Deacon King Kong (Oprah's Book Club)

A Novel

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Winner of the Anisfield-Wolf Book Award for Fiction
Winner of the Gotham Book Prize

One of Barack Obama’s “Favorite Books of the Year”

Oprah’s Book Club Pick

Named one of the Top Ten Books of the Year by the New York Times, Entertainment Weekly and TIME Magazine

Washington Post Notable Novel

From the author of the National Book Award-winning The Good Lord Bird and the bestselling modern classic The Color of Water, comes one of the most celebrated novels of the year.

In September 1969, a fumbling, cranky old church deacon known as Sportcoat shuffles into the courtyard of the Cause Houses housing project in south Brooklyn, pulls a .38 from his pocket, and, in front of everybody, shoots the project’s drug dealer at point-blank range.

The reasons for this desperate burst of violence and the consequences that spring from it lie at the heart of Deacon King Kong, James McBride’s funny, moving novel and his first since his National Book Award-winning The Good Lord Bird. In Deacon King Kong, McBride brings to vivid life the people affected by the shooting: the victim, the African-American and Latinx residents who witnessed it, the white neighbors, the local cops assigned to investigate, the members of the Five Ends Baptist Church where Sportcoat was deacon, the neighborhood’s Italian mobsters, and Sportcoat himself.

As the story deepens, it becomes clear that the lives of the characters–caught in the tumultuous swirl of 1960s New York–overlap in unexpected ways. When the truth does emerge, McBride shows us that not all secrets are meant to be hidden, that the best way to grow is to face change without fear, and that the seeds of love lie in hope and compassion.

Bringing to these pages both his masterly storytelling skills and his abiding faith in humanity, James McBride has written a novel every bit as involving as The Good Lord Bird and as emotionally honest as The Color of Water. Told with insight and wit, Deacon King Kong demonstrates that love and faith live in all of us.




Deacon Cuffy Lambkin of Five Ends Baptist Church became a walking dead man on a cloudy September afternoon in 1969. That's the day the old deacon, known as Sportcoat to his friends, marched out to the plaza of the Causeway Housing Projects in South Brooklyn, stuck an ancient .38 Colt in the face of a nineteen-year-old drug dealer named Deems Clemens, and pulled the trigger.

There were a lot of theories floating around the projects as to why old Sportcoat—a wiry, laughing brown-skinned man who had coughed, wheezed, hacked, guffawed, and drank his way through the Cause Houses for a good part of his seventy-one years—shot the most ruthless drug dealer the projects had ever seen. He had no enemies. He had coached the projects baseball team for fourteen years. His late wife, Hettie, had been the Christmas Club treasurer of his church. He was a peaceful man beloved by all. So what happened?

The morning after the shooting, the daily gathering of retired city workers, flophouse bums, bored housewives, and ex-convicts who congregated in the middle of the projects at the park bench near the flagpole to sip free coffee and salute Old Glory as it was raised to the sky had all kinds of theories about why old Sportcoat did it.

"Sportcoat had rheumatic fever," declared Sister Veronica Gee, the president of the Cause Houses Tenant Association and wife of the minister at Five Ends Baptist Church, where Sportcoat had served for fifteen years. She told the gathering that Sportcoat was planning to preach his first-ever sermon that upcoming Friends and Family Day at Five Ends Baptist, titled "Don't Eat the Dressing Without Confessing." She also threw in that the church's Christmas Club money was missing, "but if Sportcoat took it, it was on account of that fever," she noted.

Sister T. J. Billings, known affectionately as "Bum-Bum," head usher at Five Ends, whose ex-husband was the only soul in that church's storied history to leave his wife for a man and live to tell about it (he moved to Alaska), had her own theory. She said Sportcoat shot Deems because the mysterious ants had returned to Building 9. "Sportcoat," she said grimly, "is under an evil spell. There's a mojo about."

Miss Izi Cordero, vice president of the Puerto Rican Statehood Society of the Cause Houses, who had actually been standing just thirty feet away when Sportcoat pointed his ancient peashooter at Deems's skull and cut loose, said the whole ruckus started because Sportcoat was blackmailed by a certain "evil Spanish gangster," and she knew exactly who that gangster was and planned to tell the cops all about him. Of course everybody knew she was talking about her Dominican ex-husband, Joaquin, who was the only honest numbers runner in the projects, and that she and her Joaquin hated each other's guts and each had worked to get the other arrested for the last twenty years. So there was that.

