Manic Panic Living in Color

A Rebellious Guide to Hair Color and Life

Contributors

By Tish Bellomo

With Snooky Bellomo

Foreword by RuPaul

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$12.99

Price

$16.99 CAD

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ebook

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ebook $12.99 $16.99 CAD

This item is a preorder. Your payment method will be charged immediately, and the product is expected to ship on or around October 15, 2019. This date is subject to change due to shipping delays beyond our control.

Reveal your inner Aurora Borealis with Manic Panic Living in Color, the audacious beauty-and-lifestyle handbook from punk rock pioneers Tish and Snooky Bellomo, founders of the iconic hair color and make-up brand.

With a colorful foreword by RuPaul — a customer/fan/friend and dye-hard for decades — Manic Panic Living in Color is both the rollicking origin story of the sister’s punk rock roots combined with a fearless guide to finding your color in the rainbow. This guide provides unique and fail-proof methods to achieve the perfect shade or combinations of colors that express the inner you, as well as maintenance, effects, tips, products, remedies, and attitude.

With hundreds of inspiring photographs, Tish and Snooky will inspire you to show off your unique sense of style whether you are Red Passion, Bad Boy Blue, Electric Banana — or all three!

Excerpt

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FOREWORD

Decades ago, before drag was just about anywhere, there were really only a few places that us New York City queens could get what we needed, and one of those places was the Manic Panic store on St. Marks Place, founded by two infamous punk rock singers and scene-stealers, Tish and Snooky Bellomo, formerly of Blondie.

I was first introduced to Tish and Snooky by our mutual friends Randy Barbato and Fenton Bailey around the time we were collaborating on the soundtrack album to my film Star Booty. The sisters sang back-up on the album and a thirty-three-year friendship was formed. They backed me up for a performance at The Saint, and we even appeared in a B-52’s music video together.

I’ll never forget us all waiting on the corner for the production bus to take us to the location while traffic stood at a standstill. People gawked as I towered over the sidewalk during rush hour at Fifty-Second Street and Third Avenue in full drag. I didn’t get quite the reception then that I would today.

What I’ve always admired about Tish and Snooky is their commitment to honoring self-expression. It’s a commitment I share. You can be sure we’ll all continue to infuse the world with color and glamour for generations to come.

—RuPaul




TISH AND SNOOKY IN THE EARLY 1980s




INTRODUCTION

WE DON’T JUST SELL IT, WE LIVE IT

If you had told us back in 1977 that doing what we loved and sharing our unique style would influence music, art, fashion, and beauty for the next four decades, we would’ve thought you were as crazy as us!

Before Manic Panic was ever a punk rock dream, we were two young, free-spirited NYC sisters who embraced the underground scene, singing at all the local dives and creating our own fashion looks while hanging out with our ultra-fabulous downtown friends.

We grew up without money. Our single mother taught us how to make the best out of whatever we had, using every resource available. Although we never fit in, we were certainly two of the most unusual-looking poor kids in the Bronx. I (Tish) would repurpose outdated hand-me-downs because I liked to sew and design, and I was embarrassed to wear long skirts when minis were in style. Some of my “creations” came out looking quite interesting, to say the least! And Snooky would wear anything and everything people gave us. Stripes? Polka dots mixed with unmatched plaids? No problem!

We remember once seeing our mother perched on the kitchen counter, hanging up some old curtains using a string because we couldn’t afford a curtain rod. She turned to us and said, “Don’t ever be poor.” At that time, we actually thought that our neighbors who were on welfare were rich! Being poor didn’t matter; we thought it was amazing that our mother had invented a rod-less way to hang curtains! Our mother’s creativity and resourcefulness inspired us throughout our lives and especially when we opened Manic Panic, the first punk boutique in the United States!

MANIC PANIC’S OWN MOHAWK DAVE’S ICONIC ROCK ’N’ ROLL RED MOHAWK, EMBLAZONED WITH OUR LOGO USING ROCKABILLY BLUE AMPLIFIED COLOR SPRAY

PHOTO BY RENAN BARROSO FOR MANIC PANIC

As our single mother worked day and night to raise us, we saw firsthand how, against all odds in that day and age, she made her girls feel loved and encouraged and made them believe in themselves enough to do whatever they set out to accomplish. A gifted commercial artist and professional illustrator, her “tools of the trade” were our toys. We played with her glitter, colorful pencils, and paint. Not all of it landed on paper—we considered them our cosmetics as well! She always supported our creative and performance ambitions, both literally and figuratively, trading her artistic services for dance classes for us. She also endured countless stage shows we’d put on in the living room, always the attentive audience, no matter how exhausted she was.

The importance of self-esteem was something our mother tried to instill in us because she struggled with it all her life. It didn’t come easy to us either, but her infinite faith in us gave us the confidence to believe in ourselves, which has been a driving factor in our success. A feminist before the term existed, our mother was a role model for us and many others, proving that sisters really can do it for themselves!

