The Leavers (National Book Award Finalist)

A Novel

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By Lisa Ko

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FINALIST FOR THE 2017 NATIONAL BOOK AWARD FOR FICTION

Named a Best Book of 2017 by NPR, Entertainment Weekly, the Los Angeles Times, BuzzFeed, Bustle, and Electric Literature

“There was a time I would have called Lisa Ko’s novel beautifully written, ambitious, and moving, and all of that is true, but it’s more than that now: if you want to understand a forgotten and essential part of the world we live in, The Leavers is required reading.” —Ann Patchett, author of Commonwealth


Lisa Ko’s powerful debut, The Leavers, is the winner of the 2016 PEN/Bellwether Prize for Fiction, awarded by Barbara Kingsolver for a novel that addresses issues of social justice.
 
One morning, Deming Guo’s mother, Polly, an undocumented Chinese immigrant, goes to her job at a nail salon—and never comes home. No one can find any trace of her. 
With his mother gone, eleven-year-old Deming is left mystified and bereft. Eventually adopted by a pair of well-meaning white professors, Deming is moved from the Bronx to a small town upstate and renamed Daniel Wilkinson. But far from all he’s ever known, Daniel struggles to reconcile his adoptive parents’ desire that he assimilate with his memories of his mother and the community he left behind. 
Told from the perspective of both Daniel—as he grows into a directionless young man—and Polly, Ko’s novel gives us one of fiction’s most singular mothers. Loving and selfish, determined and frightened, Polly is forced to make one heartwrenching choice after another. 
Set in New York and China, The Leavers is a vivid examination of borders and belonging. It’s a moving story of how a boy comes into his own when everything he loves is taken away, and how a mother learns to live with the mistakes of the past. 
 
 
 

Excerpt

The day before Deming Guo saw his mother for the last time, she surprised him at school. A navy blue hat sat low on her forehead, scarf around her neck like a big brown snake. “What are you waiting for, Kid? It’s cold out.”

He stood in the doorway of PS 33 as she zipped his coat so hard the collar pinched. “Did you get off work early?” It was four thirty, already dark, but she didn’t usually leave the nail salon until six.

They spoke, as always, in Fuzhounese. “Short shift. Michael said you had to stay late to get help on an assignment.” Her eyes narrowed behind her glasses, and he couldn’t tell if she bought it or not. Teachers didn’t call your mom when you got detention, only gave a form you had to return with a signature, which he forged. Michael, who never got detention, had left after eighth period, and Deming wanted to get back home with him, in front of the television, where, in the safety of a laugh track, he didn’t have to worry about letting anyone down.

Snow fell like clots of wet laundry. Deming and his mother walked up Jerome Avenue. In the back of a concrete courtyard three older boys were passing a blunt, coats unzipped, wearing neither backpacks nor hats, sweet smoke and slow laughter warming the thin February air. “I don’t want you to be like that,” she said. “I don’t want you to be like me. I didn’t even finish eighth grade.”

What a sweet idea, not finishing eighth grade. He could barely finish fifth. His teachers said it was an issue of focus, of not applying himself. Yet when he tripped Travis Bhopa in math class Deming had been as shocked as Travis was. “I’ll come to your school tomorrow,” his mother said, “talk to your teacher about that assignment.” He kept his arm against his mother’s, loved the scratchy sound of their jackets rubbing together. She wasn’t one of those TV moms, always hugging their kids or watching them with bemused smiles, but insisted on holding his hand when they crossed a busy street. Inside her gloves her hands were red and scraped, the skin angry and peeling, and every night before she went to sleep she rubbed a thick lotion onto her fingers and winced. Once he asked if it made them hurt less. She said only for a little while, and he wished there was a special lotion that could make new skin grow, a pair of superpower gloves.

