I Am Malala

How One Girl Stood Up for Education and Changed the World (Young Readers Edition)


By Malala Yousafzai

With Patricia McCormick

Read by Neela Vaswani

Read by Malala Yousafzai

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The bestselling memoir by Nobel Peace Prize winner Malala Yousafzai.

I Am Malala. This is my story.

Malala Yousafzai was only ten years old when the Taliban took control of her region. They said music was a crime. They said women weren’t allowed to go to the market. They said girls couldn’t go to school.

Raised in a once-peaceful area of Pakistan transformed by terrorism, Malala was taught to stand up for what she believes. So she fought for her right to be educated. And on October 9, 2012, she nearly lost her life for the cause: She was shot point-blank while riding the bus on her way home from school.

No one expected her to survive.

Now Malala is an international symbol of peaceful protest and the youngest ever Nobel Peace Prize winner. In this Young Readers Edition of her bestselling memoir, which has been reimagined specifically for a younger audience and includes exclusive photos and material, we hear firsthand the remarkable story of a girl who knew from a young age that she wanted to change the world — and did.

Malala’s powerful story will open your eyes to another world and will make you believe in hope, truth, miracles and the possibility that one person — one young person — can inspire change in her community and beyond.


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Before the Taliban


As Free as a Bird

I am Malala, a girl like any other—although I do have my special talents.

I am double-jointed, and I can crack the knuckles on my fingers and my toes at will. (And I enjoy watching people squirm as I do it.) I can beat someone twice my age at arm wrestling. I like cupcakes but not candy. And I don't think dark chocolate should be called chocolate at all. I hate eggplant and green peppers, but I love pizza. I think Bella from Twilight is too fickle, and I don't understand why she would choose that boring Edward. As my girlfriends in Pakistan and I say, he doesn't give her any lift.

Now, I don't care much for makeup and jewelry, and I'm not a girly girl. But my favorite color is pink, and I do admit I used to spend a lot of time in front of the mirror playing with my hair. And when I was younger, I tried to lighten my skin with honey, rose water, and buffalo milk. (When you put milk on your face, it smells very bad.)

I say that if you check a boy's backpack, it will always be a mess, and if you check his uniform, it will be dirty. This is not my opinion. This is just a fact.

I am a Pashtun, a member of a proud tribe of people spread across Afghanistan and Pakistan. My father, Ziauddin, and my mother, Toor Pekai, are from mountain villages, but after they married, they relocated to Mingora, the largest city in the Swat Valley, which is in northwest Pakistan, where I was born. Swat was known for its beauty, and tourists came from all over to see its tall mountains, lush green hills, and crystal-clear rivers.

I'm named for the great young Pashtun heroine Malalai, who inspired her countrymen with her courage.

But I don't believe in fighting—even though my fourteen-year-old brother, Khushal, annoys me to no end. I don't fight with him. Rather, he fights with me. And I agree with Newton: For every action, there is an equal and opposite reaction. So I guess you could say that when Khushal fights with me, I oblige him. We argue over the TV remote. Over chores. Over who's the better student. Over who ate the last of the Cheesy Wotsits. Over whatever you can think of.

My ten-year-old brother, Atal, annoys me less. And he is quite good at chasing down the cricket ball when we kick it out of bounds. But he does make up his own rules sometimes.

When I was younger and these brothers started coming along, I had a little talk with God. God, I said, you did not check with me before sending these two. You didn't ask how I felt. They are quite inconvenient sometimes, I told God. When I want to study, they make a terrible racket. And when I brush my teeth in the morning, they bang on the bathroom door. But I have made my peace with these brothers. At least with a pair of them, we can play a cricket match.

At home in Pakistan, the three of us ran like a pack of rabbits, in and out of the alleys around our house; we played a chasing game like tag, another game called Mango, Mango, a hopscotch game we called Chindakh (meaning "Frog"), and Thief and Police. Sometimes we rang the bell at someone else's house, then ran away and hid. Our favorite, though, was cricket. We played cricket day and night in the alley by our house or up on our roof, which was flat. If we couldn't afford a proper cricket ball, we made one out of an old sock stuffed with rubbish; and we drew wickets on the wall in chalk. Because Atal was the youngest, he would be sent to fetch the ball when it sailed off the roof; sometimes he grabbed the neighbors' ball while he was at it. He'd return with a cheeky grin and a shrug. "What's wrong?" he'd say. "They took our ball yesterday!"

