By Tayari Jones
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A NEW YORK TIMES AND WASHINGTON POST NOTABLE BOOK
A 2018 BEST OF THE YEAR SELECTION OF NPR * TIME * BUSTLE * O, THE OPRAH MAGAZINE * THE DALLAS MORNING NEWS * AMAZON.COM
OPRAH’S BOOK CLUB 2018 SELECTION
WINNER OF THE 2019 NAACP IMAGE AWARD FOR OUTSTANDING LITERARY WORK—FICTION.LONGLISTED FOR THE 2018 NATIONAL BOOK AWARD FOR FICTION
“A moving portrayal of the effects of a wrongful conviction on a young African-American couple.” —Barack Obama
“Haunting . . . Beautifully written.” —The New York Times Book Review
“Brilliant and heartbreaking . . . Unforgettable.” —USA Today
“A tense and timely love story . . . Packed with brave questions about race and class.” —People
“Compelling.” —The Washington Post
“Deeply moving . . . thought-provoking.” —Bill Gates
“Epic . . . Transcendent . . . Triumphant.” —Elle
Newlyweds Celestial and Roy are the embodiment of both the American Dream and the New South. He is a young executive, and she is an artist on the brink of an exciting career. But as they settle into the routine of their life together, they are ripped apart by circumstances neither could have imagined. Roy is arrested and sentenced to twelve years for a crime Celestial knows he didn’t commit. Though fiercely independent, Celestial finds herself bereft and unmoored, taking comfort in Andre, her childhood friend, and best man at their wedding. As Roy’s time in prison passes, she is unable to hold on to the love that has been her center. After five years, Roy’s conviction is suddenly overturned, and he returns to Atlanta ready to resume their life together.
This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control. An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future.
ALSO BY TAYARI JONES
An American Marriage
Algonquin Books of Chapel Hill 2018
For my mother's sister, Alma Faye,
and for Maxine & Marcia, my own
What happens to you doesn't belong to you, only half concerns you. It's not yours. Not yours only.
About the Author
There are two kinds of people in the world, those who leave home, and those who don't. I'm a proud member of the first category. My wife, Celestial, used to say that I'm a country boy at the core, but I never cared for that designation. For one, I'm not from the country per se. Eloe, Louisiana, is a small town. When you hear "country," you think raising crops, baling hay, and milking cows. Never in my life have I picked a single cotton boll, although my daddy did. I have never touched a horse, goat, or pig, nor have I any desire to. Celestial used to laugh, clarifying that she's not saying I'm a farmer, just country. She is from Atlanta, and there was a case to be made that she is country, too. But let her tell it, she's a "southern woman," not to be confused with a "southern belle." For some reason, "Georgia peach" is all right with her, and it's all right with me, so there you have it.
Celestial thinks of herself as this cosmopolitan person, and she's not wrong. However, she sleeps each night in the very house she grew up in. I, on the other hand, departed on the first thing smoking, exactly seventy-one hours after high school graduation. I would have left sooner, but the Trailways didn't stop through Eloe every day. By the time the mailman brought my mama the cardboard tube containing my diploma, I was all moved into my dorm room at Morehouse College attending a special program for first-generation scholarship types. We were invited to show up two and a half months before the legacies, to get the lay of the land and bone up on the basics. Imagine twenty-three young black men watching Spike Lee's School Daze and Sidney Poitier's To Sir with Love on loop, and you either will or will not get the picture. Indoctrination isn't always a bad thing.
All my life I have been helped by leg-up programs—Head Start when I was five and Upward Bound all the way through. If I ever have kids, they will be able to pedal through life without training wheels, but I like to give credit where it is due.
Atlanta is where I learned the rules and learned them quick. No one ever called me stupid. But home isn't where you land; home is where you launch. You can't pick your home any more than you can choose your family. In poker, you get five cards. Three of them you can swap out, but two are yours to keep: family and native land.