Hot Sausage, the Cause Houses janitor and Sportcoat's best friend, who raised the flag each morning and doled out free coffee care of the Cause Houses Senior Center, told the gathering that Sportcoat shot Deems on account of the annual baseball game between the Cause Houses and their rival, the Watch Houses, being canceled two years before. "Sportcoat," he said proudly, "is the only umpire both teams allowed."

But it was Dominic Lefleur, the Haitian Cooking Sensation, who lived in Sportcoat's building, who best summed up everybody's feelings. Dominic had just returned from a nine-day visit to see his mother in Port-au-Prince, where he contracted and then passed around the usual strange Third World virus that floored half his building, sending residents crapping and puking and avoiding him for days—though the virus never seemed to affect him. Dominic saw the whole stupid travesty through his bathroom window as he was shaving. He walked into his kitchen, sat down to eat lunch with his teenage daughter, who was quaking with a temperature of 103, and said, "I always knew old Sportcoat would do one great thing in life."

The fact is, no one in the projects really knew why Sportcoat shot Deems—not even Sportcoat himself. The old deacon could no more explain why he shot Deems than he could explain why the moon looked like it was made of cheese, or why fruit flies come and go, or how the city dyed the waters of the nearby Causeway Harbor green every St. Paddy's Day. The night before, he'd dreamed of his wife, Hettie, who had vanished during the great snowstorm of 1967. Sportcoat loved to tell that story to his friends.

"It was a beautiful day," he said. "The snow came down like ashes from the sky. It was just a big, white blanket. The projects was so peaceful and clean. Me and Hettie ate some crabs that night, then stood by the window and watched the Statue of Liberty in the harbor. Then we went to sleep.

"In the middle of the night, she shook me woke. I opened my eyes and seen a light floating 'round the room. It was like a little candlelight. 'Round and 'round it went, then out the door. Hettie said, 'That's God's light. I got to fetch some moonflowers out the harbor.' She put on her coat and followed it outside."

When asked why he didn't go to the nearby Causeway Harbor after her, Sportcoat was incredulous. "She was following God's light," he said. "Plus, the Elephant was out there."

He had a point. Tommy Elefante, the Elephant, was a heavyset, brooding Italian who favored ill-fitting suits and ran his construction and trucking businesses out of an old railroad boxcar at the harbor pier two blocks from the Cause Houses and just a block from Sportcoat's church. The Elephant and his silent, grim Italians, who worked in the dead of night hauling God knows what in and out of that boxcar, were a mystery. They scared the shit out of everybody. Not even Deems, evil as he was, fooled with them.

So Sportcoat waited till the next morning to look for Hettie. It was Sunday. He rose early. The project residents were still asleep and the freshly fallen snow was largely untouched. He followed her tracks to the pier, where they ended at the water's edge. Sportcoat stared out over the water and saw a raven flying high overhead. "It was beautiful," he told his friends. "It circled a few times, then flew high up and was gone." He watched the bird till it was out of sight, then trudged back through the snow to the tiny cinder-block structure that was Five Ends Baptist Church, whose small congregation was gathering for its eight a.m. service. He walked in just as Reverend Gee, standing at his pulpit in front of the church's sole source of heat, an old woodstove, was reading off the Sick and Shut-in Prayer List.

Sportcoat took a seat in a pew amid a few sleepy worshippers, picked up a tiny one-sheet church program, and scrawled in a shaky hand, "Hettie," then handed it to the usher, Sister Gee, who was dressed in white. She walked it up to her husband and handed it to him just as Pastor Gee began reading the list out loud. The list was always long, and it usually bore the same names anyway: this one sick in Dallas, that one dying out in Queens someplace, and of course Sister Paul, an original founder of Five Ends. She was 102, and had been living in an old folks' home way out in Bensonhurst so long that only two people in the congregation actually remembered her. In fact there was some question as to whether Sister Paul was still alive, and there was some general noise in the congregation that maybe somebody—like the pastor—ought to ride out there and check. "I would go," Pastor Gee said, "but I like my teeth." Everybody knew the white folks in Bensonhurst weren't fond of the Negro. Besides, the pastor noted cheerfully, Sister Paul's tithes of $4.13 came by mail faithfully every month, and that was a good sign.

