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The Cruel Prince
By Holly Black
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Of course I want to be like them. They're beautiful as blades forged in some divine fire. They will live forever.
And Cardan is even more beautiful than the rest. I hate him more than all the others. I hate him so much that sometimes when I look at him, I can hardly breathe.
Jude was seven years old when her parents were murdered and she and her two sisters were stolen away to live in the treacherous High Court of Faerie. Ten years later, Jude wants nothing more than to belong there, despite her mortality. But many of the fey despise humans. Especially Prince Cardan, the youngest and wickedest son of the High King.
To win a place at the Court, she must defy him–and face the consequences.
In doing so, she becomes embroiled in palace intrigues and deceptions, discovering her own capacity for bloodshed. But as civil war threatens to drown the Courts of Faerie in violence, Jude will need to risk her life in a dangerous alliance to save her sisters, and Faerie itself.
In Faerie, there are no fish sticks, no ketchup, no television.
I sit on a cushion as an imp braids my hair back from my face. The imp’s fingers are long, her nails sharp. I wince. Her black eyes meet mine in the claw-footed mirror on my dressing table.
“The tournament is still four nights away,” the creature says. Her name is Tatterfell, and she’s a servant in Madoc’s household, stuck here until she works off her debt to him. She’s cared for me since I was a child. It was Tatterfell who smeared stinging faerie ointment over my eyes to give me True Sight so that I could see through most glamours, who brushed the mud from my boots, and who strung dried rowan berries for me to wear around my neck so I might resist enchantments. She wiped my wet nose and reminded me to wear my stockings inside out, so I’d never be led astray in the forest. “And no matter how eager you are for it, you cannot make the moon set nor rise any faster. Try to bring glory to the general’s household tonight by appearing as comely as we can make you.”
She’s never had much patience with my peevishness. “It’s an honor to dance with the High King’s Court under the hill.”
The servants are overfond of telling me how fortunate I am, a bastard daughter of a faithless wife, a human without a drop of faerie blood, to be treated like a trueborn child of Faerie. They tell Taryn much the same thing.
I know it’s an honor to be raised alongside the Gentry’s own children. A terrifying honor, of which I will never be worthy.
It would be hard to forget it, with all the reminders I am given.
“Yes,” I say instead, because she is trying to be kind. “It’s great.”
Faeries can’t lie, so they tend to concentrate on words and ignore tone, especially if they haven’t lived among humans. Tatterfell gives me an approving nod, her eyes like two wet beads of jet, neither pupil nor iris visible. “Perhaps someone will ask for your hand and you’ll be made a permanent member of the High Court.”
“I want to win my place,” I tell her.
The imp pauses, hairpin between her fingers, probably considering pricking me with it. “Don’t be foolish.”
There’s no point in arguing, no point to reminding her of my mother’s disastrous marriage. There are two ways for mortals to become permanent subjects of the Court: marrying into it or honing some great skill—in metallurgy or lute playing or whatever. Not interested in the first, I have to hope I can be talented enough for the second.
She finishes braiding my hair into an elaborate style that makes me look as though I have horns. She dresses me in sapphire velvet. None of it disguises what I am: human.
“I put in three knots for luck,” the little faerie says, not unkindly.
I sigh as she scuttles toward the door, getting up from my dressing table to sprawl facedown on my tapestry-covered bed. I am used to having servants attend to me. Imps and hobs, goblins and grigs. Gossamer wings and green nails, horns and fangs. I have been in Faerie for ten years. None of it seems all that strange anymore. Here, I am the strange one, with my blunt fingers, round ears, and mayfly life.
Ten years is a long time for a human.
After Madoc stole us from the human world, he brought us to his estates on Insmire, the Isle of Might, where the High King of Elfhame keeps his stronghold. There, Madoc raised us—me and Vivienne and Taryn—out of an obligation of honor. Even though Taryn and I are the evidence of Mom’s betrayal, by the customs of Faerie, we’re his wife’s kids, so we’re his problem.
As the High King’s general, Madoc was away often, fighting for the crown. We were well cared for nonetheless. We slept on mattresses stuffed with the soft seed-heads of dandelions. Madoc personally instructed us in the art of fighting with the cutlass and dagger, the falchion and our fists. He played Nine Men’s Morris, Fidchell, and Fox and Geese with us before a fire. He let us sit on his knee and eat off his plate.