But boys are, well, boys. Most of them are not as civilized as girls. And so, if I wasn't in the mood for their boyish ways, I'd go downstairs and knock on the wall between our house and Safina's. Two taps, that was our code. She'd tap in reply. I'd slip aside a brick, opening a hole between our houses, and we'd whisper back and forth. Sometimes we'd go over to one house or the other, where we'd watch our favorite TV show, Shaka Laka Boom Boom—about a boy with a magic pencil. Or we'd work on the little shoebox dolls we were making out of matchsticks and bits of fabric.

Safina was my playmate from the time I was about eight. She's a couple of years younger than me, but we were very close. We sometimes copied each other, but one time I thought she had gone too far, when my favorite possession—my only toy, a pink plastic cell phone my father had given me—went missing.

That afternoon, when I went to play with Safina, she had an identical phone! She said it was hers; she said she'd bought it at the bazaar. Well, I didn't believe her, and I was too angry to think straight. So when she wasn't looking, I took a pair of her earrings. The next day, a necklace. I didn't even like these trinkets, but I couldn't stop myself.

A few days later I came home to find my mother so upset she wouldn't look at me. She had found the stolen trinkets in my small cupboard and had returned them. "Safina stole from me first!" I cried. But my mother was unmoved. "You are older, Malala. You should have set a good example." I went to my room, drenched in shame. But it was the long wait for my father to come home that was worse. He was my hero—brave and principled—and I was his jani. He would be so disappointed in me.

But he didn't raise his voice or scold me. He knew I was being so hard on myself already that he had no need to reprimand me. Instead, he consoled me by telling me about the mistakes great heroes had made when they were children. Heroes like Mahatma Gandhi, the great pacifist, and Mohammad Ali Jinnah, the founder of Pakistan. He relayed a saying from a story his father used to tell him: "A child is a child when he's a child, even if he's a prophet."

I thought of our Pashtunwali code, which governs how we Pashtuns live. One part of that code is badal—a tradition of revenge—where one insult must be answered by another, one death by another, and on and on it goes.

I had had my taste of exacting revenge. And it was bitter. I vowed then that I would never partake in badal.

I apologized to Safina and her parents. I hoped Safina would apologize, too, and return my phone. But she didn't say a thing. And, as difficult as it was to keep my new vow, I didn't mention my suspicion concerning the whereabouts of my phone.

Safina and I quickly got back to being friends, and we and all the neighborhood children were back at our running and chasing games. At that time, we lived in a part of town far from the city center. Behind our house was a grassy lot scattered with mysterious ruins—statues of lions, broken columns of an old stupa, and hundreds of enormous stones that looked like giant umbrellas—where, in the summer, we played parpartuni, a game of hide-and-seek. In the winter, we made snowmen until our mothers called us in for a cup of hot milky tea and cardamom.

For as long as I can remember, our house had been full of people: neighbors, relatives, and friends of my father's—and a never-ending stream of cousins, male and female. They came from the mountains where my parents grew up or they came from the next town over. Even when we moved from our tiny first house and I got my "own" bedroom, it was rarely my own. There always seemed to be a cousin sleeping on the floor. That's because one of the most important parts of the Pashtunwali code is hospitality. As a Pashtun, you always open your door to a visitor.

My mother and the women would gather on our veranda at the back of the house and cook and laugh and talk about new clothes, jewelry, and other ladies in the neighborhood, while my father and the men would sit in the men's guest room and drink tea and talk politics.

I would often wander away from the children's games, tiptoe through the women's quarters, and join the men. That, it seemed to me, was where something exciting and important was happening. I didn't know what it was, exactly, and I certainly didn't understand the politics, but I felt a pull to the weighty world of the men. I would sit at my father's feet and drink in the conversation. I loved to hear the men debate politics. But mostly I loved sitting among them, hypnotized by this talk of the big world beyond our valley.

