A Novel


By Laird Hunt

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She calls herself Ash, but that’s not her real name. She is a farmer’s faithful wife, but she has left her husband to don the uniform of a Union soldier in the Civil War. Neverhome tells the harrowing story of Ash Thompson during the battle for the South. Through bloodshed and hysteria and heartbreak, she becomes a hero, a folk legend, a madwoman and a traitor to the American cause.

Laird Hunt’s dazzling novel throws a light on the adventurous women who chose to fight instead of stay behind. It is also a mystery story: why did Ash leave and her husband stay? Why can she not return? What will she have to go through to make it back home?

In gorgeous prose, Hunt’s rebellious young heroine fights her way through history, and back home to her husband, and finally into our hearts.


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I was strong and he was not, so it was me went to war to defend the Republic. I stepped across the border out of Indiana into Ohio. Twenty dollars, two salt-pork sandwiches, and I took jerky, biscuits, six old apples, fresh underthings, and a blanket too. There was a heat in the air so I walked in my shirtsleeves with my hat pulled low. I wasn't the only one looking to enlist and by and by we had ourselves a band. Farm folk cheered as we went by. Gave us food. Their best shade to stop in. Played to us on their fiddles. Everything you've heard about from the early days, even though it had already been a year since Fort Sumter, and there had already been the First Bull Run, and Shiloh had stole off its souls, and the early days were done and dead and gone.

The tenth or eleventh night on the road we drank whiskey and hollered under the stars. There was a running race. Knife throwing. Cracker-swallowing contest. Feats of strength. One of the boys tried to arm wrestle me and got the back of his hand scraped when I smacked it down. None of the others took a turn.

There was an old lady outside Vandalia fetched me up a drink of water from her well, took a long look at me as she handed it to me, and told me I needed to watch my step. No one else outside that lady saw what I was. I slept just exactly like a pine plank on that walk. I sent Bartholomew my first letter from Dayton. I sent him about the same one from Cincinnati. I wrote that I missed him fierce. I wrote that I was fierce happy too.

I gave my name as Ash Thompson down out of Darke County. "Where in Darke County?" they asked me, and I told them, even though I could see straight off they weren't listening, that where was in the northwest corner of that fine county on my Daddy's farm. After they had cracked on my teeth and whistled at my thick fingers and had me scrape my thumb calluses across the wood tabletop, they gave me my blues. A week later, when they saw I didn't mind work and hadn't run off, they handed me my firearm. It was a Model 1861 muzzle-loading Springfield rifle with flip-up sights and percussion lock, and they said you could use it to kill a man a quarter mile away. That was something to think about. How you could rifle a man down was looking at you and you at him but never see his face. I hadn't figured it that way when I had thought on it back home. I had figured it would be fine big faces firing back and forth at each other, not threads of color off at the horizon. A dance of men and not just their musket balls. There was another fellow, little bitty thing made me look tall, said something not too far off these lines aloud as we stood there staring at our Springfields.

"Don't you worry, sweetheart," said to him the officer was handing out the hardware, "you'll get so close to those rebel boys you won't know whether to kiss or kill."

We marched ragtag for several days south and came to a great camp near the river. They gave me a shovel to go with my rifle and set me to digging fresh latrines. Some already there had it in their minds my first day to strip me down and throw me in the creek, but one of the band I'd come in with said it wasn't worth the trouble I would give them if they tried it, so they picked on someone else instead. I stood on the bank and laughed with the others when they had him down to his dirty skin, but it was me who waded in when it came out he couldn't swim. I wasn't sorry after I'd fetched him, as the wet and cool settled off some of my stink. That evening I walked a ways down the creek past all the eyes and shucked off my own clothing and went back in. I'd have floated on my back a good long while but I could already see that a camp was a sprawly thing and who knew who else might have had the same idea, so I got in and out and dried and dressed back up quick.

The boys at my tent had a game of cards going when I got back and I stood awhile and watched it. In between bets they talked about all the rebel-whipping to come. They had pipes in their mouths, and cheeks still fat from their farms. I did not know what was coming any better than they did but it did not feel like a thing to rattle happy at the dark about. Still, when one of them looked up from his poor hand and asked how many rebels I planned on killing, I smiled and put my own pipe in my mouth and said I'd get my hundred. A little later after I had tended to my gun and polished my bayonet I lay under my blanket and thought about that hundred. I thought about my Bartholomew too. I thought about the hundred then I thought about Bartholomew then I fell asleep and dreamed I was floating dead as the ages in the cool waters of the creek.