Many nights I drifted off to sleep to his rumbling voice reading from a book of battle strategy. And despite myself, despite what he’d done and what he was, I came to love him. I do love him.
It’s just not a comfortable kind of love.
“Nice braids,” Taryn says, rushing into my room. She’s dressed in crimson velvet. Her hair is loose—long chestnut curls that fly behind her like a capelet, a few strands braided with gleaming silver thread. She hops onto the bed beside me, disarranging my small pile of threadbare stuffed animals—a koala, a snake, a black cat—all beloved of my seven-year-old self. I cannot bear to throw out any of my relics.
I sit up to take a self-conscious look in the mirror. “I like them.”
“I’m having a premonition,” Taryn says, surprising me. “We’re going to have fun tonight.”
“Fun?” I’d been imagining myself frowning at the crowd from our usual bolt-hole and worrying over whether I’d do well enough in the tournament to impress one of the royal family into granting me knighthood. Just thinking about it makes me fidgety, yet I think about it constantly. My thumb brushes over the missing tip of my ring finger, my nervous tic.
“Yes,” she says, poking me in the side.
“Hey! Ow!” I scoot out of range. “What exactly does this plan entail?” Mostly, when we go to Court, we hide ourselves away. We’ve watched some very interesting things, but from a distance.
She throws up her hands. “What do you mean, what does fun entail? It’s fun!”
I laugh a little nervously. “You have no idea, either, do you? Fine. Let’s go see if you have a gift for prophecy.”
We are getting older and things are changing. We are changing. And as eager as I am for it, I am also afraid.
Taryn pushes herself off my bed and holds out her arm, as though she’s my escort for a dance. I allow myself to be guided from the room, my hand going automatically to assure myself that my knife is still strapped to my hip.
The interior of Madoc’s house is whitewashed plaster and massive, rough-cut wooden beams. The glass panes in the windows are stained gray as trapped smoke, making the light strange. As Taryn and I go down the spiral stairs, I spot Vivi hiding in a little balcony, frowning over a comics zine stolen from the human world.
Vivi grins at me. She’s in jeans and a billowy shirt—obviously not intending to go to the revel. Being Madoc’s legitimate daughter, she feels no pressure to please him. She does what she likes. Including reading magazines that might have iron staples rather than glue binding their pages, not caring if her fingers get singed.
“Heading somewhere?” she asks softly from the shadows, startling Taryn.
Vivi knows perfectly well where we’re heading.
When we first came here, Taryn and Vivi and I would huddle in Vivi’s big bed and talk about what we remembered from home. We’d talk about the meals Mom burned and the popcorn Dad made. Our next-door neighbors’ names, the way the house smelled, what school was like, the holidays, the taste of icing on birthday cakes. We’d talk about the shows we’d watched, rehashing the plots, recalling the dialogue until all our memories were polished smooth and false.
There’s no more huddling in bed now, rehashing anything. All our new memories are of here, and Vivi has only a passing interest in those.
She’d vowed to hate Madoc, and she stuck to her vow. When Vivi wasn’t reminiscing about home, she was a terror. She broke things. She screamed and raged and pinched us when we were content. Eventually, she stopped all of it, but I believe there is a part of her that hates us for adapting. For making the best of things. For making this our home.
“You should come,” I tell her. “Taryn’s in a weird mood.”
Vivi gives her a speculative look and then shakes her head. “I’ve got other plans.” Which might mean she’s going to sneak over to the mortal world for the evening or it might mean she’s going to spend it on the balcony, reading.
Either way, if it annoys Madoc, it pleases Vivi.
He’s waiting for us in the hall with his second wife, Oriana. Her skin is the bluish color of skim milk, and her hair is as white as fresh-fallen snow. She is beautiful but unnerving to look at, like a ghost. Tonight she is wearing green and gold, a mossy dress with an elaborate shining collar that makes the pink of her mouth, her ears, and her eyes stand out. Madoc is dressed in green, too, the color of deep forests. The sword at his hip is no ornament.