Eventually I'd leave the room and linger awhile among the women. The sights and sounds in their world were different. There were gentle, confiding whispers. Tinkling laughter sometimes. Raucous, uproarious laughter sometimes. But most stunning of all: The women's headscarves and veils were gone. Their long dark hair and pretty faces—made up with lipstick and henna—were lovely to see.

I had seen these women nearly every day of my life observing the code of purdah, where they cover themselves in public. Some, like my mother, simply draped scarves over their faces; this is called niqab. But others wore burqas, long, flowing black robes that covered the head and face, so people could not even see their eyes. Some went so far as to wear black gloves and socks so that not a bit of skin was showing. I'd seen the wives be required to walk a few paces behind their husbands. I'd seen the women be forced to lower their gaze when they encountered a man. And I'd seen the older girls who'd been our playmates disappear behind veils as soon as they became teenagers.

But to see these women chatting casually—their faces radiant with freedom—was to see a whole new world.

I was never much of a hand around the kitchen—I'll admit that I tried to get out of chopping vegetables or cleaning dishes whenever I could—so I didn't linger there long. But as I ran off, I'd always wonder how it felt to live in hiding.

Living under wraps seemed so unfair—and uncomfortable. From an early age, I told my parents that no matter what other girls did, I would never cover my face like that. My face was my identity. My mother, who is quite devout and traditional, was shocked. Our relatives thought I was very bold. (Some said rude.) But my father said I could do as I wished. "Malala will live as free as a bird," he told everyone.

So I would run to rejoin the children. Especially when it was time for the kite-flying contests—where the boys would skillfully try to cut their competitors' kite strings. It was an exciting game, full of unpredictable escapes and plunges. It was beautiful, and also a bit melancholy for me to see the pretty kites sputter to the ground.

Maybe it was because I could see a future that would be cut down just like those kites—simply because I was a girl. Despite what my father said, I knew that as Safina and I got older, we'd be expected to cook and clean for our brothers. We could become doctors because female doctors were needed to care for female patients. But we couldn't be lawyers or engineers, fashion designers or artists—or anything else we dreamed of. And we wouldn't be allowed to go outside our homes without a male relative to accompany us.

As I watched my brothers run up to the roof to launch their kites, I wondered how free I could ever really be.

But I knew, even then, that I was the apple of my father's eye. A rare thing for a Pakistani girl.

When a boy is born in Pakistan, it's cause for celebration. Guns are fired in the air. Gifts are placed in the baby's cot. And the boy's name is inscribed on the family tree. But when a girl is born, no one visits the parents, and women have only sympathy for the mother.

My father paid no mind to these customs. I've seen my name—in bright blue ink—right there among the male names of our family tree. Mine was the first female name in three hundred years.

Throughout my childhood, he sang me a song about my famous Pashtun namesake. "O Malalai of Maiwand," he'd sing. "Rise once more to make Pashtuns understand the song of honor. Your poetic words turn worlds around. I beg you, rise again." When I was young, I didn't understand what any of this meant. But as I grew up, I understood that Malalai was a hero and a role model, and I wanted to learn something from her.

And when I started learning to read at age five, my father would brag to his friends. "Look at this girl," he'd say. "She is destined for the skies!" I pretended to be embarrassed, but my father's words of praise have always been the most precious thing in the world to me.

I was far luckier than most girls in one other way, too: My father ran a school. It was a humble place with nothing more than blackboards and chalk—and it was right next to a smelly river. But to me it was a paradise.

My parents tell me that even before I could talk, I would toddle into the empty classrooms and lecture. I delivered lessons in my own baby talk. Sometimes I'd get to sit in on classes with the older children, in awe as I listened to everything they were being taught. As I grew, I longed to wear the uniforms I saw the big girls wearing when they arrived each day: shalwar kamiz—a long deep blue tunic and loose white pants—and white headscarf.

My father started the school three years before I was born, and he was teacher, accountant, and principal—as well as janitor, handyman, and chief mechanic. He climbed up the ladder to change the lightbulbs and down the well when the pump broke. When I saw him disappear down that well, I wept, thinking he would never come back. Although I didn't understand it at the time, I know now that there was never enough money. After paying the rent and salaries, there was not much left for food, so we often had little for dinner. But the school had been my father's dream, and we were all happy to be living it.

