Daughter of Smoke & Bone


By Laini Taylor

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The first book in the New York Times bestselling epic fantasy trilogy by award-winning author Laini Taylor

Around the world, black handprints are appearing on doorways, scorched there by winged strangers who have crept through a slit in the sky.

In a dark and dusty shop, a devil’s supply of human teeth grown dangerously low.

And in the tangled lanes of Prague, a young art student is about to be caught up in a brutal otherworldly war.

Meet Karou. She fills her sketchbooks with monsters that may or may not be real; she’s prone to disappearing on mysterious “errands”; she speaks many languages–not all of them human; and her bright blue hair actually grows out of her head that color. Who is she? That is the question that haunts her, and she’s about to find out.

When one of the strangers–beautiful, haunted Akiva–fixes his fire-colored eyes on her in an alley in Marrakesh, the result is blood and starlight, secrets unveiled, and a star-crossed love whose roots drink deep of a violent past. But will Karou live to regret learning the truth about herself?


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Table of Contents

A Sneak Peek of Days of Blood & Starlight

A Sneak Peek of Strange the Dreamer

Copyright Page

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Once upon a time, an angel and a devil fell in love.

It did not end well.



Walking to school over the snow-muffled cobbles, Karou had no sinister premonitions about the day. It seemed like just another Monday, innocent but for its essential Mondayness, not to mention its Januaryness. It was cold, and it was dark—in the dead of winter the sun didn't rise until eight—but it was also lovely. The falling snow and the early hour conspired to paint Prague ghostly, like a tintype photograph, all silver and haze.

On the riverfront thoroughfare, trams and buses roared past, grounding the day in the twenty-first century, but on the quieter lanes, the wintry peace might have hailed from another time. Snow and stone and ghostlight, Karou's own footsteps and the feather of steam from her coffee mug, and she was alone and adrift in mundane thoughts: school, errands. The occasional cheek-chew of bitterness when a pang of heartache intruded, as pangs of heartache will, but she pushed them aside, resolute, ready to be done with all that.

She held her coffee mug in one hand and clutched her coat closed with the other. An artist's portfolio was slung over her shoulder, and her hair—loose, long, and peacock blue—was gathering a lace of snowflakes.

Just another day.

And then.

A snarl, rushing footfall, and she was seized from behind, pulled hard against a man's broad chest as hands yanked her scarf askew and she felt teeth—teeth—against her neck.


Her attacker was nibbling her.

Annoyed, she tried to shake him off without spilling her coffee, but some sloshed out of her cup anyway, into the dirty snow.

"Jesus, Kaz, get off," she snapped, spinning to face her ex-boyfriend. The lamplight was soft on his beautiful face. Stupid beauty, she thought, shoving him away. Stupid face.

"How did you know it was me?" he asked.

"It's always you. And it never works."

Kazimir made his living jumping out from behind things, and it frustrated him that he could never get even the slightest rise out of Karou. "You're impossible to scare," he complained, giving her the pout he thought was irresistible. Until recently, she wouldn't have resisted it. She would have risen on tiptoe and licked his pout-puckered lower lip, licked it languorously and then taken it between her teeth and teased it before losing herself in a kiss that made her melt against him like sun-warmed honey.

Those days were so over.

"Maybe you're just not scary," she said, and walked on.

Kaz caught up and strolled at her side, hands in pockets. "I am scary, though. The snarl? The bite? Anyone normal would have a heart attack. Just not you, ice water for blood."

When she ignored him, he added, "Josef and I are starting a new tour. Old Town vampire tour. The tourists will eat it up."

They would, thought Karou. They paid good money for Kaz's "ghost tours," which consisted of being herded through the tangled lanes of Prague in the dark, pausing at sites of supposed murders so "ghosts" could leap out of doorways and make them shriek. She'd played a ghost herself on several occasions, had held aloft a bloody head and moaned while the tourists' screams gave way to laughter. It had been fun.

Kaz had been fun. Not anymore. "Good luck with that," she said, staring ahead, her voice colorless.