We had talked on it for two months before I went. I think we both of us knew from the start where the conversation was wending but we talked on it, took it every angle, sewed at it until the stitch stayed shut. I was to go and he was to stay. There was one of us had to look to the farm and one had to go and that was him and that was me. We were about the same small size but he was made out of wool and I was made out of wire. He took the sick headache every winter and I'd never got sick one gray day in my life. He couldn't see any too well over a distance and I could shut one eye and shoot a jackrabbit out of its ears at fifty yards. He would turn away any time he could, and I never, ever backed down.

He said we didn't either one of us have to go and I said someone wasn't him had to go and represent this farm and after I put the bark on my words and said it a few times that settled up the argument. We kept it quiet. The only other person I raised up the topic with was my mother and of course she was already fine and dead. I would open the discussion with her after Bartholomew was into his snoring or when we were at different ends of the field or when it was my turn to go out to the shed and lay my cheek and shoulder against our cow. Once or twice I went out to the churchyard where I'd put her stone. Curried off its fresh slime and damp mosses and twittered at it like a bird. My mother had traveled in a train once and I told her I wanted to travel like her. Whoosh across the countryside, float the length of its long waters in a boat. I wanted, I told her, to lie under the stars and smell different breezes. I wanted to drink different waters, feel different heats. Stand with my comrades atop the ruin of old ideas. Walk forward with a thousand others. Plant my boot and steel my eye and not run.

I said all this to my dead mother, spoke it down through the dirt: there was a conflagration to come; I wanted to lend it my spark. We both of us, me and Bartholomew, knew what my mother would have said in response and so it was like she was saying it each time I asked her what she thought.

Go on. Go on and see what you got.

We had drill every day at that camp. We filled up our bags and toted our muskets and we marched long miles out into nowhere and back and we stood at attention for inspection and spent every second we stood there wishing the hot weather would turn. I finished up at drill and dug at the trenches and at any other thing required a shovel. Once it was a sinkhole for the cooks. Another time it was a row of fresh neat graves I helped dig and then fill. Boys they put in them had died of diphtheria. One or two was ones I had walked into camp with. Five-minute funerals were but one of our many fine diversions. There was stealing and drinking and fighting too. There was a little stage where they would get up farces about the officers or stories I knew well, like the little man could spin gold or that poor boy and girl who laid down their bread crumbs in the woods. I heard one fellow say that since those two got free at the end and didn't get cooked in an oven they were lucky, but there was another said, You get a scare like that put deep into you when you are young, it never comes all the way out.

Whether it does or it doesn't, we also had minstrel shows for our entertainment or actual Negroes free from bondage to dance for us or sing. There was a giant contraband they said had come up out of Tuscaloosa on an earless donkey did his song for us on a platform he had balanced on the top of a fence post. When the song was done he bowed then flipped off that platform backward and onto the ground. He did this so well the boys had him do it again. The third time, when the crowd had swelled up to almost half the regiment, he landed bad off his jump and broke his leg.

It wasn't just contraband could offer up marvels. A Mexican boy worked in the kitchen tents could play the banjo so fast his hand would vanish clear off the strings, and there was plenty said in hushed voices when it came to picking, it was only the devil on his good day had him beat. Some afternoons the officers would get up contests. The whiskey would go around on those days and the boys would run races or fight each other with their bare fists or play a kind of baseball involved old apples we didn't yet know we'd want later or climb up greased poles.

The camp was about as far away as you could gallop in a day from what you would have called a pretty place. There was torn-up pasture fields around us and half the woods cut down for timber and firewood. There was a stink out of a old storybook doing its dance on any breeze might come our way. Men blowing along their own ugly breezes went every which direction, some on horse though most on foot, and there was a little line of cannon they would fire off every now and again when there wasn't enough smoke and devil smell around to suit them. The tents were dark places, for all that the men would lay down floors and hang up likenesses and sundries from home. Sometimes there were women in the camp. But whether they were officers' wives or pot scrubbers or ladies had long ago lost their virtue, I kept clear of them.