I'm not talking bad about Eloe. Obviously there are worse native lands; a big-picture mind can see that. For one, Eloe may be in Louisiana, not a state brimming with opportunity, but it is located in America, and if you're going to be black and struggling, the United States is probably the best place to do it. However, we were not poor. Let me make that extra-strength clear. My daddy worked too hard at Buck's Sporting Goods by day plus handymanning in the evenings, and my mother spent too many hours fixing trays at the meat-and-three for me to act like we had neither pot nor window. Let the record show that we had both.
Me, Olive, and Big Roy were a family of three, and we lived in a sturdy brick house on a safe block. I had my own room, and when Big Roy built an extension, I had my own bathroom. When I outgrew my shoes, I never waited for new ones. While I have received financial aid, my parents did their part to send me to college.
Still, the truth is that there was nothing extra. If my childhood were a sandwich, there would be no meat hanging off the bread. We had what we needed and nothing more. "And nothing less," my mama would have said, and then wrapped me in one of her lemon-drop hugs.
When I arrived in Atlanta, I was under the impression that I had my whole life ahead of me—endless reams of blank paper. And you know what they say: a Morehouse Man always has a pen. Ten years later, my life was at its sweet spot. When anybody said, "Where are you from?" I said, "The A!"—so intimate with the city that I knew her by her nickname. When asked about my family, I talked about Celestial.
We were properly married for a year and a half, and we were happy for that time, at least I was. Maybe we didn't do happy like other people, but we're not your garden-variety bourgeois Atlanta Negroes where the husband goes to bed with his laptop under his pillow and the wife dreams about her blue-box jewelry. I was young, hungry, and on the come-up. Celestial was an artist, intense and gorgeous. We were like Love Jones, but grown. What can I say? I always had a weakness for shooting-star women. When you're with them, you know that you're deep into something, none of that hi-and-bye stuff. Before Celestial, I dated this other girl, also born and raised in the A. This girl, as proper as you can picture, she pulled a gun on me at an Urban League gala! I'll never forget that silver .22 with a pink mother-of-pearl handle. She flashed it inside her purse under the table where we were enjoying steak and au gratin potatoes. She said she knew I was cheating on her with some chick from the Black Bar Association. How can I explain this? I was scared, and then I wasn't. Only an Atlanta girl could be so classy while doing something so hood. It was love-logic, granted, but I wasn't sure if I should propose or call the police. We broke up before daybreak, and it wasn't my decision.
After Pistol Girl, I lost my touch with the ladies for a minute. I read the news as same as anyone, and I heard about some supposed black man shortage, but it seemed that the good news had yet to make an impact on my social life. Every woman I took a shine to had someone else waiting in the cut.
A little competition is healthy for all parties involved, but Pistol Girl's departure got up my skin like chiggers and sent me to Eloe for a few days to talk things over with Big Roy. My father has this alpha-omega way about him, like he was here before you showed up and he would be sitting in his same recliner chair long after you left.
"You don't want no woman that brandished a firearm, son."
I tried to explain that what made it remarkable was the contrast between the streetness of the pistol and the glitter of the evening. Besides: "She was playing, Daddy."
Big Roy nodded and sucked the foam from his glass of beer. "If that's how she plays, what's going to happen when she gets mad?"
From the kitchen, as though speaking through a translator, my mother called, "Ask him who she is with now. She might be crazy, but she's not crazy. Nobody would dismiss Little Roy without somebody on the back bench."
Big Roy asked, "Your mother wants to know who she is with now." Like we weren't all speaking English.
"Some attorney dude. Not like Perry Mason. Contracts. A paperwork sort of person."
"Aren't you a paperwork person?" Big Roy asked.
"Totally different. Being a rep, that's temporary. Besides, paperwork isn't my destiny. It's just what I happen to be doing now."
"I see," Big Roy said.
My mother was still peanut-gallerying from the kitchen. "Tell him that he is always letting these light-skinned girls hurt his feelings. Tell him he needs to remember some of the girls right here in Allen Parish. Tell him to lift somebody up with him."
Big Roy said, "Your mother says—" before I cut him off.
"I heard her and didn't nobody say that girl was light-skinned."
But of course she was, and my mama has a thing about that.
Now Olive came out of the kitchen wiping her hands on a striped dish towel. "Don't get mad. I'm not trying to get in your business."