"We could use you," Kaz said.


"You could play a sexy vampire vixen—"


"Lure in the men—"


"You could wear your cape…."

Karou stiffened.

Softly, Kaz coaxed, "You still have it, don't you, baby? Most beautiful thing I've ever seen, you with that black silk against your white skin—"

"Shut up," she hissed, coming to a halt in the middle of Maltese Square. God, she thought. How stupid had she been to fall for this petty, pretty street actor, dress up for him and give him memories like that? Exquisitely stupid.

Lonely stupid.

Kaz lifted his hand to brush a snowflake from her eyelashes. She said, "Touch me and you'll get this coffee in your face."

He lowered his hand. "Roo, Roo, my fierce Karou. When will you stop fighting me? I said I was sorry."

"Be sorry, then. Just be sorry somewhere else." They spoke in Czech, and her acquired accent matched his native one perfectly.

He sighed, irritated that Karou was still resisting his apologies. This wasn't in his script. "Come on," he coaxed. His voice was rough and soft at the same time, like a blues singer's mix of gravel and silk. "We're meant to be together, you and me."

Meant. Karou sincerely hoped that if she were "meant" for anyone, it wasn't Kaz. She looked at him, beautiful Kazimir whose smile used to work on her like a summons, compelling her to his side. And that had seemed a glorious place to be, as if colors were brighter there, sensations more profound. It had also, she'd discovered, been a popular place, other girls occupying it when she did not.

"Get Svetla to be your vampire vixen," she said. "She's got the vixen part down."

He looked pained. "I don't want Svetla. I want you."

"Alas. I am not an option."

"Don't say that," he said, reaching for her hand.

She pulled back, a pang of heartache surging in spite of all her efforts at aloofness. Not worth it, she told herself. Not even close. "This is the definition of stalking, you realize."

"Puh. I'm not stalking you. I happen to be going this way."

"Right," said Karou. They were just a few doors from her school now. The Art Lyceum of Bohemia was a private high school housed in a pink Baroque palace where famously, during the Nazi occupation, two young Czech nationalists had slit the throat of a Gestapo commander and scrawled liberty with his blood. A brief, brave rebellion before they were captured and impaled upon the finials of the courtyard gate. Now students were milling around that very gate, smoking, waiting for friends. But Kaz wasn't a student—at twenty, he was several years older than Karou—and she had never known him to be out of bed before noon. "Why are you even awake?"

"I have a new job," he said. "It starts early."

"What, you're doing morning vampire tours?"

"Not that. Something else. An… unveiling of sorts." He was grinning now. Gloating. He wanted her to ask what his new job was.

She wouldn't ask. With perfect disinterest she said, "Well, have fun with that," and walked away.

Kaz called after her, "Don't you want to know what it is?" The grin was still there. She could hear it in his voice.

"Don't care," she called back, and went through the gate.

She really should have asked.



Monday, Wednesday, and Friday, Karou's first class was life drawing. When she walked into the studio, her friend Zuzana was already there and had staked out easels for them in front of the model's platform. Karou shrugged off her portfolio and coat, unwound her scarf, and announced, "I'm being stalked."

Zuzana arched an eyebrow. She was a master of the eyebrow arch, and Karou envied her for it. Her own eyebrows did not function independently of each other, which handicapped her expressions of suspicion and disdain.

Zuzana could do both perfectly, but this was milder eyebrow action, mere cool curiosity. "Don't tell me Jackass tried to scare you again."

"He's going through a vampire phase. He bit my neck."

"Actors," muttered Zuzana. "I'm telling you, you need to tase the loser. Teach him to go jumping out at people."

"I don't have a Taser." Karou didn't add that she didn't need a Taser; she was more than capable of defending herself without electricity. She'd had an unusual education.

"Well, get one. Seriously. Bad behavior should be punished. Plus, it would be fun. Don't you think? I've always wanted to tase someone. Zap!" Zuzana mimicked convulsions.

