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By Libba Bray
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Evangeline O’Neill has been exiled from her boring old hometown and sent off to the bustling streets of New York City–and she is ecstatic. It’s 1926, and New York is filled with speakeasies, Ziegfeld girls, and rakish pickpockets. The only catch is that she has to live with her uncle Will and his unhealthy obsession with the occult. Evie worries he’ll discover her darkest secret: a supernatural power that has only brought her trouble so far.
When the police find a murdered girl branded with a cryptic symbol and Will is called to the scene, Evie realizes her gift could help catch a serial killer. As Evie jumps headlong into a dance with a murderer, other stories unfurl in the city that never sleeps. And unknown to all, something dark and evil has awakened….
Table of Contents
A Sneak Peek of Lair of Dreams
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A LATE-SUMMER EVENING
In a town house at a fashionable address on Manhattan's Upper East Side, every lamp blazes. There's a party going on—the last of the summer. Out on the terrace overlooking Manhattan's incandescent skyline, the orchestra takes a much-needed break. It's ten thirty. The party has been on since eight o'clock, and already the guests are bored. Fashionable debutantes in pastel chiffon party dresses wilt into leather club chairs like frosted petits fours melting under the July sun. A cocky Princeton sophomore wants his friends to head down to Greenwich Village with him, to a speakeasy he heard about from a friend of a friend.
The hostess, a pretty and spoiled young thing, notes her guests' restlessness with a sense of alarm. It is her eighteenth birthday, and if she doesn't do something to raise this party from the dead, it will be the talk for days to come that her gathering was as dull as a church social.
Raising from the dead.
The weekend before, she'd been forced to go antiquing upstate with her mother—an absolutely hideous chore, until they came upon an old Ouija board. Ouija boards are all the rage; psychics have claimed to receive messages and warnings from the other side using Mr. Fuld's "talking board." The antiques dealer fed her mother a line about how it had come to him under mysterious circumstances.
"They say it's still haunted by restless spirits. But perhaps you and your sister could tame it?" he'd said with over-the-top flattery; naturally, her mother lapped it up, which resulted in her paying too much for the thing. Well, she'd make her mother's mistake pay off for her now.
The hostess races for the hall closet and signals to the maid. "Do be a darling and get that down for me."
The maid retrieves the board with a shake of her head. "You oughtn't to be messing with this board, Miss."
"Don't be silly. That's primitive."
With a zippy twirl worthy of Clara Bow, the hostess bursts into the formal living room holding the Ouija board. "Who wants to commune with the spirits?" She giggles to show that she doesn't take it seriously in the least. After all, she's a thoroughly modern girl—a flapper, through and through.
The wilted girls spring up from their club chairs. "What've you got there? Is that a wee-gee board?" one of them asks.
"Isn't it darling? Mother bought it for me. It's supposed to be haunted," the hostess says and laughs. "Well, I don't believe that, naturally." The hostess places the heart-shaped planchette in the middle of the board. "Let's conjure up some fun, shall we?"
Everyone gathers 'round. George angles himself into the spot beside her. He's a Yale man and a junior. Many nights, she's lain awake in her bedroom, imagining her future with him. "Who wants to start?" she asks, positioning her fingers close to his.
"I will," a boy in a ridiculous fez announces. She can't remember his name, but she's heard he has a habit of inviting girls into his rumble seat for a petting party. He closes his eyes and places his fingers on the scryer. "A question for the ages: Is the lady to my right madly in love with me?"
The girls squeal and the boys laugh as the planchette slowly spells out Y-E-S.
"Liar!" the lady in question scolds the heart-shaped scrying piece with its clear glass oracle.
"Don't fight it, darling. I could be yours on the cheap," the boy says.
Now spirits are high; the questions grow bolder. They're drunk on gin and good times and the silly distraction of the fortune-telling. Every mornin', every evenin', ain't we got fun?
"Say, let's summon a real spirit," George challenges.
A knot of excitement and unease twists in the hostess's gut. The antiques dealer had cautioned against doing just this. He warned that spirits called forth must also be put back to rest by breaking the connection, saying good-bye. But he was out to make a buck with a story, and besides, it's 1926—who believes in haunts and hobgoblins when there are motorcars and aeroplanes and the Cotton Club and men like Jake Marlowe making America first through industry?