When I'd eaten up my given share of a day I'd take up my pen to write Bartholomew. I had never written him or anyone else a letter before those days in my life and I did not much like the look of what I found I had to say. I have improved some at writing since, as you can be the judge, but I was slow at my writing back then and using my pen to make words that would still mean something after traveling so many miles seemed a strange chore. I would read through my letters before I posted them off and it seemed like I was reading the letters of a stranger to a stranger and I did not like the way this made me feel.

My Dear Bartholomew,

Dearest Bartholomew,

Bartholomew, My Handsome Friend,

Back home it was words spoke aloud or little presents and notions we would leave for each other that had done the trick. We had a game between ourselves to be the one to see the first daffodil come up in the springtime, the first tulip, the first iris cracking open the fresh purple yolk of its bloom. Whoever saw it was to pick that first one and put it out for the other to find. That spring before I left for the fight it was Bartholomew had seen the first lilac. He tied some sprigs into a little bundle with yellow thread and set it out next to my breakfast bowl. I thought on that bright bundle more than once in my writings to see if there was any fair firsts I could signal to him, but all that came into my mind were latrines and ugly bare backs set to labor and burned coffee and mealworms popping their heads out of our hard biscuits. One day on a march I did see a blue heron spear a fish bigger than its beak out of a still puddle but when I wrote it down, the heron and the fish and the puddle came out so pale I almost struck them out.

Bartholomew's letters to me were of another order altogether. He had a way of writing five words could bring all of the old world back to life. Reading his letters I could smell the early smells of autumn and hear the early autumn sounds. One time he put a bright red cardinal feather in the envelope and told about finding it "aflit at the edge of the well" into which it might have fallen forever had he not plucked it up and sent it to fly far across the world to find me. I cannot tell you quite why but that feather and his words about it flying far to find me put a tear into the corner of my eye wouldn't leave even after I had wiped it away. I wasn't the only one got my face flushed at a letter from home. Some got much worse than that. There was young boys got letters from their mothers who bawled like babies all the rest of the night. One time, I saw an old sergeant sent a pair of fresh-knit socks from his wife had to work hard to bite back the tears. A pair of fellows sitting nearby tried to tease him some but he told them if they kept it up one more minute he would stick a fork in each of their eyes.

It was that same sergeant taught us how to fix bayonets in our Springfields and stab at men made of straw and form a line and, for those that didn't know how already, shoot. I already said earlier I knew how to shoot, and fifty yards or five hundred, it wasn't much different in that camp. I could make my Springfield hit whatever it was they wanted me to wherever they wanted to put it and it didn't matter if they stood behind us while we were at it and yelled in our ears or beat to breaking on a drum. There was plenty who could march or stand longer than I could or stab straw fiercer, but it was only a few could beat me with a gun.

I wrote Bartholomew about it, and in the next letter I had from him he said that was fine and I ought to be proud but that—like we had talked about—if I didn't want the curious eyes of the entire company on me, every once in a while I needed to miss. I wrote him back that maybe it wouldn't be so awful a thing to get noticed for what I was and sent home. He wrote that he wanted me back with him more than anything on the green good earth but that I shouldn't come. That he knew I wasn't ready to come home yet, that if I didn't stay to see some of the fight I would forever be filled with the echoes of regret and the ague of remorse.

There was a fellow had his tent near ours who looked wiser than the others and I asked him after I had had this letter from Bartholomew whether he thought love ought to trump duty. "Love? What in hell is love?" said this wise-looking man and spat.

They got us what they thought was trained up enough—to where we wouldn't stab or shoot at each other too much—and we boarded paddleboats and went down the river, then got off and marched toward the fiery South. There was battles up ahead and soon as word got around that we were moving forward to make their acquaintance, the regiment commenced to bleed off a number of its boys. It wasn't anything at all to step away from the line and not come back. A kind of mud and mist covered our faces. We were unknown things that marched along with muskets. We might have done a thing or two back in the camp to get us noticed but now that camp was left behind. The sergeant had seen I could shoot hadn't come along. The boys from my band had seen me at arm wrestling weren't there. I'll confess it to you, is all I'm saying, that I thought about leaving many was the time as we marched. Despite what Bartholomew had written me about my not being ready to come home yet. Despite all I said those days to my dead mother.

