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Souvankham Thammavongsa was born in the Lao refugee camp in Nong Khai, Thailand, and raised and educated in Toronto. She is the award-winning author of four books of poetry; her fiction has appeared in Harper’s, Granta, the Paris Review, Ploughshares, Best American Non-Required Reading 2018, and the O. Henry Prize Stories 2019.
How to Pronounce Knife was named one of The New York Times’ “7 New Books to Watch Out for in April.” This revelatory debut story collection honors characters struggling to find their bearings far from home, even as they do the necessary “grunt work of the world.
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I grew up in a home without books and whenever I saw a bookshelf I would ask my parents to take a photograph of me in front of one like people do on their vacations. I just wanted something I made to be there too. Now, other people are taking photographs of themselves with something I wrote!

I write a lot in my head these days and what I am writing stays in there. This is a view of what I saw this morning and where my head was at. It is one of the ugliest buildings in Toronto, but I have an affection for it. I think it is supposed to be a cow and the crayons are its udders. You know, art students…

I know what it’s like to try to learn a language all by myself and to get it wrong and to have no one to ask if I am doing the right thing. I know what it’s like to work a job nobody wants, to do good work, and to be passed over or not be noticed and valued. I know what it is like to watch someone with a sadness they can’t see. But it doesn’t matter what I know or see – can I get a reader to feel that, to know and to see that too?

First Blood. The writing is quite terrific. The first movie has more depth in the Rambo series because it came from a book (well, in my opinion). Also, it’s really difficult to describe trees for so many pages!
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A finalist for the National Book Critics Circle Award and the PEN Open Book Award, and winner of the 2020 Giller Prize, this revelatory story collection honors characters struggling to find their bearings far from home, even as they do the necessary "grunt work of the world."
A failed boxer painting nails at the local salon. A woman plucking feathers at a chicken processing plant. A housewife learning English from daytime soap operas. A mother teaching her daughter the art of worm harvesting. In her stunning debut story collection, O. Henry Award winner Souvankham Thammavongsa focuses on characters struggling to make a living, illuminating their hopes, disappointments, love affairs, acts of defiance, and above all their pursuit of a place to belong. In spare, intimate prose charged with emotional power and a sly wit, she paints an indelible portrait of watchful children, wounded men, and restless women caught between cultures, languages, and values. As one of Thammavongsa's characters says, "All we wanted was to live." And in these stories, they do—brightly, ferociously, unforgettably.Unsentimental yet tender, taut and visceral,
How to Pronounce Knife announces Souvankham Thammavongsa as one of the most striking voices of her generation.
“As the daughter of refugees, I’m able to finally see myself in stories.” —Angela So, Electric Literature