"Don't tell me you're scared." George smirks. He has a cruel mouth. It makes him all the more desirable.
"Scared of what?"
"That we'll run out of gin!" the boy in the fez jokes, and everyone laughs.
George whispers low in her ear, "I'll keep you safe." His hand is on her back.
Oh, surely this is the most glorious night in existence!
"We summon now the spirit of this board to heed our call and tell us our fortunes true!" the hostess says with great intonation broken by giggles. "You must obey, spirit!"
There is a moment's pause, and then the planchette begins its slow migration across the scarred board's gothic black alphabet, spelling out a word.
"That's the spirit," someone quips.
"What is your name, o great spirit?" the hostess insists.
The planchette moves quickly.
George raises an eyebrow mischievously. "Say, I like the sound of that. What makes you so naughty, old sport?"
"See what? What are you up to, o naughty one?"
"I want to dance! Let's go uptown to the Moonglow," one of the girls, a pouty drunk, slurs. "When's the band comin' back, anyway?"
"In a minute. Don't have kittens," the hostess says with a smile and a laugh, but there's warning in both. "Let's try another question. Do you have any prophecy for us, Naughty John? Any fortune-telling?" She casts a sly glance at George.
The scryer remains still.
"Do tell us something else, won't you?"
Finally, there is movement on the board. "I… will… teach… you… fear," the hostess reads aloud.
"Sounds like the headmaster at Choate," the boy in the fez teases. "How will you do that, old sport?"
"What does that mean?" the drunken girl whispers. She backs away slightly.
"It doesn't mean anything. It's gibberish." The hostess scolds her guest, but she feels afraid. She turns on the boy with the reputation for trouble. "You're making it say that!"
"I didn't. I swear!" he says, crossing his heart with his index finger.
"Why are you here, old sport?" George asks the board.
The planchette moves so quickly they can barely keep up.
"Stop it this instant!" the hostess shouts.
W-H-O-R-E-W-H-O-R-E-W-H-O-R-E the piece repeats. The bright young things remove their fingers, but the piece continues to move.
"Make it stop, make it stop!" one girl screeches, and even the jaded boys pale and move back.
"Stop, spirit! I said stop!" the hostess shouts.
The planchette falls still. The party guests glance at one another with wild eyes. In the other room, the band members return to their instruments and strike up a hot dance number.
"Oh, hallelujah! Come on, baby. I'll teach you to dance the Black Bottom." The drunken girl struggles to her feet and pulls the boy in the fez after her.
"Wait! We have to spell out good-bye on the board! That's the proper ritual!" the hostess pleads as her guests desert her.
George slips his arm around her waist. "Don't tell me you're afraid of Naughty John."
"You know it was the old boy," he says, his breath tickling her ear sweetly. "He has his tricks. You know how that sort is."
She does know how that sort is. It was probably that wretched boy all along, playing them for fools. Well, she is nobody's fool. She is eighteen now. Life will be an endless swirl of parties and dances. Night or daytime, it's all playtime. Ain't we got fun? Her earlier fears have been put to bed. Her party looks like it will rage into the night. The carpets have been rolled up, and her guests dance full out. Long strands of pearls bounce against drop-waist dresses. Spats strike defiantly at the wood floors. Arms thrust out, pushing against the air—all of it like some feverish Dadaist painting come to life.
The hostess stashes the board in the cupboard, where it will soon be forgotten, and races toward the parlor with its bright electric lights—Mr. Edison's modern marvel—and joins the last party of the summer without a care.
Outside, the wind lingers for a moment at those lighted windows; then, with a gusty burst of energy, it takes its leave and scuttles down the sidewalks. It twines itself briefly around the cloche hats of two fashionable young ladies gossiping about the tragic death of Rudolph Valentino as they walk a poodle along the East River. It moves on, down neon-drenched canyons, over the elevated train as it rattles above Second Avenue, shaking the windows of the poor souls trying to sleep before morning comes—morning with its taxi horns, trolley cars, and trains; the bootblacks buffing the wingtips of businessmen in Union Square; the newsies hawking the day's headlines in Times Square; the telephone operators gazing longingly at the new shawl-collar coats tempting them from store windows; the majestic skyscrapers rising over it all like gleaming steel, brick, and glass gods.
