Between, Georgia


By Joshilyn Jackson

Read by Author

Formats and Prices




$28.99 CAD

This item is a preorder. Your payment method will be charged immediately, and the product is expected to ship on or around May 2, 2007. This date is subject to change due to shipping delays beyond our control.

Nonny Frett understands the meanings of “rock” and “hard place” better than any woman ever born. She’s got two mothers, “one Deaf-blind and the other four baby steps from flat crazy.” She’s got two men: her husband, who’s easing out the back door; and her best friend, who’s laying siege to her heart in her front yard. She has a job that holds her in the city, and she’s addicted to a little girl who’s stuck deep in the country. And she has two families; the Fretts, who stole her and raised her right, and the Crabtrees, who lost her and can’t forget that they’ve been done wrong.


Begin Reading

Table of Contents


Copyright Page

In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author's intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at Thank you for your support of the author's rights.


I have taken some liberties with Georgia's geography; Between exists, but I have never set foot in it. If its landscape and people resemble my version, then I will pray fervently that their Bernese moves far, far away, and state for the record that it is a coincidence. Also, in the forties and fifties, there was not a deaf day school within fifty miles, so I grabbed a corner of the Georgia School for the Deaf and pulled it east. I wanted Stacia to grow up with her family, but learn ASL in an environment that would value her resilient spirit. I promise I put the school right back after.

I've had untellable amounts of help from the Helen Keller National Center (especially Susan Lascek and Linda Collins) here in Atlanta, and all the deaf and deaf-blind people, interpreters, and CODAs who let me hang around them like a groupie. I am especially indebted to Bethany Jackson (she of the glossy brown hair), Jill Sheffield, Nancy Hold, Sylvia Primeaux, Darlene Prickett, and the fabulous Mariann Jacobson.

If you think a deaf-blind woman who came of age before feminism did couldn't be as strong and independent as Stacia Frett, then you need to come meet my friend Alice Turner. Although they are around the same age, Stacia is not anything like Alice in looks, personality, or spirit. But Alice showed me how to create a character with both a rich, fulfilling life and type-one Usher's syndrome. Alice is the president of the Georgia Deaf-Blind Association. She babysits her three small grandkids, bakes kick-butt brownies, and, when we go out to eat, she tells me where to turn by feel and timing. She was infinitely patient with my wretched finger spelling and generous with her time—thanks, Alice. Thanks for everything.

I am deeply in karmic debt to my agent, Jacques de Spoelberch, and my editor, Caryn Karmatz Rudy. If I could, I would kiss the living personification of Warner Books right on the lips. I have gotten such astounding levels of support and encouragement from every person in the building, including, but certainly not limited to, Jamie Raab, Karen Torres, the non-hell-bound Martha Otis, Jennifer Romanello, Penina Sacks, Emily Griffin, and the gifted Anne Twomey. Thank you, Beth Thomas, for tarting up the pages that still had bed head. I feel slavish gratitude toward fellow writers/readers Lily James, Jill James, Julie Oestreich, Amy Go Wilson, Anna Schachner, and the patient saints of the In Town Atlanta Writers Group.

My amazing family never ceases to support me and make life taste sweet in my mouth; Scott, you are my love, my partner, my best friend, and a dern good kisser as a bonus. Big love to Sam, Maisy Jane, Bob, Betty, Bobby, Julie, Daniel, Erin, Jane, Allison, Lydia, and all my family at PSFUMC.


THE WAR BEGAN thirty years, nine months, and seven days ago, when I was deaf and blind, floating silent and serene inside Hazel Crabtree. I was secreted in Hazel's womb, which was cloaked in her pale and freckled skin, which was in turn hidden by the baggy sweatsuits she adopted so she would look fat instead of pregnant. Which was ridiculous, because who ever heard of a fat Crabtree? They were all tall and weedy, slouching around like wilting stems, red hair blooming out the top.

Hazel Crabtree was fifteen years old, and no one thought twice about her expanding waistline as she crept around the edges of rooms, watching her mother ignore her and ignoring me in turn as I kicked at her and spun and grew myself some lungs.

I never heard Hazel's side of the story. She birthed me but was never in any sense my mother. I heard an expurgated version from my aunt Genny; to hear Genny tell it, I frolicked bloodlessly into the world attended by singing rabbits. From Aunt Bernese, I got raw medical data and a flat recitation of events in the order they occurred.