Nobody can really satisfy their mama when it comes to the ladies. All my buddies tell me that their mothers are steady warning them, "If she can't use your comb, don't bring her home." Ebony and Jet both swear up and down that all the black men with two nickels to rub together are opting for the swirl. As for me, I'm strictly down with the brown, and my mama has the nerve to fret about which particular shade of sister I was choosing.
But you would think that she would have liked Celestial. The two of them favored so much that they could have been the ones related. They both had that clean pretty, like Thelma from Good Times, my first TV crush. But no, as far as my mama was concerned, Celestial looked right, but she was from a different world—Jasmine in Bernadette's clothing. Big Roy, on the other hand, was so taken by Celestial that he would have married her if I didn't. None of this scored any points with Olive.
"There is only one thing that will win me any ground with your mother," Celestial once said.
"And what might that be?"
"A baby," she said with a sigh. "Whenever I see her, she looks me up and down like I might be holding her grandbabies hostage in my body."
"You exaggerate." But the truth was, I knew where my mother was coming from. After a year, I was ready to get this show on the road, creating a new generation with an updated set of rules and regulations.
Not that there was anything wrong with the way either one us was brought up, but still, the world is changing, so the way you bring up kids had to change, too. Part of my plan was to never one time mention picking cotton. My parents always talked about either real cotton or the idea of it. White people say, "It beats digging a ditch"; black people say, "It beats picking cotton." I'm not going to remind my kids that somebody died in order for me to do everyday things. I don't want Roy III sitting up in the movie theater trying to watch Star Wars or what have you and be thinking about the fact that sitting down eating some popcorn is a right that cost somebody his life. None of that. Or maybe not much of that. We'll have to get the recipe right. Now Celestial promises that she will never say that they have to be twice as good to get half as much. "Even if it's true," she said, "what kind of thing is that to say to a five-year-old?"
She was the perfect balance in a woman, not a button-down corporate type, but she wore her pedigree like the gloss on a patent-leather shoe. In addition, she popped like an artist, without veering into crazy. In other words, there was no pink pistol in her purse, but there was no shortage of passion either. Celestial liked to go her own way and you could tell that from looking at her. She was tall, five nine, flat-footed, taller than her own father. I know that height is the luck of the draw, but it felt like she chose all that altitude. Her hair, big and wild, put her a smidge over my head. Even before you knew she was a genius with needle and thread, you could tell you were dealing with a unique individual. Although some people—and by "some people," I mean my mama—couldn't see it, all that's what was going to make her an excellent mother.
I have half a mind to ask her if we could name our child—son or daughter—Future.
If it had been up to me, we would be all aboard the baby train on our honeymoon. Picture us laid up in a glass-bottom cabana over the ocean. I didn't even know they had shit like that, but I pretended to be all about it when Celestial showed me the brochure, telling her it was on my bucket list. There we were, relaxing up over the ocean, enjoying each other. The wedding was more than a day behind us because Bali was twenty-three first-class hours away. For the wedding, Celestial had been done up like a doll-baby version of herself. All that crazy hair was wrangled into a ballerina bun and the makeup made her seem to blush. When I saw her floating down the aisle toward me, her and her daddy both were giggling like this whole thing was only a dress rehearsal. There I was, serious as four heart attacks and a stroke, but then she looked up at me and puckered her pink-paint lips in a little kiss and I got the joke. She was letting me know that all of this—the little girls holding up the train of her gown, my morning jacket, even the ring in my pocket—was just a show. What was real was the dance of light in her eyes and the quick current of our blood. And then I smiled, too.
In Bali, that slick hair was long gone and she was rocking a 1970s Jet magazine fro and wearing nothing but body glitter.
"Let's make a baby."
She laughed. "That's how you want to ask me?"
"Not yet, Daddy," she said. "Soon, though."
On our paper anniversary, I wrote on a sheet of paper. "Soon like now?"
She turned it over and wrote back, "Soon like yesterday. I went to the doctor and he said all systems are go."