The wind idles briefly before a jazz club, listening to this new music punctuating the night. It thrills to the bleat of horns, the percussive piano strides born of blues and ragtime, the syncopated rhythms that echo the jagged excitement of the city's skyline.
On the Bowery, in the ornate carcass of a formerly grand vaudeville theater, a dance marathon limps along. The contestants, young girls and their fellas, hold one another up, determined to make their mark, to bite back at the dreams sold to them in newspaper advertisements and on the radio. They have sores on their feet but stars in their eyes. Farther uptown, the Great White Way, named for the blinding incandescence of its theater lights, empties of its patrons. Some stage-door Johnnies wait in the alleys, hoping for a glimpse of the glamorous chorus girls or for a chance at an autograph from one of Broadway's many stars. It is a time of celebrity, of fame and fortune and grasping, and the young burn with secret ambition.
The wind takes it all in with indifference. It is only the wind. It will not become a radio star or a captain of industry. It will not run for office or fall in love with Douglas Fairbanks or sing the songs of Tin Pan Alley, songs of longing and regret and good times (ain't we got fun?). And so it travels on, past the slaughterhouses on Fourteenth Street, past the unfortunates selling themselves in darkened alleys. Nearby, Lady Liberty hoists her torch in the harbor, a beacon to all who come to these shores to escape persecution or famine or hopelessness. For this is the land of dreams.
The wind swoops over the tenements on Orchard Street, where some of those starry-eyed dreams have died and yet other dreams are being born into squalor and poverty, an uphill climb. It gives a slap to the laundry stretched on lines between tenements, over dirty, broken streets where, even at this hour, hungry children scour the bins for food. The wind has existed forever. It has seen much in this country of dreams and soap ads, old horrors and bloodshed. It has played mute witness to its burning witches, and has walked along a Trail of Tears; it has seen the slave ships release their human cargo, blinking and afraid, into the ports, their only possession a grief they can never lose. The wind was there when President Lincoln fell to an assassin's bullet. It smelled of gunpowder at Antietam. It ran with the buffalo and touched tentative fingers to the tall black hats of Puritans. It has carried shouts of love, and it has dried tears to salt tracks on more faces than it can number.
The wind skitters down the Bowery and swoops up the West Side, home of Irish gangs like the Dummy Boys, who ride horseback along Ninth Avenue to warn the bootleggers. It swoops along the mighty Hudson River, past the vibrant nightlife of Harlem with its great thinkers, writers, and musicians, until it comes to rest outside the ruin of an old mansion. Moldering boards cover the broken windows. Rubbish clogs the gutter out front. Once upon a time, the house was home to an unspeakable evil. Now it is a relic of a bygone era, forgotten in the shadow of the city's growth and prosperity.
The door creaks on its hinges. The wind enters cautiously. It creeps down narrow hallways that twist and turn in dizzying fashion. Diseased rooms, rotted with neglect, branch off left and right. Doors open onto brick walls. A trapdoor gives way to a chute that empties into a vast subterranean chamber of horrors and an even more terrifying room. It stinks still: of blood, urine, evil, and a fear so dark it has become as much a part of the house as the wood and nails and rot.
Something stirs in the deep shadows, something terrible, and the wind, which knows evil well, shrinks from this place. It flees toward the safety of those magnificent tall buildings that promise the blue skies, nothing but blue skies, of the future, of industry and prosperity; the future, which does not believe in the evil of the past. If the wind were a sentinel, it would send up the alarm. It would cry out a warning of terrors to come. But it is only the wind, and it knows well that no one listens to its cries.
Deep in the cellar of the dilapidated house, a furnace comes to life with a death rattle like the last bitter cough of a dying man laughing contemptuously at his fate. A faint glow emanates from that dark, foul-smelling earthen tomb. Yes, something moves again in the shadows. A harbinger of much greater evil to come. Naughty John has come home. And he has work to do.
EVIE O'NEILL, ZENITH, OHIO
Evie O'Neill pressed the sagging ice bag to her throbbing forehead and cursed the hour. It was noon, but it might as well be six in the morning for the pounding in her skull. For the past twenty minutes, her father had been beating his gums at her about last night's party at the Zenith Hotel. Her drinking had been mentioned several times, along with the unfortunate frolic in the town fountain. And the trouble that came between, of course. It was gonna be a real beast of a day, and how. Her head beat out requirements: Water. Aspirin. Please stop talking.