But my mother, Stacia Frett, told it to me as a love story, hers and mine. It wasn't a declaration of war to her, it was simply the tale of how we found each other. My mother's version, with every nuance communicated by her expressive face and flashing hands, dominated my imagination. Over the years, I interwove her story with what I had gleaned from Genny and Bernese, until I had an interpretation that felt like truth. It was as if my soul had been floating above the scene, watching, waiting to be sucked into my body with the air of my first breath.

I don't know why Hazel Crabtree went to Bernese for help the night I was born, and Bernese did not think to ask her. The why of things did not often trouble Aunt Bernese, but she was a master at discovering the how. Before agenting my mother's art became a full-time job, Bernese had worked in labor and delivery over at Loganville General. I like to think Hazel came to the Fretts because she knew Bernese was a former nurse and pragmatist savant who, beneath her bluster, had a kind heart. This was a distinct possibility: At that time Between, Georgia, had a population of about ninety people. Everybody knew everything about everyone.

But more likely, she was being practical. Bernese and her husband and their boys lived on the lot at the dead end of Grace Street. Her sisters, Stacia and Genny, lived together in the house next door. There wasn't another house on the block, and Bernese's backyard overlooked empty miles of Georgia pine trees. The only other nurse in town lived on one of Between's more populated streets; she had close neighbors. The last (although perhaps the most important) factor was that Hazel had to know going to the Fretts for help was a surefire way to piss off her family.

Bernese woke to the sound of someone banging on her front door a few minutes past four in the morning. She came down the stairs pulling on her robe, getting her gun hand stuck in the sleeve. Her husband, Lou, trailed behind her, saying nervously, "Is the safety on? Is the safety on? Hand the gun to me and then put your robe on, Bernese. Is the safety on?"

Bernese got herself untangled and tucked the gun into her armpit, barrel down, while she tied her robe belt.

"Is that the thirty-eight?" asked Lou. "Lord-a-mercy, why didn't you get your little purse gun?"

Bernese opened the door and there was Hazel Crabtree, holding a wad of her mucous plug cupped in both hands and saying, "This came out. Is this a piece of baby? I hurt."

Bernese said, "Holy monkeys! You're pregnant? Lou, call for an ambulance." Tiny towns like Between didn't have 911 service in 1976, so Lou went to get Bernese's emergency-numbers card from the drawer. But Hazel shoved past Bernese and grabbed at him, falling to her knees as she yowled, "No, no, you can't call anyone. My mother can't know."

Then she let go of Lou and said in a high, panicked voice, "Something's coming. Something else. Something bad is coming." Hazel scrabbled at her belly and crotch, frantic. Her sweatpants were soggy, and she shoved them down to mid-thigh. She wasn't wearing any panties. Then she tilted and tipped over, writhing on the foyer carpet.

Bernese looked up and saw all three of her young sons huddled in a clot on the stairs. They were clutching one another on the second-floor landing, staring down through the banisters with wide, horrified eyes.

"Never you mind," Bernese said to Lou. He was tugging at his earlobe as he watched Hazel flail and howl on the floor. He set the phone back down in its cradle on the hall table. Bernese said, "Get up there with the boys. Tell them something. I will fix this." Lou trotted obediently upstairs and picked up the toddler, herding the two older boys back toward their bedroom. Hazel's contraction subsided, and she rose up on her hands and knees, panting.

Bernese's front door opened into a carpeted entryway. A wide doorway on the right led to the den, and straight ahead was a long hallway to the kitchen. On the left, the stairs went up to a landing that overlooked the foyer. There was a heavy table, almost a sideboard, that ran the length of the staircase. The phone was on the edge of the table, close to the front door, and the rest of it was taken up by the huge glass terrarium that housed Bernese's beloved luna moths. The adult moths were awake, some fanning their wings as they posed on the perches and twigs. Others had paired off, attaching end to end to make the kind of desperate love that comes with an extremely short life span.

Bernese tried to step around Hazel, heading for the table so she could set down her gun and pick up the phone, but Hazel reared up on her knees in front of Bernese, crying, "No, you can't! No one knows I'm this way. No one can find out!"