Karou shook her head. "No, tiny violent one, I don't think it would be fun. You're terrible."

"I am not terrible. Kaz is terrible. Tell me I don't have to remind you." She gave Karou a sharp look. "Tell me you're not even considering forgiving him."

"No," declared Karou. "But try getting him to believe that." Kaz just couldn't fathom any girl willfully depriving herself of his charms. And what had she done but strengthen his vanity those months they'd been together, gazing at him starry-eyed, giving him… everything? His wooing her now, she thought, was a point of pride, to prove to himself that he could have who he wanted. That it was up to him.

Maybe Zuzana was right. Maybe she should tase him.

"Sketchbook," commanded Zuzana, holding out her hand like a surgeon for a scalpel.

Karou's best friend was bossy in obverse proportion to her size. She only passed five feet in her platform boots, whereas Karou was five foot six but seemed taller in the same way that ballerinas do, with their long necks and willowy limbs. She wasn't a ballerina, but she had the look, in figure if not in fashion. Not many ballerinas have bright blue hair or a constellation of tattoos on their limbs, and Karou had both.

The only tattoos visible as she dug out her sketchbook and handed it over were the ones on her wrists like bracelets—a single word on each: true and story.

As Zuzana took the book, a couple of other students, Pavel and Dina, crowded in to look over her shoulder. Karou's sketchbooks had a cult following around school and were handed around and marveled at on a daily basis. This one—number ninety-two in a lifelong series—was bound with rubber bands, and as soon as Zuzana took them off it burst open, each page so coated in gesso and paint that the binding could scarcely contain them. As it fanned open, Karou's trademark characters wavered on the pages, gorgeously rendered and deeply strange.

There was Issa, serpent from the waist down and woman from the waist up, with the bare, globe breasts of Kama Sutra carvings, the hood and fangs of a cobra, and the face of an angel.

Giraffe-necked Twiga, hunched over with his jeweler's glass stuck in one squinting eye.

Yasri, parrot-beaked and human-eyed, a frill of orange curls escaping her kerchief. She was carrying a platter of fruit and a pitcher of wine.

And Brimstone, of course—he was the star of the sketchbooks. Here he was shown with Kishmish perched on the curl of one of his great ram's horns. In the fantastical stories Karou told in her sketchbooks, Brimstone dealt in wishes. Sometimes she called him the Wishmonger; other times, simply "the grump."

She'd been drawing these creatures since she was a little girl, and her friends tended to talk about them as if they were real. "What was Brimstone up to this weekend?" asked Zuzana.

"The usual," said Karou. "Buying teeth from murderers. He got some Nile crocodile teeth yesterday from this awful Somali poacher, but the idiot tried to steal from him and got half strangled by his snake collar. He's lucky to be alive."

Zuzana found the story illustrated on the book's last drawn pages: the Somali, his eyes rolling back in his head as the whip-thin snake around his neck cinched itself as tight as a garrote. Humans, Karou had explained before, had to submit to wearing one of Issa's serpents around their necks before they could enter Brimstone's shop. That way if they tried anything fishy they were easy to subdue—by strangulation, which wasn't always fatal, or, if necessary, by a bite to the throat, which was.

"How do you make this stuff up, maniac?" Zuzana asked, all jealous wonderment.

"Who says I do? I keep telling you, it's all real."

"Uh-huh. And your hair grows out of your head that color, too."

"What? It totally does," said Karou, passing a long blue strand through her fingers.


Karou shrugged and gathered her hair back in a messy coil, stabbing a paintbrush through it to secure it at the nape of her neck. In fact, her hair did grow out of her head that color, pure as ultramarine straight from the paint tube, but that was a truth she told with a certain wry smile, as if she were being absurd. Over the years she'd found that that was all it took, that lazy smile, and she could tell the truth without risk of being believed. It was easier than keeping track of lies, and so it became part of who she was: Karou with her wry smile and crazy imagination.

In fact, it was not her imagination that was crazy. It was her life—blue hair and Brimstone and all.