But it was another piece of paper that hemmed us up—my very own business card. We were back home after our anniversary dinner at the Beautiful Restaurant, a half diner, half cafeteria on Cascade Road. Not fancy, but it was where I popped the question. She'd said, "Yes, but put that ring away before we get jacked!" On our wedding anniversary, we returned, for a feast of short ribs, mac and cheese, and corn pudding. Then we headed home for dessert, two slices of wedding cake that had been sitting in the freezer for 365, waiting to see if we would stick through the year. Not content to leave well enough alone, I opened my wallet to show the photo of her that I kept there. As I pulled the picture from its sleeve, my business card floated free, landing softly beside the slabs of amaretto cake. On the back, in purple ink, was a woman's first name and phone number, which was bad enough. But Celestial noticed three more digits, which she assumed to be a hotel room number.
"I can explain this." The truth was straightforward: I liked the ladies. I enjoyed a little flirtation, what they call frisson. Sometimes I collected phone numbers like I was still in college, but 99.997 percent of the time it ended there. I just liked to know that I still had it. Harmless, right?
"Get to explaining," she said.
"She slipped it into my pocket."
"How did she slip you your own business card?" Celestial was mad, and it turned me on a little, like the click on the stove before the flame took.
"She asked me for my card. I thought it was innocent."
Celestial stood up and collected the saucers, weighed down with cake and dropped them in the trash, wedding china be damned. She returned to the table, picked up her flute of pink champagne and slammed the bubbly like a shot of tequila. Then she snatched my glass out of my hand, drank my share, and then tossed the long-stemmed glasses into the garbage, too. As they broke, they rang like bells.
"You are so full of shit," she said.
"But where am I now?" I said. "Right here with you. In our home. I lay my head on your pillow every night."
"On our fucking anniversary," she said. Now her mad was melting into sad. She sat on her breakfast chair. "Why get married if you want to cheat?"
I didn't point out that you had to be married in order to cheat at all. Instead, I told her the truth. "I never even called that girl." I sat beside her. "I love you." I said it like a magic charm. "Happy anniversary."
She let me kiss her, which was a positive sign. I could taste the pink champagne on her lips. We were out of our clothes when she bit me hard on the ear. "You are such a liar." Then she stretched across to my nightstand and produced a shiny foil pack. "Wrap it up, mister."
I know that there are those out there who would say that our marriage was in trouble. People have a lot of things to say when they don't know what goes on behind closed doors, up under the covers, and between night and morning. But as a witness to, and even a member of, our relationship, I'm convinced that it was the opposite. It meant something that I could make her mad with just a scrap of paper and she could make me crazy with just a rubber.
Yes, we were a married couple, but we were still young and smitten. One year in and the fire was still burning blue hot.
The thing is this: it's a challenge being 2.0. On paper, we're A Different World: Where Are They Now? Whitley and Dwayne all grown up. But Celestial and me are something Hollywood never imagined. She was gifted and I was her manager and muse. It's not like I lay around in my birthday suit so she could draw me. No, I simply lived my life and she watched. When we were engaged, she won a competition for a glass sculpture she created. From a distance, it looked to be a shooter marble, but when you got up close and looked from the right angle, you could make out the lines of my profile swirled inside. Somebody offered her five thousand dollars for it, but she wouldn't part with it. This isn't what happens when a marriage is in danger.
She did for me and I did for her in return. Back in the day, when you worked so your wife didn't have to, they called that "sitting your woman down." It was a goal of Big Roy's to sit Olive down, but it never quite worked out. In his honor, and maybe for my own, I worked all day so Celestial could stay home making dolls, her primary art medium. I'm into the museum-quality marbles and the delicate line drawings, but the dolls were something that an ordinary person could get behind. My vision was a line of cloth dolls that we were going to sell wholesale. You could display them on a shelf or hug the stuffing out of them. There would still be the high-end custom jobs and art pieces. Those could fetch five figures, easy. But the everyday dolls were going to make her mark, I told her. And you see, I turned out to be right.
I know that all of this is water under the bridge, and not a sweet little creek either. But to be fair, I have to tell this whole story. We were married only a year and some change, but it was a good year. Even she would have to admit that.