She was grabbing for Bernese's arm, but she fell short and jerked at her hand, squeezing. The gun went off. The bullet whizzed past Hazel's head, smashing through the glass of the terrarium and burying itself in the staircase. Glass showered down, pattering onto the carpet and sprinkling Hazel's wild red hair.

Hazel and Bernese froze in the sudden silence, their eyes locked on the smoking hole in Bernese's stairs. From upstairs, Lou yelled, "Bernese? Bernese?" They heard his footsteps clattering across the upstairs hall, the little boys running in a panicked herd behind him.

"Stop!" screeched Bernese, and the footsteps stopped dead. "No one is hit, Lou. Stay with the boys."

"I asked you was the safety on," Lou called down, aggrieved.

Bernese hollered back, "Maybe you better put the safety on your mouth."

Next door, the gunshot woke up Bernese's sister Genny. Genny bolted upright, clutching the covers to her bosom. Her bedroom window overlooked Bernese's front lawn, and she saw the downstairs lights blazing and Bernese's front door standing open. Genny got up and ran on tiptoe down the hall to Stacia's room. She flipped the light switch and sat on the bed, shaking Stacia awake. Stacia sat up, her gray eyes opening wide, immediately alert. She held her fist up to her chin, thumb and pinky spread wide, asking by sign and her expressive face what was wrong.

Genny shook her head and signed back, Heard gun. She cut her eyes to the left to indicate Bernese's house, then signed, Lights on, door open. What do we do?

As soon as she finished signing, she moved her right hand to pluck at the fine dark hairs on her left forearm, tugging hard enough to lift her skin in points. One of the hairs popped out, torn root and all from the follicle.

Don't pick, Stacia signed. She gently peeled Genny's fingers away and gave her a bracing pat, then signed, I'll handle it. Stacia climbed out of bed and pulled on her robe. She tied the belt with savage efficiency, then spun on one heel and took off for the front door at a dead run. Her long black hair was unbound, and it unfurled behind her like a banner.

Genny stared openmouthed for a moment and then said, "Goodness grief!" She ran after Stacia, waving frantically in a futile attempt to catch her eye, signing, Wait! Wait! Call police! Help! Wait! at Stacia's implacable back.

She chased Stacia in this manner all the way across the lawn to Bernese's front porch. She stopped short of the stairs and leaned down and grabbed up a pinecone, ripping up a chunk of sod with it. She threw it as hard as she could past Stacia, through her line of sight. It thunked against Bernese's siding, and dust puffed out of it all the way around, like a firework going off. It left a black smudge on the porch, like an outsize thumbprint on the wood. Stacia paused to give Genny an irked look over her shoulder before she disappeared through Bernese's front door.

Genny stood a few steps outside the glow of the porch lights, tugging at her long black braid. Her nervous fingers climbed up, following the weave of her braid, all the way until she touched the fine hairs at her nape. She gathered two or three in a pinch and ripped them out, twiddling her fingers together to shake off the loose hairs and then immediately seeking out another pinch. A luna moth came fluttering drunkenly out the front door and wafted up, disappearing into the night. Genny watched it go, and then she scuttled up onto the porch. She peeked inside.

Bernese and Stacia were helping Hazel to the other side of the foyer, picking their way through shattered glass from the terrarium. Hazel was moaning and naked from the waist down. Her sweatshirt had hiked up over her grossly distended abdomen. The rest of her body was so skinny that Genny could see her ribs. Hazel's thighs were streaked with blood. Glass fragments sparkled in her hair, inappropriately festive. Three or four of the luna moths were dancing up around the light fixture, and one was fluttering in Hazel's wake, as if drawn by her bright hair. Genny saw the gun sitting by the phone on the sideboard.

"What's happening?" Genny squawked, jerking out another pinch of hair at her nape. "Is she shot? Was she shot in her pants?"

"No one is shot," said Bernese. "It's a baby coming, and it's coming now, very fast. Help me here."

Bernese and Stacia lowered Hazel back down to the carpet in the doorway to the den. They tried to get her to squat, but she flopped onto her back and lay there, thrashing back and forth as another contraction took her. Stacia signed rapidly, and Genny said, "Stacia wants to know, what do you need?"

"Boiled string. Scissors. Clean towels," said Bernese as Genny repeated her words in sign. "Hot water. A doctor, but that's not going to happen. I think this baby is coming now."