Outside, past the open double doors, a hob waits, holding the silver bridles of five dappled faerie steeds, their manes braided in complicated and probably magical knots. I think of the knots in my hair and wonder how similar they are.
“You both look well,” Madoc says to Taryn and me, the warmth in his tone making the words a rare compliment. His gaze goes to the stairs. “Is your sister on her way?”
“I don’t know where Vivi is,” I lie. Lying is so easy here. I can do it all day long and never be caught. “She must have forgotten.”
Disappointment passes over Madoc’s face, but not surprise. He heads outside to say something to the hob holding the reins. Nearby, I see one of his spies, a wrinkled creature with a nose like a parsnip and a back hunched higher than her head. She slips a note into his hand and darts off with surprising nimbleness.
Oriana looks us over carefully, as though she expects to find something amiss.
“Be careful tonight,” Oriana says. “Promise me you will neither eat nor drink nor dance.”
“We’ve been to Court before,” I remind her, a Faerie nonanswer if ever there was one.
“You may think salt is sufficient protection, but you children are forgetful. Better to go without. As for dancing, once begun, you mortals will dance yourselves to death if we don’t prevent it.”
I look at my feet and say nothing.
We children are not forgetful.
Madoc married her seven years ago, and shortly after, she gave him a child, a sickly boy named Oak, with tiny, adorable horns on his head. It has always been clear that Oriana puts up with me and Taryn only for Madoc’s sake. She seems to think of us as her husband’s favored hounds: poorly trained and likely to turn on our master at any moment.
Oak thinks of us as sisters, which I can tell makes Oriana nervous, even though I would never do anything to hurt him.
“You are under Madoc’s protection, and he has the favor of the High King,” Oriana says. “I will not see Madoc made to look foolish because of your mistakes.”
With that little speech complete, she walks out toward the horses. One snorts and strikes the ground with a hoof.
Taryn and I share a look and then follow her. Madoc is already seated on the largest of the faerie steeds, an impressive creature with a scar beneath one eye. Its nostrils flare with impatience. It tosses its mane restlessly.
I swing up onto a pale green horse with sharp teeth and a swampy odor. Taryn chooses a rouncy and kicks her heels against its flanks. She takes off like a shot, and I follow, plunging into the night.
Faeries are twilight creatures, and I have become one, too. We rise when the shadows grow long and head to our beds before the sun rises. It is well after midnight when we arrive at the great hill at the Palace of Elfhame. To go inside, we must ride between two trees, an oak and a thorn, and then straight into what appears to be the stone wall of an abandoned folly. I’ve done it hundreds of times, but I flinch anyway. My whole body braces, I grip the reins hard, and my eyes mash shut.
When I open them, I am inside the hill.
We ride on through a cavern, between pillars of roots, over packed earth.
There are dozens of the Folk here, crowding around the entrance to the vast throne room, where Court is being held—long-nosed pixies with tattered wings; elegant, green-skinned ladies in long gowns with goblins holding up their trains; tricksy boggans; laughing foxkin; a boy in an owl mask and a golden headdress; an elderly woman with crows crowding her shoulders; a gaggle of girls with wild roses in their hair; a bark-skinned boy with feathers around his neck; a group of knights all in scarab-green armor. Many I’ve seen before; a few I have spoken with. Too many for my eyes to drink them all in, yet I cannot look away.
I never get tired of this—of the spectacle, of the pageantry. Maybe Oriana isn’t entirely wrong to worry that we might one day get caught up in it, be carried away by it, and forget to take care. I can see why humans succumb to the beautiful nightmare of the Court, why they willingly drown in it.
I know I shouldn’t love it as I do, stolen as I am from the mortal world, my parents murdered. But I love it all the same.
Madoc swings down from his horse. Oriana and Taryn are already off theirs, handing them over to grooms. It’s me they’re waiting for. Madoc reaches out his fingers like he is going to help me, but I hop off the saddle on my own. My leather slippers hit the ground like a slap.
I hope that I look like a knight to him.
Oriana steps forward, probably to remind Taryn and me of all the things she doesn’t want us to do. I don’t give her the chance. Instead, I hook my arm through Taryn’s and hurry along inside. The room is redolent with burning rosemary and crushed herbs. Behind us, I can hear Madoc’s heavy step, but I know where I am going. The first thing we have to do when we get to Court is greet the king.