"I won't run," I said to her.

You will or you won't, she said back.

"There is no storm of ice or fire can make me run," I said to her.

You will learn whether that's a lie one way or the other, she said back.

I was thinking about it, about leaving and putting the lie straight into my step, when we marched through one of those towns where they were all lined up to cheer and we saw a girl climbing a tree to look at us better. There must have been something sharp on one of the branches because her chemise got caught as she climbed and it tore right off. That brought a roar up out of all the boys around me, and the girl in the tree took the chemise that she wasn't wearing any longer and waved it at us. You could see that she was sorry, even as she waved her torn garment, that she was all of her bouncing in the breeze, and before I knew what I had done I was up the tree like it was a ladder and had taken off my jacket and wrapped it around her. I wrapped it around her, pulled it snug. "There you go, miss," I said. I said this and gave a kind of bow even up there in the tree and she looked at me, then she looked at me harder, and she saw what I was and gave a start turned her eyes from blue to green, but then another happy roar come up—this one for what I had done—from the boys below and I got down the tree and back into the line. I saw her wearing my jacket, still looking at me and pointing, but before I'd taken five or ten more breaths the company had moved on and we had left that girl behind.

That evening I stood before our Colonel, and after he had given me a week of midnight picket duty for handing away my military issue before I'd even had a chance to get shot at in it he complimented me on my tree-climbing talents and on my gallantry. He said he hadn't known they made farm boys that were acquainted with the fancy arts. He said that the world never ceased to offer him up surprises. That the world was nothing but surprises from one long end of it to the other.

"What surprises you, Private Thompson out of Darke County?" he asked me.

"Sir?" I said.

"I asked you what in this wide world of war and its thunders surprises you."

I had my answer come to me quick but still I thought a long minute or two before giving it.

"Everything, sir."

The Colonel had the habit of twisting at his mustaches. He twisted first on one side then on the other, then he nodded. He looked at my face awhile and I could tell he was seeing a tree and a jacket and some pretty young woman that wasn't me.

There was good sport on my account that evening at the fires. A boy with some skill at the guitar, an instrument I had never seen played out of doors, had already worked the episode into a tune. " 'Gallant Ash went up the tree, helped a sweet old girl along…' "

That boy didn't have the voice Bartholomew had when he was at his fiddle of an evening when we were sitting together on a straw bale under the stars but I'd heard worse. Another boy could play the bones took up with him. There was some hands clapping. Two or three got up a kind of jig that they pulled me into the middle of and made me hop and shuffle along.

When I went out later to my first night of picket, that song came with me. There was a Louisville boy on duty with me called me Gallant Ash and hummed some of it. I told him he'd better keep that name to himself but some of the others heard and took it up and then there wasn't any stopping it. Even our Colonel, when I saw him again the next day, handed it over at me to wear, so I put it on.

Wearing it the following night I shot my first man. Six or seven of them looking to harass and harry, or Lord knows what, came up out of the trees an inch or two before dawn. Half the boys on our portion of the line were nestled in the leaves and slow to rise so it was only a few of us had our muskets at the ready and fired at the blurs come running through the draw. Only one of our firearms functioned and that was mine. I got a look at the man I'd killed when his brothers had run off. He had curly dark hair and a little beard. His mouth was large and his cheekbones high. The ball had hit him just above his left breast. You could see a kind of brown bloom coming up through his light coat. He had a filthy old dressing on his left hand and fingernails could have used a trim.

Our relief came with the sun and told us to head back and report, but I stayed on a minute with the killed man. Like anyone else, I'd seen plenty of the dead, but never one I had made. I had just that morning crafted another light remark about how many rebels I aimed to account for, how many I planned to shoot and skin. We had larked on that subject every day. Some of those had already been in fights had told us that what we were most likely to do when the enemy was all lined up and aiming at us was run. But I had not run. I had fired my weapon.

"Did you see that, Mother," I whispered.

I saw it, she whispered back.

Now there I sat. I wanted to take up the dead man's head and cradle it but I did not do that and knew that that kind of a thought was another thing I was going to have to learn to kill. Some of them on relief teased me a little as I sat there my minute but I didn't pay them any mind. They hadn't killed anyone that morning. When the sun was up sufficient I saw that the dead man's open eyes were blue.