Like most successful businesses, Manic Panic was conceived as a solution to a problem. The idea to start our own business came from seeing the reaction people had to our trendsetting looks whenever we were out in clubs and onstage. The hip downtown crowd loved our unique punk style and wanted a place where they could buy it. Working for someone else had never really appealed to us, but we did need “day jobs” to supplement our love of the nightlife and our singing careers. Running a boutique that catered to rock and rollers and artists meant we didn’t need to start work until somewhere around noon. There was a fashion void, and we were the right gals to fill it. We knew the underground culture because we were a part of it. NYC’s East Village was the perfect location; it was the epicenter of punk. The city was almost bankrupt; there were lots of empty stores, and rent was dirt cheap!

So, along with our friend Gina Franklyn, we opened the only punk rock store in America, which was hailed by the press as the first of its kind. Soon, word of mouth spread, fans flocked, and rockers and celebrities donned their best disguises to rummage through racks of distinctive clothing (some we made ourselves), vintage stiletto shoes, fantasy hair color, cosmetics, and one-of-a-kind accessories.

SNOOKY (LEFT) AND TISH IN THEIR “COCKTAIL DANCE” COSTUMES, 1960s

SNOOKY (LEFT) AND TISH AS BUDDING ENTERTAINERS IN THEIR DANCE SCHOOL DAYS, 1960s

I CAN’T THINK OF ANY BETTER REPRESENTATION OF BEAUTY THAN SOMEONE WHO IS UNAFRAID TO BE HERSELF.

—EMMA STONE

Accidental entrepreneurs, we didn’t know what lay ahead of us. Although we had always dreamed of creating the world’s first alternative beauty line, we never envisioned it would become what it is today. When we first started Manic Panic, there were hardly any independent beauty companies, and certainly not many owned by women, and definitely none that produced, created, and conceptualized like we did. We were just doing what had always served us best: following our instincts, making something out of nothing, and being badass, independent girls doing what we loved.

Ever since we opened our doors in 1977, Manic Panic has always been a safe haven for outsiders like us, from drag queens and club kids to performers and musicians and everyone who dares to be different. Through them, their feedback, and our own years onstage, we’ve learned the importance of high-quality, long-lasting, vibrant makeup and hair products, and so have our legions of fans. That’s the magic of Manic Panic. There’s a product and color for everyone, regardless of lifestyle and background!

Over the years, countless people have told us how coloring their hair with Manic Panic has made them feel visible and given them a surge of self-confidence, allowing them to show the world their inner sparkle! One story especially dear to us is from a woman named Rose, who was in her eighties when she first colored her hair purple. She said that before she colored her hair, she felt invisible and nobody noticed or really cared to talk to her. Manic Panic Purple Haze was the gateway to her renaissance. People wanted to talk to “Purple Rose,” interact with her, take pictures with her. She even wrote a poem about Manic Panic! This bold step made her so happy in the later years of her life. When she passed away, everyone attending her service paid tribute to her by wearing purple hair.

Living in Color not only tells our story but also gives you tools and hopefully inspires you to fearlessly celebrate your own unique beauty. We’ve always believed in expressing who we are, even when it was unfashionable or even dangerous to do so. With the mainstreaming of alternative beauty and a more personalized approach to self-expression these days, there has never been a better time to simply be yourself and live unapologetically and colorfully.

“Be who you are” doesn’t mean being what the beauty industry dictates is “you,” even if it’s telling you that the trend is now to have blue hair. While we always advocate expressing your inner aurora borealis, it really doesn’t matter if your hair is purple, green, pink, or even (gasp!) a natural color! Whatever’s inside your heart and soul will shine through—all the rest is ephemeral.

To us, beauty isn’t something that can be defined by one thing, one look, or one type. Beauty is found inside and out, and the most stunning people in the world are the ones who are truly themselves.

MERMAID PARADE FIXTURE TODD KANE ROCKS A RAINBOW BEARD USING SUNSHINE, WILDFIRE, ELECTRIC LIZARD, ATOMIC TURQUOISE, AND ULTRA VIOLET.

PHOTO BY TODD KANE

OUR TINIEST BRAND AMBASSADORS, NAOMI AND ANNI OF TINY BANGS, WEAR LIE LOCKS & CLEO ROSE AND ATOMIC TURQUOISE, RESPECTIVELY, COURTESY OF THEIR MOM, KIRSTEN.

PHOTO BY MICHAEL ROBLES

We often hear from even the most seemingly conservative people that they used Manic Panic in their high school or college days. It’s quite understandable that during such a tumultuous time in every young person’s life, when we are trying to find where we fit in this world, Manic Panic would be a great coping mechanism.

“Hair may seem like a superfluous aspect of appearance, but studies show that our hair plays a central role in our identity, how we regard ourselves, as well as how we imagine we look to others,” explains Tara Wells, a motivational psychologist and professor at Barnard College. “Having control over this aspect of our appearance and liking how our hair looks is integral to our overall self-confidence and self-esteem. A change in hair color may seem superficial, but it can signify a massive transformation happening within. Changing one’s hair color can be a way of changing the game by giving you more confidence and the boost in self-esteem that comes from self-expression. A major change in appearance like hair color can signify starting a new chapter in life. For instance, after a breakup or changing jobs, it can send a message to the world that we are turning over a new leaf, starting a chapter, reinventing ourselves yet again.”