Stacia nodded curtly and ran down the long hallway into the kitchen. Bernese knelt by Hazel until the contraction subsided and she was still again. She was sobbing quietly on the floor: "It has to stop. Make it stop."

"It will stop," said Bernese. "We have to get this baby out is all. Genny, come sit by her head."

"Me?" Genny squeaked.

"Unless you want the naked end," said Bernese, staying beside Hazel. "Breathe," she said.

"Oh, oh, oh, oh," said Genny. She stayed right where she was in the doorway, rocking back and forth, her gaze flicking around the room, glancing off the moths and Bernese and the blood and the gun on the table, unable to light on anything. Her busy fingers sought hairs to pull as she rocked herself faster.

"Another one is coming," said Hazel. "Make it not come."

"You want it to come," said Bernese. "It will get this baby out, and then it will all stop. So let it come."

"No, no, no, I don't want it to come," Hazel moaned, but it came anyway. It came relentlessly, and she was helpless in it, with Bernese roaring at her to push.

Genny was weaving harder, panting, tugging at her hair. Bernese glared at her. "Quit that picking and get by this girl's head. Now. And quit panting. I don't have time to drag your big butt out of the way if you faint."

Hazel shook her head wildly back and forth, twisting her body as she fought the contraction. Genny, watching, dug her fingernails into her forearm hard enough to draw blood and then stared down at her arm for half a beat. The pain cleared her head, and she accessed the thread of Frett resilience buried in her, deep under her nerves. She stilled her hands and scurried over to kneel beside Hazel's head.

"There you go. You and her breathe together," instructed Bernese. Once Genny was in place, Bernese braced herself against the doorway and put the heel of her hand at the top of Hazel's belly. She leaned in to it, bearing down and saying, "And you, girl. Push hard from here."

Hazel shoved at Bernese's hand, weeping. She slumped again as the contraction ended, and Bernese said, "Next time you push like that at the start."

Hazel said, "I don't want a next time."

Genny reached out and patted ineffectually at Hazel's shoulder. Hazel grabbed Genny's wrist, looking up at her, beseeching, "Please tell her to quit it."

"Oh, honey," said Genny, pity softening her horror. "No one can make Bernese quit anything."

"I hate you," said Hazel to Bernese. "I hate you, you dumb whore."

"Why, this is Ona Crabtree's girl!" said Genny. "This is little Hazel Crabtree!"

"Course it is," said Bernese, a world of Frett contempt ripe in her voice. The two families had nothing in common and had long regarded each other with animosity. The Fretts were a proudly emotional bunch. No Frett lips ever touched liquor (they even sipped grape juice at communion), but their moods could sweep through them as fierce and fast as any drug. Their decisions came from the gut, and they didn't care one fig for what outsiders thought of their actions.

The Crabtrees, on the other hand, almost universally had the deadeye, and their emotional range ran from sullen right on up to enraged. Wary and canny, they felt nothing more keenly than the gaze of the disapproving world, a world that was out to get them. Their responses to feeling judged were shrugs and sneers followed by lashings of great, cold violence.

The Fretts were meticulous, order incarnate. The Crabtrees lived in unimaginable squalor. The Fretts lived within convention and tradition, while the Crabtrees spread like kudzu, generating chaos and more Crabtrees, generally without benefit of marriage. The Fretts had both money and the respect of the town. They were the royal fish in this tiniest of ponds, and the Crabtrees fed along the bottom.

This defied what the Crabtrees felt should be the natural order of things, because the Crabtrees, like everyone else in Between, were white. They were paper-white, pure Irish, most of them, maybe a little French or English or German blood in some of the branches. It was merely annoying when morally solvent white folks looked down on them, but it was maddening to take it from the Fretts, the children of a white father and a mother who was, as Ona put it, "half a damn squaw-Indian."

Hazel had closed her eyes for a moment, resting. Genny looked down at Hazel's pale eyelids, so smooth and dewy, and said, "Goodness grief, honey, how old are you? Bernese, you be sweet. She's a baby herself!"

Bernese said, "Apples don't fall off trees and land all the way downtown. She's almost sixteen, and I think her mama is my age."

"I hate you," said Hazel to Bernese, and then her eyes opened wide again. "Oh no, it's coming."

"This time you push," said Bernese.

"I don't know how to push," said Hazel, looking desperately to Genny. "Oh no, please do something. Do anything."

