Dress Your Family in Corduroy and Denim

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By David Sedaris

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David Sedaris plays in the snow with his sisters. He goes on vacation with his family. He gets a job selling drinks. He attends his brother’s wedding. He mops his sister’s floor. He gives directions to a lost traveler. He eats a hamburger. He has his blood sugar tested. It all sounds so normal, doesn’t it? In his newest collection of essays, David Sedaris lifts the corner of ordinary life, revealing the absurdity teeming below its surface. His world is alive with obscure desires and hidden motives — a world where forgiveness is automatic and an argument can be the highest form of love. Dress Your Family in Corduroy and Denim is another unforgettable collection from one of the wittiest and most original writers at work today.

Excerpt

also by David Sedaris

Barrel Fever

Naked

Holidays on Ice

Me Talk Pretty One Day




Us and Them

When my family first moved to North Carolina, we lived in a rented house three blocks from the school where I would begin the third grade. My mother made friends with one of the neighbors, but one seemed enough for her. Within a year we would move again and, as she explained, there wasn't much point in getting too close to people we would have to say good-bye to. Our next house was less than a mile away, and the short journey would hardly merit tears or even good-byes, for that matter. It was more of a "see you later" situation, but still I adopted my mother's attitude, as it allowed me to pretend that not making friends was a conscious choice. I could if I wanted to. It just wasn't the right time.

Back in New York State, we had lived in the country, with no sidewalks or streetlights; you could leave the house and still be alone. But here, when you looked out the window, you saw other houses, and people inside those houses. I hoped that in walking around after dark I might witness a murder, but for the most part our neighbors just sat in their living rooms, watching TV. The only place that seemed truly different was owned by a man named Mr. Tomkey, who did not believe in television. This was told to us by our mother's friend, who dropped by one afternoon with a basketful of okra. The woman did not editorialize—rather, she just presented her information, leaving her listener to make of it what she might. Had my mother said, "That's the craziest thing I've ever heard in my life," I assume that the friend would have agreed, and had she said, "Three cheers for Mr. Tomkey," the friend likely would have agreed as well. It was a kind of test, as was the okra.

To say that you did not believe in television was different from saying that you did not care for it. Belief implied that television had a master plan and that you were against it. It also suggested that you thought too much. When my mother reported that Mr. Tomkey did not believe in television, my father said, "Well, good for him. I don't know that I believe in it, either."

"That's exactly how I feel," my mother said, and then my parents watched the news, and whatever came on after the news.

Word spread that Mr. Tomkey did not own a television, and you began hearing that while this was all very well and good, it was unfair of him to inflict his beliefs upon others, specifically his innocent wife and children. It was speculated that just as the blind man develops a keener sense of hearing, the family must somehow compensate for their loss. "Maybe they read," my mother's friend said. "Maybe they listen to the radio, but you can bet your boots they're doing something."

I wanted to know what this something was, and so I began peering through the Tomkeys' windows. During the day I'd stand across the street from their house, acting as though I were waiting for someone, and at night, when the view was better and I had less chance of being discovered, I would creep into their yard and hide in the bushes beside their fence.

Because they had no TV, the Tomkeys were forced to talk during dinner. They had no idea how puny their lives were, and so they were not ashamed that a camera would have found them uninteresting. They did not know what attractive was or what dinner was supposed to look like or even what time people were supposed to eat. Sometimes they wouldn't sit down until eight o'clock, long after everyone else had finished doing the dishes. During the meal, Mr. Tomkey would occasionally pound the table and point at his children with a fork, but the moment he finished, everyone would start laughing. I got the idea that he was imitating someone else, and wondered if he spied on us while we were eating.

When fall arrived and school began, I saw the Tomkey children marching up the hill with paper sacks in their hands. The son was one grade lower than me, and the daughter was one grade higher. We never spoke, but I'd pass them in the halls from time to time and attempt to view the world through their eyes. What must it be like to be so ignorant and alone? Could a normal person even imagine it? Staring at an Elmer Fudd lunch box, I tried to divorce myself from everything I already knew: Elmer's inability to pronounce the letter r, his constant pursuit of an intelligent and considerably more famous rabbit. I tried to think of him as just a drawing, but it was impossible to separate him from his celebrity.

One day in class a boy named William began to write the wrong answer on the blackboard, and our teacher flailed her arms, saying, "Warning, Will. Danger, danger." Her voice was synthetic and void of emotion, and we laughed, knowing that she was imitating the robot in a weekly show about a family who lived in outer space. The Tomkeys, though, would have thought she was having a heart attack. It occurred to me that they needed a guide, someone who could accompany them through the course of an average day and point out all the things they were unable to understand. I could have done it on weekends, but friendship would have taken away their mystery and interfered with the good feeling I got from pitying them. So I kept my distance.