A meteor crashed our life on Labor Day weekend when we went to Eloe to visit my parents. We traveled by car because I liked a road trip. Planes, I associated with my job. Back then, I was a rep for a textbook company, specializing in math books, even though my way with numbers ended with my 12 times tables. I was successful at my gig because I knew how to sell things. The week before, I closed a nice adoption at my alma mater, and I was in the running for one at Georgia State. It didn't make me a mogul, but I was looking forward to a bonus hefty enough to start talking about buying a new house. Nothing was wrong with our current abode, a solid ranch house on a quiet street. It's just that it was a wedding gift from her parents, her childhood home, deeded over to their only daughter, and only to her. It was like white people do, a leg up, American style. But I kind of wanted to hang my hat on a peg with my own name on it.
This was on my mind but not on my spirit as we drove up I-10 on our way to Eloe. We settled down after our anniversary skirmish and we were back in rhythm with each other. Old-school hip-hop thumped from the stereo of our Honda Accord, a family kind of car with two empty seats in the back.
Six hours in, I clicked on the blinker at exit 163. As we merged onto a two-lane highway, I felt a change in Celestial. Her shoulders rode a little higher, and she nibbled on the ends of her hair.
"What's wrong," I asked, turning down the volume of the greatest hip-hop album in history.
"You ever have a feeling like maybe you left the stove on?"
I returned the volume on the stereo to somewhere between thumping and bumping. "Call your boy, Andre, then."
Celestial fumbled with the seatbelt like it was rubbing her neck the wrong way. "I always get like this around your parents, self-conscious, you know."
"My folks?" Olive and Big Roy are the most down-to-earth people in the history of ever. Celestial's folks, on the other hand, were not what you would call approachable. Her father was a little dude, three apples tall, with this immense Frederick Douglass fro, complete with side part—and to top it off, he is some sort of genius inventor. Her mother worked in education, not as a teacher or a principal but as an assistant superintendent to the whole school system. And did I mention that her dad hit pay dirt about ten or twelve years ago, inventing a compound that prevents orange juice from separating so fast? He sold that sucker to Minute Maid and ever since, they have been splashing around naked in a bathtub full of money. Her mama and daddy—now that's a hard room. Next to them, Olive and Big Roy are cake. "You know my folks love you," I said.
"They love you."
"And I love you, so they love you. It's basic math."
Celestial looked out the window as the skinny pine trees whipped by. "I don't feel good about this, Roy. Let's go home."
My wife has a flair for the dramatic. Still, there was a little hitch in her words that I can only describe as fear.
"What is it?"
"I don't know," she said. "But let's go back."
"What would I tell my mother? You know she has dinner cooking at full tilt by now."
"Blame it on me," Celestial said. "Tell her everything's my fault."
Looking back on it, it's like watching a horror flick and wondering why the characters are so determined to ignore the danger signs. When a spectral voice says, get out, you should do it. But in real life, you don't know that you're in a scary movie. You think your wife is being overly emotional. You quietly hope that it's because she's pregnant, because a baby is what you need to lock this thing in and throw away the key.
When we arrived at my parents' home, Olive was waiting on the front porch. My mother had a fondness for wigs, and this time she was wearing curls the color of peach preserves. I pulled into the yard close up to the bumper of my daddy's Chrysler, threw the car in park, flung open the door, and bounded up the stairs two at a time to meet my mama halfway with an embrace. She was no bigger than a minute, so I bent my back to sweep her feet up off the porch and she laughed musical like a xylophone.
"Little Roy," she said. "You're home."
Once I set her down, I looked over my shoulder and didn't see anything but dead air, so I trotted back down the stairs, again two at a time. I opened the car door and Celestial extended her arm. I swear, I could hear my mother roll her eyes as I helped my wife out of the Honda.
"It's a triangle," Big Roy explained as the two of us enjoyed a corner of cognac in the den while Olive was busy in the kitchen and Celestial freshened up. "I was lucky," he said. "When I met your mama, we were both a couple of free agents. My parents were both dead and gone, and hers were way in Oklahoma, pretending like she was never born."