Standing at his pulpit mumbling down the Sick and Shut-in Prayer List, Pastor Gee received the paper bearing Hettie's name without a blink. When he read out her name he smiled and quipped, "Git in your soul, brother. A working wife is good for life!" It was a funny dig at Sportcoat, who hadn't held a steady job in years, while Hettie raised their only child and still worked a job. Reverend Gee was a handsome, good-natured man who liked a joke, though at the time he was fresh off scandal himself, having recently been spotted over at Silky's Bar on Van Marl Street trying to convert a female subway conductor with boobs the size of Milwaukee. He was on thin ice with the congregation because of it, so when no one laughed, his face grew stern and he read Hettie's name aloud, then sang "Somebody's Calling My Name." The congregation joined in and they all sang and prayed and Sportcoat felt better. So did Reverend Gee.

That night Hettie still didn't come home. Two days later, the Elephant's men discovered Hettie floating near the shore at the pier, her face gently draped with a scarf she'd worn around her neck when she left the apartment. They pulled her out of the bay, wrapped her in a wool blanket, laid her gently on a large tuft of clean, white snow near the boxcar, then sent for Sportcoat. When he got there, they handed him a fifth of scotch without a word, called the cops, and then vanished. The Elephant wanted no confusion. Hettie was not one of his. Sportcoat understood.

Hettie's funeral was the usual death extravaganza at Five Ends Baptist. Pastor Gee was an hour late to the service because gout had swollen his feet so badly he couldn't get his church shoes on. The funeral director, old white-haired Morris Hurly, whom everybody called Hurly Girly behind his back because, well . . . everybody knew Morris was . . . well, he was cheap and talented and always two hours late with the body, but everybody knew Hettie would look like a million bucks, which she did. The delay gave Pastor Gee a chance to preside over a hank between the ushers about the flower arrangements. No one knew where to put them. Hettie had been the one who always figured out where the flowers went, placing the geraniums in this corner, and the roses near this pew, and the azaleas by the stained-glass window to comfort this or that family. But today Hettie was the guest of honor, which meant the flowers were scattered helter-skelter, just where the deliverymen dropped them, so it took Sister Gee, stepping in as usual, to figure that out. Meanwhile Sister Bibb, the voluptuous church organist, who at fifty-five years old was thick-bodied, smooth and brown as a chocolate candy bar, arrived in terrible shape. She was coming off her once-a-year sin jamboree, an all-night, two-fisted, booze-guzzling, swig-faced affair of delicious tongue-in-groove-licking and love-smacking with her sometimes boyfriend, Hot Sausage, until Sausage withdrew from the festivities for lack of endurance. "Sister Bibb," he once complained to Sportcoat, "is a grinder, and I don't mean organ." She arrived with a pounding headache and a sore shoulder from some kind of tugging from last night's howling bliss. She sat at her organ in a stupor, her head resting on the keys, as the congregation wandered in. After a few minutes, she left the sanctuary and headed for the basement ladies' room, hoping it was empty. But she stumbled down the stairs on the way and twisted her ankle badly. She suffered the injury without blasphemy or complaint, vomited last night's revelry into the toilet of the empty bathroom, refreshed her lipstick and checked her hair, then returned to the sanctuary, where she played the whole service with her ankle swollen to the size of a cantaloupe. She limped back to her apartment afterward, furious and repentant, spitting venom at Hot Sausage, who had gotten his breath back from the previous night's tumble and now wanted more. He followed her home like a puppy, lingering half a block behind her, crouching behind the mulberry bushes that lined the projects' walkways. Every time Sister Bibb looked over her shoulder and saw Hot Sausage's porkpie hat protruding over the bushes, she flew into a rage.

"Git gone, varmint," she snapped. "I'm done merryin' with you!"