"Your mother and I do not approve of drinking. Have you not heard of the Eighteenth Amendment?"
"Prohibition? I drink to its health whenever I can."
"Evangeline Mary O'Neill!" her mother snapped.
"Your mother is secretary of the Zenith Women's Temperance Society. Did you think about that? Did you think about how it might look if her daughter were found carousing drunk in the streets?"
Evie slid her bruised eyeballs in her mother's direction. Her mother sat stiff-backed and thin-lipped, her long hair coiled at the nape of her neck. A pair of spectacles—"cheaters," the flappers called them—sat at the end of her nose. The Fitzgerald women were all petite, blue-eyed, blond, and hopelessly nearsighted.
"Well?" her father thundered. "Do you have something to say?"
"Gee, I hope I won't need cheaters someday," Evie muttered.
Evie's mother responded with a weary sigh. She'd grown smaller and more worn since James's death, as if that long-ago telegram from the war office had stolen her soul the moment she had opened it.
"You young people seem to treat everything like a joke, don't you?" Her father was off and running—responsibility, civic duty, acting your age, thinking beyond tomorrow. She knew the refrain well. What Evie needed was a little hair of the dog, but her parents had confiscated her hip flask. It was a swell flask, too—silver, with the initials of Charles Warren etched into it. Good old Charlie, the dear. She'd promised to be his girl. That lasted a week. Charlie was a darling, but also a thudding bore. His idea of petting was to place a hand stiffly on a girl's chest like a starched doily on some maiden aunt's side table while pecking, birdlike, at her mouth. Quelle tragédie.
"Evie, are you listening to me?" Her father's face was grim.
She managed a smile. "Always, Daddy."
"Why did you say those terrible things about Harold Brodie?"
For the first time, Evie frowned. "He had it coming."
"You accused him of… of…" Her father's face colored as he stammered.
"Of knocking up that poor girl?"
"Evangeline!" Her mother gasped.
"Pardon me. 'Of taking advantage of her and leaving her in the family way.' "
"Why couldn't you be more like…" Her mother trailed off, but Evie could finish the sentence: Why couldn't you be more like James?
"You mean, dead?" she shot back.
Her mother's face crumpled, and in that moment, Evie hated herself a little.
"That's enough, Evangeline," her father warned.
Evie bowed her throbbing head. "I'm sorry."
"I think you should know that unless you offer a public apology, the Brodies have threatened to sue for slander."
"What? I will not apologize!" She stood so quickly that her head doubled its pounding and she had to sit again. "I told the truth."
"You were playing a game—"
"It wasn't a game!"
"A game that has gotten you into trouble—"
"Harold Brodie is a louse and a lothario who cheats at cards and has a different girl in his rumble seat every week. That coupe of his is pos-i-tute-ly a petting palace. And he's a terrible kisser to boot."
Evie's parents stared in stunned silence.
"Or so I've heard."
"Can you prove your accusations?" her father pressed.
She couldn't. Not without telling them her secret, and she couldn't risk that. "I will not apologize."
Evie's mother cleared her throat. "There is another option."
Evie glanced from her mother to her father and back. "I won't breeze to military school, either."
"No military school would have you," her father muttered. "How would you like to go to New York for a bit, to stay with your Uncle Will?"
"I… ah… as in, Manhattan?"
"We assumed you'd say no to the apology," her mother said, getting in her last dig. "I spoke to my brother this morning. He would take you."
He would take you. A burden lifted. An act of charity. Uncle Will must have been defenseless against her mother's guilt-ladling.
"Just for a few months," her father continued. "Until this whole situation has sorted itself out."
New York City. Speakeasies and shopping. Broadway plays and movie palaces. At night, she'd dance at the Cotton Club. Days she'd spend with Mabel Rose, dear old Mabesie, who lived in her uncle Will's building. She and Evie had met when they were nine and Evie and her mother had gone to New York for a few days. Ever since, the girls had been pen pals. In the last year, Evie's correspondence had dwindled to a note here and there, though Mabel continued to send letters consistently, mostly about Uncle Will's handsome assistant, Jericho, who was alternately "painted by the brushstrokes of angels" and "a distant shore upon which I hope to land." Yes, Mabel needed her. And Evie needed New York. In New York, she could reinvent herself. She could be somebody.