Short and blocky, she wore loose jeans—never had he seen her in a dress—and her voice was so loud that when she called his name dogs would bark and other kids jerked around. When she saw his last report card he thought her shouting would set off the car alarms four stories below. But her laughter was as loud as her shouting, and there was no better, more gratifying sound than when she slapped her knee and cackled at something silly. She laughed at things that weren’t meant to be funny, like TV dramas and the swollen orchestral soundtracks that accompanied them, or, better yet, at things Deming said, like when he nailed the way their neighbor Tommie always went, “Not-bad-not-bad-not-bad” when they passed him in the stairwell, an automatic response to a “Hello-how-are-you” that hadn’t yet been issued. Or the time she’d asked, flipping through TV stations, “Dancing with the Stars isn’t on?” and he had excavated Michael’s old paper mobile of the solar system and waltzed with it through the living room as she clapped. It was almost as good as getting cheered on by his friends.

When he had lived in Minjiang with his grandfather, Deming’s mother had explored New York by herself. There was a restlessness to her, an inability to be still or settled. She jiggled her legs, bounced her knees, cracked her knuckles, twirled her thumbs. She hated being cooped up in the apartment on a sunny day, paced the rooms from wall to wall to wall, a cigarette dangling from her mouth. “Who wants to go for a walk?” she would say. Her boyfriend Leon would tell her to relax, sit down. “Sit down? We’ve been sitting all day!” Deming would want to stay on the couch with Michael, but he couldn’t say no to her and they’d go out, no family but each other. He would have her to himself, an ambling walk in the park or along the river, making up stories about who lived in the apartments they saw from the outside—a family named Smith, five kids, father dead, mother addicted to bagels, he speculated the day they went to the Upper East Side. “To bagels?” she said. “What flavor bagel?” “Everything bagels,” he said, which made her giggle harder, until they were both bent over on Madison Avenue, laughing so hard no sounds were coming out, and his stomach hurt but he couldn’t stop laughing, old white people giving them stink eye for stopping in the middle of the sidewalk. Deming and his mother loved everything bagels, the sheer balls of it, the New York audacity that a bagel could proclaim to be everything, even if it was only topped with sesame seeds and poppy seeds and salt.

A bus lumbered past, spraying slush. The walk sign flashed on. “You know what I did today?” his mother said. “One lady, she had a callus the size of your nose on her heel. I had to scrape all that dead skin off. It took forever. And her tip was shit. You’ll never do that, if you’re careful.”

He dreaded this familiar refrain. His mother could curse, but the one time he’d let motherfucker bounce out in front of her, loving the way the syllables got meatbally in his mouth, she had slapped his arm and said he was better than that. Now he silently said the word to himself as he walked, one syllable per footstep.

“Did you think that when I was growing up, a small girl your age, I thought: hey, one day, I’m going to come all the way to New York so I can pick gao gao out of a stranger’s toe? That was not my plan.”

Always be prepared, she liked to say. Never rely on anyone else to give you things you could get yourself. She despised laziness, softness, people who were weak. She had few friends, but was true to the ones she had. She could hold a fierce grudge, would walk an extra three blocks to another grocery store because, two years ago, a cashier at the one around the corner had smirked at her lousy English. It was lousy, Deming agreed.

“Take Leon, for instance. He look okay to you?”

“Leon’s always okay.”

“His back’s screwed up. His shoulders are busted. Men don’t work in nail salons. You don’t finish school, you end up cutting meat like Leon, arthritis by the time you’re thirty-five.”

It seemed disloyal to talk like this about Yi Ba Leon, who was so strong he’d do one-arm push-ups for Deming and Michael and their friends, let them punch him in the gut for kicks, though Deming stopped short of punching as hard as he could. “Do it again,” Leon would say. “You call that a punch? That’s a handshake. Even if Leon wasn’t his real father—on this topic, his mother was so tightlipped that all he knew about the man was that he’d never been around—he made Deming proud. If he could grow up to be like any man, he wanted to be like Leon, or the guy who played the saxophone in the subway station, surrounded by people as his fingers danced and his chest heaved and the tunnel filled with flashes of purples and oranges. Oh, to be loved like that!