Sportcoat, however, arrived at the church in great shape, having spent the previous night celebrating Hettie's life with his buddy Rufus Harley, who was from his hometown and was his second-best friend in Brooklyn after Hot Sausage. Rufus was janitor at the nearby Watch Houses just a few blocks off, and while he and Hot Sausage didn't get along—Rufus was from South Carolina, while Sausage hailed from Alabama—Rufus made a special blend of white lightning known as King Kong that everyone, even Hot Sausage, enjoyed.

Sportcoat didn't like the name of Rufus's specialty and over the years had proposed several names for it. "You could sell this stuff like hoecakes if it weren't named after a gorilla," he said once. "Why not call it Nellie's Nightcap, or Gideon's Sauce?" But Rufus always scoffed at the notions. "I used to call it Sonny Liston," he said, referring to the feared Negro heavyweight champ whose hammer-like fists knocked opponents out cold, "till Muhammad Ali come along." Sportcoat had to agree that by whatever name, Rufus's white lightning was the best in Brooklyn.

The night had been long and merry with talk of their hometown of Possum Point, and the next morning Sportcoat was in fine shape, seated in the first pew of Five Ends Baptist, smiling as the ladies in white fussed over him and the two best singers in the choir got into a fight over the church's sole microphone. Church fights are normally hushed, hissy affairs, full of quiet backstabbing, intrigue, and whispered gossip about bad rice and beans. But this spat was public, the best kind. The two choir members involved, Nanette and Sweet Corn, known as the Cousins, were both thirty-three, beautiful, and wonderful singers. They had been raised as sisters, still lived together, and had recently had a terrible spat about a worthless young man from the projects named Pudding. The results were fantastic. The two took their rage at each other out on the music, each trying to outdo the other, hollering with glorious savagery about the coming redemption of our mighty King and Savior, Jesus the Christ of Nazareth.

Reverend Gee, inspired by the sight of the Cousins' lovely breasts swelling beneath their robes as they roared, followed with a thunderous eulogy to make up for his joke about Hettie when she was already dead in the harbor, which made the whole thing the best home-going service Five Ends Baptist had seen in years.

Sportcoat watched it all in awe, reveling in the spectacle with delight, marveling at the Willing Workers in their white dresses and fancy hats who scurried about and fussed over him and his son, Pudgy Fingers, who sat next to him. Pudgy Fingers, twenty-six, blind, and said to be half a loaf short in his mind, had evolved from childhood fat to sweet slimness, his etched chocolate features hidden by expensive dark glasses donated by some long-forgotten social service agency worker. He ignored everything as usual, though he didn't eat afterward at the church meal, which wasn't normal for Pudgy Fingers. But Sportcoat loved it. "It was wonderful," he told his friends after the service. "Hettie would have loved it."

That night he dreamed of Hettie, and like he often did in the evenings when she was alive, he told her the titles of sermons he planned to preach one day, which usually amused her, since he always had the titles but never the content: "God Bless the Cow," and "I Thank Him for the Corn," and "'Boo!' Said the Chicken." But that night she seemed irritated, sitting in a chair in a purple dress, her legs crossed, listening with a frown as he talked, so he brought her up to date on the cheery news of her funeral. He told her how beautiful her service was, the flowers, the food, the speeches, and the music, and how happy he was that she had received her wings and gone on to her reward, though she could have left him a little advice about how he could get hold of her Social Security. Didn't she know it was a pain to stand in line downtown at the Social Security office all day? And what about the Christmas Club money she collected, where the members of Five Ends put away money every week so they could buy Christmas gifts in December for their kids? Hettie was the treasurer, but she had never said where she hid the money.

"Everybody asking about their jack," he said. "You shoulda told where you hid it."

Hettie ignored the question as she fluffed at a wrinkled spot in her bodice. "Stop talking to the child in me," she said. "You been talking to the child in me fifty-one years."

"Where's the money?"

"Check your poop hole, you drinking dog!"

"We got some chips in there, too, y'know!"