"Push like you're going number two," said Bernese, and Genny said, "Bernese! Really!"

"How many babies have you had?" Bernese barked, and Genny dropped her eyes. "So shut up and let me help this girl."

"Do something," said Hazel to Genny. "Talk to me. Anything. Sing."

Genny shook her head, but she opened her mouth and started to sing in her quavering soprano. "'There's not a friend like the lowly Jesus…'"

Hazel lashed up at Bernese with one foot and screamed, "Oh fuck, please not Jesus." Bernese caught her thrashing leg at the knee and bent it back toward her abdomen. "Get ready," said Bernese, anchoring the heel of her other hand at the top of Hazel's swollen belly.

"I'm not ready. Help me," Hazel wailed to Genny, and twisted on the floor while Bernese wrestled with her leg. "Help me. Sing. But not about Jesus."

Genny patted frantically at Hazel with her free hand and sang the first thing that came into her head. "'Sigh no more, ladies, sigh no more, / Men were deceivers ever…'"

Hazel thrashed and writhed. "It's here! It's here!"

Bernese bore down, saying, "Push, you hear me? You better push."

Genny kept singing. "'One foot in sea and one on shore, / To one thing constant never…'"

Hazel was shaking her head but pushing anyway. Genny saw my head coming out, slick with blood and slime, and she paled and felt her head getting light. Hazel's death grip on her arm was the only thing keeping her upright. She closed her eyes, weaving herself back and forth, and sang, "'Then sigh not so, / But let them go, / And be you blithe and bonny; / Converting all your sounds of woe / Into hey nonny, nonny.'"

"It's crowning. Where is Stacia?" said Bernese. "Genny, get between her legs and catch this baby."

But Genny had reached her limit. "'Hey nonny, nonny,'" she sang with her eyes squinched tight.

Stacia came in from the kitchen with a pan of hot water and clean dish towels, scissors, and string. She set them down and knelt between Hazel's legs as the next contraction hit.

Hazel pushed as Bernese bore down on her abdomen, and my head came out of her. I arrived faceup, staring into the light with my eyes open and angry. It seemed to Stacia that I was staring up at her. My eyes were puffed almost shut, slitted, but she thought my gaze was meeting hers. I looked aware to her, so angry and alive. My face was framed by the darkness that was eating the edges of her vision, and in that moment there were only the two of us. Not even Hazel existed.

Stacia dipped a finger into my mouth to clear it. As she did so, my eyebrows lowered and my lips opened wider. I looked like I was squalling, but it was airless and silent, my body still compressed inside Hazel. As Stacia stared at me, I spun slowly in the birth canal, rotating, turning facedown. Stacia cradled my forehead in her rough palm as another contraction hit. I came slithering out, slick as a fish into her waiting arms.

"Is it done? Is it done?" Hazel said.

"I think so, honey," said Genny, peeking. The skin around her eyes and mouth had turned green. "Oh please, please, I think it's over." Stacia looked across Hazel's prone body, and her eyes met Genny's. Genny signed one-handed, Boy? Girl?

Stacia slid her thumb down the side of her right cheek.

"A girl," said Genny, rocking herself and nodding. "That's good. That's not scary. Look, you have a sweet little girl."

"My cooter hurts," said Hazel.

Stacia stayed where she was, holding me with the cord trailing down into Hazel.

"Is it out?" asked Hazel. "Why is it coming again?"

"Again?" Genny squawked.

"It won't be half so hard this time," said Bernese to both of them, and she leaned down and grasped the cord, easing out the afterbirth as Hazel contracted. Genny shut her eyes and started singing again, "'Hey nonny, nonny, so weep no more, my ladies.'" Hazel relaxed, snuffling, and Stacia busied herself cleaning me up and tying off the cord.

"Genny, shut up that caterwauling," said Bernese.

"'Hey nonny,'" Genny sang, trailing off. "Please, is it over?" Hazel released her, and when Genny opened her eyes and looked down, she saw perfect red handprints braceleting her wrist.

"Who is Nonny?" asked Hazel in a puny voice.

"What?" said Bernese.

"She was singing 'Hey, Nonny.' Who is Nonny? Is that the baby?"

Stacia stood up, holding me wrapped in a towel. I was wide awake, staring up into her cloud-gray eyes, solemn and interested. Bernese had moved between Hazel's legs.