Zuzana handed the book to Pavel and started flipping pages in her own oversize drawing pad, searching for a fresh page. "I wonder who's posing today."

"Probably Wiktor," said Karou. "We haven't had him in a while."

"I know. I'm hoping he's dead."


"What? He's eight million years old. We might as well draw the anatomical skeleton as that creepy bonesack."

There were some dozen models, male and female, all shapes and ages, who rotated through the class. They ranged from enormous Madame Svobodnik, whose flesh was more landscape than figure, to pixie Eliska with her wasp waist, the favorite of the male students. Ancient Wiktor was Zuzana's least favorite. She claimed to have nightmares whenever she had to draw him.

"He looks like an unwrapped mummy." She shuddered. "I ask you, is staring at a naked old man any way to start the day?"

"Better than getting attacked by a vampire," said Karou.

In fact, she didn't mind drawing Wiktor. For one thing, he was so nearsighted he never made eye contact with the students, which was a bonus. No matter that she had been drawing nudes for years; she still found it unsettling, sketching one of the younger male models, to look up from a study of his penis—a necessary study; you couldn't exactly leave the area blank—and find him staring back at her. Karou had felt her cheeks flame on plenty of occasions and ducked behind her easel.

Those occasions, as it turned out, were about to fade into insignificance next to the mortification of today.

She was sharpening a pencil with a razor blade when Zuzana blurted in a weird, choked voice, "Oh my god, Karou!"

And before she even looked up, she knew.

An unveiling, he had said. Oh, how clever. She lifted her gaze from her pencil and took in the sight of Kaz standing beside Profesorka Fiala. He was barefoot and wearing a robe, and his shoulder-length golden hair, which had minutes before been wind-teased and sparkling with snowflakes, was pulled back in a ponytail. His face was a perfect blend of Slavic angles and soft sensuality: cheekbones that might have been turned on a diamond cutter's lathe, lips you wanted to touch with your fingertips to see if they felt like velvet. Which, Karou knew, they did. Stupid lips.

Murmurs went around the room. A new model, oh my god, gorgeous…

One murmur cut through the others: "Isn't that Karou's boyfriend?"

Ex, she wanted to snap. So very, very ex.

"I think it is. Look at him…."

Karou was looking at him, her face frozen in what she hoped was a mask of impervious calm. Don't blush, she commanded herself. Do not blush. Kaz looked right back at her, a smile dimpling one cheek, eyes lazy and amused. And when he was sure he held her gaze, he had the nerve to wink.

A flurry of giggles erupted around Karou.

"Oh, the evil bastard…" Zuzana breathed.

Kaz stepped up onto the model's platform. He looked straight at Karou as he untied his sash; he looked at her as he shrugged off the robe. And then Karou's ex-boyfriend was standing before her entire class, beautiful as heartbreak, naked as the David. And on his chest, right over his heart, was a new tattoo.

It was an elaborate cursive K.

More giggles burst forth. Students didn't know who to look at, Karou or Kazimir, and glanced from one to the other, waiting for a drama to unfold. "Quiet!" commanded Profesorka Fiala, appalled, clapping her hands together until the laughter was stifled. Karou's blush came on then. She couldn't stop it. First her chest and neck went hot, then her face. Kaz's eyes were on her the whole time, and his dimple deepened with satisfaction when he saw her flustered.

"One-minute poses, please, Kazimir," said Fiala.

Kaz stepped into his first pose. It was dynamic, as the one-minute poses were meant to be—twisted torso, taut muscles, limbs stretched in simulation of action. These warm-up sketches were all about movement and loose line, and Kaz was taking the opportunity to flaunt himself. Karou thought she didn't hear a lot of pencils scratching. Were the other girls in the class just staring stupidly, as she was?

She dipped her head, took up her sharp pencil—thinking of other uses she would happily put it to—and started to sketch. Quick, fluid lines, and all the sketches on one page; she overlapped them so they looked like an illustration of dance.