Fordham Road was unusually quiet in the snow. Ice covered the sidewalk in front of an abandoned building, a reddish piece of gum clinging to it like a lonely pepperoni atop a frozen pizza. “This winter is never-ending,” Deming’s mother said, and they gripped each other’s arms for balance as they made their way across the sidewalk. “Don’t you want to get out of here, go somewhere warm?”

“It’s warm at home.” In their apartment, if they could just get there, the heat was blasting. Some days they even wore T-shirts inside.

His mother scowled. “I was the first girl in my village to go to the provincial capital. I made it all the way to New York. I was supposed to travel the world.”

“But then.”

“But then I had you. Then I met Leon. You’re my home now.” They started up the hill on University Avenue. “We’re moving.”

He stopped in a slush puddle. “What? Where?”

“Florida. I got a new job at a restaurant. It’s near this Disney World. I’ll take you there.” She grinned at him like she was expecting a grin back.

“Is Yi Ba Leon coming?”

She pulled him away from the puddle. “Of course.”

“What about Michael and Vivian?”

“They’ll join us later.”

“When?”

“The job starts soon. In a week or two.”

“A week? I have school.”

“Since when do you love school so much?”

“But I have friends.” Travis Bhopa had been calling Michael and Deming cockroaches for months, and the impulse to stick a foot out as he lumbered down the aisle was brilliant, spontaneous, the look on Travis’s face one of disbelief, the sound of Travis’s body going down an oozy plop. Michael and their friends had high-fived him. Badass, Deming! Detention had been worth it.

They stood in front of the bodega. “You’re going to go to a good school. The new job is going to pay good money. We’ll live in a quiet town.”

Her voice was a trumpet, her words sharp triangles. Deming remembered the years without her, the silent house on 3 Alley with Yi Gong, and saw a street so quiet he could only hear himself blink. “I’m not going.”

“I’m your mother. You have to go with me.”

The bodega door slammed shut. Mrs. Johnson, who lived in their building, walked out with two plastic bags.

“You weren’t with me when I was in China,” he said.

“Yi Gong was with you then. I was working so I could save money to have you here. It’s different now.”

He removed his hand from hers. “Different how?”

“You’ll love Florida. You’ll have a big house and your own room.”

“I don’t want my own room. I want Michael there.”

“You’ve moved before. It wasn’t so hard, was it?”

The light had changed, but Mrs. Johnson remained on their side of the street, watching them. University Avenue wasn’t Chinatown, where they had lived before moving in with Leon in the Bronx. There were no other Fuzhounese families on their block, and sometimes people looked at them like their language had come out of the drain.

Deming answered in English. “I’m not going. Leave me alone.”

She raised her hand. He jolted back as she lunged forward. Then she hugged him, the snowy front of her jacket brushing against his cheek, his nose pressing into her chest. He could hear her heartbeat through the layers of clothing, thumping and determined, and before he could relax he forced himself to wriggle out of her arms and race up the block, backpack bumping against his spine. She clomped after him in her plastic boots, hooting as she slid across the sidewalk.
 

Genre:

  • “Here is imperative reading: a vivid fictional exploration of what it means to belong and what it feels like when you don't . . . Ko gives us an unsparing portrait of the resilience and grit it takes to risk everything to break free of tradition and start over in a foreign land.”
    O, The Oprah Magazine (Favorite Books of 2017)

    "[A] dazzling debut . . . Filled with exquisite, heartrending details, Ko’s exploration of the often-brutal immigrant experience in America is a moving tale of family and belonging.”
    People (Book of the Week)
     
    “When Deming Guo was 11, his Chinese immigrant mother, Polly, left for work at a nail salon and never returned. In alternating perspectives, this heart-wrenching literary debut tells both of their stories. Grade: A.”
    Entertainment Weekly

    “Ambitious . . . Lisa Ko has taken the headlines and has reminded us that beyond them lie messy, brave, extraordinary, ordinary lives.”
    The New York Times Book Review

    “This wrenching and all-too-topical debut novel picks up the life of an 11-year-old American-born boy on the day his mother, an undocumented Chinese immigrant, disappears . . . Ko uses the voices of both the boy and his birth mother to tell a story that unfolds in graceful, realistic fashion and defies expectations.”
    —Janet Maslin, The New York Times