"You look good. No tearing. You want to hold your baby?" said Bernese to Hazel.

"No," said Hazel, and she turned her face away, looking at the shattered terrarium. A caterpillar had negotiated its way out over the glass and rubble and was oozing down the sideboard.

"It's a nice little girl, and she is looking much cleaner," said Genny. She sat slumped and exhausted, flat on her bottom on the floor by Hazel's head, faintly rocking herself.

Stacia looked up from me at last, and Genny signed that she should hand me to Hazel, but Stacia did not move. She looked at Hazel as Hazel said, "I don't want it," shaking her head petulantly. Stacia curled her lip and held me tighter.

"Maybe later," said Bernese.

Stacia stamped her foot to get Genny's attention and signed one-handed, cradling me in her other arm.

"Stacia says it's her baby," said Genny.

"Obviously," said Bernese. "Give the girl a minute. She'll take it."

Genny shook her head. "No, I mean Stacia's saying, 'This is my baby. I want her.' Stacia wants the baby."

There was a long silence as everyone digested this. Bernese looked from Stacia to Genny and back again and then snorted. "Don't be ridiculous." She tilted her face and bellowed up the stairs, "Lou, leave the boys for a sec and throw me down some sheets. The oldest ones we have. And any old towels you see in that linen closet."

"Stacia says, 'I am not being ridiculous. She came to me. She's mine.' I think she really wants this baby, Bernese."

"Oh good," said Hazel to Genny. "Take it. It can be y'all's Nonny."

"Let's get you to the hospital," said Bernese.

Hazel immediately said, "No hospital. They'll call Mama, and I'll never get away. She'll keep me. And she'll make me keep it." Her eyes filled up with tears. "Please, I'm fine. Just let me sleep a little and then I'll go away. Y'all can have that Nonny."

"You need to see a doctor," said Bernese. "You could have a complication and bleed out on my floor."

"I won't do that. I promise," said Hazel, and the tears spilled down her cheeks. "You said I looked good. And if you make me go to the hospital, I'll throw myself under a truck. I really will. I'll throw Nonny, too."

Stacia stamped her foot again, signing, and Genny said, "Stacia's insisting. She says, 'This baby is my baby. I know it. I don't know how to do it, how to keep her, but Bernese does. Bernese, you do it.'"

Genny got up and walked over, folding back the towel to look at me. "Oh, goodness grief, look at all that red hair. And the teeny feet."

"This is not like a hamster, Genny," snapped Bernese. "This is a person. A little Crabtree person."

Lou's pale face appeared at the top of the stairs. His brown hair, thin and gingery, was rumpled, and his comb-over was hanging down past his ear on one side. He had wrapped the sheets and towels into a bundle, and he tossed it over the banister to Bernese.

"Get back with the boys," Bernese commanded, and he disappeared. Bernese began gently packing the towels under Hazel's bottom to catch the fluids that were oozing out of her and soaking into the carpet.

Stacia was signing again, rapid and angry, her free hand flashing. Genny interpreted, and as she spoke, she got the roller-coaster look that she always got when she had to say things out loud for Stacia that she would not have said for a million dollars on her own account. Her eyelids lifted so high that the whites were visible all the way around.

"She says, 'Don't lecture me, and don't dare patronize me. I am telling you something real here, if you aren't too stupid to hear it. So shut up and help me.'"

Bernese ignored Stacia; she was still carefully arranging the old sheets and talking to Hazel. "Are you comfortable? You want some water?"

"Please don't tell," begged Hazel.

"Your mama's Ona Crabtree?" Bernese said.

"No," said Hazel.

But Genny said, "Yes, that's her mama." Over Hazel's head, Genny's eyes met Bernese's, and Genny mouthed, "Drinks," then bobbed her head in a wise nod.


On Sale
May 2, 2007
Page Count
320 pages

Joshilyn Jackson

About the Author

Joshilyn Jackson, a native of the Deep South, has worked as an actor and an award-winning teacher, and is now a writer and a mother of two. She is the author of gods in AlabamaBetween, GeorgiaThe Girl Who Stopped Swimming; A Grown Up Kind of Pretty, and Backseat Saints. Jackson lives with her husband and children in Decatur, Georgia.

Learn more about this author