She was tempted to blurt out a hasty yes, but she knew her mother well. If Evie didn't make it seem like a punishment to be endured, like she had "learned her lesson well," she'd be stuck in Zenith, apologizing to Harold Brodie after all.
She sighed and worked up just the right amount of tears—too much and they might relent. "I suppose that would be a sensible course. Though I don't know what I'll do in Manhattan with an old bachelor uncle as chaperone and all my dear friends back here in Zenith."
"You should have thought of that before," her mother said, her mouth set in a gloating smile of moral triumph.
Evie suppressed a grin. Like shooting fish in a barrel, she thought.
Her father checked his watch. "There's a train at five o'clock. I expect you'd better start packing."
Evie and her father rode to the station in silence. Normally, riding in her father's Lincoln Boattail Roadster was a point of pride. It was the only convertible in Zenith, the pick of the lot at her father's motorcar dealership. But today she didn't want to be seen. She wished she were as inconsequential as the ghosts in her dreams. Sometimes, after drinking, she felt this way—the shame over her latest stunt twining with the clamped-down anger at the way these petty, small-town people always made her feel: "Oh, Evie, you're just too much," they'd say with a polite smile. It was not a compliment.
She was too much—for Zenith, Ohio. She'd tried at times to make herself smaller, to fit neatly into the ordered lines of expectation. But somehow, she always managed to say or do something outrageous—she'd accept a dare to climb a flagpole, or make a slightly risqué joke, or go riding in cars with boys—and suddenly she was "that awful O'Neill girl" all over again.
Instinctively, her fingers wandered to the coin around her neck. It was a half-dollar her brother had sent from "over there" during the war, a gift for her ninth birthday, the day he'd died. She remembered the telegram from the war department, delivered by poor Mr. Smith from the telegram office, who mumbled an apology as he handed it over. She remembered her mother uttering the smallest strangled cry as she sank to the floor, still clutching the yellowed paper with the heartless black type. She remembered her father sitting in his study in the dark long after he should have been in bed, a forbidden bottle of Scotch open on his desk. Evie had read the telegram later: REGRET TO INFORM YOU… PRIVATE JAMES XAVIER O'NEILL… KILLED IN ACTION IN GERMANY… SUDDEN ATTACK AT DAWN… GAVE HIS LIFE IN SERVICE TO OUR COUNTRY… SECRETARY OF WAR ASKS THAT I CONVEY HIS DEEPEST SYMPATHIES ON THE LOSS OF YOUR SON.…
They passed a horse and buggy on its way to one of the farms just outside town. It seemed quaint and out of place. Or maybe she was the thing that was out of place here.
"Evie," her father said in his soft voice. "What happened at the party, pet?"
The party. It had been swell at first. She and Louise and Dottie in their finery. Dottie had lent Evie her rhinestone headache band, and it looked so spiffy resting across Evie's soft curls. They'd enjoyed a spirited but meaningless debate about the trial of Mr. Scopes in Tennessee the year before and the whole idea that the lot of humanity was descended from apes. "I don't find it hard to believe in the slightest," Evie had said, cutting her eyes flirtatiously at the college boys who'd just sung a rousing twelfth round of "The Sweetheart of Sigma Chi." Everyone was drunk and happy. And Harold came around with his flattery.
"Hello, ma baby; hello, ma honey; hello ma Evie gal," he sang and bowed at her feet.
Harry was handsome and terribly charming and, despite what she'd said earlier, a swell kisser. If Harry liked a girl, that girl got noticed. Evie liked being noticed, especially when she was drinking. Harry was engaged-to-be-engaged to Norma Wallingford. He wasn't in love with Norma—Evie knew that—but he was in love with her bank account, and everyone knew they'd marry when he graduated from college. Still, he wasn't married yet.
"Did I tell you that I have special powers?" Evie had asked after her third drink.
Harry smiled. "I can see that."
"I am quite serious," she slurred, too tipsy not to take his dare. "I can tell your secrets simply by holding an object dear to you and concentrating on it." There were polite chuckles among the partygoers. Evie fixed them with a defiant stare, her blue eyes glittering under heavily kohled lashes. "I am pos-i-tute-ly serious."