Kaz was graceful. He spent enough time looking in the mirror that he knew how to use his body for effect. It was his instrument, he'd have said. Along with the voice, the body was an actor's tool. Well, Kaz was a lousy actor—which was why he got by on ghost tours and the occasional low-budget production of Faust—but he made a fine artist's model, as Karou knew, having drawn him many times before.

His body had reminded Karou, from the first time she saw it… unveiled… of a Michelangelo. Unlike some Renaissance artists, who'd favored slim, effete models, Michelangelo had gone for power, drawing broad-shouldered quarry workers and somehow managing to render them both carnal and elegant at the same time. That was Kaz: carnal and elegant.

And deceitful. And narcissistic. And, honestly, kind of dumb.

"Karou!" The British girl Helen was whispering harshly, trying to get her attention. "Is that him?"

Karou didn't acknowledge her. She drew, pretending everything was normal. Just another day in class. And if the model had an insolent dimple and wouldn't take his eyes off her? She ignored it as best she could.

When the timer rang, Kaz calmly gathered up his robe and put it on. Karou hoped it wouldn't occur to him that he was free to walk around the studio. Stay where you are, she willed him. But he didn't. He sauntered toward her.

"Hi, Jackass," said Zuzana. "Modest much?"

Ignoring her, he asked Karou, "Like my new tattoo?"

Students were standing up to stretch, but rather than dispersing for smoke or bathroom breaks, they hovered casually within earshot.

"Sure," Karou said, keeping her voice light. "K for Kazimir, right?"

"Funny girl. You know what it's for."

"Well," she mused in Thinker pose, "I know there's only one person you really love, and his name does start with a K. But I can think of a better place for it than your heart." She took up her pencil and, on her last drawing of Kaz, inscribed a K right over his classically sculpted buttock.

Zuzana laughed, and Kaz's jaw tightened. Like most vain people, he hated to be mocked. "I'm not the only one with a tattoo, am I, Karou?" he asked. He looked to Zuzana. "Has she shown it to you?"

Zuzana gave Karou the suspicious rendition of the eyebrow arch.

"I don't know which you mean," Karou lied calmly. "I have lots of tattoos." To demonstrate, she didn't flash true or story, or the serpent coiled around her ankle, or any of her other concealed works of art. Rather, she held up her hands in front of her face, palms out. In the center of each was an eye inked in deepest indigo, in effect turning her hands into hamsas, those ancient symbols of warding against the evil eye. Palm tattoos are notorious for fading, but Karou's never did. She'd had these eyes as long as she could remember; for all she knew of their origin, she could have been born with them.

"Not those," said Kaz. "I mean the one that says Kazimir, right over your heart."

"I don't have a tattoo like that." She made herself sound puzzled and unfastened the top few buttons of her sweater. Beneath was a camisole, and she lowered it by a few revealing inches to demonstrate that indeed there was no tattoo above her breast. The skin there was white as milk.

Kaz blinked. "What? How did you—?"

"Come with me." Zuzana grabbed Karou's hand and pulled her away. As they wove among the easels, all eyes were on Karou, lit with curiosity.

"Karou, did you break up?" Helen whispered in English, but Zuzana put up her hand in an imperious gesture that silenced her, and she dragged Karou out of the studio and into the girls' bathroom. There, eyebrow still arched, she asked, "What the hell was that?"


"What? You practically flashed the boy."

"Please. I did not flash him."

"Whatever. What's this about a tattoo over your heart?"

"I just showed you. There's nothing there." She saw no reason to add that there had been something; she preferred to pretend she had never been so stupid. Plus, explaining how she'd gotten rid of it was not exactly an option.

"Well, good. The last thing you need is that idiot's name on your body. Can you believe him? Does he think if he just dangles his boy bits at you like a cat toy you'll go scampering after him?"

"Of course he thinks that," said Karou. "This is his idea of a romantic gesture."

"All you have to do is tell Fiala he's a stalker, and she'll throw his ass out."