In early October the Tomkeys bought a boat, and everyone seemed greatly relieved, especially my mother's friend, who noted that the motor was definitely secondhand. It was reported that Mr. Tomkey's father-in-law owned a house on the lake and had invited the family to use it whenever they liked. This explained why they were gone all weekend, but it did not make their absences any easier to bear. I felt as if my favorite show had been canceled.

Halloween fell on a Saturday that year, and by the time my mother took us to the store, all the good costumes were gone. My sisters dressed as witches and I went as a hobo. I'd looked forward to going in disguise to the Tomkeys' door, but they were off at the lake, and their house was dark. Before leaving, they had left a coffee can full of gumdrops on the front porch, alongside a sign reading DON'T BE GREEDY. In terms of Halloween candy, individual gumdrops were just about as low as you could get. This was evidenced by the large number of them floating in an adjacent dog bowl. It was disgusting to think that this was what a gumdrop might look like in your stomach, and it was insulting to be told not to take too much of something you didn't really want in the first place. "Who do these Tomkeys think they are?" my sister Lisa said.

The night after Halloween, we were sitting around watching TV when the doorbell rang. Visitors were infrequent at our house, so while my father stayed behind, my mother, sisters, and I ran downstairs in a group, opening the door to discover the entire Tomkey family on our front stoop. The parents looked as they always had, but the son and daughter were dressed in costumes—she as a ballerina and he as some kind of a rodent with terry-cloth ears and a tail made from what looked to be an extension cord. It seemed they had spent the previous evening isolated at the lake and had missed the opportunity to observe Halloween. "So, well, I guess we're trick-or-treating now, if that's okay," Mr. Tomkey said.

I attributed their behavior to the fact that they didn't have a TV, but television didn't teach you everything. Asking for candy on Halloween was called trick-or-treating, but asking for candy on November first was called begging, and it made people uncomfortable. This was one of the things you were supposed to learn simply by being alive, and it angered me that the Tomkeys did not understand it.

"Why of course it's not too late," my mother said. "Kids, why don't you . . . run and get . . . the candy."

"But the candy is gone," my sister Gretchen said. "You gave it away last night."

"Not that candy," my mother said. "The other candy. Why don't you run and go get it?"

"You mean our candy?" Lisa said. "The candy that we earned?"

This was exactly what our mother was talking about, but she didn't want to say this in front of the Tomkeys. In order to spare their feelings, she wanted them to believe that we always kept a bucket of candy lying around the house, just waiting for someone to knock on the door and ask for it. "Go on, now," she said. "Hurry up."

My room was situated right off the foyer, and if the Tomkeys had looked in that direction, they could have seen my bed and the brown paper bag marked MY CANDY. KEEP OUT. I didn't want them to know how much I had, and so I went into my room and shut the door behind me. Then I closed the curtains and emptied my bag onto the bed, searching for whatever was the crummiest. All my life chocolate has made me ill. I don't know if I'm allergic or what, but even the smallest amount leaves me with a blinding headache. Eventually, I learned to stay away from it, but as a child I refused to be left out. The brownies were eaten, and when the pounding began I would blame the grape juice or my mother's cigarette smoke or the tightness of my glasses—anything but the chocolate. My candy bars were poison but they were brand-name, and so I put them in pile no. 1, which definitely would not go to the Tomkeys.

Out in the hallway I could hear my mother straining for something to talk about. "A boat!" she said. "That sounds marvelous. Can you just drive it right into the water?"

"Actually, we have a trailer," Mr. Tomkey said. "So what we do is back it into the lake."

"Oh, a trailer. What kind is it?"

"Well, it's a boat trailer," Mr. Tomkey said.

"Right, but is it wooden or, you know . . . I guess what I'm asking is what style trailer do you have?"

Behind my mother's words were two messages. The first and most obvious was "Yes, I am talking about boat trailers, but also I am dying." The second, meant only for my sisters and me, was "If you do not immediately step forward with that candy, you will never again experience freedom, happiness, or the possibility of my warm embrace."

I knew that it was just a matter of time before she came into my room and started collecting the candy herself, grabbing indiscriminately, with no regard to my rating system. Had I been thinking straight, I would have hidden the most valuable items in my dresser drawer, but instead, panicked by the thought of her hand on my doorknob, I tore off the wrappers and began cramming the candy bars into my mouth, desperately, like someone in a contest. Most were miniature, which made them easier to accommodate, but still there was only so much room, and it was hard to chew and fit more in at the same time. The headache began immediately, and I chalked it up to tension.