"You're pos-i-tute-ly lit, is what you are, Evie O'Neill," Dottie shouted.
"I'll prove it. Norma, give me something—scarf, hat pin, glove."
"I'm not giving you anything. I might not get it back." Norma laughed.
Evie narrowed her eyes. "Yes, how smart you are, Norma. I am starting a collection of only right-hand gloves. It's ever so bourgeois to have two."
"Well, you certainly wouldn't want to do anything ordinary, would you, Evie?" Norma said, showing her teeth. Everyone laughed, and Evie's cheeks went hot.
"No, I leave that to you, Norma." Evie brushed her hair away from her face, but it sprang back into her eyes. "Come to think of it, your secrets would probably put us to sleep."
"Fine," Harold had said before things could get really heated. "Here's my class ring. Tell me my deep, dark secrets, Madame O'Neill."
"Brave man, giving a girl like Evie your ring-ski," someone shouted.
"Quiet, s'il vous plaît-ski!" Evie commanded with a dramatic flair to her voice. She concentrated, waiting for the object to warm in her hands. Sometimes it happened and sometimes it did not, and she hoped on the soul of Rudolph Valentino that this would be one of those times it took. Later, she'd have a headache from the effort—that was the downside to her little gift—but that's what gin was for. She'd numbed herself a bit already, anyway. Evie opened one eye a slit. They were all watching her. They were watching, and nothing was happening.
Chuckling, Harry reached for his ring. "All right, old girl. You've had your fun. Time for a little sobering up."
She wrenched her hands away. "I will uncover your secrets—just you wait and see!" There were few things worse than being ordinary, in Evie's opinion. Ordinary was for suckers. Evie wanted to be special. A bright star. She didn't care if she got the most awful headache in the history of skull-bangers. Shutting her eyes tightly, she pressed the ring against her palms. It grew much warmer, unlocking its secrets for her. Her smile spread. She opened her eyes.
"Harry, you naughty boy…"
Everyone pressed closer, interested.
Harold laughed uncomfortably. "What do you mean?"
"Room twenty-two at the hotel. That pretty chambermaid… L… El… Ella! Ella! You gave her a big wad of kale and told her to take care of it."
Norma moved closer. "What's this about, Harry?"
Harry's mouth was tight. "I'm sure I don't know what you're talking about, Evangeline. Show's over. I'll have my ring back now."
If Evie had been sober, she might have stopped. But the gin made her foolishly brave. She tsk-tsked him with her fingers. "You knocked her up, you bad boy."
"Harold, is that true?"
A Publishers Weekly Best YA Book of the YearA School Library Journal Editor's ChoiceA Kirkus Best YA Book of the YearA Top Ten Amazon Best Book of the Year for TeensA Library Journal Best YA Book for AdultsAn Andre Norton Award for Young Adult Science Fiction and Fantasy Finalist
- "The Diviners delivers an addictive and terrifying story of young New Yorkers investigating a rash of occult-based murders. Bray sustains a breathless energy throughout this ambitious series-starter, deftly evoking the exuberance of 1920s city life and the evil lurking beneath it."—Entertainment Weekly
- * "1920s New York thrums with giddy life in this gripping first in a new [series] from Printz winner Bray...The intricate plot and magnificently imagined details of character, dialogue and setting take hold and don't let go. Not to be missed."—Kirkus Reviews (starred review)
- * "The compelling and dramatic supernatural plot explores self-actualization, predestination, the secrets everyone hides, and, of course, good versus evil. An absolutely terrific read and, thankfully, the first in a planned series."—School Library Journal (starred review)
- * "The book is big and wants to be the kind of thing you can lose yourself in. Does it succeed? It's jake, baby."—Booklist (starred review)
- *Everyday moments and a romance or two help lighten the mood of this creepy, dark, twisted tale of things that go bump in the night."—VOYA (starred review)
- * "The book is engrossing, spooky, and thought-provoking."—Library Media Connection (starred review)
- " [A] lavish supernatural thriller...Wisecracking Evie is a likable heroine, and all signs point to intriguing complications and more malevolent spirits on the rise in succeeding books."—The Horn Book
- On Sale
- Sep 18, 2012
- Page Count
- 592 pages
- Little, Brown Books for Young Readers