The High King Eldred sits on his throne in gray robes of state, a heavy golden oak-leaf crown holding down his thin, spun-gold hair. When we bow, he touches our heads lightly with his knobby, be-ringed hands, and then we rise.
His grandmother was Queen Mab, of the House of the Greenbriar. She lived as one of the solitary fey before she began to conquer Faerie with her horned consort and his stag-riders. Because of him, each of Eldred’s six heirs are said to have some animal characteristic, a thing that is not unusual in Faerie but is unusual among the trooping Gentry of the Courts.
The eldest prince, Balekin, and his younger brother, Dain, stand nearby, drinking wine from wooden cups banded in silver. Dain wears breeches that stop at his knees, showing his hooves and deer legs. Balekin wears the greatcoat he favors, with a collar of bear fur. His fingers have a thorn at each knuckle, and thorns ridge his arm, running up under the cuffs of his shirt, visible when he and Dain urge Madoc over.
Oriana curtsies to them. Although Dain and Balekin are standing together, they are often at odds with each other and with their sister Elowyn—so often that the Court is considered to be divided into three warring circles of influence.
Prince Balekin, the firstborn, and his set are known as the Circle of Grackles, for those who enjoy merriment and who scorn anything getting in the way of it. They drink themselves sick and numb themselves with poisonous and delightful powders. His is the wildest circle, although he has always been perfectly composed and sober when speaking with me. I suppose I could throw myself into debauchery and hope to impress them. I’d rather not, though.
Princess Elowyn, the second-born, and her companions have the Circle of Larks. They value art above all else. Several mortals have found favor in her circle, but since I have no real skill with a lute or declaiming, I have no chance of being one of them.
Prince Dain, third-born, leads what’s known as the Circle of Falcons. Knights, warriors, and strategists are in their favor. Madoc, obviously, belongs to this circle. They talk about honor, but what they really care about is power. I am good enough with a blade, knowledgeable in strategy. All I need is a chance to prove myself.
“Go enjoy yourselves,” Madoc tells us. With a look back at the princes, Taryn and I head out into the throng.
The palace of the King of Elfhame has many secret alcoves and hidden corridors, perfect for trysts or assassins or staying out of the way and being really dull at parties. When Taryn and I were little, we would hide under the long banquet tables. But since she determined we were elegant ladies, too big to get our dresses dirty crawling around on the floor, we had to find a better spot. Just past the second landing of stone steps is an area where a large mass of shimmering rock juts out, creating a ledge. Normally, that’s where we settle ourselves to listen to the music and watch all the fun we aren’t supposed to be having.
Tonight, however, Taryn has a different idea. She passes the steps and grabs food off a silver tray—a green apple and a wedge of blue-veined cheese. Not bothering with salt, she takes a bite of each, holding the apple out for me to bite. Oriana thinks we can’t tell the difference between regular fruit and faerie fruit, which blooms a deep gold. Its flesh is red and dense, and the cloying smell of it fills the forests at harvest time.
The apple is crisp and cold in my mouth. We pass it back and forth, sharing down to the core, which I eat in two bites.
Near where I am standing, a tiny faerie girl with a clock of white hair, like that of a dandelion, and a little knife cuts the strap of an ogre’s belt. It’s slick work. A moment later, his sword and pouch are gone, she’s losing herself in the crowd, and I can almost believe it didn’t happen. Until the girl looks back at me.
A moment after that, the ogre realizes he was robbed.
“I smell a thief!” he shouts, casting around him, knocking over a tankard of dark brown beer, his warty nose sniffing the air.
Nearby, there’s a commotion—one of the candles flares up in blue crackling flames, sparking loudly and distracting even the ogre. By the time it returns to normal, the white-haired thief is well gone.
With a half smile, I turn back to Taryn, who watches the dancers with longing, oblivious to much else.
“We could take turns,” she proposes. “If you can’t stop, I’ll pull you out. Then you’ll do the same for me.”
My heartbeat speeds at the thought. I look at the throng of revelers, trying to build up the daring of someone who would rob an ogre right under his nose.