Karou had thought of that, but she shook her head. Surely she could come up with a better way to get Kaz out of her class and out of her life. She had means at her disposal that most people didn't. She'd think of something.

"The boy is not terrible to draw, though." Zuzana went to the mirror and flipped wisps of dark hair across her forehead. "Got to give him that."

"Yeah. Too bad he's such a gargantuan asshole."

"A giant, stupid orifice," Zuzana agreed.

"A walking, talking cranny."

"Cranny." Zuzana laughed. "I like."

An idea came to Karou, and a faintly villainous smirk crossed her face.

"What?" asked Zuzana, seeing it.

"Nothing. We'd better get back in there."

"You're sure? You don't have to."

Karou nodded. "Nothing to it."

Kaz had gotten all the satisfaction he was going to get from this cute little ploy of his. It was her turn now. Walking back into the studio, she reached up and touched the necklace she was wearing, a multistrand loop of African trade beads in every color. At least they looked like African trade beads. They were more than that. Not much more, but enough for what Karou had planned.



Profesorka Fiala asked Kaz for a reclining pose for the rest of the period, and he draped himself back across the daybed in a way that, if not quite lewd, was certainly suggestive, knees just a bit too skewed, smile bordering on bedroom. There were no titters this time, but Karou imagined a surge of heat in the atmosphere, as if the girls in the class—and at least one of the boys—needed to fan themselves. She herself was not affected. This time when Kaz peered at her from under lazy eyelids, she met his gaze straight on.

She started sketching and did her best, thinking it fitting that, since their relationship had begun with a drawing, it should end with one, too.

He'd been sitting two tables away at Mustache Bar the first time she saw him. He wore a villain's twirled mustache, which seemed like foreshadowing now, but it was Mustache Bar after all. Everyone was wearing mustaches—Karou was sporting a Fu Manchu she'd gotten from the vending machine. She'd pasted both mustaches into her sketchbook later that night—sketchbook number ninety—and the resulting lump made it easy to locate the exact page where her story with Kaz began.

He'd been drinking beer with friends, and Karou, unable to take her eyes off him, had drawn him. She was always drawing, not just Brimstone and the other creatures from her secret life, but scenes and people from the common world. Falconers and street musicians, Orthodox priests with beards to their bellies, the occasional beautiful boy.

Usually she got away with it, her subjects none the wiser, but this time the beautiful boy caught her looking, and the next thing she knew he was smiling under his fake mustache and coming over. How flattered he'd been by her sketch! He'd shown it to his friends, taken her hand to urge her to join them, and kept hold of it, fingers laced with hers, even after she'd settled at his table. That was the beginning: her worshipping his beauty, him reveling in it. And that was more or less how it had continued.

Of course, he'd told her she was beautiful, too, all the time. If she hadn't been, surely he'd never have come over to talk to her in the first place. Kaz wasn't exactly one to look for inner beauty. Karou was, simply, lovely. Creamy and leggy, with long azure hair and the eyes of a silent-movie star, she moved like a poem and smiled like a sphinx. Beyond merely pretty, her face was vibrantly alive, her gaze always sparking and luminous, and she had a birdlike way of cocking her head, her lips pressed together while her dark eyes danced, that hinted at secrets and mysteries.