"They'll get it together," I told Big Roy. "Celestial takes a minute to get used to people."
"Your mama isn't exactly Doris Day," he said in agreement, and we raised our glasses to the difficult women we were crazy about.
"It'll get better when we have a kid," I said.
Winner of the Women's Prize for Fiction
Winner of the 2019 Aspen Words Literary Prize
Shortlisted for the 2020 International DUBLIN Literary Award
“One of my favorite parts of summer is deciding what to read when things slow down just a bit, whether it’s on a vacation with family or just a quiet afternoon . . . An American Marriage by Tayari Jones is a moving portrayal of the effects of a wrongful conviction on a young African-American couple.” —Barack Obama
“Tayari Jones’s wise and compassionate new novel, An American Marriage . . . is a clear vision of the quiet devastation of a family. It is beautifully written, with many allusions to black music and culture — including the everyday poetry of the African-American community that begs to be heard.”
—The New York Times Book Review
“Powerful . . . The story . . . is both sweeping and intimate—at once an unsparing exploration of what it means to be black in America and a remarkably lifelike portrait of a marriage.”
—The New Yorker
“Compelling . . . spun with tender patience by Jones, who cradles each of these characters in a story that pulls our sympathies in different directions. She never ignores their flaws, their perfectly human tendency toward self-justification, but she also captures their longing to be kind, to be just, to somehow behave well despite the contradictory desires of the heart.”
—Ron Charles, Washington Post
“Tayari Jones is a bard of the modern South, a writer whose skill at weaving stories is matched only by her compassion for her characters. While An American Marriage confronts thorny issues around race and the criminal justice system it is, at heart, a love story. It’s also a meditation on the creation of art, the meaning of family and the conflict between duty and desire. Jones has crafted a complex, layered story that’s both intimate and broad, a literary page-turner that’s impossible to put down.”
—The Los Angeles Times
“This moment, right here in February 2018, feels like exactly the right time for Tayari Jones to be writing — and for us to be reading Tayari Jones. In the years since her debut, she has been getting better, and . . . added heft and substance to the rich and necessary stories she weaves.”
“Brilliant, timely . . . heartbreaking . . . With spare and shimmering prose that can strike with the shock of a shiv, Jones captures the life-altering losses Roy and Celestial endure in this unforgettable American marriage.”
“A tense and timely love story. Told in letters and from alternating perspectives, packed with brave questions about race and class, An American Marriage is the perfect book-club book—one the whole group will finish and discuss with conviction.”
—People (Book of the Week)
“A stunning polyphonic novel . . . An American Marriage explores the effects of outside forces beyond its characters’ control – racism and mass incarceration – alongside the more personal questions like whether or not to have children, how to interact with in-laws, how to reconcile differences in background and upbringing, and finally, how to negotiate a marriage when love, on its own, is no longer enough.”
“An American Marriage is that rare treasure, a novel that pulls you under like a fever dream, a novel whose pages you start to ration midway through, a novel you miss like a lover the minute you kiss its final page goodbye. An American Marriage is a gripping, masterfully crafted message in a bottle, at once a dispatch from the past and a foreshadowing of the future, bringing exquisite reading pleasure and painful, crucial news.”
—San Francisco Chronicle
“A fascinating, beautifully written story about love, the U.S. prison system, and family.”
"Novelist Jones writes brilliantly about expectations and loss and racial injustice, and how love must evolve when our best laid plans go awry."
"Tayari Jones provides an essential contemporary portrait of a marriage in this searing novel. An American Marriage gorgeously evokes the New South as it explores mass incarceration on a personal level."
“Jones, who gains in skill with each book, has made Atlanta her fictional turf, and conjuring a skein of complex relationships her trademark. She writes in folksy, assured sentences; the reading is almost effortless . . . An American Marriage swings the reader’s sympathies widely, centrifugally, as if on a merry-go-round. The men are believable. The women are recognizable, familiar as a favorite sweater. The details are pleasurable, down to the Huey Newton chairs on Roy’s parents’ front porch.”