My mother told the Tomkeys she needed to check on something, and then she opened the door and stuck her head inside my room. "What the hell are you doing?" she whispered, but my mouth was too full to answer. "I'll just be a moment," she called, and as she closed the door behind her and moved toward my bed, I began breaking the wax lips and candy necklaces pulled from pile no. 2. These were the second-best things I had received, and while it hurt to destroy them, it would have hurt even more to give them away. I had just started to mutilate a miniature box of Red Hots when my mother pried them from my hands, accidentally finishing the job for me. BB-size pellets clattered onto the floor, and as I followed them with my eyes, she snatched up a roll of Necco wafers.

"Not those," I pleaded, but rather than words, my mouth expelled chocolate, chewed chocolate, which fell onto the sleeve of her sweater. "Not those. Not those."

She shook her arm, and the mound of chocolate dropped like a horrible turd upon my bedspread. "You should look at yourself," she said. "I mean, really look at yourself."

Along with the Necco wafers she took several Tootsie Pops and half a dozen caramels wrapped in cellophane. I heard her apologize to the Tomkeys for her absence, and then I heard my candy hitting the bottom of their bags.

"What do you say?" Mrs. Tomkey asked.

And the children answered, "Thank you."

While I was in trouble for not bringing my candy sooner, my sisters were in more trouble for not bringing theirs at all. We spent the early part of the evening in our rooms, then one by one we eased our way back upstairs, and joined our parents in front of the TV. I was the last to arrive, and took a seat on the floor beside the sofa. The show was a Western, and even if my head had not been throbbing, I doubt I would have had the wherewithal to follow it. A posse of outlaws crested a rocky hilltop, squinting at a flurry of dust advancing from the horizon, and I thought again of the Tomkeys and of how alone and out of place they had looked in their dopey costumes. "What was up with that kid's tail?" I asked.

"Shhhh," my family said.

For months I had protected and watched over these people, but now, with one stupid act, they had turned my pity into something hard and ugly. The shift wasn't gradual, but immediate, and it provoked an uncomfortable feeling of loss. We hadn't been friends, the Tomkeys and I, but still I had given them the gift of my curiosity. Wondering about the Tomkey family had made me feel generous, but now I would have to shift gears and find pleasure in hating them. The only alternative was to do as my mother had instructed and take a good look at myself. This was an old trick, designed to turn one's hatred inward, and while I was determined not to fall for it, it was hard to shake the mental picture snapped by her suggestion: here is a boy sitting on a bed, his mouth smeared with chocolate. He's a human being, but also he's a pig, surrounded by trash and gorging himself so that others may be denied. Were this the only image in the world, you'd be forced to give it your full attention, but fortunately there were others. This stagecoach, for instance, coming round the bend with a cargo of gold. This shiny new Mustang convertible. This teenage girl, her hair a beautiful mane, sipping Pepsi through a straw, one picture after another, on and on until the news, and whatever came on after the news.




Let It Snow

In binghamton, new york, winter meant snow, and though I was young when we left, I was able to recall great heaps of it, and use that memory as evidence that North Carolina was, at best, a third-rate institution. What little snow there was would usually melt an hour or two after hitting the ground, and there you'd be in your windbreaker and unconvincing mittens, forming a lumpy figure made mostly of mud. Snow Negroes, we called them.

The winter I was in the fifth grade we got lucky. Snow fell, and for the first time in years, it accumulated. School was canceled and two days later we got lucky again. There were eight inches on the ground, and rather than melting, it froze. On the fifth day of our vacation my mother had a little breakdown. Our presence had disrupted the secret life she led while we were at school, and when she could no longer take it she threw us out. It wasn't a gentle request, but something closer to an eviction. "Get the hell out of my house," she said.

We reminded her that it was our house, too, and she opened the front door and shoved us into the carport. "And stay out!" she shouted.

My sisters and I went down the hill and sledded with other children from the neighborhood. A few hours later we returned home, surprised to find that the door was still locked. "Oh, come on," we said. I rang the bell and when no one answered we went to the window and saw our mother in the kitchen, watching television. Normally she waited until five o'clock to have a drink, but for the past few days she'd been making an exception. Drinking didn't count if you followed a glass of wine with a cup of coffee, and so she had both a goblet and a mug positioned before her on the countertop.

"Hey!" we yelled. "Open the door. It's us." We knocked on the pane, and without looking in our direction, she refilled her goblet and left the room.