When it was finally time for me to go to classes, I was so excited I could hardly contain myself. You could say I grew up in a school. The school was my world, and my world was the school.



Every spring and fall, during the holidays of Big Eid and Small Eid, my family visited one of my favorite places on earth: Shangla, the mountain village where my parents grew up. Laden with presents for our relatives—embroidered shawls, boxes of rose and pistachio sweets, and medicines they couldn't get in the village—we'd go to the Mingora bus station and see just about everybody else in town all crowded together and waiting for the Flying Coach.

We'd stack our gifts—along with the sacks of flour and sugar, blankets, and trunks that other families were taking—on top of the bus in a great towering pile. Then we all crammed inside for the four-hour trip up winding, rutted roads to the mountains. For the first quarter of the journey, the road was a series of zigs and zags that followed the Swat River on one side and hugged sheer cliffs on the other. My brothers took great pleasure in pointing out the wreckage of vehicles that had fallen into the valley below.

The Flying Coach would climb higher and higher, until the air turned cool and crisp. Eventually we saw nothing but mountain after mountain. Mountain, mountain, mountain, and just a sliver of sky.

Many of the people in Shangla were very poor and did not have modern facilities, such as hospitals and markets, but our family always put on a huge feast for us when we arrived. A feast that was especially welcome at Small Eid, which marks the end of a month of daytime fasting for Ramadan. There were bowls of chicken and rice, spinach and lamb, big crunchy apples, pretty yellow cakes, and big kettles of sweet milky tea.

Even when I was only seven or eight, I was considered a sophisticated city girl, and sometimes my cousins teased me because I didn't like to go barefoot and I wore clothes bought at the bazaar, not homemade like theirs. I had a city accent and spoke city slang, so they thought I was modern. If only they knew. People from real cities like Peshawar or Islamabad would have thought me very backward.

When I was in the village, though, I lived the life of a country girl. In the morning, I got up when the rooster crowed or when I heard the clatter of dishes as the women downstairs made breakfast for the men. Then all the children spilled out of the houses to greet the day. We ate honey straight from the hive and green plums sprinkled with salt. None of us had any toys or books, so we played hopscotch and cricket in a gully.

In the afternoon the boys would go off fishing while we girls went down to a stream to play our favorite game: Wedding. We would choose a bride and then prepare her for the ceremony. We draped her in bangles and necklaces and painted her face with makeup and her hands with henna. Once she was ready to be given to the groom, she would pretend to cry, and we would stroke her hair and tell her not to worry. Sometimes we would fall down laughing.

But life for the women in the mountains was not easy. There were no proper shops, no universities, no hospitals or female doctors, no clean water or electricity from the government. Many of the men had left the villages to work on road crews and in mines far, far away, sending money home when they could. Sometimes the men never made it back.

The women of the village also had to hide their faces whenever they left their homes. And they could not meet or speak to men who were not their close relatives. None of them could read. Even my own mother, who'd grown up in the village, couldn't read. It is not at all uncommon for women in my country to be illiterate, but to see my mother, a proud and intelligent woman, struggle to read the prices in the bazaar was an unspoken sadness for both of us, I think.

Many of the girls in the village—including most of my own cousins—didn't go to school. Some fathers don't even think of their daughters as valued members of their families, because they'll be married off at a young age to live with their husband's family. "Why send a daughter to school?" the men often say. "She doesn't need an education to run a house."

I would never talk back to my elders. In my culture, one must never disrespect one's elders—even if they are wrong.

But when I saw how hard these women's lives were, I was confused and sad. Why were women treated so poorly in our country?

I asked my father this, and he told me that life was even worse for women in Afghanistan, where a group called the Taliban had taken over the country. Schools for girls had been burned to the ground, and all women were forced to wear a severe form of burqa, a head-to-toe veil that had only a tiny fabric grille for their eyes. Women were banned from laughing out loud or wearing nail polish, and they were beaten or jailed for walking without a male family member.