“Quietly powerful . . . [Jones’s] writing illuminates the bits and pieces of a marriage: those almost imperceptible moments that make it, break it, and forcefully tear it apart.”
"Powerful . . . Astonishing . . . Through the accumulation of small details, Jones paints a portrait of a nation still deeply divided along lines of race and class."
—J. Courtney Sullivan, The Boston Globe
“This beautiful, sad novel is about so many big things — love, friendship, loyalty, betrayal, heartbreak, healing, family, racism, endurance and transcendence. But all of that is secondary to the story at its core . . . This is a complex novel that goes well beyond the plot elements of infidelity and racism to explore the intricacies of family and romantic relationships in modern America.”
“This utterly gripping novel from Tayari Jones explores marriage in an intimate and realistic way, making it an engaging read for both married and single audiences alike.This stirring love story is a profoundly insightful look into the hearts and minds of three people who are at once bound and separated by forces beyond their control.”
“Tayari Jones has emerged as one of the most important voices of her generation.”
“In this unforgettable novel, Tayari Jones tackles hard questions about pride, betrayal, and our capacity to forgive.”
“This is a novel that unabashedly plays with your senses of right and not-quite-right. It also plays with your emotions, if you’ve ever been in love — so have a handful of tissues nearby. An American Marriage could bring you to your knees.”
—The Philadelphia Tribune
“Tayari Jones’ An American Marriage is at its beating heart a love triangle between three 30-something black professionals in contemporary Atlanta. Calling it a triangle, however, diminishes its complexity and nuance; this is a book whose characters will whisper in your head long after you’ve put it down.”
—The Seattle Times
“This novel is peopled by vividly realized, individual characters and driven by interpersonal drama, but it is also very much about being black in contemporary America. This is, at its heart, a love story, but a love story warped by racial injustice. And, in it, Jones suggests that racial injustice haunts the African-American story. Subtle, well-crafted, and powerful.”
—Kirkus Reviews (starred review)
“Layered like Pearl Cleage’s What Looks Like Crazy on an Ordinary Day, this title will appeal to all readers of contemporary fiction.”
—Library Journal (starred review)
"An American Marriage is a masterpiece of storytelling, an intimate look deep into the souls of people who must reckon with the past while moving forward—with hope and pain—into the future."
“The great Tayari Jones published her masterly opus An American Marriage, and it is everything you want to read in a novel right now.”
“Suspenseful and compelling. An American Marriage delivers on all fronts, raising questions both intimate and epic about the intersections of race and class, the burdens and joys of shared history, and what it means to commit to a future together.”
“ Nuanced and evocative . . . An American Marriage is a compelling exploration of the thorny conflicts that drive us apart and bind us, the distorting weight of racism, and how commitment looks across time – and generations.”
" Breathtaking . . . Jones is a master with words and An American Marriage is the wordsmith at the top of her game."
" Heart-wrenching . . . An American Marriage poses profound questions about what we owe each other, and what injustices we allow to persist."
"One of America's finest writers, Tayari Jones has offered up another masterpiece with her latest novel, a tremendously powerful story about love, injustice, inequality, and strength. An American Marriage reveals how quickly dreams can be derailed due to systemic malignant forces all around us. It's a novel of vision and grace, and it will bury itself in your consciousness."
“Tayari Jones is a wonderful storyteller. Anyone who has read Jones’s earlier works (Leaving Atlanta, The Untelling, Silver Sparrow) is familiar with her strong authorial voice and her careful construction of each sentence, paragraph, and chapter. Her attention to craft is paramount. An American Marriage is an engrossing novel about many things, but at its heart, it’s a love story, a uniquely American love story.”
"It’s always an event when there’s new writing from Tayari Jones . . . "
“Jones crafts an affecting tale that explores marriage, family, regret, and other feelings made all the more resonant by her well-drawn characters and their intricate conflicts of heart and mind.”
“Jones (Silver Sparrow) lays bare the devastating effects of wrongful imprisonment in this piercing tale of an unspooling marriage . . . Masterfully executed . . . Jones uses her love triangle to explore simmering class tensions and reverberating racial injustice in the contemporary South, while also delivering a satisfying romantic drama.”