"That bitch," my sister Lisa said. We pounded again and again, and when our mother failed to answer we went around back and threw snowballs at her bedroom window. "You are going to be in so much trouble when Dad gets home!" we shouted, and in response my mother pulled the drapes. Dusk approached, and as it grew colder it occurred to us that we could possibly die. It happened, surely. Selfish mothers wanted the house to themselves, and their children were discovered years later, frozen like mastodons in blocks of ice.

My sister Gretchen suggested that we call our father, but none of us knew his number, and he probably wouldn't have done anything anyway. He'd gone to work specifically to escape our mother, and between the weather and her mood, it could be hours or even days before he returned home.

"One of us should get hit by a car," I said. "That would teach the both of them." I pictured Gretchen, her life hanging by a thread as my parents paced the halls of Rex Hospital, wishing they had been more attentive. It was really the perfect solution. With her out of the way, the rest of us would be more valuable and have a bit more room to spread out. "Gretchen, go lie in the street."

"Make Amy do it," she said.

Amy, in turn, pushed it off onto Tiffany, who was the youngest and had no concept of death. "It's like sleeping," we told her. "Only you get a canopy bed."

Poor Tiffany. She'd do just about anything in return for a little affection. All you had to do was call her Tiff and whatever you wanted was yours: her allowance money, her dinner, the contents of her Easter basket. Her eagerness to please was absolute and naked. When we asked her to lie in the middle of the street, her only question was "Where?"

We chose a quiet dip between two hills, a spot where drivers were almost required to skid out of control. She took her place, this six-year-old in a butter-colored coat, and we gathered on the curb to watch. The first car to happen by belonged to a neighbor, a fellow Yankee who had outfitted his tires with chains and stopped a few feet from our sister's body. "Is that a person?" he asked.

"Well, sort of," Lisa said. She explained that we'd been locked out of our house and though the man appeared to accept it as a reasonable explanation, I'm pretty sure it was him who told on us. Another car passed and then we saw our mother, this puffy figure awkwardly negotiating the crest of the hill. She did not own a pair of pants, and her legs were buried to the calves in snow. We wanted to send her home, to kick her out of nature just as she had kicked us out of the house, but it was hard to stay angry at someone that pitiful-looking.

"Are you wearing your loafers?" Lisa asked, and in response our mother raised her bare foot. "I was wearing loafers," she said. "I mean, really, it was there a second ago."

This was how things went. One moment she was locking us out of our own house and the next we were rooting around in the snow, looking for her left shoe. "Oh, forget about it," she said. "It'll turn up in a few days." Gretchen fitted her cap over my mother's foot. Lisa secured it with her scarf, and surrounding her tightly on all sides, we made our way back home.




The Ship Shape

My mother and i were at the dry cleaner's, standing behind a woman we had never seen. "A nice-looking woman," my mother would later say. "Well put together. Classy." The woman was dressed for the season in a light cotton shift patterned with oversize daisies. Her shoes matched the petals and her purse, which was black-and-yellow-striped, hung over her shoulder, buzzing the flowers like a lazy bumblebee. She handed in her claim check, accepted her garments, and then expressed gratitude for what she considered to be fast and efficient service. "You know," she said, "people talk about Raleigh, but it isn't really true, is it?"

The Korean man nodded, the way you do when you're a foreigner and understand that someone has finished a sentence. He wasn't the owner, just a helper who'd stepped in from the back, and it was clear he had no idea what she was saying.

"My sister and I are visiting from out of town," the woman said, a little louder now, and again the man nodded. "I'd love to stay awhile longer and explore, but my home—well, one of my homes—is on the garden tour, so I've got to get back to Williamsburg."

I was eleven years old, yet still the statement seemed strange to me. If she'd hoped to impress the Korean, the woman had obviously wasted her breath, so who was this information for?

"My home—well, one of my homes": by the end of the day my mother and I had repeated this line no less than fifty times. The garden tour was unimportant, but the first part of her sentence brought us great pleasure. There was, as indicated by the dash, a pause between the words home and well, a brief moment in which she'd decided, Oh, why not? The following word—one—had blown from her mouth as if propelled by a gentle breeze, and this was the difficult part. You had to get it just right, or else the sentence lost its power. Falling somewhere between a self-conscious laugh and a sigh of happy confusion, the one afforded her statement a double meaning. To her peers it meant "Look at me, I catch myself coming and going!" and to the less fortunate it was a way of saying, "Don't kid yourself, it's a lot of work having more than one house."