    “Lisa Ko’s The Leavers is the year’s powerful debut you won’t want to miss. The Leavers expertly weaves a tale of the conflicts between love and loyalty, personal identity and familial obligation, and the growing divide between freedom and social justice. An affecting novel that details the the gut-wrenching realities facing illegal immigrants and their families in modern America, Lisa Ko’s debut is the 2017 fiction release you can’t afford to miss.”
    —Bustle.com

    “An exceptionally well written, fully realized work of art portraying the circumstances and inner worlds — the motives and emotional weather — of its two central characters. Ko is so psychologically penetrating, so acute in her passing observations and deft in the quick views she affords of her characters’ inner lives and surroundings, that her skill and empathy give real joy.”
    Barnes Noble Review

    The Leavers describes the devastation caused by forced, abrupt and secret detentions that occur daily under our current Immigration Act. The novel weaves from past to present, from immediate abandonment to chronic loss, showing how the unfathomable disappearance of a mother eats into her son's effort to "move forward.” . . . The story soars when Ko writes of immigration detentiona civil detention for violation of a civil law­ that is as callous and brutal as the worst sort of criminal incarceration . . . [The Leavers] lets us feel the knife twist of sweeping government authority wielded without conscience or control. [Ko’s] work gives poignant voice to the fact the U.S. can, and must, write a better immigration system.”
    Ms. Magazine
     
    “Consider this book a must-read: They may be fictional, but these characters have a lot to teach us about the difficulties of belonging and the plight of illegal immigrants.”
    Marie Claire
     
    “Poignant and timely, this novel is ripe for discussion.”
    Real Simple
     
    “One of 2017's most anticipated fiction debuts… The winner of last year's PEN/Bellwether Prize, which recognizes fiction that explores issues of social justice, The Leavers feels as relevant as ever as the future of immigrants in America hangs in the balance.”
    Time.com
     
    “Ko’s debut is a sweeping examination of family through the eyes of a single mother, a Chinese immigrant, and her U.S.-born son, whose separation haunts and defines their lives. Ko’s stunning tale of love and loyalty – to family, to country—is a fresh and moving look at the immigrant experience in America, and is as timely as ever.”
    Publishers Weekly, starred review
     
    “Touching upon themes such as identity, determination, addiction, and loyalty, the author clearly shows readers that she is an emerging writer to watch. Ko’s writing is strong, and her characters, whether major or minor, are skillfully developed. Readers who enjoy thoughtfully told relationship tales by authors such as Lisa See, Jamie Ford, and Nadia Hashimi will appreciate.”
    Library Journal, starred review
     
    “Vividly written and moving, The Leavers is an engrossing story of one young boy struggling to adjust to his new life without his mother and community.”
    Buzzfeed
     
    “A timely touching story . . . excellent: compelling, well-realized, gritty and complicated.”
    Kansas City Star
     
    The Leavers is a masterful debut novel that examines borders and belonging, and the universal desire for love.”
    Redbook.com
     
    “This excellent book has already won the PEN/Bellwether Award for Socially Engaged Fiction (selected by Barbara Kingsolver). One morning, eleven-year-old Deming Guo’s mother is unexpectedly deported to China. Deming is then adopted by a white family and renamed Daniel Wilkinson. But as he grows up, he struggles to reconcile his new life with his former one.”
    Bustle.com
     
    “Ko’s debut novel has already won the 2016 Pen/Bellwether Award for Socially Engaged Fiction, a prize created and selected by Barbara Kingsolver. The contest awards a novel that 'addresses issues of social justice and the impact of culture and politics on human relationships,’ and Ko’s book certainly fits that laudable description.”
    TheMillions.com
     
    “An inspiring debut, which focuses on issues of assimilation and the true meaning of home. Ko’s unforgettable narrative voice is a credit to the moving stories of immigration, loss, recovery, and acceptance that feel particularly suited to our times.”
    Nylon Magazine
     