Princess Elowyn whirls at the center of a circle of Larks. Her skin is a glittering gold, her hair the deep green of ivy. Beside her, a human boy plays the fiddle. Two more mortals accompany him less skillfully, but more joyfully, on ukuleles. Elowyn’s younger sister Caelia spins nearby, with corn silk hair like her father’s and a crown of flowers in it.
A new ballad begins, and the words drift up to me. “Of all the sons King William had, Prince Jamie was the worst,” they sing. “And what made the sorrow even greater, Prince Jamie was the first.”
I’ve never much liked that song because it reminds me of someone else. Someone who, along with Princess Rhyia, doesn’t appear to be attending tonight. But—oh no. I do see him.
Prince Cardan, sixth-born to the High King Eldred, yet still the absolute worst, strides across the floor toward us.
Valerian, Nicasia, and Locke—his three meanest, fanciest, and most loyal friends—follow him. The crowd parts and hushes, bowing as they pass. Cardan is wearing his usual scowl, accessorized with kohl under his eyes and a circlet of gold in his midnight hair. He has on a long black coat with a high, jagged collar, the whole thing stitched with a pattern of constellations. Valerian is in deep red, cabochon rubies sparkling on his cuffs, each like a drop of frozen blood. Nicasia’s hair is the blue-green of the ocean, crowned with a diadem of pearls. A glittering cobweb net covers her braids. Locke brings up the rear, looking bored, his hair the precise color of fox fur.
“They’re ridiculous,” I say to Taryn, who follows my gaze. I cannot deny that they’re also beautiful. Faerie lords and ladies, just like in the songs. If we didn’t have to take lessons alongside them, if I didn’t know firsthand what a scourge they were to those who displeased them, I’d probably be as in love with them as everyone else is.
“Vivi says that Cardan has a tail,” Taryn whispers. “She saw it when she was swimming in the lake with him and Princess Rhyia this past full moon night.”
I can’t imagine Cardan swimming in a lake, jumping in the water, splashing people, laughing at something other than their suffering. “A tail?” I echo, an incredulous smile starting on my face and then fading when I remember that Vivi didn’t bother to tell me the story, even though it must have happened days ago. Three is an odd configuration of sisters. There’s always one on the outside.
“With a tuft on the end! It coils up under his clothes and unfurls like a whip.” She giggles, and I can barely understand her next words. “Vivi said she wishes she had one.”
“I’m glad she doesn’t,” I say firmly, which is stupid. I have nothing against tails.
Then Cardan and his companions are too close for us to safely talk about them. I turn my gaze to the floor. Though I hate it, I sink to the ground on one knee, bend my head, and grit my teeth. By my side, Taryn does something similar. All around us, people are making obeisances.
Don’t look at us, I think. Don’t look.
As Valerian passes, he grabs one of my braided horns. The others move on through the throng as Valerian sneers down at me.
“Did you think I didn’t see you there? You and your sister stand out in any crowd,” he says, leaning in close. His breath is heavy with the scent of honey wine. My hand balls into a fist at my side, and I am conscious of the nearness of my knife. Still, I do not look him in the eye. “No other head of hair so dull, no other face so plain.”
“Valerian,” Prince Cardan calls. He is glowering already and when he sees me, his eyes narrow further.
Valerian gives my braid a hard tug. I wince, useless fury coiling in my belly. He laughs and moves on.
My fury curdles into shame. I wish I had smacked his hand away, even though it would have made everything worse.
Taryn sees something in my face. “What did he say to you?”
I shake my head.
Cardan has stopped beside a boy with long copper hair and a pair of small moth wings—a boy who isn’t bowing. The boy laughs and Cardan lunges. Between one eyeblink and the next, the prince’s balled fist strikes the boy hard across the jaw, sending him sprawling. As the boy falls, Cardan grabs one of his wings. It tears like paper. The boy’s scream is thin and reedy. He curls up into himself on the ground, agony plain on his face. I wonder if faerie wings grow back; I know that butterflies that lose a wing never fly again.
The courtiers around us gape and titter, but only for a moment. Then they go back to their dancing and their songs, and the revel spirals on.
This is how they are. Someone gets in Cardan’s way, and they’re instantly and brutally punished. Driven from taking lessons at the palace, sometimes out of the Court entirely. Hurt. Broken.