"We?" She smirked. "You ain't throwed a dime in there in twenty years, you joy-juice-swillin', lazy, no-good bum!" She stood up, and just like that they were off, arguing like the old days, a catfight that developed into the usual roaring, fire-breathing, ass-out brawl that continued after he awoke, with her following him around as usual, with her hands on her hips, tossing zingers while he tried to walk away, snapping back responses over his shoulder. They argued that day and the next, fussing right through breakfast, lunch, and into the next day. To an outsider, Sportcoat appeared to be talking to walls as he went about his usual duties: down into the projects boiler room for a quick snort with Hot Sausage, back up the stairs to apartment 4G, out again to take Pudgy Fingers to where the bus picked him up to take him to the blind people's social center, then out to work his usual odd jobs, and then back home again. Wherever he went, the two of them fussed. Or at least Sportcoat did. The neighbors could not see Hettie, of course: they just stared at him talking to someone nobody could see. Sportcoat paid them no mind when they stared. Fussing with Hettie was the most natural thing in the world to do. He'd done it for forty years.

He couldn't believe it. Gone was the tender, shy, sweet little thing that giggled back in Possum Point when they slipped into the high corn of her daddy's garden and he poured wine down her shirt and thumbed her boobs. Now she was all New York: insolent, mouthy, and fresh, appearing out of nowhere at the oddest times of the day, and each time wearing a new damn wig on her head, which, he suspected, was something she'd received from the Lord as a gift for her life struggles. The morning he shot Deems she'd appeared as a redhead, which startled him, and worse, she flew into a rage when he asked, for the umpteenth time, about the Christmas Club money.

"Woman, where's them dollars? I got to come up with them people's chips."

"I ain't got to tell it."

"That's stealing!"

"Look who's talking. The cheese thief!"

That last crack stung him. For years, the New York City Housing Authority, a mega-mass of bloated bureaucracy, a hotbed of grift, graft, games, payola bums, deadbeat dads, payoff racketeers, and old-time political appointees who lorded over the Cause Houses and every other one of New York's forty-five housing projects with arrogant inefficiency, had inexplicably belched forth a phenomenal gem of a gift to the Cause Houses: free cheese. Who pushed the button, who filled out the paperwork, who made the cheese magically appear, no one knew—not even Bum-Bum, who made it her cause d'être for years to find out the origin of the cheese. The assumption was it came from Housing, but nobody was stupid enough to awaken that beast by calling downtown to ask. Why bother? The cheese was free. It came like clockwork for years, every first Saturday of the month, arriving like magic in the wee hours in Hot Sausage's boiler room in the basement of Building 17. Ten crates of it, freshly chilled in five-pound hunks. This wasn't plain old housing-projects "cheese food"; nor was it some smelly, curdled, reluctant Swiss cheese material snatched from a godforsaken bodega someplace, gathering mold in some dirty display case while mice gnawed at it nightly, to be sold to some sucker fresh from Santo Domingo. This was fresh, rich, heavenly, succulent, soft, creamy, kiss-my-ass, cows-gotta-die-for-this, delightfully salty, moo-ass, good old white folks cheese, cheese to die for, cheese to make you happy, cheese to beat the cheese boss, cheese for the big cheese, cheese to end the world, cheese so good it inspired a line every first Saturday of the month: mothers, daughters, fathers, grandparents, disabled in wheelchairs, kids, relatives from out of town, white folks from nearby Brooklyn Heights, and even South American workers from the garbage-processing plant on Concord Avenue, all patiently standing in a line that stretched from the interior of Hot Sausage's boiler room to Building 17's outer doorway, up the ramp to the sidewalk, curling around the side of the building and to the plaza near the flagpole. The unlucky ones at the end of the line were forced to constantly watch over their shoulders for the cops—free or not, something this good had to have an angle—while the ones near the front of the line salivated and edged forward anxiously, hoping the supply would last, knowing that to get within sight of the cheese and then witness the supply run out was akin to experiencing sudden coitus interruptus.

Naturally, Sportcoat's affinity with the very important distributor of that item, Hot Sausage, guaranteed him a hunk no matter what the demand, which was always good news for him and Hettie. Hettie especially loved that cheese. So her crack about it infuriated him.

"You ate that cheese, didn't you?" Sportcoat said. "You ate it like a butcher's dog every time. Stolen or not. You liked it."

"It was from Jesus."