    “Lisa Ko’s The Leavers, which won the PEN/Bellwether Prize, may be a work of fiction, but the plot twists mirror America’s own urgent and timely political landscape.”
    W Magazine
     
    “Gorgeously redemptive . . . Lisa Ko’s debut novel is an achingly beautiful read about immigration, adoption, and the drive to belong. Beyond the desensitizing media coverage, Ko gives faces, (multiple) names, and details to create a riveting story of a remarkable family coming, going, leaving . . . all in hopes of someday returning to one another.”
    Christian Science Monitor

    “If you come away from reading The Leavers with a sense of disconnect, that’s no surprise—disconnectedness is its central theme, its structural and stylistic touchpoint, and the emotional engine driving its main characters . . . The Leavers stands firmly as Lisa Ko’s act of arrival.”
    The Rumpus
     
    “A searing novel about a mother and son who are separated by forces beyond their control in New York, a book that promises to challenge our perceptions of immigration, adoption, family and American values.”
    Kveller.com
     
    “This timely novel depicts the heart- and spirit-breaking difficulties faced by illegal immigrants with meticulous specificity.”
    Kirkus Reviews
     
    “Skillfully written . . . those who are interested in closely observed, character-driven fiction will want to leave room for The Leavers on their shelves.”
    Booklist
     
    “What Ko seeks to do with The Leavers is illuminate the consequence of [deportation] facilities, and of the deportation machine as a whole, on individual lives. Ko’s book arrives at a time when it is most needed; its success will be measured in its ability to move its readership along the continuum between complacency and advocacy.”
    Los Angeles Review of Books
     
    The Leavers . . . using effective literary techniques and beautiful language—powerfully illustrates the impact that social policies and injustice have on the lives of individuals and families.”
    Bookreporter.com
     
    An “assured debut novel…a timely story of immigrant families in America…a thoughtful work about undocumented immigrants and the threats they endure.”
    BookPage
     
    "There was a time I would have called Lisa Ko’s novel beautifully written, ambitious and moving, and all of that is true, but it’s more than that now: if you want to understand a forgotten and essential part of the world we live in, The Leavers is required reading.”
    Ann Patchett
     
    "Courageous, sensitive, and perfectly of this moment: The Leavers is everything I could hope for in a winner of the Bellwether Prize."
    Barbara Kingsolver
     
    “In The Leavers, Lisa Ko has created one of the most courageous mother character's in recent memory. Polly is brash, brave and heartbreaking and her ferocity is marvelous to behold. The Leavers is about the bonds between parents and children and the many pulls of home. It was a book I did not want to end.”
    Kaitlyn Greenidge, author of We Love You, Charlie Freeman
     
    "A rich and sensitive portrait of lives lived across borders, cultures, and languages. . . one of the most engaging, deeply probing, and beautiful books I have read this year."
    Laila Lalami, author of The Moor’s Account
     
    "A moving mother/son story and welcome contribution to immigrant literature.  In writing about Polly and her son Deming, Ko captures one family's unique experience of becoming American while also exposing the loss of status, economic desperation, physical endangerment, and psychological grit of the undocumented worker as well as the alienation, double consciousness, mobility, and comparative access of the first generation."
    Emily Raboteau, author of Searching for Zion
     
    “The story’s most heartbreaking disclosures are powerful in their indictment of the unrealistic expectations placed upon struggling families.”
    Foreword Reviews

On Sale
Apr 24, 2018
Page Count
368 pages
Publisher
Algonquin Books
ISBN-13
9781616208042

Lisa Ko

Lisa Ko

About the Author

Lisa Ko’s fiction has appeared in Best American Short Stories 2016, Apogee Journal, Narrative, Copper Nickel, the Asian Pacific American Journal, and elsewhere. She has been awarded fellowships and residencies from the New York Foundation for the Arts, the MacDowell Colony, the Lower Manhattan Cultural Council, Writers OMI at Ledig House, the Jerome Foundation, and Blue Mountain Center, among others. She was born in New York City, where she now lives.

Learn more about this author