TISH AND SNOOKY WITH DENNIS DUNAWAY AT THE ANNUAL JOEY RAMONE BIRTHDAY BASH, A MEMORIAL FUND-RAISER

PHOTO BY ROGER ROCKER







SNOOKY, LINDA, AND TISH IN FRONT OF MANIC PANIC BOUTIQUE IN THE 1970s

PHOTO BY PAUL ZONE




1

THE 1970s: THE BIRTH OF PUNK ROCK AND MANIC PANIC

NOTICE THE COPYRIGHT SYMBOL ON THE SIGN. THAT’S A JEAN MICHEL BASQUIAT ORIGINAL! WE SCRAPED OFF HIS ICONIC SIGNATURE “SAMO” AFTER HE GRAFITTIED OUR SIGN. OOPS!

ORIGINAL MANIC PANIC STOREFRONT ON ST. MARKS PLACE, C. 1977




THESE SISTERS HAVE MORE INNATE SPONTANEOUS STYLE IN THEIR PINKIES THAN MOST PEOPLE GOT IN THEIR LUMBERING CORPUSES.

—LESTER BANGS

Unless you were there, it’s easy to glamorize New York City during the late 1970s as some sort of Technicolor dreamland filled with the best art, music, fashion, and beauty looks that have memorialized that decade. In reality, however, the city was often a rather unglamorous place, one that was crime-ridden, bankrupt, and grimy. Many of its residents were living in poverty and violence. Racism, drug abuse, and homophobia were daily reminders of a city divided.

Yet at the same time, it was also a magical haven for many. Struggling artists, musicians, poets, stylists, and entrepreneurs left their oppressive hometowns for a city where they could create, survive, and thrive in the midst of all the chaos. Two sisters hailing from the Bronx did just that. Hustling their way downtown to make their mark, they would breathe color not only into an entire city but also into an entire generation.

Patrice “Tish” and Eileen “Snooky” Bellomo were born in Manhattan but grew up living all over New York with their single mom. They eventually landed in the Bronx and started taking the subway to the clubs in lower Manhattan during the ’70s, often “putting on their faces” during the hour-long train ride downtown.

LEFT TO RIGHT: FAYETTE HAUSER OF THE COCKETTES, SNOOKY, TISH, AND WARHOL STAR MARIO MONTEZ (IN GREEN) ONSTAGE, PALM CASINO REVUE, 1974

“We were performing at a wacky, off-the-wall show across from CBGB,” Tish recalls of their early days.

“Between shows, we’d run across the Bowery in our skimpy ‘showgirl’ costumes, which were actually recycled dance school costumes, minus the tutus, from our junior high school days. Traffic would stop! We’d do a quick guest appearance with Andy Warhol star Eric Emerson and the Magic Tramps, and then run back for the second show.

“Glamour was always much more important than warmth, and we’d never be dressed appropriately, especially in winter. On the coldest winter nights we’d often be in tight sequined dresses, fishnets, spike-heeled shoes, and tiny jackets. ‘Hathead’ was never an option. One frigid night, we were on our way from CBGB to the 82 Club with our friend Joyce Francis, who went on to become a fashion designer/acrylic artist whose work can be seen in the Victoria and Albert Museum in London. We stopped in the vestibule of Phoebe’s, one of the only restaurants on the Bowery at the time, in order to get warm before continuing on to the 82. The manager of the restaurant came out and said to us, ‘LADIES! MY business isn’t YOUR business, IF you know what I mean…’ We had no idea what he meant, and said innocently, ‘No, we don’t know what you mean…’ He repeated it again and told us we needed to move on. It dawned on us later that he thought we were, what was called in those days, streetwalkers!”

LEFT TO RIGHT: TISH, SNOOKY, FRED SMITH, JERRY NOLAN, DEBBIE HARRY, CHRIS STEIN

LEFT TO RIGHT: FRED SMITH, DEBBIE HARRY, SNOOKY, BILLY O’CONNOR, TISH, CHRIS STEIN.

PHOTOS BY BOB GRUEN

Genre:

On Sale
Oct 15, 2019
Page Count
176 pages
ISBN-13
9780762494989

Tish Bellomo

About the Author

The Bellomo sister are pioneers of the 1970 NYC punk rock scene. They founded Manic Panic in 1977 on St. Mark’s Place, while performing with the band Blondie. Forty years later, their vegan, award-winning hair dye comes in every color of the rainbow and is available all over the world. The former beauty director for NYLON magazine, Jade Taylor has written for print magazines such as Bust, L’Officiel, Tidal and Ladygunn, as well as online for Refinery29, Milk Makeup, Urban Outfitters, Sephora, and many more.

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