The first dozen times we tried it, our voices sounded pinched and snobbish, but by midafternoon they had softened. We wanted what this woman had. Mocking her made it seem hopelessly unobtainable, and so we reverted to our natural selves.

"My home—well, one of my homes . . ." My mother said it in a rush, as if she were under pressure to be more specific. It was the same way she said, "My daughter—well, one of my daughters," but a second home was more prestigious than a second daughter, and so it didn't really work. I went in the opposite direction, exaggerating the word one in a way that was guaranteed to alienate my listener.

"Say it like that and people are going to be jealous," my mother said.

"Well, isn't that what we want?"

"Sort of," she said. "But mainly we want them to be happy for us."

"But why should you be happy for someone who has more than you do?"

"I guess it all depends on the person," she said. "Anyway, I suppose it doesn't matter. We'll get it right eventually. When the day arrives, I'm sure it'll just come to us."

And so we waited.

At some point in the mid to late 1960s, North Carolina began referring to itself as "Variety Vacationland." The words were stamped onto license plates, and a series of television commercials reminded us that, unlike certain of our neighbors, we had both the beach and the mountains. There were those who bounced back and forth between one and the other, but most people tended to choose a landscape and stick to it. We ourselves were Beach People, Emerald Isle People, but that was mainly my mother's doing. I don't think our father would have cared whether he took a vacation or not. Being away from home left him anxious and crabby, but our mother loved the ocean. She couldn't swim, but enjoyed standing at the water's edge with a pole in her hand. It wasn't exactly what you'd call fishing, as she caught nothing and expressed neither hope nor disappointment in regard to her efforts. What she thought about while looking at the waves was a complete mystery, yet you could tell that these thoughts pleased her, and that she liked herself better while thinking them.

One year our father waited too late to make our reservations, and we were forced to take something on the sound. It wasn't a cottage but a run-down house, the sort of place where poor people lived. The yard was enclosed by a chain-link fence, and the air was thick with the flies and mosquitoes normally blown away by the ocean breezes. Midway through the vacation a hideous woolly caterpillar fell from a tree and bit my sister Amy on the cheek. Her face swelled and discolored, and within an hour, were it not for her arms and legs, it would have been difficult to recognize her as a human. My mother drove her to the hospital, and when they returned she employed my sister as Exhibit A, pointing as if this were not her daughter but some ugly stranger forced to share our quarters. "This is what you get for waiting until the last minute," she said to our father. "No dunes, no waves, just this."

From that year on, our mother handled the reservations. We went to Emerald Isle for a week every September and were always oceanfront, a word that suggested a certain degree of entitlement. The oceanfront cottages were on stilts, which made them appear if not large, then at least imposing. Some were painted, some were sided "Cape Cod style" with wooden shingles, and all of them had names, the cleverest being Loafer's Paradise. The owners had cut their sign in the shape of two moccasins resting side by side. The shoes were realistically painted and the letters were bloated and listless, loitering like drunks against the soft faux leather.

"Now that's a sign," our father would say, and we would agree. There was The Skinny Dipper, Pelican's Perch, Lazy Daze, The Scotch Bonnet, Loony Dunes, the name of each house followed by the name and hometown of the owner. "The Duncan Clan—Charlotte," "The Graftons—Rocky Mount," "Hal and Jean Starling of Pinehurst"—signs that essentially said, "My home—well, one of my homes."

While at the beach we sensed more than ever that our lives were governed by luck. When we had it—when it was sunny—my sisters and I felt as if we were somehow personally responsible. We were a fortunate family, and therefore everyone around us was allowed to swim and dig in the sand. When it rained, we were unlucky, and stayed indoors to search our souls. "It'll clear after lunch," our mother would say, and we would eat carefully, using the place mats that had brought us luck in the past. When that failed, we would move on to Plan B. "Oh, Mother, you work too hard," we'd say. "Let us do the dishes. Let us sweep sand off the floor." We spoke like children in a fairy tale, hoping our goodness might lure the sun from its hiding place. "You and Father have been so kind to us. Here, let us massage your shoulders."

Genre:

On Sale
May 31, 2005
Page Count
272 pages
Publisher
Back Bay Books
ISBN-13
9780316010795

David Sedaris

About the Author

David Sedaris is the author of the books Let’s Explore Diabetes with Owls, Squirrel Seeks Chipmunk, When You Are Engulfed in Flames, Dress Your Family in Corduroy and Denim, Me Talk Pretty One Day, Holidays on Ice, Naked, and Barrel Fever. He is a regular contributor to The New Yorker and BBC Radio 4. He lives in England.

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