One week later, the Colonel, whose horses were off working elsewhere, had one of our lieutenants form up a party to search out a likely forward encampment and told him to take me along. It was a dozen of us then to tromp through the trees and creeks, and after living with a thousand it felt like it was just us and the birds left to populate an empty earth. We saw none of the enemy nor any two-leggers white or dark at all. We scouted a ways and struck a deserted house or three but none fit for a camp. The lieutenant had us split ourselves up then to cover more ground and after walking an hour, me and the boy I was with found what looked like the right place hiding away in the trees.

It was a pretty piece of land with a fine, bright stream to split it. There was a stone bridge could take the weight of our guns across it and a cabin for the Colonel and his officers. There was a barn still had straw in it and a big oak tree we sat under a minute to chew our apples and biscuits and a well we pulled good water up out of. Next to the well was a shed. In it we found a chain and a shackle lying open next to a declivity in the dirt floor. You could see the shackle had been shut hard awhile and probably many a time on something soft.

We might have stood on for a bit to look at this sorry spectacle but at that minute a good-size pig that hadn't long been wild come snorting by. We shot the pig, got it trussed and hung on a birch pole between us, and made our way back to the meeting point, where after many a rest we presented our pig and made our report. Turned out some of the others had found a choicer spot and that's where the regiment moved but that didn't stop a good number of us, including the Colonel, from chewing that night on fresh pork.

I wrote Bartholomew about that day and that meal in my next letter to him. I thought about some of the birds I had seen and put those down and about some of the trees and the fine construction of the bridge and the sound of the creek moving under it and included that in my letter too. The pig we had shot had squealed about as loud in its dying as a pig called Cloverleaf we once had back home and I made the comparison in my letter to Bartholomew and reckoned it was true. I read through it after I thought I had finished it enough and hadn't quite ruined up every inch of it and I was getting ready to fold it for sending when that shed came back to me. I saw the shackle and the old blood caked on the iron and gave a shudder. That shudder started somewhere down low in my back and came up through my throat and breached my mouth. There wasn't anyone alive hadn't seen someone with a shackle someplace on his body, I knew that, but there had been a bite of sorrows in that empty place made me glad to think we had found another spot and weren't going to return.

Return I did, though. The very next day the Colonel instructed me and my fellow to lead a forage party to the environs to see if we could scare up another nice piece of pork. I walked us straight there like I had the map to it written on my shirtsleeve. There was as much sun out as there had been the day before and an even better breeze. We killed another pig, and the boys I was with all thought we ought to have set our camp there but I didn't say a word. From a distance the shed, with its door hanging off one of its hinges, looked like it opened up onto a darkness would lead you, if you studied at it too closely, down to a place you would have to work hard to climb your way back up out of.

There was still plenty used my nickname, but I didn't feel any too gallant over the next coming days. I expect if any of the ladies we saw as we marched had lost her shirt to her excitement I'd have let her air out her luxuries in the breeze. Many was the time I stepped off the line to look for a bush and had to trot to catch back up. I wasn't the only one had swallowed up some swamp water at the camp we had chosen and was paying the price. None of us had any interest in squatting down in front of the others and looked to put good distance between us, but the still real prospect of one of them stumbling onto me at my business I was at every ten minutes instead of every ten hours and uncovering my secret didn't help cheer me up. It didn't cheer me up any much more either when a boy came back from his own trip to the bushes carrying a skull in his hand.

Turned out we were walking through where one of the earliest skirmishes had been and some of the fallen had gone unburied and their bones had been scattered by animals and wind. Soon as we learned this we got bones on the brain and for the next mile, green and brown and mossy white was all we could see.

"There's one over there," someone would say.

Another would call out, "There's a boot down there at the base of that tree still got some foot stuck in it."