As Cardan walks past the boy, apparently done with him, I am grateful that Cardan has five more worthy brothers and sisters; it’s practically guaranteed that he’ll never sit on the throne. I don’t want to think of him with more power than he has.
Even Nicasia and Valerian share a weighted glance. Then Valerian shrugs and follows Cardan. But Locke pauses by the boy, bending down to help him to his feet.
The boy’s friends come over to lead him away, and at that moment, improbably, Locke’s gaze lifts. His tawny fox eyes meet mine and widen in surprise. I am immobilized, my heart speeding. I brace myself for more scorn, but then one corner of his mouth lifts. He winks, as if in acknowledgment of being caught out. As if we’re sharing a secret. As if he thinks I am not loathly, as though he does not find my mortality contagious.
“Stop staring at him,” Taryn demands.
“Didn’t you see—” I start to explain, but she cuts me off, grabbing hold of me and hauling us toward the stairs, toward our landing of shimmering stone, where we can hide. Her nails sink into my skin.
“Don’t give them any more reason to bother you than they’ve already got!” The intensity of her response surprises me into snatching back my hand. Angry red half moons mark where she grabbed me.
I look back toward where Locke was, but the crowd has swallowed him up.
As dawn breaks, I open the windows to my bedroom and let the last of the cool night air flow in as I strip off my Court dress. I feel hot all over. My skin feels too tight, and my heart won’t stop racing.
I’ve been to Court before many times. I’ve been witness to more awfulness than wings being torn or my person insulted. Faeries make up for their inability to lie with a panoply of deceptions and cruelties. Twisted words, pranks, omissions, riddles, scandals, not to mention their revenges upon one another for ancient, half-remembered slights. Storms are less fickle than they are, seas less capricious.
Praise for The Cruel Prince:A New York Times BestsellerAn IndieBound BestsellerA Boston Globe Best Book of 2018An ALA 2019 Children's Notables List Pick
"Black is a master at world-building, conveying integral details without that information ever seeming tedious or encyclopedic, whether you're well versed in faerie or a newcomer to the genre....the experience of reading a novel like this is something like being surrounded by magic."—The New York Times Book Review
"Lush, dangerous, a dark jewel of a book. Black's world is intoxicating, imbued with a relentless sense of peril that kept me riveted through every chapter of Jude's journey. And Jude! She is a heroine to love--brave but pragmatic, utterly human. This delicious story will seduce you and leave you desperate for just one more page."—Leigh Bardugo, #1 New York Times bestselling author of Six of Crows and Crooked Kingdom
"I require book two immediately. Holly is the Faerie Queen."—Victoria Aveyard, #1 bestselling author of The Red Queen series
* "[S]pellbinding....Breathtaking set pieces, fully developed supporting characters, and a beguiling, tough-as-nails heroine enhance an intricate, intelligent plot that crescendos to a jaw-dropping third-act twist."—Publishers Weekly, starred review
* "Another fantastic, deeply engaging, and all-consuming work from Black that belongs on all YA shelves."—School Library Journal, starred review
* "Jude, who struggles with a world she both loves and hates and would rather be powerful and safe than good, is a compelling narrator. Whatever a reader is looking for--heart-in-throat action, deadly romance, double-crossing, moral complexity--this is one heck of a ride."—Booklist, starred review
"This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life. Black is building a complex mythology; now is a great time to tune in."—Kirkus Reviews
* "Black, quite rightly, is the acknowledged queen of faerie lit, and her latest shows her to be at the top of her game, unveiling twists and secrets and bringing her characters vividly to life."—VOYA, starred review
"With complicated characters, a suspenseful plot, and a successful return to the Faerie setting of many of her popular books, Black's latest is sure to enchant fans."—The Horn Book
"Another enthralling story in Black's fantasy catalog."—PASTE.com
"Black has a compelling series about fairies, politics and finding your place in the world, starting with this novel, which I read in a single day."—USA Today
Praise for Tithe:YALSA's Teen Top TenALA Best Book for Young AdultsNew York Public Library's "Best Book for the Teenage Reader"* "A gripping read."—Publishers Weekly, starred review
- On Sale
- Jan 2, 2018
- Page Count
- 384 pages
- Little, Brown Books for Young Readers