God Bless You, Otis Spunkmeyer

"This is an astonishingly accomplished novel, often funny, often tragic...Just stunning." 

"[M]agnificent...In a remarkable feat of formal invention, Thomas collapses time and space, melding Joey’s memories with descriptions of patients in the ER...Thomas scales great heights with this innovative blend of social realism and surrealism.”

"Joseph Earl Thomas is a writer of incredible gifts. The voice here is so distinctive, galloping with intelligence, poetry, honesty, and humor. Bless You Otis Spunkmeyer spun me around, like many of my favorite novels, it reads like direct communication from the soul."

"What’s thrilling to me about God Bless You, Otis Spunkmeyer is the faith Joseph Earl Thomas places in his readers. There’s a supersaturation here that reminds me of Denis Johnson’s vertiginous moral questing, and a topography of mind and place that kept making me think of Teju Cole’s poet-doctor of the modern metropolis. Thomas gives us a fully peopled world, not by speaking in grand oracular exposition, but by getting granular—we see the Reebok slides on a romantic rival, the crinkled cookie wrappers out of which grow a friendship. It’s such a deftly choreographed dance—intoxicating, propulsive—and the result is utterly mesmerizing: here is a whole cosmos, as vivid and unprecedented as our own." 

"Ribald, seething, lyrical, generous, heartbroken, and brilliant -- God Bless You, Otis Spunkmeyer is a staggering literary achievement, one of those rare books that breaks and remakes the very idea of the novel. With unflinching courage, luminous spirit, and a virtuosic flow, Joseph Earl Thomas has written a Joycean Ulysses inside a Philly E.R., bodying forth the voice of a true American original."  

“I have never read something so fucking funny and so fucking weird and so fucking full—full of life full of language full of traumas full of niggas. Fam, Joseph has something here that is so bursting of everything you want in a book that reading it will burst you open too. He is a virtuoso. I hate this nigga.”

"God Bless You, Otis Spunkmeyer is Joseph Earl Thomas' formidable, groundbreaking debut. There's so much magic in the rare combination of tenderness, humor, and heartbreak contained in this story. Our narrator, Joseph, is unlike any character I've read, just as Thomas' debut has no equal."

“Joseph Earl Thomas’s God Bless You, Otis Spunkmeyer is a brilliant novel of hunger and work and care and grief that deftly captures the maddening mess of everything that makes life worth living. Thomas is a skilled, surgical prose stylist; his sentences are magnificent scalpels. There isn’t a single dull line in the book. God Bless You, Otis Spunkmeyer is unpredictable, unsentimental, and impressively tender.”
 

“In this complex novel, a young man lives on two timelines. In one he’s working a very long hospital shift, increasingly dizzy with hunger. In one he relives his history, ‘a version of the truth wrapped in a longer lie,’ working through love and lust, memory and regret. You might call it present time and past time, or body time and head time. While God Bless You, Otis Spunkmeyer is about all the traps of black reality (poverty, fear, war, sickness, death) it’s also always about language, writing and speech, play and voluminous possibility. Joseph Earl Thomas’s writing is contemplative, hilarious, disorienting, tragic, and thoroughly daring, full of life and style.”

PRAISE FOR SINK

“Thomas really does accomplish the extraordinary…[He] has constructed a sort of alchemy on the page, but one born of experience, from skill and from a trust about what will end up on the other side…perhaps one of the biggest boons of Sink is its insistence that care is, above all, shared. It is everyone’s prerogative. In this way, Thomas has earned a deep bow.”

"For the reader, third-person narration creates a buffer to a brutal coming of age, and perhaps allows Thomas enough distance from his trauma to bravely expose the vulnerability and resilience of his youth."

“Thomas is a skilled prose stylist, and Sink is loaded with arresting imagery and insights into the eerie space between claustrophobia and freedom unique to childhood.”

"Joseph Earl Thomas has created a narrative that reads like a request and loving demand. Sink is a new kind of memoir, remixing the best parts of the genre. Though cohesive, the chapters in Sink are brilliant and brilliantly different. Thomas uses the act and politics of oration to move us within the silences of desire. It’s the way Thomas narrativizes encounters that make this book different than any memoir I’ve read, but also, so more propellant than any memoir in recent years. It is criminal and absolutely delicious that Sink is a literary debut. It is stunning in its audacious goodness." 

“Sink is a singular memoir; all blood and nerve and near-unbearable beauty. A brilliant and fucking fearless debut.”

"Joseph Earl Thomas’s Sink is a powerful, moving, and artful testament to the sustaining powers of the imagination. This compelling coming-of-age memoir is often brutal but also loving; it’s at turns critical, empathic, funny; it’s searching and revelatory the whole way through. Joey is a narrator for the ages, a boy whose unforgettable story dares expanding the possibilities of Black male identity."