I shuddered when he told me such things and thanked God that I lived in Pakistan, where a girl was free to go to school.

It was the first time I'd heard of the Taliban. What I didn't realize was that they weren't only in Afghanistan. There was another group in Pakistan, not far away in the tribal belt (known as the FATA). Some of them were Pashtuns, like us, and they would soon come to cast a dark shadow over my sunny childhood.

But my father told me not to worry. "I will protect your freedom, Malala," he said. "Carry on with your dreams."


A Magic Pencil

By the time I was eight years old, my father had more than eight hundred students and three campuses—an elementary division and two high schools, one for boys and one for girls—so our family finally had enough money to buy a TV. That's when I became obsessed with owning a magic pencil. I got the idea from Shaka Laka Boom Boom, the show Safina and I watched after school. It was about a boy named Sanju, who could make anything real by drawing it. If he was hungry, he drew a bowl of curry, and it appeared. If he was in danger, he drew a policeman. He was a little hero, always protecting people who were in danger.

At night I would pray, God, please give me Sanju's pencil. I won't tell anyone. Just leave it in my cupboard. I will use it to make everyone happy. As soon as I finished praying, I would check the drawer. But the pencil was never there.

One afternoon the boys weren't home and my mother asked me to throw away some potato peels and eggshells. I walked to the dump, just a block or so from our house, wrinkling my nose as I got close, swatting away flies, and making sure I didn't step on anything in my nice shoes. If only I had Sanju's magic pencil. I would erase it all: the smell, the rats, the giant mountain of rotting food. As I tossed our rubbish onto the heap, I saw something move. I jumped.

It was a girl my age. Her hair was matted and her skin was covered in sores. She was sorting rubbish into piles, one for cans, one for bottles. Nearby, boys were fishing in the pile for metal using magnets on strings. I wanted to talk to them, but I was scared.

Later that day, when my father returned home, I told him about the children at the dump and dragged him to see them. He spoke gently to the children, but they ran away. I asked him why they weren't in school. He told me that these children were supporting their families, selling whatever they found for a few rupees; if they went to school, their families would go hungry. As we walked back home, I saw tears on his cheek.

I believe there is something good for every evil, that every time there's a bad person, God sends a good one. So I decided it was time to talk to God about this problem. Dear God, I wrote in a letter. Did you know there are children who are forced to work in the rubbish heap? I stopped. Of course he knew! Then I realized that it was his will that I had seen them. He was showing me what my life might be like if I couldn't go to school.

Until then, I had believed a magic pencil could change the world. Now I knew I would have to do something. I didn't know what it was. But I asked God for the strength and courage to make the world a better place. I signed my letter, rolled it up, tied it to a piece of wood, placed a dandelion on top, and floated it in a stream that flows into the Swat River. Surely God would find it there.


On Sale
Aug 19, 2014
Hachette Audio

Malala Yousafzai

About the Author

Malala Yousafzai is a cofounder and board member of Malala Fund. Malala began her campaign for education at age eleven, when she anonymously blogged for BBC Urdu about life under the Taliban in Pakistan's Swat Valley. Inspired by her father's activism, Malala soon began advocating publicly for girls' education, attracting international media attention and awards. At age fifteen, she was attacked by the Taliban for speaking out. Malala recovered in the United Kingdom and continued her fight for girls. In 2013, she founded Malala Fund with her father, Ziauddin. A year later, Malala received the Nobel Peace Prize in recognition of her efforts to see every girl complete twelve years of free, safe, and quality education. She is a graduate of Oxford University, with a degree in philosophy, politics, and economics. Malala's books include I Am Malala: How One Girl Stood Up for Educationand Changed the World, We Are Displaced, and Malala's Magic Pencil

Mariam Quraishi is an illustrator and designer based in New York City. A graduate of the Rhode Island School of Design, she works in watercolor and gouache. When she’s not thinking about books you can find her day dreaming about the flowers from her hometown in Karachi, Pakistan  and tending to her many orchid plants. Mariam is also the illustrator of the picture book ONE WISH: Fatima Al-Fihri and the World’s Oldest University. You can visit her online at mariamquraishi.com. 


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