That drove him wild, and he harangued her till she disappeared. Their fights, in the weeks previous to the shooting, had become so heated he had begun to rehearse his arguments to himself before she appeared, drinking booze in her absence to clarify his thoughts and wipe the cobwebs out his mind so he could lay out his reasoning clearly and show her who was boss once she showed up, which made him seem even more bizarre to the residents of the Cause Houses, seeing Sportcoat in the hall holding a bottle of Rufus's homemade King Kong in the air and saying to no one in particular, "Who's bringing the cheese? Jesus or me? If I'm the one standing in line for the cheese . . . And I'm the one fetching the cheese. And I'm the one hauling the cheese home in the rain and snow. Who's bringing the cheese? Jesus or me?"

His friends excused it. His neighbors ignored it. His church family at Five Ends shrugged. Big deal. So Sport was a little crazy. Everybody in the Cause had a reason to be a little left-handed. Take Neva Ramos, the Dominican beauty in Building 5 who poured a glass of water on the head of any man stupid enough to stand beneath her window. Or Dub Washington from Building 7, who slept in an old factory at Vitali Pier and got busted every winter for shoplifting at the same Park Slope grocery store. Or Bum-Bum, who stopped in front of the picture of the black Jesus painted on the back wall of Five Ends each morning before work to pray aloud for the destruction of her ex-husband, that the Lord might set his balls on fire and they might sizzle on a frying pan like two tiny, flattened potato pancakes. It was all explainable. Neva got wronged on her job by her boss. Dub Washington wanted a warm jail. Sister Bum-Bum's husband left her for a man. So what? Everyone had a reason to be crazy in the Cause. There was mostly a good reason behind everything.

Until Sportcoat shot Deems. That was different. Trying to find reason in that was like trying to explain how Deems went from being a cute pain in the ass and the best baseball player the projects had ever seen to a dreadful, poison-selling, murderous meathead with all the appeal of a cyclops. It was impossible.

"If there's no time limit on fortune-cookie predictions, Sportcoat might make it," Bum-Bum said. "But outside of that, I reckon he's on the short list." She was right. Everyone agreed. Sportcoat was a dead man.



Of course the folks in the Cause Houses had predicted Sportcoat's death for years. Every year in the spring, when the project residents would emerge from their apartments like burrowed groundhogs to walk along the plaza and sample whatever good air was left in the Causeway—much of it polluted from the nearby wastewater-treatment plant—some resident would spy Sportcoat staggering through the plaza after a night of bingeing on King Kong rotgut at Rufus's or playing bid whist at Silky's Bar over on Van Marl Street and say, "He's done." When he caught the flu back in '58, which floored half of Building 9 and gave Deacon Erskine of Mighty Hand Gospel Tabernacle his Final Wings, Sister Bum-Bum declared, "He's going up yonder." When the ambulance came to get him after his third stroke in '62, Ginny Rodriguez of Building 19 grumbled, "He's finished." That was the same year that Miss Izi of the Puerto Rican Statehood Society won raffle tickets to see the New York Mets at the Polo Grounds. She predicted the Mets, who had lost 120 games that year, would win and they did, which encouraged her to announce Sportcoat's death two weeks later, explaining that Dominic Lefleur, the Haitian Sensation, had just arrived back from Port-au-Prince after visiting his mother, and she actually saw Sportcoat drop in his tracks, right in front of his apartment on the fourth floor, from the strange virus Dominic brought back that year. "He went 'fatty boom bang'!" she exclaimed. Gone. Quit. Outta here. She even pointed to the black van from the city morgue that showed up that night and hauled out a body as proof, only to recant the whole bit the next morning when it turned out the body they'd claimed belonged to the Haitian Sensation's brother El Haji, who had converted to Islam and broken his mother's heart, then collapsed of a heart attack after his first day on the job driving a city bus—after trying to get on at Transit for three years, too, imagine that.

Still, Sportcoat seemed earmarked for death. In fact, even the cheerful souls at Five Ends Baptist—where Sportcoat served as a deacon and president of the Five Ends chapter of the Grand Brotherhood of the Brooklyn Elks Lodge #47, which for the grand sum of $16.75 (paid annually, money order only please) had a standing guarantee from the head honchos at Five Ends Baptist to "funeralize any and all Brooklyn Elks Lodge members who need final servicing, at cost of course," with Sportcoat serving as honorary pallbearer—had predicted his death. "Sportcoat," Sister Veronica Gee of Five Ends said soberly, "is a sick man."

On Sale
Mar 3, 2020
Page Count
384 pages