  • "A spare, beautiful novel, so deeply about America and the language of America that its sentences seem to rise up from the earth itself. Laird Hunt had me under his spell from the first word of Neverhome to the last. Magnificent."—Paul Auster, author of The New York Trilogy and Report from the Interior
  • "In this trim epic, Penelope marches into battle while Odysseus waits behind...Neverhome succeeds largely because Constance's voice sounds so historically distant, like a foreign cousin of our own era....What a rare pleasure to spend a few hours listening to the natural poetry of that antique voice."Ron Charles, The Washington Post
  • "Rarely, a voice so compels it's as if we're furtively eaves-dropping on a whispered confession, which is how I felt reading Neverhome: I was marching alongside Ash, eager for more of her well-guarded secrets....Hunt says he was inspired by the real-life tale of Sarah Rosetta Wakeman, who disguised herself as 'Lyons Wakeman' and enlisted with the Union Army. Ash, however is entirely Hunt's own creation. His ability to evoke her demeanor and circumstances in a gorgeously written sentence or two is one of the book's many pleasures."—Karen Abbott, The New York Times Book Review
  • "In fiercely gorgeous prose, Laird Hunt's Neverhome traces the mesmerizing odyssey of a singular woman, who stretches and shimmers from these pages, and stakes a piercing claim on our hearts. You won't soon forget Ash Thompson's voice or this astonishing novel."—Paula McLain, author of The Paris Wife
  • "Laird Hunt's new novel is a beguiling and evocative story about love and loss, duty and deceit. Through the assured voice of his narrator and the subtle beauty of his writing, Neverhometook me on a journey so thoroughly engrossed that there were times the pages seemed to turn themselves."—Kevin Powers, author of The Yellow Birds
  • "[Ash's] imagination and desires are presented as truer than her portrait-a physical document that makes false declarations not only about her allegiance to a weapon, but also her identity....Hunt's page-turner is not only a gripping story of love and war, but an homage to oral histories and quelled voices."—Maddie Crum, The Huffington Post
  • "The Civil War has given us so many great literary works that I couldn't have imagined a new fictional approach that was both stunningly original and yet utterly natural, even inevitable. But this is just what Laird Hunt brilliantly delivers in his new novel. The key is his central character: in her voice, her personality, her yearning, she deeply touches our shared and enduring humanity. Neverhome is masterful work by one of our finest writers."—Robert Olen Butler, author of the Pulitzer Prize-winning A Good Scent from a Strange Mountain
  • "A masterful job of story-telling...many beautifully written passages....For all its blood and wandering, The Odyssey is a tale of triumph. Neverhome, as befits the modern age, is more ambiguous."—Patrick Reardon, The Chicago Tribune
  • "Inspired by true stories of women who fought, this plainspoken story packs firepower."—Kim Hubbard, People
  • "Hunt brings an especially bittersweet and lyrical tone to this forgotten part of Civil War history and gives to several hundred women who did indeed make the momentous decision to fight....An amazing book."—Library Journal (starred review)
  • "Hunt uses Ash's powerful voice-a mixture of insight, eloquence and rural dialect-to make the brother-against-brother nightmare of the Civil War an intimate experience for the reader....Tragedy dogs the steps of a remarkable narrator whom readers will carry in their hearts long after her final battle."—Shelf Awareness
  • "The novel's cadence is deceptively low-key-it lulls, then startles with its power-much like the miraculous Ash."—O, the Oprah Magazine
  • "The heart of the novel is Ash's voice, at once sensitive, knowing and no-nonsense."—Kirkus
  • "Even with a wide range of subjects, his writing plumbs the depths of the internal struggles we all face and the external circumstances that shape how we respond....Hunt's writing is straightforward, unadorned in its complete portrait. At no point does the story feel like one told by a man in the 21st century; it is all of a piece with the temperament and thoughts of a woman taking up arms for her country."—Matthew Tiffany, The Kansas City Star
  • "The wiry, androgynous and mysterious Hoosier of Hunt's haunting novel Neverhome pushes through its pages like a spring crocus shoot....This is mystical, transcendent storytelling full of sun and shadows, memories and dreams, in a language and syntax from another time and place. an extraordinary, original writer."—Jane Sumner, The Dallas Morning News
  • "Hunt effortlessly renders the cadences of the region and the times."—Gina Webb, The Atlanta Journal-Constitution

On Sale
Sep 9, 2014
Page Count
256 pages

Laird Hunt

About the Author

Laird Hunt is the author of The Evening Road. His previous novel, Neverhome, was a New York Times Book Review Editor’s Choice selection, an IndieNext selection, winner of the Grand Prix de Litterature Americaine and The Bridge prize, and a finalist for the Prix Femina Etranger. A resident of Boulder, CO, he is on the faculty in the creative writing PhD program at the University of Denver.

Learn more about this author