book you can't put down, and the kind that follows you long after you have. It is, quite simply, a masterpiece."—Victoria Schwab, author of The Archived, Vicious, and A Darker Shade of Magic
"The rush of an action movie combined with a flawlessly executed history, this is the book I've been waiting for. I loved Wolf by Wolf, and I'm not speaking to my friends till they've read and loved it too."—Jackson Pearce, author of Sisters Red and Tsarina
"Wolf by Wolf completely immerses the reader in a story they'll never forget. Filled to the brim with tension and intrigue, nonstop action, and a vivid cast of characters, you'll feel every bump in the road they ride. I simply couldn't stop reading--and wherever Ryan Graudin rides next, I'll follow."—Amie Kaufman, New York Times bestselling author of These Broken Stars
*"Graudin (The Walled City) crafts another fast-paced, enthralling tale of sacrifice and dogged determination as she fuses alternate history and spy-thriller suspense. A provocative rumination on self-preservation, the greater good, and the boundaries that keep heroes from becoming as cruel as those they fight."—Publishers Weekly (starred review)
*"Beyond its breath-taking climax, the novel provokes deeper questions about the 'moreness' Yael begins to see in her competitors' identities, and in her own."—VOYA (starred review)
"Graudin's prose is artful and addictive."—School Library Journal
"Alternate histories can be risky gambits, but in Graudin's capable hands, it pays off in spades. Yael is a compelling protagonist, both strong and flawed, and, even imbued as it is with sci-fi elements, seeing both WWII and the concentration camp experience through her eyes is a terrifying adventure."—Booklist
"Give this to fans of espionage novels, and strong female protagonists; some dystopian fans may even take to the resistance storyline."
—School Library Connection
"With this complex and well-crafted mix of action, emotion, and alternate history, Graudin provides something new and notable for readers of historical and dystopian fiction."
- On Sale
- Nov 1, 2016
- Hachette Audio