“Tayari Jones displays tremendous writing prowess with An American Marriage, an enchanting novel that succeeds at every level. From the very start, An American Marriage pulls the reader in with gorgeous prose. Even beyond its plot, the story soars. It doesn’t just focus on one instance of a marriage; it explores philosophical and political quandaries, including generational expectations of men and women, the place of marriage in modern society, systemic racism, toxic masculinity, and more. It does so in a gentle, subtle way, avoiding didacticism as it nudges the reader to question their own conventions and ideals. There are rarely novels as timely or fitting as An American Marriage. It brings abstract ideas about race and love down to the material level. The story is gripping, and the characters are unforgettable.”
—Foreword Reviews (starred review)
“I love An American Marriage and I’m so excited for this book to be in the world. Tayari’s novel is timely, thoughtful, and beautifully written. Reading it, I found myself angry as hell, laughing out loud, choking up and cheering. A gem of a book.”
—Jacqueline Woodson, author of Another Brooklyn and Brown Girl Dreaming
“Tayari Jones is blessed with vision to see through to the surprising and devastating truths at the heart of ordinary lives, strength to wrest those truths free, and a gift of language to lay it all out, compelling and clear. That has been true from her very first book, but with An American Marriage that vision, that strength, and that truth-telling voice have found a new level of artistry and power.”
—Michael Chabon, author of Moonglow
“Tayari Jones is a great storyteller. An American Marriage holds the reader from first page to last, with her compassionate observation, her clear-eyed insight and her beautifully written and complex characters. Jones understands love and loss and writes with passion and precision about the forces that move us all from one to another.”
—Amy Bloom, author of Lucky Us
“An American Marriage asks hard questions about injustice and betrayal, and answers them with a heartbreaking and genuinely suspenseful love story in which nobody's wrong and everybody's wounded. Tayari Jones has written a complex and important novel about people trapped in a tragic situation, struggling to reconcile their responsibilities and desires.”
—Tom Perrotta, author of Mrs. Fletcher
“Tayari Jones’ An American Marriage is a stunning epic love story filled with breathtaking twists and turns, while bursting with realized and unrealized dreams. Skillfully crafted and beautifully written, An American Marriage is an exquisite, timely, and powerful novel that feels both urgent and indispensable.”
—Edwidge Danticat, author of Breath, Eyes, Memory
“Tayari Jones weaves a moving love story in her new novel, An American Marriage.”
“[A] very insightful, touching story about contemporary relationships.”
–Liberty Hardy, Book Riot
“Tayari Jones…beautifully weaves the repugnant racism of the judicial system into a love story. In writing as lyrical and efficient as prose, Jones presents what happens to two men and a woman when justice is denied.”
“Jones’s prose is masterful. An American Marriage is a must-read, not just for fans of narratives about love but for anyone who has known what is to struggle with the choice between pushing forward and letting go.”
—Tulsa Book Review
- On Sale
- Feb 5, 2019
- Page Count
- 336 pages
- Algonquin Books
A New York Times bestseller, an Oprah’s Book Club selection, and a Barack Obama recommendation, An American Marriage is the book everyone is talking about!
Praise for An American Marriage
A New York Times and Washington Post Notable Book
Longlisted for the 2018 National Book Award for Fiction
“BRILLIANT and heartbreaking . . . Unforgettable.”
“TRANSCENDENT . . . Triumphant . . . Gorgeous.”
“ONE OF THE MOST IMPORTANT VOICES of her generation.”
“POWERFUL . . . Both sweeping and intimate.”
—The New Yorker
A 2018 Best of the Year selection of NPR ● TIME ● BUSTLE ● O, THE OPRAH MAGAZINE ● THE DALLAS MORNING NEWS
“A TENSE AND TIMELY love story . . . Packed with brave questions about race and class.”
“An American Marriage is that rare treasure . . . A GRIPPING, MASTERFULLY CRAFTED message in a bottle.”
—San Francisco Chronicle
“SEARING . . . ESSENTIAL.”
“A stunning epic love story.”