Karou was


  • YALSA Top Ten Best Fiction for Young Adults
    A New York Times Notable Children's Book of the Year
    A Publishers Weekly Best Book of the Year
    A School Library Journal Best Book of the Year
    A KirkusReviews Best Teen Book of the Year
    A JuniorLibraryGuild Selection of the Year
  • * "National Book Award finalist Taylor (Lips Touch: Three Times) again weaves a masterful mix of reality and fantasy with cross-genre appeal. Exquisitely written and beautifully paced, the tale is set in ghostly, romantic Prague, where 17-year-old Karou is an art student--except when she is called "home" to do errands for the family of loving, albeit inhuman, creatures who raised her. Mysterious as Karou seems to her friends, her life is equally mysterious to her: How did she come to live with chimaera? Why does paternal Brimstone eternally require teeth--especially human ones? And why is she "plagued by the notion that she wasn't whole....a sensation akin to having forgotten something?" Taylor interlaces cleverly droll depictions of contemporary teenage life with equally believable portrayals of terrifying otherworldly beings. When black handprints begin appearing on doorways throughout the world, Karou is swept into the ancient deadly rivalry between devils and angels and gradually, painfully, acquires her longed-for self-knowledge. The book's final pages seemingly establish the triumph of true love--until a horrifying revelation sets the stage for a second book."—Publishers Weekly, starred review
  • * "[A]long with writing in such heightened language that even casual banter often comes off as wildly funny, the author crafts a fierce heroine with bright-blue hair, tattoos, martial skills, a growing attachment to a preternaturally hunky but not entirely sane warrior and, in episodes to come, an army of killer angels to confront. Rarely--perhaps not since the author's own Faeries of Dreamdark: Blackbringer (2007)--does a series kick off so deliciously."—Kirkus, starred review
  • * "Taylor crafts both her world and her romance with meticulous care, building the first on a wealth of thought-provoking details and making the second equal parts tender and antagonistic...Fans of torturously star-crossed lovers a la those in Marr's Wicked Lovely and Black's Tithe will find much to enjoy here, but those who flock to innovative, character-driven fantasy with thematic depth will be equally enthralled."—The Bulletin of the Center for Children's Books, starred review
  • "Author Taylor has created a variety of worlds, time frames, and creatures with such detail and craft that all are believable...Readers will look forward to the suggested sequel to this complex, exciting tale."—Booklist
  • "Wow. I wish I had written this book."—Patrick Rothfuss, author of The Wise Man's Fear
  • * "Lush description of a gothic and ghostly Prague beckons readers from the first page and fulfills its promise, leading to a star-crossed romance that spans worlds and transcends death...[Leaves] the reader both satisfied and eagerly anticipating a forthcoming sequel."
    The Horn Book (starred review)
  • "Daughter of Smoke and Bone is that rare beast: a novel that takes the familiar and makes it appear startling and new. Taylor has embraced the mythology of angels and reworked it in an extraordinary form, so that by the end of this lyrical, haunting book, I wanted to believe in the existence of these violent, tormented beings. I can hardly wait for the next installment."—John Connolly, author of The Book of Lost Things
  • "Daughter of Smoke and Bone is a lush, sweeping, romantic marvel of a book. Taylor's writing is a revelation, masterfully blending an intricate fantasy world into our own, with an artist's flair for exquisite details. Funny, devastating, delightful, unforgettable. Pure storytelling perfection."—Kiersten White, author of the Paranormalcy series
  • * "The suspense builds inexorably, and the philosophical as well as physical battles will hold action-oriented readers. The unfolding of character, place, and plot is smoothly intricate, and the conclusion is a beckoning door to the next volume."—School Library Journal (starred review)
  • "[A] breath-catching romantic fantasy about destiny, hope and the search for one's true self"—The New York Times Book Review
  • "Thrillingly fresh and new"—Entertainment Weekly
  • "An adventurous story of self-identity, "Daughter of Smoke and Bone" is written with high-stakes flair and a touch of humor...[It is] well-told and well-paced, raising intriguing questions about notions of identity, expectation, trust, betrayal and belonging."—The Los Angeles Times

On Sale
Nov 6, 2012
Page Count
624 pages

Laini Taylor

About the Author

Laini Taylor is the New York Times bestselling author of the Printz Honor Book Strange the Dreamer and its sequel, Muse of Nightmares. Taylor is also the author of the global sensation the Daughter of Smoke & Bone trilogy and the companion novella Night of Cake & Puppets. Taylor’s other works include the Dreamdark books: Blackbringer and Silksinger, and the National Book Award finalist Lips Touch: Three Times. She lives in Portland, Oregon, with her husband, illustrator Jim Di Bartolo, and their daughter, Clementine. Her website is lainitaylor.com.

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